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  • SuperSaiyanTehAwesum commented on kiraalouise's picture

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!

    SuperSaiyanTehAwesum #1

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
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    kira is a 15 year old female from United Kingdom.
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    3 days 17 hours ago
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    1 week 5 days ago
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    August 2nd, 2010
    Following them 9

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
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    kira is a 15 year old female from United Kingdom.
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    3 days 17 hours ago
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    1 week 1 day ago
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    1 week 5 days ago
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    August 2nd, 2010
    Following them 9

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    A moment ago

    SuperSaiyanTehAwesum #1

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
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    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
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    August 2nd, 2010
    Following them 9

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
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    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

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    A moment ago

    SuperSaiyanTehAwesum #2

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

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    A moment ago

    SuperSaiyanTehAwesum #1

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    A moment ago

    SuperSaiyanTehAwesum #2

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
    It's now live in the app store. Click for more info!
    © DailyBooth, Inc.
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
    It's now live in the app store. Click for more info!
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    A moment ago

    SuperSaiyanTehAwesum #3

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
    It's now live in the app store. Click for more info!
    © DailyBooth, Inc.
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
    It's now live in the app store. Click for more info!
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
    It's now live in the app store. Click for more info!
    © DailyBooth, Inc.
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    A moment ago

    SuperSaiyanTehAwesum #1

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
    It's now live in the app store. Click for more info!
    © DailyBooth, Inc.
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
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    4
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    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
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    1 week 1 day ago
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    1 week 5 days ago
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    August 2nd, 2010
    Following them 9

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

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    A moment ago

    SuperSaiyanTehAwesum #2

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

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    A moment ago

    SuperSaiyanTehAwesum #3

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    A moment ago

    SuperSaiyanTehAwesum #4

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    © DailyBooth, Inc.
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    A moment ago

    SuperSaiyanTehAwesum #1

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    A moment ago

    SuperSaiyanTehAwesum #2

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    © DailyBooth, Inc.
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    A moment ago

    SuperSaiyanTehAwesum #3

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
    It's now live in the app store. Click for more info!
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    A moment ago

    SuperSaiyanTehAwesum #4

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
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    kira is a 15 year old female from United Kingdom.
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    3 days 17 hours ago
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    1 week 5 days ago
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    August 2nd, 2010
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

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    A moment ago

    SuperSaiyanTehAwesum #5

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

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    A moment ago

    SuperSaiyanTehAwesum #1

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

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    A moment ago

    SuperSaiyanTehAwesum #2

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    A moment ago

    SuperSaiyanTehAwesum #3

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    A moment ago

    SuperSaiyanTehAwesum #4

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    © DailyBooth, Inc.
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    A moment ago

    SuperSaiyanTehAwesum #5

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
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    4
    booths
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    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
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    1 week 1 day ago
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    1 week 5 days ago
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    August 2nd, 2010
    Following them 9

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    A moment ago

    SuperSaiyanTehAwesum #6

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

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    A moment ago

    SuperSaiyanTehAwesum #1

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    1 second ago

    SuperSaiyanTehAwesum #2

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    © DailyBooth, Inc.
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    1 second ago

    SuperSaiyanTehAwesum #3

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    © DailyBooth, Inc.
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    © DailyBooth, Inc.
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
    It's now live in the app store. Click for more info!
    © DailyBooth, Inc.
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    1 second ago

    SuperSaiyanTehAwesum #4

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
    It's now live in the app store. Click for more info!
    © DailyBooth, Inc.
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    © DailyBooth, Inc.
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    1 second ago

    SuperSaiyanTehAwesum #5

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    © DailyBooth, Inc.
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
    It's now live in the app store. Click for more info!
    © DailyBooth, Inc.
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    1 second ago

    SuperSaiyanTehAwesum #6

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
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    kira is a 15 year old female from United Kingdom.
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    3 days 17 hours ago
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    August 2nd, 2010
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

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    1 second ago

    SuperSaiyanTehAwesum #7

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

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    A moment ago

    SuperSaiyanTehAwesum #1

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

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    1 second ago

    SuperSaiyanTehAwesum #2

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    1 second ago

    SuperSaiyanTehAwesum #3

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    1 second ago

    SuperSaiyanTehAwesum #4

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    1 second ago

    SuperSaiyanTehAwesum #5

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
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    4
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    kira is a 15 year old female from United Kingdom.
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    3 days 17 hours ago
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    1 week 5 days ago
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    August 2nd, 2010
    Following them 9

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    1 second ago

    SuperSaiyanTehAwesum #6

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

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    1 second ago

    SuperSaiyanTehAwesum #7

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

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    A moment ago

    SuperSaiyanTehAwesum #8

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    A moment ago

    SuperSaiyanTehAwesum #8

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    A moment ago

    SuperSaiyanTehAwesum #1

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    1 second ago

    SuperSaiyanTehAwesum #2

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    1 second ago

    SuperSaiyanTehAwesum #3

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
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    4
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    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
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    1 week 1 day ago
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    1 week 5 days ago
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    August 2nd, 2010
    Following them 9

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

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    1 second ago

    SuperSaiyanTehAwesum #4

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    1 second ago

    SuperSaiyanTehAwesum #5

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    1 second ago

    SuperSaiyanTehAwesum #6

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    © DailyBooth, Inc.
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    © DailyBooth, Inc.
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    © DailyBooth, Inc.
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    1 second ago

    SuperSaiyanTehAwesum #7

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    © DailyBooth, Inc.
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
    It's now live in the app store. Click for more info!
    © DailyBooth, Inc.
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
    It's now live in the app store. Click for more info!
    © DailyBooth, Inc.
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    A moment ago

    SuperSaiyanTehAwesum #8

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
    It's now live in the app store. Click for more info!
    © DailyBooth, Inc.
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    © DailyBooth, Inc.
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
    It's now live in the app store. Click for more info!
    © DailyBooth, Inc.
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    A moment ago

    SuperSaiyanTehAwesum #8

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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
    Upload a picture comment


    4
    booths
    9
    followers
    34
    following
    kira is a 15 year old female from United Kingdom.
    Picture #4
    3 days 17 hours ago
    Picture #3
    1 week 1 day ago
    Picture #2
    1 week 5 days ago
    Picture #1
    August 2nd, 2010
    Following them 9

    They're following 34

    DailyBooth iPhone app!
    It's now live in the app store. Click for more info!
    © DailyBooth, Inc.
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers<3!
    Snap a picture comment
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers&lt;3!
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers&lt;3!
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    3 days 17 hours ago 22 views
    hey guys ;D!
    been couple days since i last boothed, I had my blood test don't get results back till monday :(!
    Today i spent day in town got new clothes and then went over the boyfriends for couple hours was fun now i'm off to bed so goodnight boothers&lt;3!
    Snap a picture comment
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    11 comments

    March 16th, 2011

  • SuperSaiyanTehAwesum commented on kiraalouise's picture

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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
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    1 week 19 hours ago
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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
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    1 week 19 hours ago
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    May 21st, 2011
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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
    Snap a picture comment
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    12
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    1 week 19 hours ago
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    May 21st, 2011
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    May 10th, 2011
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    May 5th, 2011
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    April 26th, 2011
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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
    Snap a picture comment
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    Picture #12
    1 week 19 hours ago
    Picture #11
    May 21st, 2011
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    May 10th, 2011
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    May 5th, 2011
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    April 26th, 2011
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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
    Snap a picture comment
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    kira is a 15 year old female from United Kingdom.
    Picture #12
    1 week 19 hours ago
    Picture #11
    May 21st, 2011
    Picture #10
    May 10th, 2011
    Picture #9
    May 5th, 2011
    Picture #8
    April 26th, 2011
    Following them 16

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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
    Snap a picture comment
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    12
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    kira is a 15 year old female from United Kingdom.
    Picture #12
    1 week 19 hours ago
    Picture #11
    May 21st, 2011
    Picture #10
    May 10th, 2011
    Picture #9
    May 5th, 2011
    Picture #8
    April 26th, 2011
    Following them 16

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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
    Snap a picture comment
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    12
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    kira is a 15 year old female from United Kingdom.
    Picture #12
    1 week 19 hours ago
    Picture #11
    May 21st, 2011
    Picture #10
    May 10th, 2011
    Picture #9
    May 5th, 2011
    Picture #8
    April 26th, 2011
    Following them 16

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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
    Snap a picture comment
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    12
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    kira is a 15 year old female from United Kingdom.
    Picture #12
    1 week 19 hours ago
    Picture #11
    May 21st, 2011
    Picture #10
    May 10th, 2011
    Picture #9
    May 5th, 2011
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    April 26th, 2011
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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
    Snap a picture comment
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    12
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    kira is a 15 year old female from United Kingdom.
    Picture #12
    1 week 19 hours ago
    Picture #11
    May 21st, 2011
    Picture #10
    May 10th, 2011
    Picture #9
    May 5th, 2011
    Picture #8
    April 26th, 2011
    Following them 16

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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
    Snap a picture comment
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    12
    booths
    16
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    42
    following
    kira is a 15 year old female from United Kingdom.
    Picture #12
    1 week 19 hours ago
    Picture #11
    May 21st, 2011
    Picture #10
    May 10th, 2011
    Picture #9
    May 5th, 2011
    Picture #8
    April 26th, 2011
    Following them 16

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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
    Snap a picture comment
    Upload a picture comment


    12
    booths
    16
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    42
    following
    kira is a 15 year old female from United Kingdom.
    Picture #12
    1 week 19 hours ago
    Picture #11
    May 21st, 2011
    Picture #10
    May 10th, 2011
    Picture #9
    May 5th, 2011
    Picture #8
    April 26th, 2011
    Following them 16

    They're following 42

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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
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    12
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    following
    kira is a 15 year old female from United Kingdom.
    Picture #12
    1 week 19 hours ago
    Picture #11
    May 21st, 2011
    Picture #10
    May 10th, 2011
    Picture #9
    May 5th, 2011
    Picture #8
    April 26th, 2011
    Following them 16

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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
    Snap a picture comment
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    12
    booths
    16
    followers
    42
    following
    kira is a 15 year old female from United Kingdom.
    Picture #12
    1 week 19 hours ago
    Picture #11
    May 21st, 2011
    Picture #10
    May 10th, 2011
    Picture #9
    May 5th, 2011
    Picture #8
    April 26th, 2011
    Following them 16

    They're following 42

    Dailybooth Tshirts now available!
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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
    Snap a picture comment
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    12
    booths
    16
    followers
    42
    following
    kira is a 15 year old female from United Kingdom.
    Picture #12
    1 week 19 hours ago
    Picture #11
    May 21st, 2011
    Picture #10
    May 10th, 2011
    Picture #9
    May 5th, 2011
    Picture #8
    April 26th, 2011
    Following them 16

    They're following 42

    Dailybooth Tshirts now available!
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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
    Snap a picture comment
    Upload a picture comment


    12
    booths
    16
    followers
    42
    following
    kira is a 15 year old female from United Kingdom.
    Picture #12
    1 week 19 hours ago
    Picture #11
    May 21st, 2011
    Picture #10
    May 10th, 2011
    Picture #9
    May 5th, 2011
    Picture #8
    April 26th, 2011
    Following them 16

    They're following 42

    Dailybooth Tshirts now available!
    Get 'em while they're still hot
    © DailyBooth, Inc.
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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
    Snap a picture comment
    Upload a picture comment


    12
    booths
    16
    followers
    42
    following
    kira is a 15 year old female from United Kingdom.
    Picture #12
    1 week 19 hours ago
    Picture #11
    May 21st, 2011
    Picture #10
    May 10th, 2011
    Picture #9
    May 5th, 2011
    Picture #8
    April 26th, 2011
    Following them 16

    They're following 42

    Dailybooth Tshirts now available!
    Get 'em while they're still hot
    © DailyBooth, Inc.
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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
    Snap a picture comment
    Upload a picture comment


    12
    booths
    16
    followers
    42
    following
    kira is a 15 year old female from United Kingdom.
    Picture #12
    1 week 19 hours ago
    Picture #11
    May 21st, 2011
    Picture #10
    May 10th, 2011
    Picture #9
    May 5th, 2011
    Picture #8
    April 26th, 2011
    Following them 16

    They're following 42

    Dailybooth Tshirts now available!
    Get 'em while they're still hot
    © DailyBooth, Inc.
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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
    Snap a picture comment
    Upload a picture comment


    12
    booths
    16
    followers
    42
    following
    kira is a 15 year old female from United Kingdom.
    Picture #12
    1 week 19 hours ago
    Picture #11
    May 21st, 2011
    Picture #10
    May 10th, 2011
    Picture #9
    May 5th, 2011
    Picture #8
    April 26th, 2011
    Following them 16

    They're following 42

    Dailybooth Tshirts now available!
    Get 'em while they're still hot
    © DailyBooth, Inc.
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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
    Snap a picture comment
    Upload a picture comment


    12
    booths
    16
    followers
    42
    following
    kira is a 15 year old female from United Kingdom.
    Picture #12
    1 week 19 hours ago
    Picture #11
    May 21st, 2011
    Picture #10
    May 10th, 2011
    Picture #9
    May 5th, 2011
    Picture #8
    April 26th, 2011
    Following them 16

    They're following 42

    Dailybooth Tshirts now available!
    Get 'em while they're still hot
    © DailyBooth, Inc.
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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
    Snap a picture comment
    Upload a picture comment


    12
    booths
    16
    followers
    42
    following
    kira is a 15 year old female from United Kingdom.
    Picture #12
    1 week 19 hours ago
    Picture #11
    May 21st, 2011
    Picture #10
    May 10th, 2011
    Picture #9
    May 5th, 2011
    Picture #8
    April 26th, 2011
    Following them 16

    They're following 42

    Dailybooth Tshirts now available!
    Get 'em while they're still hot
    © DailyBooth, Inc.
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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
    Snap a picture comment
    Upload a picture comment


    12
    booths
    16
    followers
    42
    following
    kira is a 15 year old female from United Kingdom.
    Picture #12
    1 week 19 hours ago
    Picture #11
    May 21st, 2011
    Picture #10
    May 10th, 2011
    Picture #9
    May 5th, 2011
    Picture #8
    April 26th, 2011
    Following them 16

    They're following 42

    Dailybooth Tshirts now available!
    Get 'em while they're still hot
    © DailyBooth, Inc.
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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
    Snap a picture comment
    Upload a picture comment


    12
    booths
    16
    followers
    42
    following
    kira is a 15 year old female from United Kingdom.
    Picture #12
    1 week 19 hours ago
    Picture #11
    May 21st, 2011
    Picture #10
    May 10th, 2011
    Picture #9
    May 5th, 2011
    Picture #8
    April 26th, 2011
    Following them 16

    They're following 42

    Dailybooth Tshirts now available!
    Get 'em while they're still hot
    © DailyBooth, Inc.
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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
    Snap a picture comment
    Upload a picture comment


    12
    booths
    16
    followers
    42
    following
    kira is a 15 year old female from United Kingdom.
    Picture #12
    1 week 19 hours ago
    Picture #11
    May 21st, 2011
    Picture #10
    May 10th, 2011
    Picture #9
    May 5th, 2011
    Picture #8
    April 26th, 2011
    Following them 16

    They're following 42

    Dailybooth Tshirts now available!
    Get 'em while they're still hot
    © DailyBooth, Inc.
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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
    Snap a picture comment
    Upload a picture comment


    12
    booths
    16
    followers
    42
    following
    kira is a 15 year old female from United Kingdom.
    Picture #12
    1 week 19 hours ago
    Picture #11
    May 21st, 2011
    Picture #10
    May 10th, 2011
    Picture #9
    May 5th, 2011
    Picture #8
    April 26th, 2011
    Following them 16

    They're following 42

    Dailybooth Tshirts now available!
    Get 'em while they're still hot
    © DailyBooth, Inc.
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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
    Snap a picture comment
    Upload a picture comment


    12
    booths
    16
    followers
    42
    following
    kira is a 15 year old female from United Kingdom.
    Picture #12
    1 week 19 hours ago
    Picture #11
    May 21st, 2011
    Picture #10
    May 10th, 2011
    Picture #9
    May 5th, 2011
    Picture #8
    April 26th, 2011
    Following them 16

    They're following 42

    Dailybooth Tshirts now available!
    Get 'em while they're still hot
    © DailyBooth, Inc.
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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
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    12
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    kira is a 15 year old female from United Kingdom.
    Picture #12
    1 week 19 hours ago
    Picture #11
    May 21st, 2011
    Picture #10
    May 10th, 2011
    Picture #9
    May 5th, 2011
    Picture #8
    April 26th, 2011
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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
    Snap a picture comment
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    12
    booths
    16
    followers
    42
    following
    kira is a 15 year old female from United Kingdom.
    Picture #12
    1 week 19 hours ago
    Picture #11
    May 21st, 2011
    Picture #10
    May 10th, 2011
    Picture #9
    May 5th, 2011
    Picture #8
    April 26th, 2011
    Following them 16

    They're following 42

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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
    Snap a picture comment
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    12
    booths
    16
    followers
    42
    following
    kira is a 15 year old female from United Kingdom.
    Picture #12
    1 week 19 hours ago
    Picture #11
    May 21st, 2011
    Picture #10
    May 10th, 2011
    Picture #9
    May 5th, 2011
    Picture #8
    April 26th, 2011
    Following them 16

    They're following 42

    Dailybooth Tshirts now available!
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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
    Snap a picture comment
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    12
    booths
    16
    followers
    42
    following
    kira is a 15 year old female from United Kingdom.
    Picture #12
    1 week 19 hours ago
    Picture #11
    May 21st, 2011
    Picture #10
    May 10th, 2011
    Picture #9
    May 5th, 2011
    Picture #8
    April 26th, 2011
    Following them 16

    They're following 42

    Dailybooth Tshirts now available!
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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
    Snap a picture comment
    Upload a picture comment


    12
    booths
    16
    followers
    42
    following
    kira is a 15 year old female from United Kingdom.
    Picture #12
    1 week 19 hours ago
    Picture #11
    May 21st, 2011
    Picture #10
    May 10th, 2011
    Picture #9
    May 5th, 2011
    Picture #8
    April 26th, 2011
    Following them 16

    They're following 42

    Dailybooth Tshirts now available!
    Get 'em while they're still hot
    © DailyBooth, Inc.
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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
    Snap a picture comment
    Upload a picture comment


    12
    booths
    16
    followers
    42
    following
    kira is a 15 year old female from United Kingdom.
    Picture #12
    1 week 19 hours ago
    Picture #11
    May 21st, 2011
    Picture #10
    May 10th, 2011
    Picture #9
    May 5th, 2011
    Picture #8
    April 26th, 2011
    Following them 16

    They're following 42

    Dailybooth Tshirts now available!
    Get 'em while they're still hot
    © DailyBooth, Inc.
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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
    Snap a picture comment
    Upload a picture comment


    12
    booths
    16
    followers
    42
    following
    kira is a 15 year old female from United Kingdom.
    Picture #12
    1 week 19 hours ago
    Picture #11
    May 21st, 2011
    Picture #10
    May 10th, 2011
    Picture #9
    May 5th, 2011
    Picture #8
    April 26th, 2011
    Following them 16

    They're following 42

    Dailybooth Tshirts now available!
    Get 'em while they're still hot
    © DailyBooth, Inc.
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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
    Snap a picture comment
    Upload a picture comment


    12
    booths
    16
    followers
    42
    following
    kira is a 15 year old female from United Kingdom.
    Picture #12
    1 week 19 hours ago
    Picture #11
    May 21st, 2011
    Picture #10
    May 10th, 2011
    Picture #9
    May 5th, 2011
    Picture #8
    April 26th, 2011
    Following them 16

    They're following 42

    Dailybooth Tshirts now available!
    Get 'em while they're still hot
    © DailyBooth, Inc.
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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
    Snap a picture comment
    Upload a picture comment


    12
    booths
    16
    followers
    42
    following
    kira is a 15 year old female from United Kingdom.
    Picture #12
    1 week 19 hours ago
    Picture #11
    May 21st, 2011
    Picture #10
    May 10th, 2011
    Picture #9
    May 5th, 2011
    Picture #8
    April 26th, 2011
    Following them 16

    They're following 42

    Dailybooth Tshirts now available!
    Get 'em while they're still hot
    © DailyBooth, Inc.
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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
    Snap a picture comment
    Upload a picture comment


    12
    booths
    16
    followers
    42
    following
    kira is a 15 year old female from United Kingdom.
    Picture #12
    1 week 19 hours ago
    Picture #11
    May 21st, 2011
    Picture #10
    May 10th, 2011
    Picture #9
    May 5th, 2011
    Picture #8
    April 26th, 2011
    Following them 16

    They're following 42

    Dailybooth Tshirts now available!
    Get 'em while they're still hot
    © DailyBooth, Inc.
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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
    Snap a picture comment
    Upload a picture comment


    12
    booths
    16
    followers
    42
    following
    kira is a 15 year old female from United Kingdom.
    Picture #12
    1 week 19 hours ago
    Picture #11
    May 21st, 2011
    Picture #10
    May 10th, 2011
    Picture #9
    May 5th, 2011
    Picture #8
    April 26th, 2011
    Following them 16

    They're following 42

    Dailybooth Tshirts now available!
    Get 'em while they're still hot
    © DailyBooth, Inc.
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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
    Snap a picture comment
    Upload a picture comment


    12
    booths
    16
    followers
    42
    following
    kira is a 15 year old female from United Kingdom.
    Picture #12
    1 week 19 hours ago
    Picture #11
    May 21st, 2011
    Picture #10
    May 10th, 2011
    Picture #9
    May 5th, 2011
    Picture #8
    April 26th, 2011
    Following them 16

    They're following 42

    Dailybooth Tshirts now available!
    Get 'em while they're still hot
    © DailyBooth, Inc.
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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
    Snap a picture comment
    Upload a picture comment


    12
    booths
    16
    followers
    42
    following
    kira is a 15 year old female from United Kingdom.
    Picture #12
    1 week 19 hours ago
    Picture #11
    May 21st, 2011
    Picture #10
    May 10th, 2011
    Picture #9
    May 5th, 2011
    Picture #8
    April 26th, 2011
    Following them 16

    They're following 42

    Dailybooth Tshirts now available!
    Get 'em while they're still hot
    © DailyBooth, Inc.
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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
    Snap a picture comment
    Upload a picture comment


    12
    booths
    16
    followers
    42
    following
    kira is a 15 year old female from United Kingdom.
    Picture #12
    1 week 19 hours ago
    Picture #11
    May 21st, 2011
    Picture #10
    May 10th, 2011
    Picture #9
    May 5th, 2011
    Picture #8
    April 26th, 2011
    Following them 16

    They're following 42

    Dailybooth Tshirts now available!
    Get 'em while they're still hot
    © DailyBooth, Inc.
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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
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    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
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    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
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    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
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    1 week 19 hours ago
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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
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    1 week 19 hours ago
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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
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    1 week 19 hours ago
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    May 21st, 2011
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    May 10th, 2011
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    May 5th, 2011
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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
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    1 week 19 hours ago
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    May 21st, 2011
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    May 10th, 2011
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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
    Snap a picture comment
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    1 week 19 hours ago
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    May 21st, 2011
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    May 10th, 2011
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    May 5th, 2011
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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
    Snap a picture comment
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    1 week 19 hours ago
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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
    Snap a picture comment
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    Picture #12
    1 week 19 hours ago
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    May 21st, 2011
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    May 10th, 2011
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    May 5th, 2011
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    April 26th, 2011
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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
    Snap a picture comment
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    Picture #12
    1 week 19 hours ago
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    May 21st, 2011
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    May 10th, 2011
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    May 5th, 2011
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    April 26th, 2011
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    1 week 19 hours ago 29 views
    old photo , dont ask why im smiling with braces. not a good look js.
    just thought i would booth as i havent in for like agesssss.
    Exams starting this week, kill me now.

    i planned this out with like lots to say but now i dont know what to say D; , i have such a interesting life </3.
    ANYWAY.
    watching fringe atm brap!
    sooooooooooooo i'm going :'] , booth soon tra luvies xoxo

    ShitHot13 #1
    Reply

    pretty and also you look like a girl off youtube. But only in this picture any how :)
    1 week 19 hours ago

    kiraalouise #2
    Reply

    @ShitHot13 lmfao thanks :')
    1 week 19 hours ago

    ShitHot13 #3
    Reply

    @kiraalouise hah ya welcome indeed :)
    1 week 19 hours ago
    Snap a picture comment
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    1 week 19 hours ago
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    May 10th, 2011
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    7 comments

    June 14th, 2011

  • GeddyLeesPingas commented on jayyyrosales' picture

    The original line-up formed in the neighbourhood of Willowdale in Toronto, Ontario, by Lifeson, bassist and front man Jeff Jones, and drummer John Rutsey. Within a couple of weeks of forming, and before their second performance, bassist and lead vocalist Jones was replaced by Geddy Lee, a schoolmate of Lifeson. After several lineup reformations, Rush's official incarnation was formed in May 1971 consisting of Lee, Lifeson, and Rutsey. The band was managed by local Toronto resident Ray Danniels, a frequent attendee of Rush's early shows.[7][8]

    After gaining stability in the lineup and honing their skills on the local bar/high school dance circuit, the band came to release their first single "Not Fade Away", a cover of the Buddy Holly song, in 1973. Side B contained an original composition, "You Can't Fight It", credited to Lee and Rutsey. The single generated little reaction and, because of record company indifference, the band formed their own independent record label, Moon Records. With the aid of Danniels and the newly enlisted engineer Terry Brown, the band released their self-titled debut album in 1974, which was considered highly derivative of Led Zeppelin.[9] Rush had limited local popularity until the album was picked up by WMMS, a radio station in Cleveland, Ohio. Donna Halper, a DJ and music director working at the station, selected "Working Man" for her regular play list. The song's blue collar theme resonated with hard rock fans and this new found popularity led to the album being re-released by Mercury Records in the U.S.[10][11]


    The "starman" logo first appeared on the back cover of the 1976 album 2112. Hugh Syme, creator of graphics on many of Rush's albums, stated in a 1983 interview that the Starman "didn't begin as an identity factor for the band, it just got adopted."[12]Immediately after the release of the debut album in 1974, Rutsey was forced to leave the band due to health difficulties stemming from diabetes and a general distaste for touring. His last performance with the band was on July 25, 1974 at Centennial Hall in London, Ontario. Rush held auditions for a new dummer and eventually selected Neil Peart as Rutsey's replacement. Peart officially joined the band on July 29, 1974, two weeks before the group's first U.S. tour. They performed their first concert together, opening for Uriah Heep and Manfred Mann with an attendance of over 11,000 people at the Civic Arena in Pittsburgh, Pennsylvania on August 14. In addition to becoming the band's drummer, Peart assumed the role of principal lyricist from Lee, who had very little interest in writing, despite penning the lyrics of the band's first album.[13] Instead, Lee, along with Lifeson, focused primarily on the musical aspects of Rush. Fly by Night (1975), Rush's first album after recruiting Peart, saw the inclusion of the band's first epic mini-tale "By-Tor and the Snow Dog", replete with complex arrangements and multi-section format. Lyrical themes also underwent dramatic changes after the addition of Peart because of his love for fantasy and science-fiction literature.[14] However, despite these many differences some of the music and songs still closely mirrored the blues style found on Rush's debut.[14][15]

    Following quickly on the heels of Fly By Night, the band released 1975's Caress of Steel, a five track hard rock/heavy metal album featuring two extended multi-chapter songs, "The Necromancer" and "The Fountain of Lamneth." Some critics said Caress of Steel was unfocused and an audacious move for the band because of the placement of two back-to-back protracted songs, as well as a heavier reliance on atmospherics and story-telling, a large deviation from Fly by Night.[16] Intended to be the band's first "break-through" album, Caress of Steel sold below expectations and the promotional tour consisted of smaller venues which led to the moniker the "Down the Tubes Tour".[17] In light of these events, Rush's record label pressured them into molding their next album in a more commercially friendly and accessible fashion. However, the band ignored the requests and developed their next album, 2112 with a 20-minute title track divided into seven sections. Despite this, the album was the band's first taste of commercial success and their first platinum album in Canada.[18] The supporting tour for the album culminated in a three night stand at Massey Hall in Toronto, which the band recorded for the release of their first live album titled All the World's a Stage. Allmusic critic Greg Prato summarily reminds listeners and fans of how the album demarcates the boundary between the band's early years and the next era of their music.[19][20]

    [edit] The progressive rock era (1977–1981)After 2112, Rush retreated to the United Kingdom to record 1977's A Farewell to Kings and 1978's Hemispheres at Rockfield Studios in Wales. These albums saw the band members expanding the use of progressive elements in their music. "As our tastes got more obscure," Geddy Lee said in a recent interview, "we discovered more progressive rock-based bands like Yes, Van der Graaf Generator and King Crimson, and we were very inspired by those bands. They made us want to make our music more interesting and more complex and we tried to blend that with our own personalities to see what we could come up with that was indisputably us."[21] Trademarks such as increased synthesizer usage, extended-length concept songs, and highly dynamic playing featuring complex time signature changes became a staple of Rush's compositions. To achieve a broader, more progressive palette of sound, Alex Lifeson began to experiment with classical and twelve-string guitars, and Geddy Lee added bass-pedal synthesizers and Minimoog. Likewise, Peart's percussion became diversified in the form of triangles, glockenspiel, wood blocks, cowbells, timpani, gong and chimes. Beyond instrument additions, the band kept in stride with the progressive rock movement by continuing to compose long, conceptual songs with science fiction and fantasy overtones. However, as the new decade approached, Rush gradually began to dispose of their older styles of music in favor of shorter, and sometimes softer, arrangements. The lyrics up to this point (most of them written by Peart) were heavily influenced by classical poetry, fantasy literature, science fiction, and the writings of novelist Ayn Rand, as exhibited most prominently by their 1975 song "Anthem" from Fly By Night and a specifically acknowledged derivation in 1976's 2112.[22]

    Permanent Waves (1980) dramatically shifted Rush's style of music via the introduction of reggae and new wave elements.[23] Although a hard rock style was still evident, more and more synthesizers were introduced. Moreover, because of the limited airplay Rush's previous extended-length songs received, Permanent Waves included shorter, more radio-friendly songs such as "The Spirit of Radio" and "Freewill", two songs which helped Permanent Waves become Rush's first U.S. Top 5 album; both songs continue to make appearances on classic rock radio stations in Canada and the United States to this day.[24] Meanwhile, Peart's lyrics shifted toward an expository tone with subject matter that dwelled less on fantastical or allegorical story-telling and more heavily on topics that explored humanistic, social and emotional elements. Rush joined with fellow Toronto-based rock band Max Webster on July 28, 1980 to record "Battle Scar" for their 1980 release, Universal Juveniles.[25] While on tour together following the release, both bands would join between sets to play "Battle Scar". The song acted as both a transition from Max Webster to Rush, as well as a warm-up for Peart. In addition, Max Webster lyricist Pye Dubois offered the band lyrics to a song he had written. The band accepted; the song went on, after reworking by Peart, to become "Tom Sawyer".[25]

    "Tom Sawyer" (1981)

    Sample of "Tom Sawyer" from the album Moving Pictures. This is the band's best known song with heaviest radio airplay.

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    Problems listening to this file? See media help.

    Rush's popularity reached its pinnacle with the release of Moving Pictures in 1981. Moving Pictures essentially continued where Permanent Waves left off, extending the trend of highly accessible and commercially friendly progressive rock that helped thrust them into the spotlight. The lead track, "Tom Sawyer", is probably the band's best-known song[26] with "Limelight" also receiving satisfactory responses from listeners and radio stations. Moving Pictures was Rush's last album to feature an extended song, the eleven-minute "The Camera Eye". The song also contained the band's heaviest usage of synthesizers up to that point, hinting that Rush's music was shifting direction once more. Moving Pictures reached #3 on the Billboard 200 album chart and has been certified quadruple platinum by the Recording Industry Association of America.[27]

    Following the success of Moving Pictures and the completion of another four studio albums, Rush released their second live recording, Exit...Stage Left, in 1981. The album delineates the apex of Rush's progressive period by featuring live material from the band's Permanent Waves and Moving Pictures tours. As with their first live release, Exit...Stage Left identified the margin of a new chapter of Rush's sound.

    [edit] The synthesizer period (1982–1989)
    The OBX synthesizer used by Geddy Lee on the album Signals (1982).The band underwent another radical stylistic transmutation with the release of Signals in 1982.[28]

    While Lee's synthesizers had been featured instruments ever since the late 70s, keyboards were suddenly shifted from the contrapuntal background to the melodic front-lines[29][30] in songs like "Countdown" and the lead-off track "Subdivisions". Both feature prominent lead synthesizer lines with minimalistic guitar chords and solos. Other previously unused instrument additions were seen in the song "Losing It," featuring collaborator Ben Mink on electric violin.[28]

    "Subdivisions" (1982)

    Sample of "Subdivisions" from the album Signals. This song is notable for demonstrating the band's foray into their synthesizer period.

    --------------------------------------------------------------------------------

    Problems listening to this file? See media help.

    Signals also represented a drastic stylistic transformation apart from instrumental changes. The album contained Rush's only U.S. top-40 pop hit, "New World Man",[31] while other more experimental songs such as "Digital Man", "The Weapon", and "Chemistry" expanded the band's use of ska, reggae, and funk.[32] Although the band members consciously decided to move in this overall direction, they felt dissatisfied with long-time producer Terry Brown's studio treatment of Signals and parted ways with him in 1983. These diverse styles would come into further play on their next studio album.


    Neil Peart began incorporating Simmons Electronic Drums beginning with 1984's Grace Under PressureThe style and production of Signals were augmented and taken to new heights on 1984's Grace Under Pressure. It was Peart who named the album, as he borrowed the words of Ernest Hemingway to describe what the band had to go through after making the decision to leave Terry Brown. Producer Steve Lillywhite, who gleaned fame with successful productions of Simple Minds and U2, was enlisted to produce Grace Under Pressure. However, he backed out at the last moment, much to the ire of Lee, Lifeson and Peart. Lee said "Steve Lillywhite is really not a man of his word....after agreeing to do our record, he got an offer from Simple Minds, changed his mind, blew us off,..so it put us in a horrible position." Rush eventually hired Peter Henderson to co-produce and engineer the album in his stead.[33]

    Musically, although Lee's use of sequencers and synthesizers remained the band's cornerstone, his focus on new technology was complemented by Peart's adaptation of Simmons electronic drums and percussion. Lifeson's contributions on the album were decidedly enhanced to act as an overreaction to the minimalistic role he played on Signals.[34] Still, many of his trademark guitar textures remained intact in the form of open reggae chords and funk and new-wave rhythms.

    With new producer Peter Collins, the band released 1985's Power Windows and 1987's Hold Your Fire. The music on these two albums gives far more emphasis and prominence to Lee's multi-layered synthesizer work. While fans and critics took notice of Lifeson's diminished guitar work, his presence was still palpable. Lifeson, like many guitarists in the late 1980s, experimented with processors that reduced his instrument to echoey chord bursts and razor-thin leads. Hold Your Fire represents both a modest extension of the guitar stylings found on Power Windows, and, according to Allmusic critic Eduardo Rivadavia, the culmination of this era of Rush.[35] Whereas the previous five Rush albums sold platinum or better, Hold Your Fire only went gold in November 1987, although it managed to peak at number 13 on the Billboard 200.[36]

    A third live album and video, A Show of Hands (1989), was also released by Mercury following the Power Windows and Hold Your Fire tours, demonstrating the aspects of Rush in the '80s. A Show of Hands met with strong fan approval, but Rolling Stone critic Michael Azerrad dismissed it as "musical muscle" with 1.5 stars, claiming Rush fans viewed their favourite power trio as "the holy trinity".[37] Nevertheless, A Show of Hands managed to surpass the gold album mark, reaching number 21 on the Billboard 200.[38] At this point, the group decided to change record labels from Mercury to Atlantic. After Rush's departure in 1989, Mercury released a double platinum two-volume compilation of their Rush catalogue, Chronicles (1990).[39]

    [edit] Returning to their roots (1989–1997) "Dreamline" (1991)

    Sample of "Dreamline" from the album Roll the Bones. This song is notable for demonstrating the band's return to a more standard three piece instrument style, where synthesizers are used more sparingly and the guitar returning to the forefront of the sound.

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    Rush started to deviate from their 1980s style with the albums Presto and Roll the Bones. Produced by record engineer and musician Rupert Hine, these two albums saw Rush shedding much of their keyboard-saturated sound. Beginning with 1989's Presto, the band opted for arrangements that were notably more guitar-centric than the previous two studio albums. Although synthesizers were still used in many songs, the instrument was no longer featured as the centerpiece of Rush's compositions. Continuing this trend, 1991's Roll the Bones extended the use of the standard three-instrument approach with even less focus on synthesizers than its predecessor. While musically these albums do not deviate significantly from a general pop-rock sound, Rush incorporated traces of other musical styles. "Roll the Bones", for instance, exhibits funk and hip hop elements, and the instrumental track "Where's My Thing?" features several jazz components.[40] This return to three-piece instrumentation helped pave the way for future albums in the mid-90s, which would adopt a more straightforward rock formula.

    The transition from synthesizers to more guitar-oriented and organic instrumentation continued with the 1993 album Counterparts[41] and its follow-up, 1996's Test for Echo, again both produced in collaboration with Peter Collins. Musically, Counterparts[41] and Test For Echo are two of Rush's most guitar-driven albums. Although the music in general did not meet the criteria for progressive rock, some songs adopted a dynamic format.[42] For instance, "Time and Motion" possesses multiple time signature changes and organ usage, while the instrumental track "Limbo", consists of multiple musical passages. Musically, Test For Echo still retained much of the hard rock/alternative style already charted on the previous record with Lifeson and Lee's playing remaining more or less unchanged; however, a distinct modification in technique became apparent in Peart's playing from his jazz and swing training under the tutelage of jazz instructor Freddie Gruber during the interim between Counterparts and Test For Echo.[43] In October 1996, in support of Test For Echo, the band embarked on a North American tour, the band's first without an opening act and dubbed "An Evening with Rush". The tour was broken up into two segments spanning October through December 1996 and May through July 1997 with the band taking a respite between tour legs.

    [edit] Hiatus and comeback (1997–2005)After wrapping up the tour promoting Test for Echo in 1997, the band entered a five-year hiatus mainly because of personal tragedies in Peart's life. Peart's daughter Selena died in an automobile accident in August 1997, followed by his wife Jacqueline's death from cancer in June 1998. Peart took a hiatus to mourn and reflect, during which time he traveled extensively throughout North America on his BMW motorcycle, covering 88,000 km (55,000 miles). At some point in his journey, Peart decided to return to the band. Peart wrote Ghost Rider: Travels on the Healing Road as a chronicle of his geographical and emotional journey. In this book he writes of how he had told his bandmates at Selena's funeral, "consider me retired."[44] On November 10, 1998 a triple CD live album entitled Different Stages was released, dedicated to the memory of Selena and Jacqueline. Mixed by producer Paul Northfield and engineered by Terry Brown, it contained three discs packed with recorded performances from the band's Counterparts, Test For Echo, and A Farewell to Kings tours, marking the fourth officially released live album by the band.

    "One Little Victory" (2002)

    Sample of "One Little Victory" from the album Vapor Trails. This song's rapid tempo and heavy double bass drumming was done intentionally in order to herald the comeback of the band after their hiatus.

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    After a time to grieve and reassemble the pieces of his life, and while visiting long-time Rush photographer Andrew MacNaughtan in Los Angeles, Peart was introduced to his future wife, photographer Carrie Nuttall. Peart married Nuttall on September 9, 2000. In early 2001 he announced to his band mates that he was ready to once again enter the studio and get back into the business of making music. With the help of producer Paul Northfield the band returned in May 2002 with Vapor Trails, written and recorded in Toronto. To herald the band's comeback, the single and lead track from the album, "One Little Victory" was designed to grab the attention of listeners with its rapid guitar and drum tempos.[45] Vapor Trails marked the first studio recording not to include a single synthesizer, organ or keyboard part since the early 1970s. While the album is almost completely guitar-driven, it is mostly devoid of any conventional sounding guitar solos, a conscious decision made by Lifeson during the writing process. According to the band, the entire developmental process for Vapor Trails was extremely taxing and took approximately 14 months to finish, by far the longest the band had ever spent writing and recording a studio album.[45] The album was supported by the band's first tour in six years, including first-ever concerts in Mexico City and Brazil, where they played to some of the largest crowds of their career.

    A triple CD live album and dual Rush in Rio DVD was released in late October 2003 featuring an entire concert performance recorded on the last night of their Vapor Trails Tour, November 23, 2002, at Maracanã Stadium in Rio de Janeiro, Brazil. To celebrate their 30th anniversary, June 2004 saw the release of Feedback, a studio EP recorded in suburban Toronto featuring eight covers of such artists as Cream, The Who and The Yardbirds, bands that the members of Rush cite as inspiration around the time of their inception.[46] Also in the summer of 2004, Rush hit the road again for their 30th Anniversary Tour, playing dates in the United States, Canada, the United Kingdom, Germany, Italy, Sweden, the Czech Republic, and the Netherlands. On September 24, 2004 a Frankfurt, Germany concert was recorded at The Festhalle for DVD (titled R30: Live in Frankfurt), which was released November 22, 2005; a complete version of the R30 Frankfurt set (the original DVD release omitted eight songs) was released on Blu-ray on December 8, 2009.[47]

    [edit] Snakes & Arrows (2006–2009)Main articles: Snakes & Arrows and Snakes & Arrows Tour
    During promotional interviews for the R30 Live In Frankfurt DVD, the band revealed their intention to begin writing new material in early 2006. While in Toronto, Lifeson and Lee began the songwriting process in January 2006. During this time, Peart simultaneously assumed his role of lyric writing while residing in Southern California. The following September, Rush chose to hire American producer Nick Raskulinecz to co-produce the album. The band officially entered Allaire Studios, in Shokan, New York in November 2006 in order to record the bulk of the material. Taking the band five weeks, the sessions ended in December. On February 14, 2007, an announcement was made on the official Rush web site that the title of the new album would be Snakes & Arrows. The first single, entitled "Far Cry", was released to North American radio stations on March 12, 2007 and reached #2 on the Mediabase Mainstream and Radio and Records Charts.[48]

    "Far Cry" (2007)

    Sample of "Far Cry", first single from the album Snakes & Arrows.

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    The Rush website, newly redesigned on March 12 to support the new album, also announced that the band would embark on a tour to begin in the summer. Snakes & Arrows was released May 1, 2007 in North America, where it debuted at #3 in the Billboard 200 with approximately 93,000 units sold in its first week.[49] It would go on to sell an estimated 611,000 copies worldwide. To coincide with the Atlantic ocean hurricane season, "Spindrift" was released as the official second radio single on June 1, 2007, whereas "The Larger Bowl (A Pantoum)" saw single status on June 25, 2007. "The Larger Bowl" positioned within the top 20 of the Mainstream Rock and Media Base Mainstream charts, however, "Spindrift" failed to appear on any commercial chart.[50] The planned intercontinental tour in support of Snakes & Arrows began on June 13, 2007 in Atlanta, Georgia, coming to a close on October 29, 2007 at Hartwall Arena in Helsinki, Finland.[51]

    The 2008 portion of the tour started on April 11, 2008 in San Juan, Puerto Rico at José Miguel Agrelot Coliseum and culminated on July 24, 2008 in Noblesville, Indiana at the Verizon Wireless Music Center.[52] On April 15, the band released Snakes & Arrows Live, a double live album documenting the first leg of the tour.[53] Those same performances featured on Snakes & Arrows Live filmed at the Ahoy arena in Rotterdam, Netherlands on October 16 and 17 of 2007 were released November 24 as a DVD and Blu-Ray set. The video also includes footage from the 2008 portion of the tour, recorded at Verizon Wireless Amphitheater in Atlanta.[54][55][56]

    As the band neared the conclusion of their Snakes & Arrows tour, they announced their first appearance on American television in over 30 years. Rush was interviewed by Stephen Colbert and they performed "Tom Sawyer" on The Colbert Report on July 16, 2008.[57] Continuing to ride what one movie reviewer has called a "pop cultural wave," they also appeared at a live show in April 2009 for the comedy film I Love You, Man.[58]

    [edit] Clockwork Angels and Time Machine Tour (2009–present)On February 16, 2009, Lifeson remarked that the band may begin working on a new album in the Fall 2009 with Nick Raskulinecz once again producing.[59] On March 19, 2010, the CBC posted a video interview with Lee and Lifeson where they discussed Rush's induction into the Canadian Songwriters Hall of Fame on March 28, 2010 at the Toronto Centre for the Arts' George Weston Recital Hall. The band was recognized for the songs "Limelight", "Closer to the Heart", "The Spirit of Radio", "Tom Sawyer" and "Subdivisions". In addition to discussing their induction, Lee and Lifeson touched on future material. During the interview, Lee was quoted as saying "... Just about a month and a half ago we had no songs. And now we've been writing and now we've got about 6 songs that we just love...".[60] On March 26, 2010, in an interview with The Globe and Mail, Lifeson reconfirmed that the band had already written a half-dozen songs and that there was the potential for two supporting tours, one planned for Summer 2010 and a more extensive tour planned for Summer 2011. While still uncertain of exactly how and when the new material would be released, he projected a tentative Spring 2011 release date.[61] Soon after, Peart confirmed that American producer Nick Raskulinecz had returned as co-producer.[62]

    On April 8, 2010 both the official Rush website and PR Newswire announced that the band would embark on the Rush Time Machine Tour. The first leg of the tour began on June 29 in Albuquerque, New Mexico and finished October 17 in Santiago, Chile at the National stadium. It featured the album Moving Pictures played in its entirety, as well as the single "Caravan" and its B-side "BU2B". These songs will be featured on the band's upcoming studio album, Clockwork Angels.[63] The "Caravan" single was announced May 25, 2010 and was released June 1 to radio stations and made available for digital download.[64] It was suggested that Rush would return to the studio after the completion of the Time Machine Tour with plans to release Clockwork Angels in 2011.[65] However, Rush confirmed on November 19, 2010 that they will be extending the Time Machine Tour for a second leg. They are scheduled to play Europe in spring 2011 and return to North America for dates between March and July.[66]

    On April 24, 2010, the documentary Rush: Beyond the Lighted Stage directed by Sam Dunn premiered at the Tribeca Film Festival. It went on to receive the Tribeca Film Festival Audience Award.[67] The band's music was featured in the 2010 documentary Jews and Baseball: An American Love Story, narrated by Academy Award winner Dustin Hoffman.[68][69]

    On June 25, 2010, Rush received a star on the Hollywood Walk of Fame, located at 6752 Hollywood Boulevard. Critical acclaim continued to mount for Rush in 2010 when, on September 28, Classic Rock magazine announced Rush would be this year's Living Legends awarded at the Marshall Classic Rock Roll of Honour Awards in the UK.[70] The award was presented November 10, 2010. On September 29, Billboard.com announced that Rush would also receive the 2010 Legends of Live award for significant and lasting contributions to live music and the art of performing live and reaching fans through the concert experience.[71] The award was presented at the Billboard Touring Awards on November 4, 2010.

    The original line-up formed in the neighbourhood of Willowdale in Toronto, Ontario, by Lifeson, bassist and front man Jeff Jones, and drummer John Rutsey. Within a couple of weeks of forming, and before their second performance, bassist and lead vocalist Jones was replaced by Geddy Lee, a schoolmate of Lifeson. After several lineup reformations, Rush's official incarnation was formed in May 1971 consisting of Lee, Lifeson, and Rutsey. The band was managed by local Toronto resident Ray Danniels, a frequent attendee of Rush's early shows.[7][8]

    After gaining stability in the lineup and honing their skills on the local bar/high school dance circuit, the band came to release their first single "Not Fade Away", a cover of the Buddy Holly song, in 1973. Side B contained an original composition, "You Can't Fight It", credited to Lee and Rutsey. The single generated little reaction and, because of record company indifference, the band formed their own independent record label, Moon Records. With the aid of Danniels and the newly enlisted engineer Terry Brown, the band released their self-titled debut album in 1974, which was considered highly derivative of Led Zeppelin.[9] Rush had limited local popularity until the album was picked up by WMMS, a radio station in Cleveland, Ohio. Donna Halper, a DJ and music director working at the station, selected "Working Man" for her regular play list. The song's blue collar theme resonated with hard rock fans and this new found popularity led to the album being re-released by Mercury Records in the U.S.[10][11]


    The "starman" logo first appeared on the back cover of the 1976 album 2112. Hugh Syme, creator of graphics on many of Rush's albums, stated in a 1983 interview that the Starman "didn't begin as an identity factor for the band, it just got adopted."[12]Immediately after the release of the debut album in 1974, Rutsey was forced to leave the band due to health difficulties stemming from diabetes and a general distaste for touring. His last performance with the band was on July 25, 1974 at Centennial Hall in London, Ontario. Rush held auditions for a new dummer and eventually selected Neil Peart as Rutsey's replacement. Peart officially joined the band on July 29, 1974, two weeks before the group's first U.S. tour. They performed their first concert together, opening for Uriah Heep and Manfred Mann with an attendance of over 11,000 people at the Civic Arena in Pittsburgh, Pennsylvania on August 14. In addition to becoming the band's drummer, Peart assumed the role of principal lyricist from Lee, who had very little interest in writing, despite penning the lyrics of the band's first album.[13] Instead, Lee, along with Lifeson, focused primarily on the musical aspects of Rush. Fly by Night (1975), Rush's first album after recruiting Peart, saw the inclusion of the band's first epic mini-tale "By-Tor and the Snow Dog", replete with complex arrangements and multi-section format. Lyrical themes also underwent dramatic changes after the addition of Peart because of his love for fantasy and science-fiction literature.[14] However, despite these many differences some of the music and songs still closely mirrored the blues style found on Rush's debut.[14][15]

    Following quickly on the heels of Fly By Night, the band released 1975's Caress of Steel, a five track hard rock/heavy metal album featuring two extended multi-chapter songs, "The Necromancer" and "The Fountain of Lamneth." Some critics said Caress of Steel was unfocused and an audacious move for the band because of the placement of two back-to-back protracted songs, as well as a heavier reliance on atmospherics and story-telling, a large deviation from Fly by Night.[16] Intended to be the band's first "break-through" album, Caress of Steel sold below expectations and the promotional tour consisted of smaller venues which led to the moniker the "Down the Tubes Tour".[17] In light of these events, Rush's record label pressured them into molding their next album in a more commercially friendly and accessible fashion. However, the band ignored the requests and developed their next album, 2112 with a 20-minute title track divided into seven sections. Despite this, the album was the band's first taste of commercial success and their first platinum album in Canada.[18] The supporting tour for the album culminated in a three night stand at Massey Hall in Toronto, which the band recorded for the release of their first live album titled All the World's a Stage. Allmusic critic Greg Prato summarily reminds listeners and fans of how the album demarcates the boundary between the band's early years and the next era of their music.[19][20]

    [edit] The progressive rock era (1977–1981)After 2112, Rush retreated to the United Kingdom to record 1977's A Farewell to Kings and 1978's Hemispheres at Rockfield Studios in Wales. These albums saw the band members expanding the use of progressive elements in their music. "As our tastes got more obscure," Geddy Lee said in a recent interview, "we discovered more progressive rock-based bands like Yes, Van der Graaf Generator and King Crimson, and we were very inspired by those bands. They made us want to make our music more interesting and more complex and we tried to blend that with our own personalities to see what we could come up with that was indisputably us."[21] Trademarks such as increased synthesizer usage, extended-length concept songs, and highly dynamic playing featuring complex time signature changes became a staple of Rush's compositions. To achieve a broader, more progressive palette of sound, Alex Lifeson began to experiment with classical and twelve-string guitars, and Geddy Lee added bass-pedal synthesizers and Minimoog. Likewise, Peart's percussion became diversified in the form of triangles, glockenspiel, wood blocks, cowbells, timpani, gong and chimes. Beyond instrument additions, the band kept in stride with the progressive rock movement by continuing to compose long, conceptual songs with science fiction and fantasy overtones. However, as the new decade approached, Rush gradually began to dispose of their older styles of music in favor of shorter, and sometimes softer, arrangements. The lyrics up to this point (most of them written by Peart) were heavily influenced by classical poetry, fantasy literature, science fiction, and the writings of novelist Ayn Rand, as exhibited most prominently by their 1975 song "Anthem" from Fly By Night and a specifically acknowledged derivation in 1976's 2112.[22]

    Permanent Waves (1980) dramatically shifted Rush's style of music via the introduction of reggae and new wave elements.[23] Although a hard rock style was still evident, more and more synthesizers were introduced. Moreover, because of the limited airplay Rush's previous extended-length songs received, Permanent Waves included shorter, more radio-friendly songs such as "The Spirit of Radio" and "Freewill", two songs which helped Permanent Waves become Rush's first U.S. Top 5 album; both songs continue to make appearances on classic rock radio stations in Canada and the United States to this day.[24] Meanwhile, Peart's lyrics shifted toward an expository tone with subject matter that dwelled less on fantastical or allegorical story-telling and more heavily on topics that explored humanistic, social and emotional elements. Rush joined with fellow Toronto-based rock band Max Webster on July 28, 1980 to record "Battle Scar" for their 1980 release, Universal Juveniles.[25] While on tour together following the release, both bands would join between sets to play "Battle Scar". The song acted as both a transition from Max Webster to Rush, as well as a warm-up for Peart. In addition, Max Webster lyricist Pye Dubois offered the band lyrics to a song he had written. The band accepted; the song went on, after reworking by Peart, to become "Tom Sawyer".[25]

    "Tom Sawyer" (1981)

    Sample of "Tom Sawyer" from the album Moving Pictures. This is the band's best known song with heaviest radio airplay.

    --------------------------------------------------------------------------------

    Problems listening to this file? See media help.

    Rush's popularity reached its pinnacle with the release of Moving Pictures in 1981. Moving Pictures essentially continued where Permanent Waves left off, extending the trend of highly accessible and commercially friendly progressive rock that helped thrust them into the spotlight. The lead track, "Tom Sawyer", is probably the band's best-known song[26] with "Limelight" also receiving satisfactory responses from listeners and radio stations. Moving Pictures was Rush's last album to feature an extended song, the eleven-minute "The Camera Eye". The song also contained the band's heaviest usage of synthesizers up to that point, hinting that Rush's music was shifting direction once more. Moving Pictures reached #3 on the Billboard 200 album chart and has been certified quadruple platinum by the Recording Industry Association of America.[27]

    Following the success of Moving Pictures and the completion of another four studio albums, Rush released their second live recording, Exit...Stage Left, in 1981. The album delineates the apex of Rush's progressive period by featuring live material from the band's Permanent Waves and Moving Pictures tours. As with their first live release, Exit...Stage Left identified the margin of a new chapter of Rush's sound.

    [edit] The synthesizer period (1982–1989)
    The OBX synthesizer used by Geddy Lee on the album Signals (1982).The band underwent another radical stylistic transmutation with the release of Signals in 1982.[28]

    While Lee's synthesizers had been featured instruments ever since the late 70s, keyboards were suddenly shifted from the contrapuntal background to the melodic front-lines[29][30] in songs like "Countdown" and the lead-off track "Subdivisions". Both feature prominent lead synthesizer lines with minimalistic guitar chords and solos. Other previously unused instrument additions were seen in the song "Losing It," featuring collaborator Ben Mink on electric violin.[28]

    "Subdivisions" (1982)

    Sample of "Subdivisions" from the album Signals. This song is notable for demonstrating the band's foray into their synthesizer period.

    --------------------------------------------------------------------------------

    Problems listening to this file? See media help.

    Signals also represented a drastic stylistic transformation apart from instrumental changes. The album contained Rush's only U.S. top-40 pop hit, "New World Man",[31] while other more experimental songs such as "Digital Man", "The Weapon", and "Chemistry" expanded the band's use of ska, reggae, and funk.[32] Although the band members consciously decided to move in this overall direction, they felt dissatisfied with long-time producer Terry Brown's studio treatment of Signals and parted ways with him in 1983. These diverse styles would come into further play on their next studio album.


    Neil Peart began incorporating Simmons Electronic Drums beginning with 1984's Grace Under PressureThe style and production of Signals were augmented and taken to new heights on 1984's Grace Under Pressure. It was Peart who named the album, as he borrowed the words of Ernest Hemingway to describe what the band had to go through after making the decision to leave Terry Brown. Producer Steve Lillywhite, who gleaned fame with successful productions of Simple Minds and U2, was enlisted to produce Grace Under Pressure. However, he backed out at the last moment, much to the ire of Lee, Lifeson and Peart. Lee said "Steve Lillywhite is really not a man of his word....after agreeing to do our record, he got an offer from Simple Minds, changed his mind, blew us off,..so it put us in a horrible position." Rush eventually hired Peter Henderson to co-produce and engineer the album in his stead.[33]

    Musically, although Lee's use of sequencers and synthesizers remained the band's cornerstone, his focus on new technology was complemented by Peart's adaptation of Simmons electronic drums and percussion. Lifeson's contributions on the album were decidedly enhanced to act as an overreaction to the minimalistic role he played on Signals.[34] Still, many of his trademark guitar textures remained intact in the form of open reggae chords and funk and new-wave rhythms.

    With new producer Peter Collins, the band released 1985's Power Windows and 1987's Hold Your Fire. The music on these two albums gives far more emphasis and prominence to Lee's multi-layered synthesizer work. While fans and critics took notice of Lifeson's diminished guitar work, his presence was still palpable. Lifeson, like many guitarists in the late 1980s, experimented with processors that reduced his instrument to echoey chord bursts and razor-thin leads. Hold Your Fire represents both a modest extension of the guitar stylings found on Power Windows, and, according to Allmusic critic Eduardo Rivadavia, the culmination of this era of Rush.[35] Whereas the previous five Rush albums sold platinum or better, Hold Your Fire only went gold in November 1987, although it managed to peak at number 13 on the Billboard 200.[36]

    A third live album and video, A Show of Hands (1989), was also released by Mercury following the Power Windows and Hold Your Fire tours, demonstrating the aspects of Rush in the '80s. A Show of Hands met with strong fan approval, but Rolling Stone critic Michael Azerrad dismissed it as "musical muscle" with 1.5 stars, claiming Rush fans viewed their favourite power trio as "the holy trinity".[37] Nevertheless, A Show of Hands managed to surpass the gold album mark, reaching number 21 on the Billboard 200.[38] At this point, the group decided to change record labels from Mercury to Atlantic. After Rush's departure in 1989, Mercury released a double platinum two-volume compilation of their Rush catalogue, Chronicles (1990).[39]

    [edit] Returning to their roots (1989–1997) "Dreamline" (1991)

    Sample of "Dreamline" from the album Roll the Bones. This song is notable for demonstrating the band's return to a more standard three piece instrument style, where synthesizers are used more sparingly and the guitar returning to the forefront of the sound.

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    Rush started to deviate from their 1980s style with the albums Presto and Roll the Bones. Produced by record engineer and musician Rupert Hine, these two albums saw Rush shedding much of their keyboard-saturated sound. Beginning with 1989's Presto, the band opted for arrangements that were notably more guitar-centric than the previous two studio albums. Although synthesizers were still used in many songs, the instrument was no longer featured as the centerpiece of Rush's compositions. Continuing this trend, 1991's Roll the Bones extended the use of the standard three-instrument approach with even less focus on synthesizers than its predecessor. While musically these albums do not deviate significantly from a general pop-rock sound, Rush incorporated traces of other musical styles. "Roll the Bones", for instance, exhibits funk and hip hop elements, and the instrumental track "Where's My Thing?" features several jazz components.[40] This return to three-piece instrumentation helped pave the way for future albums in the mid-90s, which would adopt a more straightforward rock formula.

    The transition from synthesizers to more guitar-oriented and organic instrumentation continued with the 1993 album Counterparts[41] and its follow-up, 1996's Test for Echo, again both produced in collaboration with Peter Collins. Musically, Counterparts[41] and Test For Echo are two of Rush's most guitar-driven albums. Although the music in general did not meet the criteria for progressive rock, some songs adopted a dynamic format.[42] For instance, "Time and Motion" possesses multiple time signature changes and organ usage, while the instrumental track "Limbo", consists of multiple musical passages. Musically, Test For Echo still retained much of the hard rock/alternative style already charted on the previous record with Lifeson and Lee's playing remaining more or less unchanged; however, a distinct modification in technique became apparent in Peart's playing from his jazz and swing training under the tutelage of jazz instructor Freddie Gruber during the interim between Counterparts and Test For Echo.[43] In October 1996, in support of Test For Echo, the band embarked on a North American tour, the band's first without an opening act and dubbed "An Evening with Rush". The tour was broken up into two segments spanning October through December 1996 and May through July 1997 with the band taking a respite between tour legs.

    [edit] Hiatus and comeback (1997–2005)After wrapping up the tour promoting Test for Echo in 1997, the band entered a five-year hiatus mainly because of personal tragedies in Peart's life. Peart's daughter Selena died in an automobile accident in August 1997, followed by his wife Jacqueline's death from cancer in June 1998. Peart took a hiatus to mourn and reflect, during which time he traveled extensively throughout North America on his BMW motorcycle, covering 88,000 km (55,000 miles). At some point in his journey, Peart decided to return to the band. Peart wrote Ghost Rider: Travels on the Healing Road as a chronicle of his geographical and emotional journey. In this book he writes of how he had told his bandmates at Selena's funeral, "consider me retired."[44] On November 10, 1998 a triple CD live album entitled Different Stages was released, dedicated to the memory of Selena and Jacqueline. Mixed by producer Paul Northfield and engineered by Terry Brown, it contained three discs packed with recorded performances from the band's Counterparts, Test For Echo, and A Farewell to Kings tours, marking the fourth officially released live album by the band.

    "One Little Victory" (2002)

    Sample of "One Little Victory" from the album Vapor Trails. This song's rapid tempo and heavy double bass drumming was done intentionally in order to herald the comeback of the band after their hiatus.

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    After a time to grieve and reassemble the pieces of his life, and while visiting long-time Rush photographer Andrew MacNaughtan in Los Angeles, Peart was introduced to his future wife, photographer Carrie Nuttall. Peart married Nuttall on September 9, 2000. In early 2001 he announced to his band mates that he was ready to once again enter the studio and get back into the business of making music. With the help of producer Paul Northfield the band returned in May 2002 with Vapor Trails, written and recorded in Toronto. To herald the band's comeback, the single and lead track from the album, "One Little Victory" was designed to grab the attention of listeners with its rapid guitar and drum tempos.[45] Vapor Trails marked the first studio recording not to include a single synthesizer, organ or keyboard part since the early 1970s. While the album is almost completely guitar-driven, it is mostly devoid of any conventional sounding guitar solos, a conscious decision made by Lifeson during the writing process. According to the band, the entire developmental process for Vapor Trails was extremely taxing and took approximately 14 months to finish, by far the longest the band had ever spent writing and recording a studio album.[45] The album was supported by the band's first tour in six years, including first-ever concerts in Mexico City and Brazil, where they played to some of the largest crowds of their career.

    A triple CD live album and dual Rush in Rio DVD was released in late October 2003 featuring an entire concert performance recorded on the last night of their Vapor Trails Tour, November 23, 2002, at Maracanã Stadium in Rio de Janeiro, Brazil. To celebrate their 30th anniversary, June 2004 saw the release of Feedback, a studio EP recorded in suburban Toronto featuring eight covers of such artists as Cream, The Who and The Yardbirds, bands that the members of Rush cite as inspiration around the time of their inception.[46] Also in the summer of 2004, Rush hit the road again for their 30th Anniversary Tour, playing dates in the United States, Canada, the United Kingdom, Germany, Italy, Sweden, the Czech Republic, and the Netherlands. On September 24, 2004 a Frankfurt, Germany concert was recorded at The Festhalle for DVD (titled R30: Live in Frankfurt), which was released November 22, 2005; a complete version of the R30 Frankfurt set (the original DVD release omitted eight songs) was released on Blu-ray on December 8, 2009.[47]

    [edit] Snakes & Arrows (2006–2009)Main articles: Snakes & Arrows and Snakes & Arrows Tour
    During promotional interviews for the R30 Live In Frankfurt DVD, the band revealed their intention to begin writing new material in early 2006. While in Toronto, Lifeson and Lee began the songwriting process in January 2006. During this time, Peart simultaneously assumed his role of lyric writing while residing in Southern California. The following September, Rush chose to hire American producer Nick Raskulinecz to co-produce the album. The band officially entered Allaire Studios, in Shokan, New York in November 2006 in order to record the bulk of the material. Taking the band five weeks, the sessions ended in December. On February 14, 2007, an announcement was made on the official Rush web site that the title of the new album would be Snakes & Arrows. The first single, entitled "Far Cry", was released to North American radio stations on March 12, 2007 and reached #2 on the Mediabase Mainstream and Radio and Records Charts.[48]

    "Far Cry" (2007)

    Sample of "Far Cry", first single from the album Snakes & Arrows.

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    The Rush website, newly redesigned on March 12 to support the new album, also announced that the band would embark on a tour to begin in the summer. Snakes & Arrows was released May 1, 2007 in North America, where it debuted at #3 in the Billboard 200 with approximately 93,000 units sold in its first week.[49] It would go on to sell an estimated 611,000 copies worldwide. To coincide with the Atlantic ocean hurricane season, "Spindrift" was released as the official second radio single on June 1, 2007, whereas "The Larger Bowl (A Pantoum)" saw single status on June 25, 2007. "The Larger Bowl" positioned within the top 20 of the Mainstream Rock and Media Base Mainstream charts, however, "Spindrift" failed to appear on any commercial chart.[50] The planned intercontinental tour in support of Snakes & Arrows began on June 13, 2007 in Atlanta, Georgia, coming to a close on October 29, 2007 at Hartwall Arena in Helsinki, Finland.[51]

    The 2008 portion of the tour started on April 11, 2008 in San Juan, Puerto Rico at José Miguel Agrelot Coliseum and culminated on July 24, 2008 in Noblesville, Indiana at the Verizon Wireless Music Center.[52] On April 15, the band released Snakes & Arrows Live, a double live album documenting the first leg of the tour.[53] Those same performances featured on Snakes & Arrows Live filmed at the Ahoy arena in Rotterdam, Netherlands on October 16 and 17 of 2007 were released November 24 as a DVD and Blu-Ray set. The video also includes footage from the 2008 portion of the tour, recorded at Verizon Wireless Amphitheater in Atlanta.[54][55][56]

    As the band neared the conclusion of their Snakes & Arrows tour, they announced their first appearance on American television in over 30 years. Rush was interviewed by Stephen Colbert and they performed "Tom Sawyer" on The Colbert Report on July 16, 2008.[57] Continuing to ride what one movie reviewer has called a "pop cultural wave," they also appeared at a live show in April 2009 for the comedy film I Love You, Man.[58]

    [edit] Clockwork Angels and Time Machine Tour (2009–present)On February 16, 2009, Lifeson remarked that the band may begin working on a new album in the Fall 2009 with Nick Raskulinecz once again producing.[59] On March 19, 2010, the CBC posted a video interview with Lee and Lifeson where they discussed Rush's induction into the Canadian Songwriters Hall of Fame on March 28, 2010 at the Toronto Centre for the Arts' George Weston Recital Hall. The band was recognized for the songs "Limelight", "Closer to the Heart", "The Spirit of Radio", "Tom Sawyer" and "Subdivisions". In addition to discussing their induction, Lee and Lifeson touched on future material. During the interview, Lee was quoted as saying "... Just about a month and a half ago we had no songs. And now we've been writing and now we've got about 6 songs that we just love...".[60] On March 26, 2010, in an interview with The Globe and Mail, Lifeson reconfirmed that the band had already written a half-dozen songs and that there was the potential for two supporting tours, one planned for Summer 2010 and a more extensive tour planned for Summer 2011. While still uncertain of exactly how and when the new material would be released, he projected a tentative Spring 2011 release date.[61] Soon after, Peart confirmed that American producer Nick Raskulinecz had returned as co-producer.[62]

    On April 8, 2010 both the official Rush website and PR Newswire announced that the band would embark on the Rush Time Machine Tour. The first leg of the tour began on June 29 in Albuquerque, New Mexico and finished October 17 in Santiago, Chile at the National stadium. It featured the album Moving Pictures played in its entirety, as well as the single "Caravan" and its B-side "BU2B". These songs will be featured on the band's upcoming studio album, Clockwork Angels.[63] The "Caravan" single was announced May 25, 2010 and was released June 1 to radio stations and made available for digital download.[64] It was suggested that Rush would return to the studio after the completion of the Time Machine Tour with plans to release Clockwork Angels in 2011.[65] However, Rush confirmed on November 19, 2010 that they will be extending the Time Machine Tour for a second leg. They are scheduled to play Europe in spring 2011 and return to North America for dates between March and July.[66]

    On April 24, 2010, the documentary Rush: Beyond the Lighted Stage directed by Sam Dunn premiered at the Tribeca Film Festival. It went on to receive the Tribeca Film Festival Audience Award.[67] The band's music was featured in the 2010 documentary Jews and Baseball: An American Love Story, narrated by Academy Award winner Dustin Hoffman.[68][69]

    On June 25, 2010, Rush received a star on the Hollywood Walk of Fame, located at 6752 Hollywood Boulevard. Critical acclaim continued to mount for Rush in 2010 when, on September 28, Classic Rock magazine announced Rush would be this year's Living Legends awarded at the Marshall Classic Rock Roll of Honour Awards in the UK.[70] The award was presented November 10, 2010. On September 29, Billboard.com announced that Rush would also receive the 2010 Legends of Live award for significant and lasting contributions to live music and the art of performing live and reaching fans through the concert experience.[71] The award was presented at the Billboard Touring Awards on November 4, 2010.

    The original line-up formed in the neighbourhood of Willowdale in Toronto, Ontario, by Lifeson, bassist and front man Jeff Jones, and drummer John Rutsey. Within a couple of weeks of forming, and before their second performance, bassist and lead vocalist Jones was replaced by Geddy Lee, a schoolmate of Lifeson. After several lineup reformations, Rush's official incarnation was formed in May 1971 consisting of Lee, Lifeson, and Rutsey. The band was managed by local Toronto resident Ray Danniels, a frequent attendee of Rush's early shows.[7][8]

    After gaining stability in the lineup and honing their skills on the local bar/high school dance circuit, the band came to release their first single "Not Fade Away", a cover of the Buddy Holly song, in 1973. Side B contained an original composition, "You Can't Fight It", credited to Lee and Rutsey. The single generated little reaction and, because of record company indifference, the band formed their own independent record label, Moon Records. With the aid of Danniels and the newly enlisted engineer Terry Brown, the band released their self-titled debut album in 1974, which was considered highly derivative of Led Zeppelin.[9] Rush had limited local popularity until the album was picked up by WMMS, a radio station in Cleveland, Ohio. Donna Halper, a DJ and music director working at the station, selected "Working Man" for her regular play list. The song's blue collar theme resonated with hard rock fans and this new found popularity led to the album being re-released by Mercury Records in the U.S.[10][11]


    The "starman" logo first appeared on the back cover of the 1976 album 2112. Hugh Syme, creator of graphics on many of Rush's albums, stated in a 1983 interview that the Starman "didn't begin as an identity factor for the band, it just got adopted."[12]Immediately after the release of the debut album in 1974, Rutsey was forced to leave the band due to health difficulties stemming from diabetes and a general distaste for touring. His last performance with the band was on July 25, 1974 at Centennial Hall in London, Ontario. Rush held auditions for a new dummer and eventually selected Neil Peart as Rutsey's replacement. Peart officially joined the band on July 29, 1974, two weeks before the group's first U.S. tour. They performed their first concert together, opening for Uriah Heep and Manfred Mann with an attendance of over 11,000 people at the Civic Arena in Pittsburgh, Pennsylvania on August 14. In addition to becoming the band's drummer, Peart assumed the role of principal lyricist from Lee, who had very little interest in writing, despite penning the lyrics of the band's first album.[13] Instead, Lee, along with Lifeson, focused primarily on the musical aspects of Rush. Fly by Night (1975), Rush's first album after recruiting Peart, saw the inclusion of the band's first epic mini-tale "By-Tor and the Snow Dog", replete with complex arrangements and multi-section format. Lyrical themes also underwent dramatic changes after the addition of Peart because of his love for fantasy and science-fiction literature.[14] However, despite these many differences some of the music and songs still closely mirrored the blues style found on Rush's debut.[14][15]

    Following quickly on the heels of Fly By Night, the band released 1975's Caress of Steel, a five track hard rock/heavy metal album featuring two extended multi-chapter songs, "The Necromancer" and "The Fountain of Lamneth." Some critics said Caress of Steel was unfocused and an audacious move for the band because of the placement of two back-to-back protracted songs, as well as a heavier reliance on atmospherics and story-telling, a large deviation from Fly by Night.[16] Intended to be the band's first "break-through" album, Caress of Steel sold below expectations and the promotional tour consisted of smaller venues which led to the moniker the "Down the Tubes Tour".[17] In light of these events, Rush's record label pressured them into molding their next album in a more commercially friendly and accessible fashion. However, the band ignored the requests and developed their next album, 2112 with a 20-minute title track divided into seven sections. Despite this, the album was the band's first taste of commercial success and their first platinum album in Canada.[18] The supporting tour for the album culminated in a three night stand at Massey Hall in Toronto, which the band recorded for the release of their first live album titled All the World's a Stage. Allmusic critic Greg Prato summarily reminds listeners and fans of how the album demarcates the boundary between the band's early years and the next era of their music.[19][20]

    [edit] The progressive rock era (1977–1981)After 2112, Rush retreated to the United Kingdom to record 1977's A Farewell to Kings and 1978's Hemispheres at Rockfield Studios in Wales. These albums saw the band members expanding the use of progressive elements in their music. "As our tastes got more obscure," Geddy Lee said in a recent interview, "we discovered more progressive rock-based bands like Yes, Van der Graaf Generator and King Crimson, and we were very inspired by those bands. They made us want to make our music more interesting and more complex and we tried to blend that with our own personalities to see what we could come up with that was indisputably us."[21] Trademarks such as increased synthesizer usage, extended-length concept songs, and highly dynamic playing featuring complex time signature changes became a staple of Rush's compositions. To achieve a broader, more progressive palette of sound, Alex Lifeson began to experiment with classical and twelve-string guitars, and Geddy Lee added bass-pedal synthesizers and Minimoog. Likewise, Peart's percussion became diversified in the form of triangles, glockenspiel, wood blocks, cowbells, timpani, gong and chimes. Beyond instrument additions, the band kept in stride with the progressive rock movement by continuing to compose long, conceptual songs with science fiction and fantasy overtones. However, as the new decade approached, Rush gradually began to dispose of their older styles of music in favor of shorter, and sometimes softer, arrangements. The lyrics up to this point (most of them written by Peart) were heavily influenced by classical poetry, fantasy literature, science fiction, and the writings of novelist Ayn Rand, as exhibited most prominently by their 1975 song "Anthem" from Fly By Night and a specifically acknowledged derivation in 1976's 2112.[22]

    Permanent Waves (1980) dramatically shifted Rush's style of music via the introduction of reggae and new wave elements.[23] Although a hard rock style was still evident, more and more synthesizers were introduced. Moreover, because of the limited airplay Rush's previous extended-length songs received, Permanent Waves included shorter, more radio-friendly songs such as "The Spirit of Radio" and "Freewill", two songs which helped Permanent Waves become Rush's first U.S. Top 5 album; both songs continue to make appearances on classic rock radio stations in Canada and the United States to this day.[24] Meanwhile, Peart's lyrics shifted toward an expository tone with subject matter that dwelled less on fantastical or allegorical story-telling and more heavily on topics that explored humanistic, social and emotional elements. Rush joined with fellow Toronto-based rock band Max Webster on July 28, 1980 to record "Battle Scar" for their 1980 release, Universal Juveniles.[25] While on tour together following the release, both bands would join between sets to play "Battle Scar". The song acted as both a transition from Max Webster to Rush, as well as a warm-up for Peart. In addition, Max Webster lyricist Pye Dubois offered the band lyrics to a song he had written. The band accepted; the song went on, after reworking by Peart, to become "Tom Sawyer".[25]

    "Tom Sawyer" (1981)

    Sample of "Tom Sawyer" from the album Moving Pictures. This is the band's best known song with heaviest radio airplay.

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    Rush's popularity reached its pinnacle with the release of Moving Pictures in 1981. Moving Pictures essentially continued where Permanent Waves left off, extending the trend of highly accessible and commercially friendly progressive rock that helped thrust them into the spotlight. The lead track, "Tom Sawyer", is probably the band's best-known song[26] with "Limelight" also receiving satisfactory responses from listeners and radio stations. Moving Pictures was Rush's last album to feature an extended song, the eleven-minute "The Camera Eye". The song also contained the band's heaviest usage of synthesizers up to that point, hinting that Rush's music was shifting direction once more. Moving Pictures reached #3 on the Billboard 200 album chart and has been certified quadruple platinum by the Recording Industry Association of America.[27]

    Following the success of Moving Pictures and the completion of another four studio albums, Rush released their second live recording, Exit...Stage Left, in 1981. The album delineates the apex of Rush's progressive period by featuring live material from the band's Permanent Waves and Moving Pictures tours. As with their first live release, Exit...Stage Left identified the margin of a new chapter of Rush's sound.

    [edit] The synthesizer period (1982–1989)
    The OBX synthesizer used by Geddy Lee on the album Signals (1982).The band underwent another radical stylistic transmutation with the release of Signals in 1982.[28]

    While Lee's synthesizers had been featured instruments ever since the late 70s, keyboards were suddenly shifted from the contrapuntal background to the melodic front-lines[29][30] in songs like "Countdown" and the lead-off track "Subdivisions". Both feature prominent lead synthesizer lines with minimalistic guitar chords and solos. Other previously unused instrument additions were seen in the song "Losing It," featuring collaborator Ben Mink on electric violin.[28]

    "Subdivisions" (1982)

    Sample of "Subdivisions" from the album Signals. This song is notable for demonstrating the band's foray into their synthesizer period.

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    Signals also represented a drastic stylistic transformation apart from instrumental changes. The album contained Rush's only U.S. top-40 pop hit, "New World Man",[31] while other more experimental songs such as "Digital Man", "The Weapon", and "Chemistry" expanded the band's use of ska, reggae, and funk.[32] Although the band members consciously decided to move in this overall direction, they felt dissatisfied with long-time producer Terry Brown's studio treatment of Signals and parted ways with him in 1983. These diverse styles would come into further play on their next studio album.


    Neil Peart began incorporating Simmons Electronic Drums beginning with 1984's Grace Under PressureThe style and production of Signals were augmented and taken to new heights on 1984's Grace Under Pressure. It was Peart who named the album, as he borrowed the words of Ernest Hemingway to describe what the band had to go through after making the decision to leave Terry Brown. Producer Steve Lillywhite, who gleaned fame with successful productions of Simple Minds and U2, was enlisted to produce Grace Under Pressure. However, he backed out at the last moment, much to the ire of Lee, Lifeson and Peart. Lee said "Steve Lillywhite is really not a man of his word....after agreeing to do our record, he got an offer from Simple Minds, changed his mind, blew us off,..so it put us in a horrible position." Rush eventually hired Peter Henderson to co-produce and engineer the album in his stead.[33]

    Musically, although Lee's use of sequencers and synthesizers remained the band's cornerstone, his focus on new technology was complemented by Peart's adaptation of Simmons electronic drums and percussion. Lifeson's contributions on the album were decidedly enhanced to act as an overreaction to the minimalistic role he played on Signals.[34] Still, many of his trademark guitar textures remained intact in the form of open reggae chords and funk and new-wave rhythms.

    With new producer Peter Collins, the band released 1985's Power Windows and 1987's Hold Your Fire. The music on these two albums gives far more emphasis and prominence to Lee's multi-layered synthesizer work. While fans and critics took notice of Lifeson's diminished guitar work, his presence was still palpable. Lifeson, like many guitarists in the late 1980s, experimented with processors that reduced his instrument to echoey chord bursts and razor-thin leads. Hold Your Fire represents both a modest extension of the guitar stylings found on Power Windows, and, according to Allmusic critic Eduardo Rivadavia, the culmination of this era of Rush.[35] Whereas the previous five Rush albums sold platinum or better, Hold Your Fire only went gold in November 1987, although it managed to peak at number 13 on the Billboard 200.[36]

    A third live album and video, A Show of Hands (1989), was also released by Mercury following the Power Windows and Hold Your Fire tours, demonstrating the aspects of Rush in the '80s. A Show of Hands met with strong fan approval, but Rolling Stone critic Michael Azerrad dismissed it as "musical muscle" with 1.5 stars, claiming Rush fans viewed their favourite power trio as "the holy trinity".[37] Nevertheless, A Show of Hands managed to surpass the gold album mark, reaching number 21 on the Billboard 200.[38] At this point, the group decided to change record labels from Mercury to Atlantic. After Rush's departure in 1989, Mercury released a double platinum two-volume compilation of their Rush catalogue, Chronicles (1990).[39]

    [edit] Returning to their roots (1989–1997) "Dreamline" (1991)

    Sample of "Dreamline" from the album Roll the Bones. This song is notable for demonstrating the band's return to a more standard three piece instrument style, where synthesizers are used more sparingly and the guitar returning to the forefront of the sound.

    --------------------------------------------------------------------------------

    Problems listening to this file? See media help.

    Rush started to deviate from their 1980s style with the albums Presto and Roll the Bones. Produced by record engineer and musician Rupert Hine, these two albums saw Rush shedding much of their keyboard-saturated sound. Beginning with 1989's Presto, the band opted for arrangements that were notably more guitar-centric than the previous two studio albums. Although synthesizers were still used in many songs, the instrument was no longer featured as the centerpiece of Rush's compositions. Continuing this trend, 1991's Roll the Bones extended the use of the standard three-instrument approach with even less focus on synthesizers than its predecessor. While musically these albums do not deviate significantly from a general pop-rock sound, Rush incorporated traces of other musical styles. "Roll the Bones", for instance, exhibits funk and hip hop elements, and the instrumental track "Where's My Thing?" features several jazz components.[40] This return to three-piece instrumentation helped pave the way for future albums in the mid-90s, which would adopt a more straightforward rock formula.

    The transition from synthesizers to more guitar-oriented and organic instrumentation continued with the 1993 album Counterparts[41] and its follow-up, 1996's Test for Echo, again both produced in collaboration with Peter Collins. Musically, Counterparts[41] and Test For Echo are two of Rush's most guitar-driven albums. Although the music in general did not meet the criteria for progressive rock, some songs adopted a dynamic format.[42] For instance, "Time and Motion" possesses multiple time signature changes and organ usage, while the instrumental track "Limbo", consists of multiple musical passages. Musically, Test For Echo still retained much of the hard rock/alternative style already charted on the previous record with Lifeson and Lee's playing remaining more or less unchanged; however, a distinct modification in technique became apparent in Peart's playing from his jazz and swing training under the tutelage of jazz instructor Freddie Gruber during the interim between Counterparts and Test For Echo.[43] In October 1996, in support of Test For Echo, the band embarked on a North American tour, the band's first without an opening act and dubbed "An Evening with Rush". The tour was broken up into two segments spanning October through December 1996 and May through July 1997 with the band taking a respite between tour legs.

    [edit] Hiatus and comeback (1997–2005)After wrapping up the tour promoting Test for Echo in 1997, the band entered a five-year hiatus mainly because of personal tragedies in Peart's life. Peart's daughter Selena died in an automobile accident in August 1997, followed by his wife Jacqueline's death from cancer in June 1998. Peart took a hiatus to mourn and reflect, during which time he traveled extensively throughout North America on his BMW motorcycle, covering 88,000 km (55,000 miles). At some point in his journey, Peart decided to return to the band. Peart wrote Ghost Rider: Travels on the Healing Road as a chronicle of his geographical and emotional journey. In this book he writes of how he had told his bandmates at Selena's funeral, "consider me retired."[44] On November 10, 1998 a triple CD live album entitled Different Stages was released, dedicated to the memory of Selena and Jacqueline. Mixed by producer Paul Northfield and engineered by Terry Brown, it contained three discs packed with recorded performances from the band's Counterparts, Test For Echo, and A Farewell to Kings tours, marking the fourth officially released live album by the band.

    "One Little Victory" (2002)

    Sample of "One Little Victory" from the album Vapor Trails. This song's rapid tempo and heavy double bass drumming was done intentionally in order to herald the comeback of the band after their hiatus.

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    After a time to grieve and reassemble the pieces of his life, and while visiting long-time Rush photographer Andrew MacNaughtan in Los Angeles, Peart was introduced to his future wife, photographer Carrie Nuttall. Peart married Nuttall on September 9, 2000. In early 2001 he announced to his band mates that he was ready to once again enter the studio and get back into the business of making music. With the help of producer Paul Northfield the band returned in May 2002 with Vapor Trails, written and recorded in Toronto. To herald the band's comeback, the single and lead track from the album, "One Little Victory" was designed to grab the attention of listeners with its rapid guitar and drum tempos.[45] Vapor Trails marked the first studio recording not to include a single synthesizer, organ or keyboard part since the early 1970s. While the album is almost completely guitar-driven, it is mostly devoid of any conventional sounding guitar solos, a conscious decision made by Lifeson during the writing process. According to the band, the entire developmental process for Vapor Trails was extremely taxing and took approximately 14 months to finish, by far the longest the band had ever spent writing and recording a studio album.[45] The album was supported by the band's first tour in six years, including first-ever concerts in Mexico City and Brazil, where they played to some of the largest crowds of their career.

    A triple CD live album and dual Rush in Rio DVD was released in late October 2003 featuring an entire concert performance recorded on the last night of their Vapor Trails Tour, November 23, 2002, at Maracanã Stadium in Rio de Janeiro, Brazil. To celebrate their 30th anniversary, June 2004 saw the release of Feedback, a studio EP recorded in suburban Toronto featuring eight covers of such artists as Cream, The Who and The Yardbirds, bands that the members of Rush cite as inspiration around the time of their inception.[46] Also in the summer of 2004, Rush hit the road again for their 30th Anniversary Tour, playing dates in the United States, Canada, the United Kingdom, Germany, Italy, Sweden, the Czech Republic, and the Netherlands. On September 24, 2004 a Frankfurt, Germany concert was recorded at The Festhalle for DVD (titled R30: Live in Frankfurt), which was released November 22, 2005; a complete version of the R30 Frankfurt set (the original DVD release omitted eight songs) was released on Blu-ray on December 8, 2009.[47]

    [edit] Snakes & Arrows (2006–2009)Main articles: Snakes & Arrows and Snakes & Arrows Tour
    During promotional interviews for the R30 Live In Frankfurt DVD, the band revealed their intention to begin writing new material in early 2006. While in Toronto, Lifeson and Lee began the songwriting process in January 2006. During this time, Peart simultaneously assumed his role of lyric writing while residing in Southern California. The following September, Rush chose to hire American producer Nick Raskulinecz to co-produce the album. The band officially entered Allaire Studios, in Shokan, New York in November 2006 in order to record the bulk of the material. Taking the band five weeks, the sessions ended in December. On February 14, 2007, an announcement was made on the official Rush web site that the title of the new album would be Snakes & Arrows. The first single, entitled "Far Cry", was released to North American radio stations on March 12, 2007 and reached #2 on the Mediabase Mainstream and Radio and Records Charts.[48]

    "Far Cry" (2007)

    Sample of "Far Cry", first single from the album Snakes & Arrows.

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    The Rush website, newly redesigned on March 12 to support the new album, also announced that the band would embark on a tour to begin in the summer. Snakes & Arrows was released May 1, 2007 in North America, where it debuted at #3 in the Billboard 200 with approximately 93,000 units sold in its first week.[49] It would go on to sell an estimated 611,000 copies worldwide. To coincide with the Atlantic ocean hurricane season, "Spindrift" was released as the official second radio single on June 1, 2007, whereas "The Larger Bowl (A Pantoum)" saw single status on June 25, 2007. "The Larger Bowl" positioned within the top 20 of the Mainstream Rock and Media Base Mainstream charts, however, "Spindrift" failed to appear on any commercial chart.[50] The planned intercontinental tour in support of Snakes & Arrows began on June 13, 2007 in Atlanta, Georgia, coming to a close on October 29, 2007 at Hartwall Arena in Helsinki, Finland.[51]

    The 2008 portion of the tour started on April 11, 2008 in San Juan, Puerto Rico at José Miguel Agrelot Coliseum and culminated on July 24, 2008 in Noblesville, Indiana at the Verizon Wireless Music Center.[52] On April 15, the band released Snakes & Arrows Live, a double live album documenting the first leg of the tour.[53] Those same performances featured on Snakes & Arrows Live filmed at the Ahoy arena in Rotterdam, Netherlands on October 16 and 17 of 2007 were released November 24 as a DVD and Blu-Ray set. The video also includes footage from the 2008 portion of the tour, recorded at Verizon Wireless Amphitheater in Atlanta.[54][55][56]

    As the band neared the conclusion of their Snakes & Arrows tour, they announced their first appearance on American television in over 30 years. Rush was interviewed by Stephen Colbert and they performed "Tom Sawyer" on The Colbert Report on July 16, 2008.[57] Continuing to ride what one movie reviewer has called a "pop cultural wave," they also appeared at a live show in April 2009 for the comedy film I Love You, Man.[58]

    [edit] Clockwork Angels and Time Machine Tour (2009–present)On February 16, 2009, Lifeson remarked that the band may begin working on a new album in the Fall 2009 with Nick Raskulinecz once again producing.[59] On March 19, 2010, the CBC posted a video interview with Lee and Lifeson where they discussed Rush's induction into the Canadian Songwriters Hall of Fame on March 28, 2010 at the Toronto Centre for the Arts' George Weston Recital Hall. The band was recognized for the songs "Limelight", "Closer to the Heart", "The Spirit of Radio", "Tom Sawyer" and "Subdivisions". In addition to discussing their induction, Lee and Lifeson touched on future material. During the interview, Lee was quoted as saying "... Just about a month and a half ago we had no songs. And now we've been writing and now we've got about 6 songs that we just love...".[60] On March 26, 2010, in an interview with The Globe and Mail, Lifeson reconfirmed that the band had already written a half-dozen songs and that there was the potential for two supporting tours, one planned for Summer 2010 and a more extensive tour planned for Summer 2011. While still uncertain of exactly how and when the new material would be released, he projected a tentative Spring 2011 release date.[61] Soon after, Peart confirmed that American producer Nick Raskulinecz had returned as co-producer.[62]

    On April 8, 2010 both the official Rush website and PR Newswire announced that the band would embark on the Rush Time Machine Tour. The first leg of the tour began on June 29 in Albuquerque, New Mexico and finished October 17 in Santiago, Chile at the National stadium. It featured the album Moving Pictures played in its entirety, as well as the single "Caravan" and its B-side "BU2B". These songs will be featured on the band's upcoming studio album, Clockwork Angels.[63] The "Caravan" single was announced May 25, 2010 and was released June 1 to radio stations and made available for digital download.[64] It was suggested that Rush would return to the studio after the completion of the Time Machine Tour with plans to release Clockwork Angels in 2011.[65] However, Rush confirmed on November 19, 2010 that they will be extending the Time Machine Tour for a second leg. They are scheduled to play Europe in spring 2011 and return to North America for dates between March and July.[66]

    On April 24, 2010, the documentary Rush: Beyond the Lighted Stage directed by Sam Dunn premiered at the Tribeca Film Festival. It went on to receive the Tribeca Film Festival Audience Award.[67] The band's music was featured in the 2010 documentary Jews and Baseball: An American Love Story, narrated by Academy Award winner Dustin Hoffman.[68][69]

    On June 25, 2010, Rush received a star on the Hollywood Walk of Fame, located at 6752 Hollywood Boulevard. Critical acclaim continued to mount for Rush in 2010 when, on September 28, Classic Rock magazine announced Rush would be this year's Living Legends awarded at the Marshall Classic Rock Roll of Honour Awards in the UK.[70] The award was presented November 10, 2010. On September 29, Billboard.com announced that Rush would also receive the 2010 Legends of Live award for significant and lasting contributions to live music and the art of performing live and reaching fans through the concert experience.[71] The award was presented at the Billboard Touring Awards on November 4, 2010.

    The original line-up formed in the neighbourhood of Willowdale in Toronto, Ontario, by Lifeson, bassist and front man Jeff Jones, and drummer John Rutsey. Within a couple of weeks of forming, and before their second performance, bassist and lead vocalist Jones was replaced by Geddy Lee, a schoolmate of Lifeson. After several lineup reformations, Rush's official incarnation was formed in May 1971 consisting of Lee, Lifeson, and Rutsey. The band was managed by local Toronto resident Ray Danniels, a frequent attendee of Rush's early shows.[7][8]

    After gaining stability in the lineup and honing their skills on the local bar/high school dance circuit, the band came to release their first single "Not Fade Away", a cover of the Buddy Holly song, in 1973. Side B contained an original composition, "You Can't Fight It", credited to Lee and Rutsey. The single generated little reaction and, because of record company indifference, the band formed their own independent record label, Moon Records. With the aid of Danniels and the newly enlisted engineer Terry Brown, the band released their self-titled debut album in 1974, which was considered highly derivative of Led Zeppelin.[9] Rush had limited local popularity until the album was picked up by WMMS, a radio station in Cleveland, Ohio. Donna Halper, a DJ and music director working at the station, selected "Working Man" for her regular play list. The song's blue collar theme resonated with hard rock fans and this new found popularity led to the album being re-released by Mercury Records in the U.S.[10][11]


    The "starman" logo first appeared on the back cover of the 1976 album 2112. Hugh Syme, creator of graphics on many of Rush's albums, stated in a 1983 interview that the Starman "didn't begin as an identity factor for the band, it just got adopted."[12]Immediately after the release of the debut album in 1974, Rutsey was forced to leave the band due to health difficulties stemming from diabetes and a general distaste for touring. His last performance with the band was on July 25, 1974 at Centennial Hall in London, Ontario. Rush held auditions for a new dummer and eventually selected Neil Peart as Rutsey's replacement. Peart officially joined the band on July 29, 1974, two weeks before the group's first U.S. tour. They performed their first concert together, opening for Uriah Heep and Manfred Mann with an attendance of over 11,000 people at the Civic Arena in Pittsburgh, Pennsylvania on August 14. In addition to becoming the band's drummer, Peart assumed the role of principal lyricist from Lee, who had very little interest in writing, despite penning the lyrics of the band's first album.[13] Instead, Lee, along with Lifeson, focused primarily on the musical aspects of Rush. Fly by Night (1975), Rush's first album after recruiting Peart, saw the inclusion of the band's first epic mini-tale "By-Tor and the Snow Dog", replete with complex arrangements and multi-section format. Lyrical themes also underwent dramatic changes after the addition of Peart because of his love for fantasy and science-fiction literature.[14] However, despite these many differences some of the music and songs still closely mirrored the blues style found on Rush's debut.[14][15]

    Following quickly on the heels of Fly By Night, the band released 1975's Caress of Steel, a five track hard rock/heavy metal album featuring two extended multi-chapter songs, "The Necromancer" and "The Fountain of Lamneth." Some critics said Caress of Steel was unfocused and an audacious move for the band because of the placement of two back-to-back protracted songs, as well as a heavier reliance on atmospherics and story-telling, a large deviation from Fly by Night.[16] Intended to be the band's first "break-through" album, Caress of Steel sold below expectations and the promotional tour consisted of smaller venues which led to the moniker the "Down the Tubes Tour".[17] In light of these events, Rush's record label pressured them into molding their next album in a more commercially friendly and accessible fashion. However, the band ignored the requests and developed their next album, 2112 with a 20-minute title track divided into seven sections. Despite this, the album was the band's first taste of commercial success and their first platinum album in Canada.[18] The supporting tour for the album culminated in a three night stand at Massey Hall in Toronto, which the band recorded for the release of their first live album titled All the World's a Stage. Allmusic critic Greg Prato summarily reminds listeners and fans of how the album demarcates the boundary between the band's early years and the next era of their music.[19][20]

    [edit] The progressive rock era (1977–1981)After 2112, Rush retreated to the United Kingdom to record 1977's A Farewell to Kings and 1978's Hemispheres at Rockfield Studios in Wales. These albums saw the band members expanding the use of progressive elements in their music. "As our tastes got more obscure," Geddy Lee said in a recent interview, "we discovered more progressive rock-based bands like Yes, Van der Graaf Generator and King Crimson, and we were very inspired by those bands. They made us want to make our music more interesting and more complex and we tried to blend that with our own personalities to see what we could come up with that was indisputably us."[21] Trademarks such as increased synthesizer usage, extended-length concept songs, and highly dynamic playing featuring complex time signature changes became a staple of Rush's compositions. To achieve a broader, more progressive palette of sound, Alex Lifeson began to experiment with classical and twelve-string guitars, and Geddy Lee added bass-pedal synthesizers and Minimoog. Likewise, Peart's percussion became diversified in the form of triangles, glockenspiel, wood blocks, cowbells, timpani, gong and chimes. Beyond instrument additions, the band kept in stride with the progressive rock movement by continuing to compose long, conceptual songs with science fiction and fantasy overtones. However, as the new decade approached, Rush gradually began to dispose of their older styles of music in favor of shorter, and sometimes softer, arrangements. The lyrics up to this point (most of them written by Peart) were heavily influenced by classical poetry, fantasy literature, science fiction, and the writings of novelist Ayn Rand, as exhibited most prominently by their 1975 song "Anthem" from Fly By Night and a specifically acknowledged derivation in 1976's 2112.[22]

    Permanent Waves (1980) dramatically shifted Rush's style of music via the introduction of reggae and new wave elements.[23] Although a hard rock style was still evident, more and more synthesizers were introduced. Moreover, because of the limited airplay Rush's previous extended-length songs received, Permanent Waves included shorter, more radio-friendly songs such as "The Spirit of Radio" and "Freewill", two songs which helped Permanent Waves become Rush's first U.S. Top 5 album; both songs continue to make appearances on classic rock radio stations in Canada and the United States to this day.[24] Meanwhile, Peart's lyrics shifted toward an expository tone with subject matter that dwelled less on fantastical or allegorical story-telling and more heavily on topics that explored humanistic, social and emotional elements. Rush joined with fellow Toronto-based rock band Max Webster on July 28, 1980 to record "Battle Scar" for their 1980 release, Universal Juveniles.[25] While on tour together following the release, both bands would join between sets to play "Battle Scar". The song acted as both a transition from Max Webster to Rush, as well as a warm-up for Peart. In addition, Max Webster lyricist Pye Dubois offered the band lyrics to a song he had written. The band accepted; the song went on, after reworking by Peart, to become "Tom Sawyer".[25]

    "Tom Sawyer" (1981)

    Sample of "Tom Sawyer" from the album Moving Pictures. This is the band's best known song with heaviest radio airplay.

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    Rush's popularity reached its pinnacle with the release of Moving Pictures in 1981. Moving Pictures essentially continued where Permanent Waves left off, extending the trend of highly accessible and commercially friendly progressive rock that helped thrust them into the spotlight. The lead track, "Tom Sawyer", is probably the band's best-known song[26] with "Limelight" also receiving satisfactory responses from listeners and radio stations. Moving Pictures was Rush's last album to feature an extended song, the eleven-minute "The Camera Eye". The song also contained the band's heaviest usage of synthesizers up to that point, hinting that Rush's music was shifting direction once more. Moving Pictures reached #3 on the Billboard 200 album chart and has been certified quadruple platinum by the Recording Industry Association of America.[27]

    Following the success of Moving Pictures and the completion of another four studio albums, Rush released their second live recording, Exit...Stage Left, in 1981. The album delineates the apex of Rush's progressive period by featuring live material from the band's Permanent Waves and Moving Pictures tours. As with their first live release, Exit...Stage Left identified the margin of a new chapter of Rush's sound.

    [edit] The synthesizer period (1982–1989)
    The OBX synthesizer used by Geddy Lee on the album Signals (1982).The band underwent another radical stylistic transmutation with the release of Signals in 1982.[28]

    While Lee's synthesizers had been featured instruments ever since the late 70s, keyboards were suddenly shifted from the contrapuntal background to the melodic front-lines[29][30] in songs like "Countdown" and the lead-off track "Subdivisions". Both feature prominent lead synthesizer lines with minimalistic guitar chords and solos. Other previously unused instrument additions were seen in the song "Losing It," featuring collaborator Ben Mink on electric violin.[28]

    "Subdivisions" (1982)

    Sample of "Subdivisions" from the album Signals. This song is notable for demonstrating the band's foray into their synthesizer period.

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    Signals also represented a drastic stylistic transformation apart from instrumental changes. The album contained Rush's only U.S. top-40 pop hit, "New World Man",[31] while other more experimental songs such as "Digital Man", "The Weapon", and "Chemistry" expanded the band's use of ska, reggae, and funk.[32] Although the band members consciously decided to move in this overall direction, they felt dissatisfied with long-time producer Terry Brown's studio treatment of Signals and parted ways with him in 1983. These diverse styles would come into further play on their next studio album.


    Neil Peart began incorporating Simmons Electronic Drums beginning with 1984's Grace Under PressureThe style and production of Signals were augmented and taken to new heights on 1984's Grace Under Pressure. It was Peart who named the album, as he borrowed the words of Ernest Hemingway to describe what the band had to go through after making the decision to leave Terry Brown. Producer Steve Lillywhite, who gleaned fame with successful productions of Simple Minds and U2, was enlisted to produce Grace Under Pressure. However, he backed out at the last moment, much to the ire of Lee, Lifeson and Peart. Lee said "Steve Lillywhite is really not a man of his word....after agreeing to do our record, he got an offer from Simple Minds, changed his mind, blew us off,..so it put us in a horrible position." Rush eventually hired Peter Henderson to co-produce and engineer the album in his stead.[33]

    Musically, although Lee's use of sequencers and synthesizers remained the band's cornerstone, his focus on new technology was complemented by Peart's adaptation of Simmons electronic drums and percussion. Lifeson's contributions on the album were decidedly enhanced to act as an overreaction to the minimalistic role he played on Signals.[34] Still, many of his trademark guitar textures remained intact in the form of open reggae chords and funk and new-wave rhythms.

    With new producer Peter Collins, the band released 1985's Power Windows and 1987's Hold Your Fire. The music on these two albums gives far more emphasis and prominence to Lee's multi-layered synthesizer work. While fans and critics took notice of Lifeson's diminished guitar work, his presence was still palpable. Lifeson, like many guitarists in the late 1980s, experimented with processors that reduced his instrument to echoey chord bursts and razor-thin leads. Hold Your Fire represents both a modest extension of the guitar stylings found on Power Windows, and, according to Allmusic critic Eduardo Rivadavia, the culmination of this era of Rush.[35] Whereas the previous five Rush albums sold platinum or better, Hold Your Fire only went gold in November 1987, although it managed to peak at number 13 on the Billboard 200.[36]

    A third live album and video, A Show of Hands (1989), was also released by Mercury following the Power Windows and Hold Your Fire tours, demonstrating the aspects of Rush in the '80s. A Show of Hands met with strong fan approval, but Rolling Stone critic Michael Azerrad dismissed it as "musical muscle" with 1.5 stars, claiming Rush fans viewed their favourite power trio as "the holy trinity".[37] Nevertheless, A Show of Hands managed to surpass the gold album mark, reaching number 21 on the Billboard 200.[38] At this point, the group decided to change record labels from Mercury to Atlantic. After Rush's departure in 1989, Mercury released a double platinum two-volume compilation of their Rush catalogue, Chronicles (1990).[39]

    [edit] Returning to their roots (1989–1997) "Dreamline" (1991)

    Sample of "Dreamline" from the album Roll the Bones. This song is notable for demonstrating the band's return to a more standard three piece instrument style, where synthesizers are used more sparingly and the guitar returning to the forefront of the sound.

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    Rush started to deviate from their 1980s style with the albums Presto and Roll the Bones. Produced by record engineer and musician Rupert Hine, these two albums saw Rush shedding much of their keyboard-saturated sound. Beginning with 1989's Presto, the band opted for arrangements that were notably more guitar-centric than the previous two studio albums. Although synthesizers were still used in many songs, the instrument was no longer featured as the centerpiece of Rush's compositions. Continuing this trend, 1991's Roll the Bones extended the use of the standard three-instrument approach with even less focus on synthesizers than its predecessor. While musically these albums do not deviate significantly from a general pop-rock sound, Rush incorporated traces of other musical styles. "Roll the Bones", for instance, exhibits funk and hip hop elements, and the instrumental track "Where's My Thing?" features several jazz components.[40] This return to three-piece instrumentation helped pave the way for future albums in the mid-90s, which would adopt a more straightforward rock formula.

    The transition from synthesizers to more guitar-oriented and organic instrumentation continued with the 1993 album Counterparts[41] and its follow-up, 1996's Test for Echo, again both produced in collaboration with Peter Collins. Musically, Counterparts[41] and Test For Echo are two of Rush's most guitar-driven albums. Although the music in general did not meet the criteria for progressive rock, some songs adopted a dynamic format.[42] For instance, "Time and Motion" possesses multiple time signature changes and organ usage, while the instrumental track "Limbo", consists of multiple musical passages. Musically, Test For Echo still retained much of the hard rock/alternative style already charted on the previous record with Lifeson and Lee's playing remaining more or less unchanged; however, a distinct modification in technique became apparent in Peart's playing from his jazz and swing training under the tutelage of jazz instructor Freddie Gruber during the interim between Counterparts and Test For Echo.[43] In October 1996, in support of Test For Echo, the band embarked on a North American tour, the band's first without an opening act and dubbed "An Evening with Rush". The tour was broken up into two segments spanning October through December 1996 and May through July 1997 with the band taking a respite between tour legs.

    [edit] Hiatus and comeback (1997–2005)After wrapping up the tour promoting Test for Echo in 1997, the band entered a five-year hiatus mainly because of personal tragedies in Peart's life. Peart's daughter Selena died in an automobile accident in August 1997, followed by his wife Jacqueline's death from cancer in June 1998. Peart took a hiatus to mourn and reflect, during which time he traveled extensively throughout North America on his BMW motorcycle, covering 88,000 km (55,000 miles). At some point in his journey, Peart decided to return to the band. Peart wrote Ghost Rider: Travels on the Healing Road as a chronicle of his geographical and emotional journey. In this book he writes of how he had told his bandmates at Selena's funeral, "consider me retired."[44] On November 10, 1998 a triple CD live album entitled Different Stages was released, dedicated to the memory of Selena and Jacqueline. Mixed by producer Paul Northfield and engineered by Terry Brown, it contained three discs packed with recorded performances from the band's Counterparts, Test For Echo, and A Farewell to Kings tours, marking the fourth officially released live album by the band.

    "One Little Victory" (2002)

    Sample of "One Little Victory" from the album Vapor Trails. This song's rapid tempo and heavy double bass drumming was done intentionally in order to herald the comeback of the band after their hiatus.

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    After a time to grieve and reassemble the pieces of his life, and while visiting long-time Rush photographer Andrew MacNaughtan in Los Angeles, Peart was introduced to his future wife, photographer Carrie Nuttall. Peart married Nuttall on September 9, 2000. In early 2001 he announced to his band mates that he was ready to once again enter the studio and get back into the business of making music. With the help of producer Paul Northfield the band returned in May 2002 with Vapor Trails, written and recorded in Toronto. To herald the band's comeback, the single and lead track from the album, "One Little Victory" was designed to grab the attention of listeners with its rapid guitar and drum tempos.[45] Vapor Trails marked the first studio recording not to include a single synthesizer, organ or keyboard part since the early 1970s. While the album is almost completely guitar-driven, it is mostly devoid of any conventional sounding guitar solos, a conscious decision made by Lifeson during the writing process. According to the band, the entire developmental process for Vapor Trails was extremely taxing and took approximately 14 months to finish, by far the longest the band had ever spent writing and recording a studio album.[45] The album was supported by the band's first tour in six years, including first-ever concerts in Mexico City and Brazil, where they played to some of the largest crowds of their career.

    A triple CD live album and dual Rush in Rio DVD was released in late October 2003 featuring an entire concert performance recorded on the last night of their Vapor Trails Tour, November 23, 2002, at Maracanã Stadium in Rio de Janeiro, Brazil. To celebrate their 30th anniversary, June 2004 saw the release of Feedback, a studio EP recorded in suburban Toronto featuring eight covers of such artists as Cream, The Who and The Yardbirds, bands that the members of Rush cite as inspiration around the time of their inception.[46] Also in the summer of 2004, Rush hit the road again for their 30th Anniversary Tour, playing dates in the United States, Canada, the United Kingdom, Germany, Italy, Sweden, the Czech Republic, and the Netherlands. On September 24, 2004 a Frankfurt, Germany concert was recorded at The Festhalle for DVD (titled R30: Live in Frankfurt), which was released November 22, 2005; a complete version of the R30 Frankfurt set (the original DVD release omitted eight songs) was released on Blu-ray on December 8, 2009.[47]

    [edit] Snakes & Arrows (2006–2009)Main articles: Snakes & Arrows and Snakes & Arrows Tour
    During promotional interviews for the R30 Live In Frankfurt DVD, the band revealed their intention to begin writing new material in early 2006. While in Toronto, Lifeson and Lee began the songwriting process in January 2006. During this time, Peart simultaneously assumed his role of lyric writing while residing in Southern California. The following September, Rush chose to hire American producer Nick Raskulinecz to co-produce the album. The band officially entered Allaire Studios, in Shokan, New York in November 2006 in order to record the bulk of the material. Taking the band five weeks, the sessions ended in December. On February 14, 2007, an announcement was made on the official Rush web site that the title of the new album would be Snakes & Arrows. The first single, entitled "Far Cry", was released to North American radio stations on March 12, 2007 and reached #2 on the Mediabase Mainstream and Radio and Records Charts.[48]

    "Far Cry" (2007)

    Sample of "Far Cry", first single from the album Snakes & Arrows.

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    The Rush website, newly redesigned on March 12 to support the new album, also announced that the band would embark on a tour to begin in the summer. Snakes & Arrows was released May 1, 2007 in North America, where it debuted at #3 in the Billboard 200 with approximately 93,000 units sold in its first week.[49] It would go on to sell an estimated 611,000 copies worldwide. To coincide with the Atlantic ocean hurricane season, "Spindrift" was released as the official second radio single on June 1, 2007, whereas "The Larger Bowl (A Pantoum)" saw single status on June 25, 2007. "The Larger Bowl" positioned within the top 20 of the Mainstream Rock and Media Base Mainstream charts, however, "Spindrift" failed to appear on any commercial chart.[50] The planned intercontinental tour in support of Snakes & Arrows began on June 13, 2007 in Atlanta, Georgia, coming to a close on October 29, 2007 at Hartwall Arena in Helsinki, Finland.[51]

    The 2008 portion of the tour started on April 11, 2008 in San Juan, Puerto Rico at José Miguel Agrelot Coliseum and culminated on July 24, 2008 in Noblesville, Indiana at the Verizon Wireless Music Center.[52] On April 15, the band released Snakes & Arrows Live, a double live album documenting the first leg of the tour.[53] Those same performances featured on Snakes & Arrows Live filmed at the Ahoy arena in Rotterdam, Netherlands on October 16 and 17 of 2007 were released November 24 as a DVD and Blu-Ray set. The video also includes footage from the 2008 portion of the tour, recorded at Verizon Wireless Amphitheater in Atlanta.[54][55][56]

    As the band neared the conclusion of their Snakes & Arrows tour, they announced their first appearance on American television in over 30 years. Rush was interviewed by Stephen Colbert and they performed "Tom Sawyer" on The Colbert Report on July 16, 2008.[57] Continuing to ride what one movie reviewer has called a "pop cultural wave," they also appeared at a live show in April 2009 for the comedy film I Love You, Man.[58]

    [edit] Clockwork Angels and Time Machine Tour (2009–present)On February 16, 2009, Lifeson remarked that the band may begin working on a new album in the Fall 2009 with Nick Raskulinecz once again producing.[59] On March 19, 2010, the CBC posted a video interview with Lee and Lifeson where they discussed Rush's induction into the Canadian Songwriters Hall of Fame on March 28, 2010 at the Toronto Centre for the Arts' George Weston Recital Hall. The band was recognized for the songs "Limelight", "Closer to the Heart", "The Spirit of Radio", "Tom Sawyer" and "Subdivisions". In addition to discussing their induction, Lee and Lifeson touched on future material. During the interview, Lee was quoted as saying "... Just about a month and a half ago we had no songs. And now we've been writing and now we've got about 6 songs that we just love...".[60] On March 26, 2010, in an interview with The Globe and Mail, Lifeson reconfirmed that the band had already written a half-dozen songs and that there was the potential for two supporting tours, one planned for Summer 2010 and a more extensive tour planned for Summer 2011. While still uncertain of exactly how and when the new material would be released, he projected a tentative Spring 2011 release date.[61] Soon after, Peart confirmed that American producer Nick Raskulinecz had returned as co-producer.[62]

    On April 8, 2010 both the official Rush website and PR Newswire announced that the band would embark on the Rush Time Machine Tour. The first leg of the tour began on June 29 in Albuquerque, New Mexico and finished October 17 in Santiago, Chile at the National stadium. It featured the album Moving Pictures played in its entirety, as well as the single "Caravan" and its B-side "BU2B". These songs will be featured on the band's upcoming studio album, Clockwork Angels.[63] The "Caravan" single was announced May 25, 2010 and was released June 1 to radio stations and made available for digital download.[64] It was suggested that Rush would return to the studio after the completion of the Time Machine Tour with plans to release Clockwork Angels in 2011.[65] However, Rush confirmed on November 19, 2010 that they will be extending the Time Machine Tour for a second leg. They are scheduled to play Europe in spring 2011 and return to North America for dates between March and July.[66]

    On April 24, 2010, the documentary Rush: Beyond the Lighted Stage directed by Sam Dunn premiered at the Tribeca Film Festival. It went on to receive the Tribeca Film Festival Audience Award.[67] The band's music was featured in the 2010 documentary Jews and Baseball: An American Love Story, narrated by Academy Award winner Dustin Hoffman.[68][69]

    On June 25, 2010, Rush received a star on the Hollywood Walk of Fame, located at 6752 Hollywood Boulevard. Critical acclaim continued to mount for Rush in 2010 when, on September 28, Classic Rock magazine announced Rush would be this year's Living Legends awarded at the Marshall Classic Rock Roll of Honour Awards in the UK.[70] The award was presented November 10, 2010. On September 29, Billboard.com announced that Rush would also receive the 2010 Legends of Live award for significant and lasting contributions to live music and the art of performing live and reaching fans through the concert experience.[71] The award was presented at the Billboard Touring Awards on November 4, 2010.

    The original line-up formed in the neighbourhood of Willowdale in Toronto, Ontario, by Lifeson, bassist and front man Jeff Jones, and drummer John Rutsey. Within a couple of weeks of forming, and before their second performance, bassist and lead vocalist Jones was replaced by Geddy Lee, a schoolmate of Lifeson. After several lineup reformations, Rush's official incarnation was formed in May 1971 consisting of Lee, Lifeson, and Rutsey. The band was managed by local Toronto resident Ray Danniels, a frequent attendee of Rush's early shows.[7][8]

    After gaining stability in the lineup and honing their skills on the local bar/high school dance circuit, the band came to release their first single "Not Fade Away", a cover of the Buddy Holly song, in 1973. Side B contained an original composition, "You Can't Fight It", credited to Lee and Rutsey. The single generated little reaction and, because of record company indifference, the band formed their own independent record label, Moon Records. With the aid of Danniels and the newly enlisted engineer Terry Brown, the band released their self-titled debut album in 1974, which was considered highly derivative of Led Zeppelin.[9] Rush had limited local popularity until the album was picked up by WMMS, a radio station in Cleveland, Ohio. Donna Halper, a DJ and music director working at the station, selected "Working Man" for her regular play list. The song's blue collar theme resonated with hard rock fans and this new found popularity led to the album being re-released by Mercury Records in the U.S.[10][11]


    The "starman" logo first appeared on the back cover of the 1976 album 2112. Hugh Syme, creator of graphics on many of Rush's albums, stated in a 1983 interview that the Starman "didn't begin as an identity factor for the band, it just got adopted."[12]Immediately after the release of the debut album in 1974, Rutsey was forced to leave the band due to health difficulties stemming from diabetes and a general distaste for touring. His last performance with the band was on July 25, 1974 at Centennial Hall in London, Ontario. Rush held auditions for a new dummer and eventually selected Neil Peart as Rutsey's replacement. Peart officially joined the band on July 29, 1974, two weeks before the group's first U.S. tour. They performed their first concert together, opening for Uriah Heep and Manfred Mann with an attendance of over 11,000 people at the Civic Arena in Pittsburgh, Pennsylvania on August 14. In addition to becoming the band's drummer, Peart assumed the role of principal lyricist from Lee, who had very little interest in writing, despite penning the lyrics of the band's first album.[13] Instead, Lee, along with Lifeson, focused primarily on the musical aspects of Rush. Fly by Night (1975), Rush's first album after recruiting Peart, saw the inclusion of the band's first epic mini-tale "By-Tor and the Snow Dog", replete with complex arrangements and multi-section format. Lyrical themes also underwent dramatic changes after the addition of Peart because of his love for fantasy and science-fiction literature.[14] However, despite these many differences some of the music and songs still closely mirrored the blues style found on Rush's debut.[14][15]

    Following quickly on the heels of Fly By Night, the band released 1975's Caress of Steel, a five track hard rock/heavy metal album featuring two extended multi-chapter songs, "The Necromancer" and "The Fountain of Lamneth." Some critics said Caress of Steel was unfocused and an audacious move for the band because of the placement of two back-to-back protracted songs, as well as a heavier reliance on atmospherics and story-telling, a large deviation from Fly by Night.[16] Intended to be the band's first "break-through" album, Caress of Steel sold below expectations and the promotional tour consisted of smaller venues which led to the moniker the "Down the Tubes Tour".[17] In light of these events, Rush's record label pressured them into molding their next album in a more commercially friendly and accessible fashion. However, the band ignored the requests and developed their next album, 2112 with a 20-minute title track divided into seven sections. Despite this, the album was the band's first taste of commercial success and their first platinum album in Canada.[18] The supporting tour for the album culminated in a three night stand at Massey Hall in Toronto, which the band recorded for the release of their first live album titled All the World's a Stage. Allmusic critic Greg Prato summarily reminds listeners and fans of how the album demarcates the boundary between the band's early years and the next era of their music.[19][20]

    [edit] The progressive rock era (1977–1981)After 2112, Rush retreated to the United Kingdom to record 1977's A Farewell to Kings and 1978's Hemispheres at Rockfield Studios in Wales. These albums saw the band members expanding the use of progressive elements in their music. "As our tastes got more obscure," Geddy Lee said in a recent interview, "we discovered more progressive rock-based bands like Yes, Van der Graaf Generator and King Crimson, and we were very inspired by those bands. They made us want to make our music more interesting and more complex and we tried to blend that with our own personalities to see what we could come up with that was indisputably us."[21] Trademarks such as increased synthesizer usage, extended-length concept songs, and highly dynamic playing featuring complex time signature changes became a staple of Rush's compositions. To achieve a broader, more progressive palette of sound, Alex Lifeson began to experiment with classical and twelve-string guitars, and Geddy Lee added bass-pedal synthesizers and Minimoog. Likewise, Peart's percussion became diversified in the form of triangles, glockenspiel, wood blocks, cowbells, timpani, gong and chimes. Beyond instrument additions, the band kept in stride with the progressive rock movement by continuing to compose long, conceptual songs with science fiction and fantasy overtones. However, as the new decade approached, Rush gradually began to dispose of their older styles of music in favor of shorter, and sometimes softer, arrangements. The lyrics up to this point (most of them written by Peart) were heavily influenced by classical poetry, fantasy literature, science fiction, and the writings of novelist Ayn Rand, as exhibited most prominently by their 1975 song "Anthem" from Fly By Night and a specifically acknowledged derivation in 1976's 2112.[22]

    Permanent Waves (1980) dramatically shifted Rush's style of music via the introduction of reggae and new wave elements.[23] Although a hard rock style was still evident, more and more synthesizers were introduced. Moreover, because of the limited airplay Rush's previous extended-length songs received, Permanent Waves included shorter, more radio-friendly songs such as "The Spirit of Radio" and "Freewill", two songs which helped Permanent Waves become Rush's first U.S. Top 5 album; both songs continue to make appearances on classic rock radio stations in Canada and the United States to this day.[24] Meanwhile, Peart's lyrics shifted toward an expository tone with subject matter that dwelled less on fantastical or allegorical story-telling and more heavily on topics that explored humanistic, social and emotional elements. Rush joined with fellow Toronto-based rock band Max Webster on July 28, 1980 to record "Battle Scar" for their 1980 release, Universal Juveniles.[25] While on tour together following the release, both bands would join between sets to play "Battle Scar". The song acted as both a transition from Max Webster to Rush, as well as a warm-up for Peart. In addition, Max Webster lyricist Pye Dubois offered the band lyrics to a song he had written. The band accepted; the song went on, after reworking by Peart, to become "Tom Sawyer".[25]

    "Tom Sawyer" (1981)

    Sample of "Tom Sawyer" from the album Moving Pictures. This is the band's best known song with heaviest radio airplay.

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    Problems listening to this file? See media help.

    Rush's popularity reached its pinnacle with the release of Moving Pictures in 1981. Moving Pictures essentially continued where Permanent Waves left off, extending the trend of highly accessible and commercially friendly progressive rock that helped thrust them into the spotlight. The lead track, "Tom Sawyer", is probably the band's best-known song[26] with "Limelight" also receiving satisfactory responses from listeners and radio stations. Moving Pictures was Rush's last album to feature an extended song, the eleven-minute "The Camera Eye". The song also contained the band's heaviest usage of synthesizers up to that point, hinting that Rush's music was shifting direction once more. Moving Pictures reached #3 on the Billboard 200 album chart and has been certified quadruple platinum by the Recording Industry Association of America.[27]

    Following the success of Moving Pictures and the completion of another four studio albums, Rush released their second live recording, Exit...Stage Left, in 1981. The album delineates the apex of Rush's progressive period by featuring live material from the band's Permanent Waves and Moving Pictures tours. As with their first live release, Exit...Stage Left identified the margin of a new chapter of Rush's sound.

    [edit] The synthesizer period (1982–1989)
    The OBX synthesizer used by Geddy Lee on the album Signals (1982).The band underwent another radical stylistic transmutation with the release of Signals in 1982.[28]

    While Lee's synthesizers had been featured instruments ever since the late 70s, keyboards were suddenly shifted from the contrapuntal background to the melodic front-lines[29][30] in songs like "Countdown" and the lead-off track "Subdivisions". Both feature prominent lead synthesizer lines with minimalistic guitar chords and solos. Other previously unused instrument additions were seen in the song "Losing It," featuring collaborator Ben Mink on electric violin.[28]

    "Subdivisions" (1982)

    Sample of "Subdivisions" from the album Signals. This song is notable for demonstrating the band's foray into their synthesizer period.

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    Signals also represented a drastic stylistic transformation apart from instrumental changes. The album contained Rush's only U.S. top-40 pop hit, "New World Man",[31] while other more experimental songs such as "Digital Man", "The Weapon", and "Chemistry" expanded the band's use of ska, reggae, and funk.[32] Although the band members consciously decided to move in this overall direction, they felt dissatisfied with long-time producer Terry Brown's studio treatment of Signals and parted ways with him in 1983. These diverse styles would come into further play on their next studio album.


    Neil Peart began incorporating Simmons Electronic Drums beginning with 1984's Grace Under PressureThe style and production of Signals were augmented and taken to new heights on 1984's Grace Under Pressure. It was Peart who named the album, as he borrowed the words of Ernest Hemingway to describe what the band had to go through after making the decision to leave Terry Brown. Producer Steve Lillywhite, who gleaned fame with successful productions of Simple Minds and U2, was enlisted to produce Grace Under Pressure. However, he backed out at the last moment, much to the ire of Lee, Lifeson and Peart. Lee said "Steve Lillywhite is really not a man of his word....after agreeing to do our record, he got an offer from Simple Minds, changed his mind, blew us off,..so it put us in a horrible position." Rush eventually hired Peter Henderson to co-produce and engineer the album in his stead.[33]

    Musically, although Lee's use of sequencers and synthesizers remained the band's cornerstone, his focus on new technology was complemented by Peart's adaptation of Simmons electronic drums and percussion. Lifeson's contributions on the album were decidedly enhanced to act as an overreaction to the minimalistic role he played on Signals.[34] Still, many of his trademark guitar textures remained intact in the form of open reggae chords and funk and new-wave rhythms.

    With new producer Peter Collins, the band released 1985's Power Windows and 1987's Hold Your Fire. The music on these two albums gives far more emphasis and prominence to Lee's multi-layered synthesizer work. While fans and critics took notice of Lifeson's diminished guitar work, his presence was still palpable. Lifeson, like many guitarists in the late 1980s, experimented with processors that reduced his instrument to echoey chord bursts and razor-thin leads. Hold Your Fire represents both a modest extension of the guitar stylings found on Power Windows, and, according to Allmusic critic Eduardo Rivadavia, the culmination of this era of Rush.[35] Whereas the previous five Rush albums sold platinum or better, Hold Your Fire only went gold in November 1987, although it managed to peak at number 13 on the Billboard 200.[36]

    A third live album and video, A Show of Hands (1989), was also released by Mercury following the Power Windows and Hold Your Fire tours, demonstrating the aspects of Rush in the '80s. A Show of Hands met with strong fan approval, but Rolling Stone critic Michael Azerrad dismissed it as "musical muscle" with 1.5 stars, claiming Rush fans viewed their favourite power trio as "the holy trinity".[37] Nevertheless, A Show of Hands managed to surpass the gold album mark, reaching number 21 on the Billboard 200.[38] At this point, the group decided to change record labels from Mercury to Atlantic. After Rush's departure in 1989, Mercury released a double platinum two-volume compilation of their Rush catalogue, Chronicles (1990).[39]

    [edit] Returning to their roots (1989–1997) "Dreamline" (1991)

    Sample of "Dreamline" from the album Roll the Bones. This song is notable for demonstrating the band's return to a more standard three piece instrument style, where synthesizers are used more sparingly and the guitar returning to the forefront of the sound.

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    Rush started to deviate from their 1980s style with the albums Presto and Roll the Bones. Produced by record engineer and musician Rupert Hine, these two albums saw Rush shedding much of their keyboard-saturated sound. Beginning with 1989's Presto, the band opted for arrangements that were notably more guitar-centric than the previous two studio albums. Although synthesizers were still used in many songs, the instrument was no longer featured as the centerpiece of Rush's compositions. Continuing this trend, 1991's Roll the Bones extended the use of the standard three-instrument approach with even less focus on synthesizers than its predecessor. While musically these albums do not deviate significantly from a general pop-rock sound, Rush incorporated traces of other musical styles. "Roll the Bones", for instance, exhibits funk and hip hop elements, and the instrumental track "Where's My Thing?" features several jazz components.[40] This return to three-piece instrumentation helped pave the way for future albums in the mid-90s, which would adopt a more straightforward rock formula.

    The transition from synthesizers to more guitar-oriented and organic instrumentation continued with the 1993 album Counterparts[41] and its follow-up, 1996's Test for Echo, again both produced in collaboration with Peter Collins. Musically, Counterparts[41] and Test For Echo are two of Rush's most guitar-driven albums. Although the music in general did not meet the criteria for progressive rock, some songs adopted a dynamic format.[42] For instance, "Time and Motion" possesses multiple time signature changes and organ usage, while the instrumental track "Limbo", consists of multiple musical passages. Musically, Test For Echo still retained much of the hard rock/alternative style already charted on the previous record with Lifeson and Lee's playing remaining more or less unchanged; however, a distinct modification in technique became apparent in Peart's playing from his jazz and swing training under the tutelage of jazz instructor Freddie Gruber during the interim between Counterparts and Test For Echo.[43] In October 1996, in support of Test For Echo, the band embarked on a North American tour, the band's first without an opening act and dubbed "An Evening with Rush". The tour was broken up into two segments spanning October through December 1996 and May through July 1997 with the band taking a respite between tour legs.

    [edit] Hiatus and comeback (1997–2005)After wrapping up the tour promoting Test for Echo in 1997, the band entered a five-year hiatus mainly because of personal tragedies in Peart's life. Peart's daughter Selena died in an automobile accident in August 1997, followed by his wife Jacqueline's death from cancer in June 1998. Peart took a hiatus to mourn and reflect, during which time he traveled extensively throughout North America on his BMW motorcycle, covering 88,000 km (55,000 miles). At some point in his journey, Peart decided to return to the band. Peart wrote Ghost Rider: Travels on the Healing Road as a chronicle of his geographical and emotional journey. In this book he writes of how he had told his bandmates at Selena's funeral, "consider me retired."[44] On November 10, 1998 a triple CD live album entitled Different Stages was released, dedicated to the memory of Selena and Jacqueline. Mixed by producer Paul Northfield and engineered by Terry Brown, it contained three discs packed with recorded performances from the band's Counterparts, Test For Echo, and A Farewell to Kings tours, marking the fourth officially released live album by the band.

    "One Little Victory" (2002)

    Sample of "One Little Victory" from the album Vapor Trails. This song's rapid tempo and heavy double bass drumming was done intentionally in order to herald the comeback of the band after their hiatus.

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    After a time to grieve and reassemble the pieces of his life, and while visiting long-time Rush photographer Andrew MacNaughtan in Los Angeles, Peart was introduced to his future wife, photographer Carrie Nuttall. Peart married Nuttall on September 9, 2000. In early 2001 he announced to his band mates that he was ready to once again enter the studio and get back into the business of making music. With the help of producer Paul Northfield the band returned in May 2002 with Vapor Trails, written and recorded in Toronto. To herald the band's comeback, the single and lead track from the album, "One Little Victory" was designed to grab the attention of listeners with its rapid guitar and drum tempos.[45] Vapor Trails marked the first studio recording not to include a single synthesizer, organ or keyboard part since the early 1970s. While the album is almost completely guitar-driven, it is mostly devoid of any conventional sounding guitar solos, a conscious decision made by Lifeson during the writing process. According to the band, the entire developmental process for Vapor Trails was extremely taxing and took approximately 14 months to finish, by far the longest the band had ever spent writing and recording a studio album.[45] The album was supported by the band's first tour in six years, including first-ever concerts in Mexico City and Brazil, where they played to some of the largest crowds of their career.

    A triple CD live album and dual Rush in Rio DVD was released in late October 2003 featuring an entire concert performance recorded on the last night of their Vapor Trails Tour, November 23, 2002, at Maracanã Stadium in Rio de Janeiro, Brazil. To celebrate their 30th anniversary, June 2004 saw the release of Feedback, a studio EP recorded in suburban Toronto featuring eight covers of such artists as Cream, The Who and The Yardbirds, bands that the members of Rush cite as inspiration around the time of their inception.[46] Also in the summer of 2004, Rush hit the road again for their 30th Anniversary Tour, playing dates in the United States, Canada, the United Kingdom, Germany, Italy, Sweden, the Czech Republic, and the Netherlands. On September 24, 2004 a Frankfurt, Germany concert was recorded at The Festhalle for DVD (titled R30: Live in Frankfurt), which was released November 22, 2005; a complete version of the R30 Frankfurt set (the original DVD release omitted eight songs) was released on Blu-ray on December 8, 2009.[47]

    [edit] Snakes & Arrows (2006–2009)Main articles: Snakes & Arrows and Snakes & Arrows Tour
    During promotional interviews for the R30 Live In Frankfurt DVD, the band revealed their intention to begin writing new material in early 2006. While in Toronto, Lifeson and Lee began the songwriting process in January 2006. During this time, Peart simultaneously assumed his role of lyric writing while residing in Southern California. The following September, Rush chose to hire American producer Nick Raskulinecz to co-produce the album. The band officially entered Allaire Studios, in Shokan, New York in November 2006 in order to record the bulk of the material. Taking the band five weeks, the sessions ended in December. On February 14, 2007, an announcement was made on the official Rush web site that the title of the new album would be Snakes & Arrows. The first single, entitled "Far Cry", was released to North American radio stations on March 12, 2007 and reached #2 on the Mediabase Mainstream and Radio and Records Charts.[48]

    "Far Cry" (2007)

    Sample of "Far Cry", first single from the album Snakes & Arrows.

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    The Rush website, newly redesigned on March 12 to support the new album, also announced that the band would embark on a tour to begin in the summer. Snakes & Arrows was released May 1, 2007 in North America, where it debuted at #3 in the Billboard 200 with approximately 93,000 units sold in its first week.[49] It would go on to sell an estimated 611,000 copies worldwide. To coincide with the Atlantic ocean hurricane season, "Spindrift" was released as the official second radio single on June 1, 2007, whereas "The Larger Bowl (A Pantoum)" saw single status on June 25, 2007. "The Larger Bowl" positioned within the top 20 of the Mainstream Rock and Media Base Mainstream charts, however, "Spindrift" failed to appear on any commercial chart.[50] The planned intercontinental tour in support of Snakes & Arrows began on June 13, 2007 in Atlanta, Georgia, coming to a close on October 29, 2007 at Hartwall Arena in Helsinki, Finland.[51]

    The 2008 portion of the tour started on April 11, 2008 in San Juan, Puerto Rico at José Miguel Agrelot Coliseum and culminated on July 24, 2008 in Noblesville, Indiana at the Verizon Wireless Music Center.[52] On April 15, the band released Snakes & Arrows Live, a double live album documenting the first leg of the tour.[53] Those same performances featured on Snakes & Arrows Live filmed at the Ahoy arena in Rotterdam, Netherlands on October 16 and 17 of 2007 were released November 24 as a DVD and Blu-Ray set. The video also includes footage from the 2008 portion of the tour, recorded at Verizon Wireless Amphitheater in Atlanta.[54][55][56]

    As the band neared the conclusion of their Snakes & Arrows tour, they announced their first appearance on American television in over 30 years. Rush was interviewed by Stephen Colbert and they performed "Tom Sawyer" on The Colbert Report on July 16, 2008.[57] Continuing to ride what one movie reviewer has called a "pop cultural wave," they also appeared at a live show in April 2009 for the comedy film I Love You, Man.[58]

    [edit] Clockwork Angels and Time Machine Tour (2009–present)On February 16, 2009, Lifeson remarked that the band may begin working on a new album in the Fall 2009 with Nick Raskulinecz once again producing.[59] On March 19, 2010, the CBC posted a video interview with Lee and Lifeson where they discussed Rush's induction into the Canadian Songwriters Hall of Fame on March 28, 2010 at the Toronto Centre for the Arts' George Weston Recital Hall. The band was recognized for the songs "Limelight", "Closer to the Heart", "The Spirit of Radio", "Tom Sawyer" and "Subdivisions". In addition to discussing their induction, Lee and Lifeson touched on future material. During the interview, Lee was quoted as saying "... Just about a month and a half ago we had no songs. And now we've been writing and now we've got about 6 songs that we just love...".[60] On March 26, 2010, in an interview with The Globe and Mail, Lifeson reconfirmed that the band had already written a half-dozen songs and that there was the potential for two supporting tours, one planned for Summer 2010 and a more extensive tour planned for Summer 2011. While still uncertain of exactly how and when the new material would be released, he projected a tentative Spring 2011 release date.[61] Soon after, Peart confirmed that American producer Nick Raskulinecz had returned as co-producer.[62]

    On April 8, 2010 both the official Rush website and PR Newswire announced that the band would embark on the Rush Time Machine Tour. The first leg of the tour began on June 29 in Albuquerque, New Mexico and finished October 17 in Santiago, Chile at the National stadium. It featured the album Moving Pictures played in its entirety, as well as the single "Caravan" and its B-side "BU2B". These songs will be featured on the band's upcoming studio album, Clockwork Angels.[63] The "Caravan" single was announced May 25, 2010 and was released June 1 to radio stations and made available for digital download.[64] It was suggested that Rush would return to the studio after the completion of the Time Machine Tour with plans to release Clockwork Angels in 2011.[65] However, Rush confirmed on November 19, 2010 that they will be extending the Time Machine Tour for a second leg. They are scheduled to play Europe in spring 2011 and return to North America for dates between March and July.[66]

    On April 24, 2010, the documentary Rush: Beyond the Lighted Stage directed by Sam Dunn premiered at the Tribeca Film Festival. It went on to receive the Tribeca Film Festival Audience Award.[67] The band's music was featured in the 2010 documentary Jews and Baseball: An American Love Story, narrated by Academy Award winner Dustin Hoffman.[68][69]

    On June 25, 2010, Rush received a star on the Hollywood Walk of Fame, located at 6752 Hollywood Boulevard. Critical acclaim continued to mount for Rush in 2010 when, on September 28, Classic Rock magazine announced Rush would be this year's Living Legends awarded at the Marshall Classic Rock Roll of Honour Awards in the UK.[70] The award was presented November 10, 2010. On September 29, Billboard.com announced that Rush would also receive the 2010 Legends of Live award for significant and lasting contributions to live music and the art of performing live and reaching fans through the concert experience.[71] The award was presented at the Billboard Touring Awards on November 4, 2010.

    The original line-up formed in the neighbourhood of Willowdale in Toronto, Ontario, by Lifeson, bassist and front man Jeff Jones, and drummer John Rutsey. Within a couple of weeks of forming, and before their second performance, bassist and lead vocalist Jones was replaced by Geddy Lee, a schoolmate of Lifeson. After several lineup reformations, Rush's official incarnation was formed in May 1971 consisting of Lee, Lifeson, and Rutsey. The band was managed by local Toronto resident Ray Danniels, a frequent attendee of Rush's early shows.[7][8]

    After gaining stability in the lineup and honing their skills on the local bar/high school dance circuit, the band came to release their first single "Not Fade Away", a cover of the Buddy Holly song, in 1973. Side B contained an original composition, "You Can't Fight It", credited to Lee and Rutsey. The single generated little reaction and, because of record company indifference, the band formed their own independent record label, Moon Records. With the aid of Danniels and the newly enlisted engineer Terry Brown, the band released their self-titled debut album in 1974, which was considered highly derivative of Led Zeppelin.[9] Rush had limited local popularity until the album was picked up by WMMS, a radio station in Cleveland, Ohio. Donna Halper, a DJ and music director working at the station, selected "Working Man" for her regular play list. The song's blue collar theme resonated with hard rock fans and this new found popularity led to the album being re-released by Mercury Records in the U.S.[10][11]


    The "starman" logo first appeared on the back cover of the 1976 album 2112. Hugh Syme, creator of graphics on many of Rush's albums, stated in a 1983 interview that the Starman "didn't begin as an identity factor for the band, it just got adopted."[12]Immediately after the release of the debut album in 1974, Rutsey was forced to leave the band due to health difficulties stemming from diabetes and a general distaste for touring. His last performance with the band was on July 25, 1974 at Centennial Hall in London, Ontario. Rush held auditions for a new dummer and eventually selected Neil Peart as Rutsey's replacement. Peart officially joined the band on July 29, 1974, two weeks before the group's first U.S. tour. They performed their first concert together, opening for Uriah Heep and Manfred Mann with an attendance of over 11,000 people at the Civic Arena in Pittsburgh, Pennsylvania on August 14. In addition to becoming the band's drummer, Peart assumed the role of principal lyricist from Lee, who had very little interest in writing, despite penning the lyrics of the band's first album.[13] Instead, Lee, along with Lifeson, focused primarily on the musical aspects of Rush. Fly by Night (1975), Rush's first album after recruiting Peart, saw the inclusion of the band's first epic mini-tale "By-Tor and the Snow Dog", replete with complex arrangements and multi-section format. Lyrical themes also underwent dramatic changes after the addition of Peart because of his love for fantasy and science-fiction literature.[14] However, despite these many differences some of the music and songs still closely mirrored the blues style found on Rush's debut.[14][15]

    Following quickly on the heels of Fly By Night, the band released 1975's Caress of Steel, a five track hard rock/heavy metal album featuring two extended multi-chapter songs, "The Necromancer" and "The Fountain of Lamneth." Some critics said Caress of Steel was unfocused and an audacious move for the band because of the placement of two back-to-back protracted songs, as well as a heavier reliance on atmospherics and story-telling, a large deviation from Fly by Night.[16] Intended to be the band's first "break-through" album, Caress of Steel sold below expectations and the promotional tour consisted of smaller venues which led to the moniker the "Down the Tubes Tour".[17] In light of these events, Rush's record label pressured them into molding their next album in a more commercially friendly and accessible fashion. However, the band ignored the requests and developed their next album, 2112 with a 20-minute title track divided into seven sections. Despite this, the album was the band's first taste of commercial success and their first platinum album in Canada.[18] The supporting tour for the album culminated in a three night stand at Massey Hall in Toronto, which the band recorded for the release of their first live album titled All the World's a Stage. Allmusic critic Greg Prato summarily reminds listeners and fans of how the album demarcates the boundary between the band's early years and the next era of their music.[19][20]

    [edit] The progressive rock era (1977–1981)After 2112, Rush retreated to the United Kingdom to record 1977's A Farewell to Kings and 1978's Hemispheres at Rockfield Studios in Wales. These albums saw the band members expanding the use of progressive elements in their music. "As our tastes got more obscure," Geddy Lee said in a recent interview, "we discovered more progressive rock-based bands like Yes, Van der Graaf Generator and King Crimson, and we were very inspired by those bands. They made us want to make our music more interesting and more complex and we tried to blend that with our own personalities to see what we could come up with that was indisputably us."[21] Trademarks such as increased synthesizer usage, extended-length concept songs, and highly dynamic playing featuring complex time signature changes became a staple of Rush's compositions. To achieve a broader, more progressive palette of sound, Alex Lifeson began to experiment with classical and twelve-string guitars, and Geddy Lee added bass-pedal synthesizers and Minimoog. Likewise, Peart's percussion became diversified in the form of triangles, glockenspiel, wood blocks, cowbells, timpani, gong and chimes. Beyond instrument additions, the band kept in stride with the progressive rock movement by continuing to compose long, conceptual songs with science fiction and fantasy overtones. However, as the new decade approached, Rush gradually began to dispose of their older styles of music in favor of shorter, and sometimes softer, arrangements. The lyrics up to this point (most of them written by Peart) were heavily influenced by classical poetry, fantasy literature, science fiction, and the writings of novelist Ayn Rand, as exhibited most prominently by their 1975 song "Anthem" from Fly By Night and a specifically acknowledged derivation in 1976's 2112.[22]

    Permanent Waves (1980) dramatically shifted Rush's style of music via the introduction of reggae and new wave elements.[23] Although a hard rock style was still evident, more and more synthesizers were introduced. Moreover, because of the limited airplay Rush's previous extended-length songs received, Permanent Waves included shorter, more radio-friendly songs such as "The Spirit of Radio" and "Freewill", two songs which helped Permanent Waves become Rush's first U.S. Top 5 album; both songs continue to make appearances on classic rock radio stations in Canada and the United States to this day.[24] Meanwhile, Peart's lyrics shifted toward an expository tone with subject matter that dwelled less on fantastical or allegorical story-telling and more heavily on topics that explored humanistic, social and emotional elements. Rush joined with fellow Toronto-based rock band Max Webster on July 28, 1980 to record "Battle Scar" for their 1980 release, Universal Juveniles.[25] While on tour together following the release, both bands would join between sets to play "Battle Scar". The song acted as both a transition from Max Webster to Rush, as well as a warm-up for Peart. In addition, Max Webster lyricist Pye Dubois offered the band lyrics to a song he had written. The band accepted; the song went on, after reworking by Peart, to become "Tom Sawyer".[25]

    "Tom Sawyer" (1981)

    Sample of "Tom Sawyer" from the album Moving Pictures. This is the band's best known song with heaviest radio airplay.

    --------------------------------------------------------------------------------

    Problems listening to this file? See media help.

    Rush's popularity reached its pinnacle with the release of Moving Pictures in 1981. Moving Pictures essentially continued where Permanent Waves left off, extending the trend of highly accessible and commercially friendly progressive rock that helped thrust them into the spotlight. The lead track, "Tom Sawyer", is probably the band's best-known song[26] with "Limelight" also receiving satisfactory responses from listeners and radio stations. Moving Pictures was Rush's last album to feature an extended song, the eleven-minute "The Camera Eye". The song also contained the band's heaviest usage of synthesizers up to that point, hinting that Rush's music was shifting direction once more. Moving Pictures reached #3 on the Billboard 200 album chart and has been certified quadruple platinum by the Recording Industry Association of America.[27]

    Following the success of Moving Pictures and the completion of another four studio albums, Rush released their second live recording, Exit...Stage Left, in 1981. The album delineates the apex of Rush's progressive period by featuring live material from the band's Permanent Waves and Moving Pictures tours. As with their first live release, Exit...Stage Left identified the margin of a new chapter of Rush's sound.

    [edit] The synthesizer period (1982–1989)
    The OBX synthesizer used by Geddy Lee on the album Signals (1982).The band underwent another radical stylistic transmutation with the release of Signals in 1982.[28]

    While Lee's synthesizers had been featured instruments ever since the late 70s, keyboards were suddenly shifted from the contrapuntal background to the melodic front-lines[29][30] in songs like "Countdown" and the lead-off track "Subdivisions". Both feature prominent lead synthesizer lines with minimalistic guitar chords and solos. Other previously unused instrument additions were seen in the song "Losing It," featuring collaborator Ben Mink on electric violin.[28]

    "Subdivisions" (1982)

    Sample of "Subdivisions" from the album Signals. This song is notable for demonstrating the band's foray into their synthesizer period.

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    Signals also represented a drastic stylistic transformation apart from instrumental changes. The album contained Rush's only U.S. top-40 pop hit, "New World Man",[31] while other more experimental songs such as "Digital Man", "The Weapon", and "Chemistry" expanded the band's use of ska, reggae, and funk.[32] Although the band members consciously decided to move in this overall direction, they felt dissatisfied with long-time producer Terry Brown's studio treatment of Signals and parted ways with him in 1983. These diverse styles would come into further play on their next studio album.


    Neil Peart began incorporating Simmons Electronic Drums beginning with 1984's Grace Under PressureThe style and production of Signals were augmented and taken to new heights on 1984's Grace Under Pressure. It was Peart who named the album, as he borrowed the words of Ernest Hemingway to describe what the band had to go through after making the decision to leave Terry Brown. Producer Steve Lillywhite, who gleaned fame with successful productions of Simple Minds and U2, was enlisted to produce Grace Under Pressure. However, he backed out at the last moment, much to the ire of Lee, Lifeson and Peart. Lee said "Steve Lillywhite is really not a man of his word....after agreeing to do our record, he got an offer from Simple Minds, changed his mind, blew us off,..so it put us in a horrible position." Rush eventually hired Peter Henderson to co-produce and engineer the album in his stead.[33]

    Musically, although Lee's use of sequencers and synthesizers remained the band's cornerstone, his focus on new technology was complemented by Peart's adaptation of Simmons electronic drums and percussion. Lifeson's contributions on the album were decidedly enhanced to act as an overreaction to the minimalistic role he played on Signals.[34] Still, many of his trademark guitar textures remained intact in the form of open reggae chords and funk and new-wave rhythms.

    With new producer Peter Collins, the band released 1985's Power Windows and 1987's Hold Your Fire. The music on these two albums gives far more emphasis and prominence to Lee's multi-layered synthesizer work. While fans and critics took notice of Lifeson's diminished guitar work, his presence was still palpable. Lifeson, like many guitarists in the late 1980s, experimented with processors that reduced his instrument to echoey chord bursts and razor-thin leads. Hold Your Fire represents both a modest extension of the guitar stylings found on Power Windows, and, according to Allmusic critic Eduardo Rivadavia, the culmination of this era of Rush.[35] Whereas the previous five Rush albums sold platinum or better, Hold Your Fire only went gold in November 1987, although it managed to peak at number 13 on the Billboard 200.[36]

    A third live album and video, A Show of Hands (1989), was also released by Mercury following the Power Windows and Hold Your Fire tours, demonstrating the aspects of Rush in the '80s. A Show of Hands met with strong fan approval, but Rolling Stone critic Michael Azerrad dismissed it as "musical muscle" with 1.5 stars, claiming Rush fans viewed their favourite power trio as "the holy trinity".[37] Nevertheless, A Show of Hands managed to surpass the gold album mark, reaching number 21 on the Billboard 200.[38] At this point, the group decided to change record labels from Mercury to Atlantic. After Rush's departure in 1989, Mercury released a double platinum two-volume compilation of their Rush catalogue, Chronicles (1990).[39]

    [edit] Returning to their roots (1989–1997) "Dreamline" (1991)

    Sample of "Dreamline" from the album Roll the Bones. This song is notable for demonstrating the band's return to a more standard three piece instrument style, where synthesizers are used more sparingly and the guitar returning to the forefront of the sound.

    --------------------------------------------------------------------------------

    Problems listening to this file? See media help.

    Rush started to deviate from their 1980s style with the albums Presto and Roll the Bones. Produced by record engineer and musician Rupert Hine, these two albums saw Rush shedding much of their keyboard-saturated sound. Beginning with 1989's Presto, the band opted for arrangements that were notably more guitar-centric than the previous two studio albums. Although synthesizers were still used in many songs, the instrument was no longer featured as the centerpiece of Rush's compositions. Continuing this trend, 1991's Roll the Bones extended the use of the standard three-instrument approach with even less focus on synthesizers than its predecessor. While musically these albums do not deviate significantly from a general pop-rock sound, Rush incorporated traces of other musical styles. "Roll the Bones", for instance, exhibits funk and hip hop elements, and the instrumental track "Where's My Thing?" features several jazz components.[40] This return to three-piece instrumentation helped pave the way for future albums in the mid-90s, which would adopt a more straightforward rock formula.

    The transition from synthesizers to more guitar-oriented and organic instrumentation continued with the 1993 album Counterparts[41] and its follow-up, 1996's Test for Echo, again both produced in collaboration with Peter Collins. Musically, Counterparts[41] and Test For Echo are two of Rush's most guitar-driven albums. Although the music in general did not meet the criteria for progressive rock, some songs adopted a dynamic format.[42] For instance, "Time and Motion" possesses multiple time signature changes and organ usage, while the instrumental track "Limbo", consists of multiple musical passages. Musically, Test For Echo still retained much of the hard rock/alternative style already charted on the previous record with Lifeson and Lee's playing remaining more or less unchanged; however, a distinct modification in technique became apparent in Peart's playing from his jazz and swing training under the tutelage of jazz instructor Freddie Gruber during the interim between Counterparts and Test For Echo.[43] In October 1996, in support of Test For Echo, the band embarked on a North American tour, the band's first without an opening act and dubbed "An Evening with Rush". The tour was broken up into two segments spanning October through December 1996 and May through July 1997 with the band taking a respite between tour legs.

    [edit] Hiatus and comeback (1997–2005)After wrapping up the tour promoting Test for Echo in 1997, the band entered a five-year hiatus mainly because of personal tragedies in Peart's life. Peart's daughter Selena died in an automobile accident in August 1997, followed by his wife Jacqueline's death from cancer in June 1998. Peart took a hiatus to mourn and reflect, during which time he traveled extensively throughout North America on his BMW motorcycle, covering 88,000 km (55,000 miles). At some point in his journey, Peart decided to return to the band. Peart wrote Ghost Rider: Travels on the Healing Road as a chronicle of his geographical and emotional journey. In this book he writes of how he had told his bandmates at Selena's funeral, "consider me retired."[44] On November 10, 1998 a triple CD live album entitled Different Stages was released, dedicated to the memory of Selena and Jacqueline. Mixed by producer Paul Northfield and engineered by Terry Brown, it contained three discs packed with recorded performances from the band's Counterparts, Test For Echo, and A Farewell to Kings tours, marking the fourth officially released live album by the band.

    "One Little Victory" (2002)

    Sample of "One Little Victory" from the album Vapor Trails. This song's rapid tempo and heavy double bass drumming was done intentionally in order to herald the comeback of the band after their hiatus.

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    After a time to grieve and reassemble the pieces of his life, and while visiting long-time Rush photographer Andrew MacNaughtan in Los Angeles, Peart was introduced to his future wife, photographer Carrie Nuttall. Peart married Nuttall on September 9, 2000. In early 2001 he announced to his band mates that he was ready to once again enter the studio and get back into the business of making music. With the help of producer Paul Northfield the band returned in May 2002 with Vapor Trails, written and recorded in Toronto. To herald the band's comeback, the single and lead track from the album, "One Little Victory" was designed to grab the attention of listeners with its rapid guitar and drum tempos.[45] Vapor Trails marked the first studio recording not to include a single synthesizer, organ or keyboard part since the early 1970s. While the album is almost completely guitar-driven, it is mostly devoid of any conventional sounding guitar solos, a conscious decision made by Lifeson during the writing process. According to the band, the entire developmental process for Vapor Trails was extremely taxing and took approximately 14 months to finish, by far the longest the band had ever spent writing and recording a studio album.[45] The album was supported by the band's first tour in six years, including first-ever concerts in Mexico City and Brazil, where they played to some of the largest crowds of their career.

    A triple CD live album and dual Rush in Rio DVD was released in late October 2003 featuring an entire concert performance recorded on the last night of their Vapor Trails Tour, November 23, 2002, at Maracanã Stadium in Rio de Janeiro, Brazil. To celebrate their 30th anniversary, June 2004 saw the release of Feedback, a studio EP recorded in suburban Toronto featuring eight covers of such artists as Cream, The Who and The Yardbirds, bands that the members of Rush cite as inspiration around the time of their inception.[46] Also in the summer of 2004, Rush hit the road again for their 30th Anniversary Tour, playing dates in the United States, Canada, the United Kingdom, Germany, Italy, Sweden, the Czech Republic, and the Netherlands. On September 24, 2004 a Frankfurt, Germany concert was recorded at The Festhalle for DVD (titled R30: Live in Frankfurt), which was released November 22, 2005; a complete version of the R30 Frankfurt set (the original DVD release omitted eight songs) was released on Blu-ray on December 8, 2009.[47]

    [edit] Snakes & Arrows (2006–2009)Main articles: Snakes & Arrows and Snakes & Arrows Tour
    During promotional interviews for the R30 Live In Frankfurt DVD, the band revealed their intention to begin writing new material in early 2006. While in Toronto, Lifeson and Lee began the songwriting process in January 2006. During this time, Peart simultaneously assumed his role of lyric writing while residing in Southern California. The following September, Rush chose to hire American producer Nick Raskulinecz to co-produce the album. The band officially entered Allaire Studios, in Shokan, New York in November 2006 in order to record the bulk of the material. Taking the band five weeks, the sessions ended in December. On February 14, 2007, an announcement was made on the official Rush web site that the title of the new album would be Snakes & Arrows. The first single, entitled "Far Cry", was released to North American radio stations on March 12, 2007 and reached #2 on the Mediabase Mainstream and Radio and Records Charts.[48]

    "Far Cry" (2007)

    Sample of "Far Cry", first single from the album Snakes & Arrows.

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    The Rush website, newly redesigned on March 12 to support the new album, also announced that the band would embark on a tour to begin in the summer. Snakes & Arrows was released May 1, 2007 in North America, where it debuted at #3 in the Billboard 200 with approximately 93,000 units sold in its first week.[49] It would go on to sell an estimated 611,000 copies worldwide. To coincide with the Atlantic ocean hurricane season, "Spindrift" was released as the official second radio single on June 1, 2007, whereas "The Larger Bowl (A Pantoum)" saw single status on June 25, 2007. "The Larger Bowl" positioned within the top 20 of the Mainstream Rock and Media Base Mainstream charts, however, "Spindrift" failed to appear on any commercial chart.[50] The planned intercontinental tour in support of Snakes & Arrows began on June 13, 2007 in Atlanta, Georgia, coming to a close on October 29, 2007 at Hartwall Arena in Helsinki, Finland.[51]

    The 2008 portion of the tour started on April 11, 2008 in San Juan, Puerto Rico at José Miguel Agrelot Coliseum and culminated on July 24, 2008 in Noblesville, Indiana at the Verizon Wireless Music Center.[52] On April 15, the band released Snakes & Arrows Live, a double live album documenting the first leg of the tour.[53] Those same performances featured on Snakes & Arrows Live filmed at the Ahoy arena in Rotterdam, Netherlands on October 16 and 17 of 2007 were released November 24 as a DVD and Blu-Ray set. The video also includes footage from the 2008 portion of the tour, recorded at Verizon Wireless Amphitheater in Atlanta.[54][55][56]

    As the band neared the conclusion of their Snakes & Arrows tour, they announced their first appearance on American television in over 30 years. Rush was interviewed by Stephen Colbert and they performed "Tom Sawyer" on The Colbert Report on July 16, 2008.[57] Continuing to ride what one movie reviewer has called a "pop cultural wave," they also appeared at a live show in April 2009 for the comedy film I Love You, Man.[58]

    [edit] Clockwork Angels and Time Machine Tour (2009–present)On February 16, 2009, Lifeson remarked that the band may begin working on a new album in the Fall 2009 with Nick Raskulinecz once again producing.[59] On March 19, 2010, the CBC posted a video interview with Lee and Lifeson where they discussed Rush's induction into the Canadian Songwriters Hall of Fame on March 28, 2010 at the Toronto Centre for the Arts' George Weston Recital Hall. The band was recognized for the songs "Limelight", "Closer to the Heart", "The Spirit of Radio", "Tom Sawyer" and "Subdivisions". In addition to discussing their induction, Lee and Lifeson touched on future material. During the interview, Lee was quoted as saying "... Just about a month and a half ago we had no songs. And now we've been writing and now we've got about 6 songs that we just love...".[60] On March 26, 2010, in an interview with The Globe and Mail, Lifeson reconfirmed that the band had already written a half-dozen songs and that there was the potential for two supporting tours, one planned for Summer 2010 and a more extensive tour planned for Summer 2011. While still uncertain of exactly how and when the new material would be released, he projected a tentative Spring 2011 release date.[61] Soon after, Peart confirmed that American producer Nick Raskulinecz had returned as co-producer.[62]

    On April 8, 2010 both the official Rush website and PR Newswire announced that the band would embark on the Rush Time Machine Tour. The first leg of the tour began on June 29 in Albuquerque, New Mexico and finished October 17 in Santiago, Chile at the National stadium. It featured the album Moving Pictures played in its entirety, as well as the single "Caravan" and its B-side "BU2B". These songs will be featured on the band's upcoming studio album, Clockwork Angels.[63] The "Caravan" single was announced May 25, 2010 and was released June 1 to radio stations and made available for digital download.[64] It was suggested that Rush would return to the studio after the completion of the Time Machine Tour with plans to release Clockwork Angels in 2011.[65] However, Rush confirmed on November 19, 2010 that they will be extending the Time Machine Tour for a second leg. They are scheduled to play Europe in spring 2011 and return to North America for dates between March and July.[66]

    On April 24, 2010, the documentary Rush: Beyond the Lighted Stage directed by Sam Dunn premiered at the Tribeca Film Festival. It went on to receive the Tribeca Film Festival Audience Award.[67] The band's music was featured in the 2010 documentary Jews and Baseball: An American Love Story, narrated by Academy Award winner Dustin Hoffman.[68][69]

    On June 25, 2010, Rush received a star on the Hollywood Walk of Fame, located at 6752 Hollywood Boulevard. Critical acclaim continued to mount for Rush in 2010 when, on September 28, Classic Rock magazine announced Rush would be this year's Living Legends awarded at the Marshall Classic Rock Roll of Honour Awards in the UK.[70] The award was presented November 10, 2010. On September 29, Billboard.com announced that Rush would also receive the 2010 Legends of Live award for significant and lasting contributions to live music and the art of performing live and reaching fans through the concert experience.[71] The award was presented at the Billboard Touring Awards on November 4, 2010.

    The original line-up formed in the neighbourhood of Willowdale in Toronto, Ontario, by Lifeson, bassist and front man Jeff Jones, and drummer John Rutsey. Within a couple of weeks of forming, and before their second performance, bassist and lead vocalist Jones was replaced by Geddy Lee, a schoolmate of Lifeson. After several lineup reformations, Rush's official incarnation was formed in May 1971 consisting of Lee, Lifeson, and Rutsey. The band was managed by local Toronto resident Ray Danniels, a frequent attendee of Rush's early shows.[7][8]

    After gaining stability in the lineup and honing their skills on the local bar/high school dance circuit, the band came to release their first single "Not Fade Away", a cover of the Buddy Holly song, in 1973. Side B contained an original composition, "You Can't Fight It", credited to Lee and Rutsey. The single generated little reaction and, because of record company indifference, the band formed their own independent record label, Moon Records. With the aid of Danniels and the newly enlisted engineer Terry Brown, the band released their self-titled debut album in 1974, which was considered highly derivative of Led Zeppelin.[9] Rush had limited local popularity until the album was picked up by WMMS, a radio station in Cleveland, Ohio. Donna Halper, a DJ and music director working at the station, selected "Working Man" for her regular play list. The song's blue collar theme resonated with hard rock fans and this new found popularity led to the album being re-released by Mercury Records in the U.S.[10][11]


    The "starman" logo first appeared on the back cover of the 1976 album 2112. Hugh Syme, creator of graphics on many of Rush's albums, stated in a 1983 interview that the Starman "didn't begin as an identity factor for the band, it just got adopted."[12]Immediately after the release of the debut album in 1974, Rutsey was forced to leave the band due to health difficulties stemming from diabetes and a general distaste for touring. His last performance with the band was on July 25, 1974 at Centennial Hall in London, Ontario. Rush held auditions for a new dummer and eventually selected Neil Peart as Rutsey's replacement. Peart officially joined the band on July 29, 1974, two weeks before the group's first U.S. tour. They performed their first concert together, opening for Uriah Heep and Manfred Mann with an attendance of over 11,000 people at the Civic Arena in Pittsburgh, Pennsylvania on August 14. In addition to becoming the band's drummer, Peart assumed the role of principal lyricist from Lee, who had very little interest in writing, despite penning the lyrics of the band's first album.[13] Instead, Lee, along with Lifeson, focused primarily on the musical aspects of Rush. Fly by Night (1975), Rush's first album after recruiting Peart, saw the inclusion of the band's first epic mini-tale "By-Tor and the Snow Dog", replete with complex arrangements and multi-section format. Lyrical themes also underwent dramatic changes after the addition of Peart because of his love for fantasy and science-fiction literature.[14] However, despite these many differences some of the music and songs still closely mirrored the blues style found on Rush's debut.[14][15]

    Following quickly on the heels of Fly By Night, the band released 1975's Caress of Steel, a five track hard rock/heavy metal album featuring two extended multi-chapter songs, "The Necromancer" and "The Fountain of Lamneth." Some critics said Caress of Steel was unfocused and an audacious move for the band because of the placement of two back-to-back protracted songs, as well as a heavier reliance on atmospherics and story-telling, a large deviation from Fly by Night.[16] Intended to be the band's first "break-through" album, Caress of Steel sold below expectations and the promotional tour consisted of smaller venues which led to the moniker the "Down the Tubes Tour".[17] In light of these events, Rush's record label pressured them into molding their next album in a more commercially friendly and accessible fashion. However, the band ignored the requests and developed their next album, 2112 with a 20-minute title track divided into seven sections. Despite this, the album was the band's first taste of commercial success and their first platinum album in Canada.[18] The supporting tour for the album culminated in a three night stand at Massey Hall in Toronto, which the band recorded for the release of their first live album titled All the World's a Stage. Allmusic critic Greg Prato summarily reminds listeners and fans of how the album demarcates the boundary between the band's early years and the next era of their music.[19][20]

    [edit] The progressive rock era (1977–1981)After 2112, Rush retreated to the United Kingdom to record 1977's A Farewell to Kings and 1978's Hemispheres at Rockfield Studios in Wales. These albums saw the band members expanding the use of progressive elements in their music. "As our tastes got more obscure," Geddy Lee said in a recent interview, "we discovered more progressive rock-based bands like Yes, Van der Graaf Generator and King Crimson, and we were very inspired by those bands. They made us want to make our music more interesting and more complex and we tried to blend that with our own personalities to see what we could come up with that was indisputably us."[21] Trademarks such as increased synthesizer usage, extended-length concept songs, and highly dynamic playing featuring complex time signature changes became a staple of Rush's compositions. To achieve a broader, more progressive palette of sound, Alex Lifeson began to experiment with classical and twelve-string guitars, and Geddy Lee added bass-pedal synthesizers and Minimoog. Likewise, Peart's percussion became diversified in the form of triangles, glockenspiel, wood blocks, cowbells, timpani, gong and chimes. Beyond instrument additions, the band kept in stride with the progressive rock movement by continuing to compose long, conceptual songs with science fiction and fantasy overtones. However, as the new decade approached, Rush gradually began to dispose of their older styles of music in favor of shorter, and sometimes softer, arrangements. The lyrics up to this point (most of them written by Peart) were heavily influenced by classical poetry, fantasy literature, science fiction, and the writings of novelist Ayn Rand, as exhibited most prominently by their 1975 song "Anthem" from Fly By Night and a specifically acknowledged derivation in 1976's 2112.[22]

    Permanent Waves (1980) dramatically shifted Rush's style of music via the introduction of reggae and new wave elements.[23] Although a hard rock style was still evident, more and more synthesizers were introduced. Moreover, because of the limited airplay Rush's previous extended-length songs received, Permanent Waves included shorter, more radio-friendly songs such as "The Spirit of Radio" and "Freewill", two songs which helped Permanent Waves become Rush's first U.S. Top 5 album; both songs continue to make appearances on classic rock radio stations in Canada and the United States to this day.[24] Meanwhile, Peart's lyrics shifted toward an expository tone with subject matter that dwelled less on fantastical or allegorical story-telling and more heavily on topics that explored humanistic, social and emotional elements. Rush joined with fellow Toronto-based rock band Max Webster on July 28, 1980 to record "Battle Scar" for their 1980 release, Universal Juveniles.[25] While on tour together following the release, both bands would join between sets to play "Battle Scar". The song acted as both a transition from Max Webster to Rush, as well as a warm-up for Peart. In addition, Max Webster lyricist Pye Dubois offered the band lyrics to a song he had written. The band accepted; the song went on, after reworking by Peart, to become "Tom Sawyer".[25]

    "Tom Sawyer" (1981)

    Sample of "Tom Sawyer" from the album Moving Pictures. This is the band's best known song with heaviest radio airplay.

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    Rush's popularity reached its pinnacle with the release of Moving Pictures in 1981. Moving Pictures essentially continued where Permanent Waves left off, extending the trend of highly accessible and commercially friendly progressive rock that helped thrust them into the spotlight. The lead track, "Tom Sawyer", is probably the band's best-known song[26] with "Limelight" also receiving satisfactory responses from listeners and radio stations. Moving Pictures was Rush's last album to feature an extended song, the eleven-minute "The Camera Eye". The song also contained the band's heaviest usage of synthesizers up to that point, hinting that Rush's music was shifting direction once more. Moving Pictures reached #3 on the Billboard 200 album chart and has been certified quadruple platinum by the Recording Industry Association of America.[27]

    Following the success of Moving Pictures and the completion of another four studio albums, Rush released their second live recording, Exit...Stage Left, in 1981. The album delineates the apex of Rush's progressive period by featuring live material from the band's Permanent Waves and Moving Pictures tours. As with their first live release, Exit...Stage Left identified the margin of a new chapter of Rush's sound.

    [edit] The synthesizer period (1982–1989)
    The OBX synthesizer used by Geddy Lee on the album Signals (1982).The band underwent another radical stylistic transmutation with the release of Signals in 1982.[28]

    While Lee's synthesizers had been featured instruments ever since the late 70s, keyboards were suddenly shifted from the contrapuntal background to the melodic front-lines[29][30] in songs like "Countdown" and the lead-off track "Subdivisions". Both feature prominent lead synthesizer lines with minimalistic guitar chords and solos. Other previously unused instrument additions were seen in the song "Losing It," featuring collaborator Ben Mink on electric violin.[28]

    "Subdivisions" (1982)

    Sample of "Subdivisions" from the album Signals. This song is notable for demonstrating the band's foray into their synthesizer period.

    --------------------------------------------------------------------------------

    Problems listening to this file? See media help.

    Signals also represented a drastic stylistic transformation apart from instrumental changes. The album contained Rush's only U.S. top-40 pop hit, "New World Man",[31] while other more experimental songs such as "Digital Man", "The Weapon", and "Chemistry" expanded the band's use of ska, reggae, and funk.[32] Although the band members consciously decided to move in this overall direction, they felt dissatisfied with long-time producer Terry Brown's studio treatment of Signals and parted ways with him in 1983. These diverse styles would come into further play on their next studio album.


    Neil Peart began incorporating Simmons Electronic Drums beginning with 1984's Grace Under PressureThe style and production of Signals were augmented and taken to new heights on 1984's Grace Under Pressure. It was Peart who named the album, as he borrowed the words of Ernest Hemingway to describe what the band had to go through after making the decision to leave Terry Brown. Producer Steve Lillywhite, who gleaned fame with successful productions of Simple Minds and U2, was enlisted to produce Grace Under Pressure. However, he backed out at the last moment, much to the ire of Lee, Lifeson and Peart. Lee said "Steve Lillywhite is really not a man of his word....after agreeing to do our record, he got an offer from Simple Minds, changed his mind, blew us off,..so it put us in a horrible position." Rush eventually hired Peter Henderson to co-produce and engineer the album in his stead.[33]

    Musically, although Lee's use of sequencers and synthesizers remained the band's cornerstone, his focus on new technology was complemented by Peart's adaptation of Simmons electronic drums and percussion. Lifeson's contributions on the album were decidedly enhanced to act as an overreaction to the minimalistic role he played on Signals.[34] Still, many of his trademark guitar textures remained intact in the form of open reggae chords and funk and new-wave rhythms.

    With new producer Peter Collins, the band released 1985's Power Windows and 1987's Hold Your Fire. The music on these two albums gives far more emphasis and prominence to Lee's multi-layered synthesizer work. While fans and critics took notice of Lifeson's diminished guitar work, his presence was still palpable. Lifeson, like many guitarists in the late 1980s, experimented with processors that reduced his instrument to echoey chord bursts and razor-thin leads. Hold Your Fire represents both a modest extension of the guitar stylings found on Power Windows, and, according to Allmusic critic Eduardo Rivadavia, the culmination of this era of Rush.[35] Whereas the previous five Rush albums sold platinum or better, Hold Your Fire only went gold in November 1987, although it managed to peak at number 13 on the Billboard 200.[36]

    A third live album and video, A Show of Hands (1989), was also released by Mercury following the Power Windows and Hold Your Fire tours, demonstrating the aspects of Rush in the '80s. A Show of Hands met with strong fan approval, but Rolling Stone critic Michael Azerrad dismissed it as "musical muscle" with 1.5 stars, claiming Rush fans viewed their favourite power trio as "the holy trinity".[37] Nevertheless, A Show of Hands managed to surpass the gold album mark, reaching number 21 on the Billboard 200.[38] At this point, the group decided to change record labels from Mercury to Atlantic. After Rush's departure in 1989, Mercury released a double platinum two-volume compilation of their Rush catalogue, Chronicles (1990).[39]

    [edit] Returning to their roots (1989–1997) "Dreamline" (1991)

    Sample of "Dreamline" from the album Roll the Bones. This song is notable for demonstrating the band's return to a more standard three piece instrument style, where synthesizers are used more sparingly and the guitar returning to the forefront of the sound.

    --------------------------------------------------------------------------------

    Problems listening to this file? See media help.

    Rush started to deviate from their 1980s style with the albums Presto and Roll the Bones. Produced by record engineer and musician Rupert Hine, these two albums saw Rush shedding much of their keyboard-saturated sound. Beginning with 1989's Presto, the band opted for arrangements that were notably more guitar-centric than the previous two studio albums. Although synthesizers were still used in many songs, the instrument was no longer featured as the centerpiece of Rush's compositions. Continuing this trend, 1991's Roll the Bones extended the use of the standard three-instrument approach with even less focus on synthesizers than its predecessor. While musically these albums do not deviate significantly from a general pop-rock sound, Rush incorporated traces of other musical styles. "Roll the Bones", for instance, exhibits funk and hip hop elements, and the instrumental track "Where's My Thing?" features several jazz components.[40] This return to three-piece instrumentation helped pave the way for future albums in the mid-90s, which would adopt a more straightforward rock formula.

    The transition from synthesizers to more guitar-oriented and organic instrumentation continued with the 1993 album Counterparts[41] and its follow-up, 1996's Test for Echo, again both produced in collaboration with Peter Collins. Musically, Counterparts[41] and Test For Echo are two of Rush's most guitar-driven albums. Although the music in general did not meet the criteria for progressive rock, some songs adopted a dynamic format.[42] For instance, "Time and Motion" possesses multiple time signature changes and organ usage, while the instrumental track "Limbo", consists of multiple musical passages. Musically, Test For Echo still retained much of the hard rock/alternative style already charted on the previous record with Lifeson and Lee's playing remaining more or less unchanged; however, a distinct modification in technique became apparent in Peart's playing from his jazz and swing training under the tutelage of jazz instructor Freddie Gruber during the interim between Counterparts and Test For Echo.[43] In October 1996, in support of Test For Echo, the band embarked on a North American tour, the band's first without an opening act and dubbed "An Evening with Rush". The tour was broken up into two segments spanning October through December 1996 and May through July 1997 with the band taking a respite between tour legs.

    [edit] Hiatus and comeback (1997–2005)After wrapping up the tour promoting Test for Echo in 1997, the band entered a five-year hiatus mainly because of personal tragedies in Peart's life. Peart's daughter Selena died in an automobile accident in August 1997, followed by his wife Jacqueline's death from cancer in June 1998. Peart took a hiatus to mourn and reflect, during which time he traveled extensively throughout North America on his BMW motorcycle, covering 88,000 km (55,000 miles). At some point in his journey, Peart decided to return to the band. Peart wrote Ghost Rider: Travels on the Healing Road as a chronicle of his geographical and emotional journey. In this book he writes of how he had told his bandmates at Selena's funeral, "consider me retired."[44] On November 10, 1998 a triple CD live album entitled Different Stages was released, dedicated to the memory of Selena and Jacqueline. Mixed by producer Paul Northfield and engineered by Terry Brown, it contained three discs packed with recorded performances from the band's Counterparts, Test For Echo, and A Farewell to Kings tours, marking the fourth officially released live album by the band.

    "One Little Victory" (2002)

    Sample of "One Little Victory" from the album Vapor Trails. This song's rapid tempo and heavy double bass drumming was done intentionally in order to herald the comeback of the band after their hiatus.

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    After a time to grieve and reassemble the pieces of his life, and while visiting long-time Rush photographer Andrew MacNaughtan in Los Angeles, Peart was introduced to his future wife, photographer Carrie Nuttall. Peart married Nuttall on September 9, 2000. In early 2001 he announced to his band mates that he was ready to once again enter the studio and get back into the business of making music. With the help of producer Paul Northfield the band returned in May 2002 with Vapor Trails, written and recorded in Toronto. To herald the band's comeback, the single and lead track from the album, "One Little Victory" was designed to grab the attention of listeners with its rapid guitar and drum tempos.[45] Vapor Trails marked the first studio recording not to include a single synthesizer, organ or keyboard part since the early 1970s. While the album is almost completely guitar-driven, it is mostly devoid of any conventional sounding guitar solos, a conscious decision made by Lifeson during the writing process. According to the band, the entire developmental process for Vapor Trails was extremely taxing and took approximately 14 months to finish, by far the longest the band had ever spent writing and recording a studio album.[45] The album was supported by the band's first tour in six years, including first-ever concerts in Mexico City and Brazil, where they played to some of the largest crowds of their career.

    A triple CD live album and dual Rush in Rio DVD was released in late October 2003 featuring an entire concert performance recorded on the last night of their Vapor Trails Tour, November 23, 2002, at Maracanã Stadium in Rio de Janeiro, Brazil. To celebrate their 30th anniversary, June 2004 saw the release of Feedback, a studio EP recorded in suburban Toronto featuring eight covers of such artists as Cream, The Who and The Yardbirds, bands that the members of Rush cite as inspiration around the time of their inception.[46] Also in the summer of 2004, Rush hit the road again for their 30th Anniversary Tour, playing dates in the United States, Canada, the United Kingdom, Germany, Italy, Sweden, the Czech Republic, and the Netherlands. On September 24, 2004 a Frankfurt, Germany concert was recorded at The Festhalle for DVD (titled R30: Live in Frankfurt), which was released November 22, 2005; a complete version of the R30 Frankfurt set (the original DVD release omitted eight songs) was released on Blu-ray on December 8, 2009.[47]

    [edit] Snakes & Arrows (2006–2009)Main articles: Snakes & Arrows and Snakes & Arrows Tour
    During promotional interviews for the R30 Live In Frankfurt DVD, the band revealed their intention to begin writing new material in early 2006. While in Toronto, Lifeson and Lee began the songwriting process in January 2006. During this time, Peart simultaneously assumed his role of lyric writing while residing in Southern California. The following September, Rush chose to hire American producer Nick Raskulinecz to co-produce the album. The band officially entered Allaire Studios, in Shokan, New York in November 2006 in order to record the bulk of the material. Taking the band five weeks, the sessions ended in December. On February 14, 2007, an announcement was made on the official Rush web site that the title of the new album would be Snakes & Arrows. The first single, entitled "Far Cry", was released to North American radio stations on March 12, 2007 and reached #2 on the Mediabase Mainstream and Radio and Records Charts.[48]

    "Far Cry" (2007)

    Sample of "Far Cry", first single from the album Snakes & Arrows.

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    The Rush website, newly redesigned on March 12 to support the new album, also announced that the band would embark on a tour to begin in the summer. Snakes & Arrows was released May 1, 2007 in North America, where it debuted at #3 in the Billboard 200 with approximately 93,000 units sold in its first week.[49] It would go on to sell an estimated 611,000 copies worldwide. To coincide with the Atlantic ocean hurricane season, "Spindrift" was released as the official second radio single on June 1, 2007, whereas "The Larger Bowl (A Pantoum)" saw single status on June 25, 2007. "The Larger Bowl" positioned within the top 20 of the Mainstream Rock and Media Base Mainstream charts, however, "Spindrift" failed to appear on any commercial chart.[50] The planned intercontinental tour in support of Snakes & Arrows began on June 13, 2007 in Atlanta, Georgia, coming to a close on October 29, 2007 at Hartwall Arena in Helsinki, Finland.[51]

    The 2008 portion of the tour started on April 11, 2008 in San Juan, Puerto Rico at José Miguel Agrelot Coliseum and culminated on July 24, 2008 in Noblesville, Indiana at the Verizon Wireless Music Center.[52] On April 15, the band released Snakes & Arrows Live, a double live album documenting the first leg of the tour.[53] Those same performances featured on Snakes & Arrows Live filmed at the Ahoy arena in Rotterdam, Netherlands on October 16 and 17 of 2007 were released November 24 as a DVD and Blu-Ray set. The video also includes footage from the 2008 portion of the tour, recorded at Verizon Wireless Amphitheater in Atlanta.[54][55][56]

    As the band neared the conclusion of their Snakes & Arrows tour, they announced their first appearance on American television in over 30 years. Rush was interviewed by Stephen Colbert and they performed "Tom Sawyer" on The Colbert Report on July 16, 2008.[57] Continuing to ride what one movie reviewer has called a "pop cultural wave," they also appeared at a live show in April 2009 for the comedy film I Love You, Man.[58]

    [edit] Clockwork Angels and Time Machine Tour (2009–present)On February 16, 2009, Lifeson remarked that the band may begin working on a new album in the Fall 2009 with Nick Raskulinecz once again producing.[59] On March 19, 2010, the CBC posted a video interview with Lee and Lifeson where they discussed Rush's induction into the Canadian Songwriters Hall of Fame on March 28, 2010 at the Toronto Centre for the Arts' George Weston Recital Hall. The band was recognized for the songs "Limelight", "Closer to the Heart", "The Spirit of Radio", "Tom Sawyer" and "Subdivisions". In addition to discussing their induction, Lee and Lifeson touched on future material. During the interview, Lee was quoted as saying "... Just about a month and a half ago we had no songs. And now we've been writing and now we've got about 6 songs that we just love...".[60] On March 26, 2010, in an interview with The Globe and Mail, Lifeson reconfirmed that the band had already written a half-dozen songs and that there was the potential for two supporting tours, one planned for Summer 2010 and a more extensive tour planned for Summer 2011. While still uncertain of exactly how and when the new material would be released, he projected a tentative Spring 2011 release date.[61] Soon after, Peart confirmed that American producer Nick Raskulinecz had returned as co-producer.[62]

    On April 8, 2010 both the official Rush website and PR Newswire announced that the band would embark on the Rush Time Machine Tour. The first leg of the tour began on June 29 in Albuquerque, New Mexico and finished October 17 in Santiago, Chile at the National stadium. It featured the album Moving Pictures played in its entirety, as well as the single "Caravan" and its B-side "BU2B". These songs will be featured on the band's upcoming studio album, Clockwork Angels.[63] The "Caravan" single was announced May 25, 2010 and was released June 1 to radio stations and made available for digital download.[64] It was suggested that Rush would return to the studio after the completion of the Time Machine Tour with plans to release Clockwork Angels in 2011.[65] However, Rush confirmed on November 19, 2010 that they will be extending the Time Machine Tour for a second leg. They are scheduled to play Europe in spring 2011 and return to North America for dates between March and July.[66]

    On April 24, 2010, the documentary Rush: Beyond the Lighted Stage directed by Sam Dunn premiered at the Tribeca Film Festival. It went on to receive the Tribeca Film Festival Audience Award.[67] The band's music was featured in the 2010 documentary Jews and Baseball: An American Love Story, narrated by Academy Award winner Dustin Hoffman.[68][69]

    On June 25, 2010, Rush received a star on the Hollywood Walk of Fame, located at 6752 Hollywood Boulevard. Critical acclaim continued to mount for Rush in 2010 when, on September 28, Classic Rock magazine announced Rush would be this year's Living Legends awarded at the Marshall Classic Rock Roll of Honour Awards in the UK.[70] The award was presented November 10, 2010. On September 29, Billboard.com announced that Rush would also receive the 2010 Legends of Live award for significant and lasting contributions to live music and the art of performing live and reaching fans through the concert experience.[71] The award was presented at the Billboard Touring Awards on November 4, 2010.

    The original line-up formed in the neighbourhood of Willowdale in Toronto, Ontario, by Lifeson, bassist and front man Jeff Jones, and drummer John Rutsey. Within a couple of weeks of forming, and before their second performance, bassist and lead vocalist Jones was replaced by Geddy Lee, a schoolmate of Lifeson. After several lineup reformations, Rush's official incarnation was formed in May 1971 consisting of Lee, Lifeson, and Rutsey. The band was managed by local Toronto resident Ray Danniels, a frequent attendee of Rush's early shows.[7][8]

    After gaining stability in the lineup and honing their skills on the local bar/high school dance circuit, the band came to release their first single "Not Fade Away", a cover of the Buddy Holly song, in 1973. Side B contained an original composition, "You Can't Fight It", credited to Lee and Rutsey. The single generated little reaction and, because of record company indifference, the band formed their own independent record label, Moon Records. With the aid of Danniels and the newly enlisted engineer Terry Brown, the band released their self-titled debut album in 1974, which was considered highly derivative of Led Zeppelin.[9] Rush had limited local popularity until the album was picked up by WMMS, a radio station in Cleveland, Ohio. Donna Halper, a DJ and music director working at the station, selected "Working Man" for her regular play list. The song's blue collar theme resonated with hard rock fans and this new found popularity led to the album being re-released by Mercury Records in the U.S.[10][11]


    The "starman" logo first appeared on the back cover of the 1976 album 2112. Hugh Syme, creator of graphics on many of Rush's albums, stated in a 1983 interview that the Starman "didn't begin as an identity factor for the band, it just got adopted."[12]Immediately after the release of the debut album in 1974, Rutsey was forced to leave the band due to health difficulties stemming from diabetes and a general distaste for touring. His last performance with the band was on July 25, 1974 at Centennial Hall in London, Ontario. Rush held auditions for a new dummer and eventually selected Neil Peart as Rutsey's replacement. Peart officially joined the band on July 29, 1974, two weeks before the group's first U.S. tour. They performed their first concert together, opening for Uriah Heep and Manfred Mann with an attendance of over 11,000 people at the Civic Arena in Pittsburgh, Pennsylvania on August 14. In addition to becoming the band's drummer, Peart assumed the role of principal lyricist from Lee, who had very little interest in writing, despite penning the lyrics of the band's first album.[13] Instead, Lee, along with Lifeson, focused primarily on the musical aspects of Rush. Fly by Night (1975), Rush's first album after recruiting Peart, saw the inclusion of the band's first epic mini-tale "By-Tor and the Snow Dog", replete with complex arrangements and multi-section format. Lyrical themes also underwent dramatic changes after the addition of Peart because of his love for fantasy and science-fiction literature.[14] However, despite these many differences some of the music and songs still closely mirrored the blues style found on Rush's debut.[14][15]

    Following quickly on the heels of Fly By Night, the band released 1975's Caress of Steel, a five track hard rock/heavy metal album featuring two extended multi-chapter songs, "The Necromancer" and "The Fountain of Lamneth." Some critics said Caress of Steel was unfocused and an audacious move for the band because of the placement of two back-to-back protracted songs, as well as a heavier reliance on atmospherics and story-telling, a large deviation from Fly by Night.[16] Intended to be the band's first "break-through" album, Caress of Steel sold below expectations and the promotional tour consisted of smaller venues which led to the moniker the "Down the Tubes Tour".[17] In light of these events, Rush's record label pressured them into molding their next album in a more commercially friendly and accessible fashion. However, the band ignored the requests and developed their next album, 2112 with a 20-minute title track divided into seven sections. Despite this, the album was the band's first taste of commercial success and their first platinum album in Canada.[18] The supporting tour for the album culminated in a three night stand at Massey Hall in Toronto, which the band recorded for the release of their first live album titled All the World's a Stage. Allmusic critic Greg Prato summarily reminds listeners and fans of how the album demarcates the boundary between the band's early years and the next era of their music.[19][20]

    [edit] The progressive rock era (1977–1981)After 2112, Rush retreated to the United Kingdom to record 1977's A Farewell to Kings and 1978's Hemispheres at Rockfield Studios in Wales. These albums saw the band members expanding the use of progressive elements in their music. "As our tastes got more obscure," Geddy Lee said in a recent interview, "we discovered more progressive rock-based bands like Yes, Van der Graaf Generator and King Crimson, and we were very inspired by those bands. They made us want to make our music more interesting and more complex and we tried to blend that with our own personalities to see what we could come up with that was indisputably us."[21] Trademarks such as increased synthesizer usage, extended-length concept songs, and highly dynamic playing featuring complex time signature changes became a staple of Rush's compositions. To achieve a broader, more progressive palette of sound, Alex Lifeson began to experiment with classical and twelve-string guitars, and Geddy Lee added bass-pedal synthesizers and Minimoog. Likewise, Peart's percussion became diversified in the form of triangles, glockenspiel, wood blocks, cowbells, timpani, gong and chimes. Beyond instrument additions, the band kept in stride with the progressive rock movement by continuing to compose long, conceptual songs with science fiction and fantasy overtones. However, as the new decade approached, Rush gradually began to dispose of their older styles of music in favor of shorter, and sometimes softer, arrangements. The lyrics up to this point (most of them written by Peart) were heavily influenced by classical poetry, fantasy literature, science fiction, and the writings of novelist Ayn Rand, as exhibited most prominently by their 1975 song "Anthem" from Fly By Night and a specifically acknowledged derivation in 1976's 2112.[22]

    Permanent Waves (1980) dramatically shifted Rush's style of music via the introduction of reggae and new wave elements.[23] Although a hard rock style was still evident, more and more synthesizers were introduced. Moreover, because of the limited airplay Rush's previous extended-length songs received, Permanent Waves included shorter, more radio-friendly songs such as "The Spirit of Radio" and "Freewill", two songs which helped Permanent Waves become Rush's first U.S. Top 5 album; both songs continue to make appearances on classic rock radio stations in Canada and the United States to this day.[24] Meanwhile, Peart's lyrics shifted toward an expository tone with subject matter that dwelled less on fantastical or allegorical story-telling and more heavily on topics that explored humanistic, social and emotional elements. Rush joined with fellow Toronto-based rock band Max Webster on July 28, 1980 to record "Battle Scar" for their 1980 release, Universal Juveniles.[25] While on tour together following the release, both bands would join between sets to play "Battle Scar". The song acted as both a transition from Max Webster to Rush, as well as a warm-up for Peart. In addition, Max Webster lyricist Pye Dubois offered the band lyrics to a song he had written. The band accepted; the song went on, after reworking by Peart, to become "Tom Sawyer".[25]

    "Tom Sawyer" (1981)

    Sample of "Tom Sawyer" from the album Moving Pictures. This is the band's best known song with heaviest radio airplay.

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    Rush's popularity reached its pinnacle with the release of Moving Pictures in 1981. Moving Pictures essentially continued where Permanent Waves left off, extending the trend of highly accessible and commercially friendly progressive rock that helped thrust them into the spotlight. The lead track, "Tom Sawyer", is probably the band's best-known song[26] with "Limelight" also receiving satisfactory responses from listeners and radio stations. Moving Pictures was Rush's last album to feature an extended song, the eleven-minute "The Camera Eye". The song also contained the band's heaviest usage of synthesizers up to that point, hinting that Rush's music was shifting direction once more. Moving Pictures reached #3 on the Billboard 200 album chart and has been certified quadruple platinum by the Recording Industry Association of America.[27]

    Following the success of Moving Pictures and the completion of another four studio albums, Rush released their second live recording, Exit...Stage Left, in 1981. The album delineates the apex of Rush's progressive period by featuring live material from the band's Permanent Waves and Moving Pictures tours. As with their first live release, Exit...Stage Left identified the margin of a new chapter of Rush's sound.

    [edit] The synthesizer period (1982–1989)
    The OBX synthesizer used by Geddy Lee on the album Signals (1982).The band underwent another radical stylistic transmutation with the release of Signals in 1982.[28]

    While Lee's synthesizers had been featured instruments ever since the late 70s, keyboards were suddenly shifted from the contrapuntal background to the melodic front-lines[29][30] in songs like "Countdown" and the lead-off track "Subdivisions". Both feature prominent lead synthesizer lines with minimalistic guitar chords and solos. Other previously unused instrument additions were seen in the song "Losing It," featuring collaborator Ben Mink on electric violin.[28]

    "Subdivisions" (1982)

    Sample of "Subdivisions" from the album Signals. This song is notable for demonstrating the band's foray into their synthesizer period.

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    Signals also represented a drastic stylistic transformation apart from instrumental changes. The album contained Rush's only U.S. top-40 pop hit, "New World Man",[31] while other more experimental songs such as "Digital Man", "The Weapon", and "Chemistry" expanded the band's use of ska, reggae, and funk.[32] Although the band members consciously decided to move in this overall direction, they felt dissatisfied with long-time producer Terry Brown's studio treatment of Signals and parted ways with him in 1983. These diverse styles would come into further play on their next studio album.


    Neil Peart began incorporating Simmons Electronic Drums beginning with 1984's Grace Under PressureThe style and production of Signals were augmented and taken to new heights on 1984's Grace Under Pressure. It was Peart who named the album, as he borrowed the words of Ernest Hemingway to describe what the band had to go through after making the decision to leave Terry Brown. Producer Steve Lillywhite, who gleaned fame with successful productions of Simple Minds and U2, was enlisted to produce Grace Under Pressure. However, he backed out at the last moment, much to the ire of Lee, Lifeson and Peart. Lee said "Steve Lillywhite is really not a man of his word....after agreeing to do our record, he got an offer from Simple Minds, changed his mind, blew us off,..so it put us in a horrible position." Rush eventually hired Peter Henderson to co-produce and engineer the album in his stead.[33]

    Musically, although Lee's use of sequencers and synthesizers remained the band's cornerstone, his focus on new technology was complemented by Peart's adaptation of Simmons electronic drums and percussion. Lifeson's contributions on the album were decidedly enhanced to act as an overreaction to the minimalistic role he played on Signals.[34] Still, many of his trademark guitar textures remained intact in the form of open reggae chords and funk and new-wave rhythms.

    With new producer Peter Collins, the band released 1985's Power Windows and 1987's Hold Your Fire. The music on these two albums gives far more emphasis and prominence to Lee's multi-layered synthesizer work. While fans and critics took notice of Lifeson's diminished guitar work, his presence was still palpable. Lifeson, like many guitarists in the late 1980s, experimented with processors that reduced his instrument to echoey chord bursts and razor-thin leads. Hold Your Fire represents both a modest extension of the guitar stylings found on Power Windows, and, according to Allmusic critic Eduardo Rivadavia, the culmination of this era of Rush.[35] Whereas the previous five Rush albums sold platinum or better, Hold Your Fire only went gold in November 1987, although it managed to peak at number 13 on the Billboard 200.[36]

    A third live album and video, A Show of Hands (1989), was also released by Mercury following the Power Windows and Hold Your Fire tours, demonstrating the aspects of Rush in the '80s. A Show of Hands met with strong fan approval, but Rolling Stone critic Michael Azerrad dismissed it as "musical muscle" with 1.5 stars, claiming Rush fans viewed their favourite power trio as "the holy trinity".[37] Nevertheless, A Show of Hands managed to surpass the gold album mark, reaching number 21 on the Billboard 200.[38] At this point, the group decided to change record labels from Mercury to Atlantic. After Rush's departure in 1989, Mercury released a double platinum two-volume compilation of their Rush catalogue, Chronicles (1990).[39]

    [edit] Returning to their roots (1989–1997) "Dreamline" (1991)

    Sample of "Dreamline" from the album Roll the Bones. This song is notable for demonstrating the band's return to a more standard three piece instrument style, where synthesizers are used more sparingly and the guitar returning to the forefront of the sound.

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    Rush started to deviate from their 1980s style with the albums Presto and Roll the Bones. Produced by record engineer and musician Rupert Hine, these two albums saw Rush shedding much of their keyboard-saturated sound. Beginning with 1989's Presto, the band opted for arrangements that were notably more guitar-centric than the previous two studio albums. Although synthesizers were still used in many songs, the instrument was no longer featured as the centerpiece of Rush's compositions. Continuing this trend, 1991's Roll the Bones extended the use of the standard three-instrument approach with even less focus on synthesizers than its predecessor. While musically these albums do not deviate significantly from a general pop-rock sound, Rush incorporated traces of other musical styles. "Roll the Bones", for instance, exhibits funk and hip hop elements, and the instrumental track "Where's My Thing?" features several jazz components.[40] This return to three-piece instrumentation helped pave the way for future albums in the mid-90s, which would adopt a more straightforward rock formula.

    The transition from synthesizers to more guitar-oriented and organic instrumentation continued with the 1993 album Counterparts[41] and its follow-up, 1996's Test for Echo, again both produced in collaboration with Peter Collins. Musically, Counterparts[41] and Test For Echo are two of Rush's most guitar-driven albums. Although the music in general did not meet the criteria for progressive rock, some songs adopted a dynamic format.[42] For instance, "Time and Motion" possesses multiple time signature changes and organ usage, while the instrumental track "Limbo", consists of multiple musical passages. Musically, Test For Echo still retained much of the hard rock/alternative style already charted on the previous record with Lifeson and Lee's playing remaining more or less unchanged; however, a distinct modification in technique became apparent in Peart's playing from his jazz and swing training under the tutelage of jazz instructor Freddie Gruber during the interim between Counterparts and Test For Echo.[43] In October 1996, in support of Test For Echo, the band embarked on a North American tour, the band's first without an opening act and dubbed "An Evening with Rush". The tour was broken up into two segments spanning October through December 1996 and May through July 1997 with the band taking a respite between tour legs.

    [edit] Hiatus and comeback (1997–2005)After wrapping up the tour promoting Test for Echo in 1997, the band entered a five-year hiatus mainly because of personal tragedies in Peart's life. Peart's daughter Selena died in an automobile accident in August 1997, followed by his wife Jacqueline's death from cancer in June 1998. Peart took a hiatus to mourn and reflect, during which time he traveled extensively throughout North America on his BMW motorcycle, covering 88,000 km (55,000 miles). At some point in his journey, Peart decided to return to the band. Peart wrote Ghost Rider: Travels on the Healing Road as a chronicle of his geographical and emotional journey. In this book he writes of how he had told his bandmates at Selena's funeral, "consider me retired."[44] On November 10, 1998 a triple CD live album entitled Different Stages was released, dedicated to the memory of Selena and Jacqueline. Mixed by producer Paul Northfield and engineered by Terry Brown, it contained three discs packed with recorded performances from the band's Counterparts, Test For Echo, and A Farewell to Kings tours, marking the fourth officially released live album by the band.

    "One Little Victory" (2002)

    Sample of "One Little Victory" from the album Vapor Trails. This song's rapid tempo and heavy double bass drumming was done intentionally in order to herald the comeback of the band after their hiatus.

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    After a time to grieve and reassemble the pieces of his life, and while visiting long-time Rush photographer Andrew MacNaughtan in Los Angeles, Peart was introduced to his future wife, photographer Carrie Nuttall. Peart married Nuttall on September 9, 2000. In early 2001 he announced to his band mates that he was ready to once again enter the studio and get back into the business of making music. With the help of producer Paul Northfield the band returned in May 2002 with Vapor Trails, written and recorded in Toronto. To herald the band's comeback, the single and lead track from the album, "One Little Victory" was designed to grab the attention of listeners with its rapid guitar and drum tempos.[45] Vapor Trails marked the first studio recording not to include a single synthesizer, organ or keyboard part since the early 1970s. While the album is almost completely guitar-driven, it is mostly devoid of any conventional sounding guitar solos, a conscious decision made by Lifeson during the writing process. According to the band, the entire developmental process for Vapor Trails was extremely taxing and took approximately 14 months to finish, by far the longest the band had ever spent writing and recording a studio album.[45] The album was supported by the band's first tour in six years, including first-ever concerts in Mexico City and Brazil, where they played to some of the largest crowds of their career.

    A triple CD live album and dual Rush in Rio DVD was released in late October 2003 featuring an entire concert performance recorded on the last night of their Vapor Trails Tour, November 23, 2002, at Maracanã Stadium in Rio de Janeiro, Brazil. To celebrate their 30th anniversary, June 2004 saw the release of Feedback, a studio EP recorded in suburban Toronto featuring eight covers of such artists as Cream, The Who and The Yardbirds, bands that the members of Rush cite as inspiration around the time of their inception.[46] Also in the summer of 2004, Rush hit the road again for their 30th Anniversary Tour, playing dates in the United States, Canada, the United Kingdom, Germany, Italy, Sweden, the Czech Republic, and the Netherlands. On September 24, 2004 a Frankfurt, Germany concert was recorded at The Festhalle for DVD (titled R30: Live in Frankfurt), which was released November 22, 2005; a complete version of the R30 Frankfurt set (the original DVD release omitted eight songs) was released on Blu-ray on December 8, 2009.[47]

    [edit] Snakes & Arrows (2006–2009)Main articles: Snakes & Arrows and Snakes & Arrows Tour
    During promotional interviews for the R30 Live In Frankfurt DVD, the band revealed their intention to begin writing new material in early 2006. While in Toronto, Lifeson and Lee began the songwriting process in January 2006. During this time, Peart simultaneously assumed his role of lyric writing while residing in Southern California. The following September, Rush chose to hire American producer Nick Raskulinecz to co-produce the album. The band officially entered Allaire Studios, in Shokan, New York in November 2006 in order to record the bulk of the material. Taking the band five weeks, the sessions ended in December. On February 14, 2007, an announcement was made on the official Rush web site that the title of the new album would be Snakes & Arrows. The first single, entitled "Far Cry", was released to North American radio stations on March 12, 2007 and reached #2 on the Mediabase Mainstream and Radio and Records Charts.[48]

    "Far Cry" (2007)

    Sample of "Far Cry", first single from the album Snakes & Arrows.

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    The Rush website, newly redesigned on March 12 to support the new album, also announced that the band would embark on a tour to begin in the summer. Snakes & Arrows was released May 1, 2007 in North America, where it debuted at #3 in the Billboard 200 with approximately 93,000 units sold in its first week.[49] It would go on to sell an estimated 611,000 copies worldwide. To coincide with the Atlantic ocean hurricane season, "Spindrift" was released as the official second radio single on June 1, 2007, whereas "The Larger Bowl (A Pantoum)" saw single status on June 25, 2007. "The Larger Bowl" positioned within the top 20 of the Mainstream Rock and Media Base Mainstream charts, however, "Spindrift" failed to appear on any commercial chart.[50] The planned intercontinental tour in support of Snakes & Arrows began on June 13, 2007 in Atlanta, Georgia, coming to a close on October 29, 2007 at Hartwall Arena in Helsinki, Finland.[51]

    The 2008 portion of the tour started on April 11, 2008 in San Juan, Puerto Rico at José Miguel Agrelot Coliseum and culminated on July 24, 2008 in Noblesville, Indiana at the Verizon Wireless Music Center.[52] On April 15, the band released Snakes & Arrows Live, a double live album documenting the first leg of the tour.[53] Those same performances featured on Snakes & Arrows Live filmed at the Ahoy arena in Rotterdam, Netherlands on October 16 and 17 of 2007 were released November 24 as a DVD and Blu-Ray set. The video also includes footage from the 2008 portion of the tour, recorded at Verizon Wireless Amphitheater in Atlanta.[54][55][56]

    As the band neared the conclusion of their Snakes & Arrows tour, they announced their first appearance on American television in over 30 years. Rush was interviewed by Stephen Colbert and they performed "Tom Sawyer" on The Colbert Report on July 16, 2008.[57] Continuing to ride what one movie reviewer has called a "pop cultural wave," they also appeared at a live show in April 2009 for the comedy film I Love You, Man.[58]

    [edit] Clockwork Angels and Time Machine Tour (2009–present)On February 16, 2009, Lifeson remarked that the band may begin working on a new album in the Fall 2009 with Nick Raskulinecz once again producing.[59] On March 19, 2010, the CBC posted a video interview with Lee and Lifeson where they discussed Rush's induction into the Canadian Songwriters Hall of Fame on March 28, 2010 at the Toronto Centre for the Arts' George Weston Recital Hall. The band was recognized for the songs "Limelight", "Closer to the Heart", "The Spirit of Radio", "Tom Sawyer" and "Subdivisions". In addition to discussing their induction, Lee and Lifeson touched on future material. During the interview, Lee was quoted as saying "... Just about a month and a half ago we had no songs. And now we've been writing and now we've got about 6 songs that we just love...".[60] On March 26, 2010, in an interview with The Globe and Mail, Lifeson reconfirmed that the band had already written a half-dozen songs and that there was the potential for two supporting tours, one planned for Summer 2010 and a more extensive tour planned for Summer 2011. While still uncertain of exactly how and when the new material would be released, he projected a tentative Spring 2011 release date.[61] Soon after, Peart confirmed that American producer Nick Raskulinecz had returned as co-producer.[62]

    On April 8, 2010 both the official Rush website and PR Newswire announced that the band would embark on the Rush Time Machine Tour. The first leg of the tour began on June 29 in Albuquerque, New Mexico and finished October 17 in Santiago, Chile at the National stadium. It featured the album Moving Pictures played in its entirety, as well as the single "Caravan" and its B-side "BU2B". These songs will be featured on the band's upcoming studio album, Clockwork Angels.[63] The "Caravan" single was announced May 25, 2010 and was released June 1 to radio stations and made available for digital download.[64] It was suggested that Rush would return to the studio after the completion of the Time Machine Tour with plans to release Clockwork Angels in 2011.[65] However, Rush confirmed on November 19, 2010 that they will be extending the Time Machine Tour for a second leg. They are scheduled to play Europe in spring 2011 and return to North America for dates between March and July.[66]

    On April 24, 2010, the documentary Rush: Beyond the Lighted Stage directed by Sam Dunn premiered at the Tribeca Film Festival. It went on to receive the Tribeca Film Festival Audience Award.[67] The band's music was featured in the 2010 documentary Jews and Baseball: An American Love Story, narrated by Academy Award winner Dustin Hoffman.[68][69]

    On June 25, 2010, Rush received a star on the Hollywood Walk of Fame, located at 6752 Hollywood Boulevard. Critical acclaim continued to mount for Rush in 2010 when, on September 28, Classic Rock magazine announced Rush would be this year's Living Legends awarded at the Marshall Classic Rock Roll of Honour Awards in the UK.[70] The award was presented November 10, 2010. On September 29, Billboard.com announced that Rush would also receive the 2010 Legends of Live award for significant and lasting contributions to live music and the art of performing live and reaching fans through the concert experience.[71] The award was presented at the Billboard Touring Awards on November 4, 2010.

    The original line-up formed in the neighbourhood of Willowdale in Toronto, Ontario, by Lifeson, bassist and front man Jeff Jones, and drummer John Rutsey. Within a couple of weeks of forming, and before their second performance, bassist and lead vocalist Jones was replaced by Geddy Lee, a schoolmate of Lifeson. After several lineup reformations, Rush's official incarnation was formed in May 1971 consisting of Lee, Lifeson, and Rutsey. The band was managed by local Toronto resident Ray Danniels, a frequent attendee of Rush's early shows.[7][8]

    After gaining stability in the lineup and honing their skills on the local bar/high school dance circuit, the band came to release their first single "Not Fade Away", a cover of the Buddy Holly song, in 1973. Side B contained an original composition, "You Can't Fight It", credited to Lee and Rutsey. The single generated little reaction and, because of record company indifference, the band formed their own independent record label, Moon Records. With the aid of Danniels and the newly enlisted engineer Terry Brown, the band released their self-titled debut album in 1974, which was considered highly derivative of Led Zeppelin.[9] Rush had limited local popularity until the album was picked up by WMMS, a radio station in Cleveland, Ohio. Donna Halper, a DJ and music director working at the station, selected "Working Man" for her regular play list. The song's blue collar theme resonated with hard rock fans and this new found popularity led to the album being re-released by Mercury Records in the U.S.[10][11]


    The "starman" logo first appeared on the back cover of the 1976 album 2112. Hugh Syme, creator of graphics on many of Rush's albums, stated in a 1983 interview that the Starman "didn't begin as an identity factor for the band, it just got adopted."[12]Immediately after the release of the debut album in 1974, Rutsey was forced to leave the band due to health difficulties stemming from diabetes and a general distaste for touring. His last performance with the band was on July 25, 1974 at Centennial Hall in London, Ontario. Rush held auditions for a new dummer and eventually selected Neil Peart as Rutsey's replacement. Peart officially joined the band on July 29, 1974, two weeks before the group's first U.S. tour. They performed their first concert together, opening for Uriah Heep and Manfred Mann with an attendance of over 11,000 people at the Civic Arena in Pittsburgh, Pennsylvania on August 14. In addition to becoming the band's drummer, Peart assumed the role of principal lyricist from Lee, who had very little interest in writing, despite penning the lyrics of the band's first album.[13] Instead, Lee, along with Lifeson, focused primarily on the musical aspects of Rush. Fly by Night (1975), Rush's first album after recruiting Peart, saw the inclusion of the band's first epic mini-tale "By-Tor and the Snow Dog", replete with complex arrangements and multi-section format. Lyrical themes also underwent dramatic changes after the addition of Peart because of his love for fantasy and science-fiction literature.[14] However, despite these many differences some of the music and songs still closely mirrored the blues style found on Rush's debut.[14][15]

    Following quickly on the heels of Fly By Night, the band released 1975's Caress of Steel, a five track hard rock/heavy metal album featuring two extended multi-chapter songs, "The Necromancer" and "The Fountain of Lamneth." Some critics said Caress of Steel was unfocused and an audacious move for the band because of the placement of two back-to-back protracted songs, as well as a heavier reliance on atmospherics and story-telling, a large deviation from Fly by Night.[16] Intended to be the band's first "break-through" album, Caress of Steel sold below expectations and the promotional tour consisted of smaller venues which led to the moniker the "Down the Tubes Tour".[17] In light of these events, Rush's record label pressured them into molding their next album in a more commercially friendly and accessible fashion. However, the band ignored the requests and developed their next album, 2112 with a 20-minute title track divided into seven sections. Despite this, the album was the band's first taste of commercial success and their first platinum album in Canada.[18] The supporting tour for the album culminated in a three night stand at Massey Hall in Toronto, which the band recorded for the release of their first live album titled All the World's a Stage. Allmusic critic Greg Prato summarily reminds listeners and fans of how the album demarcates the boundary between the band's early years and the next era of their music.[19][20]

    [edit] The progressive rock era (1977–1981)After 2112, Rush retreated to the United Kingdom to record 1977's A Farewell to Kings and 1978's Hemispheres at Rockfield Studios in Wales. These albums saw the band members expanding the use of progressive elements in their music. "As our tastes got more obscure," Geddy Lee said in a recent interview, "we discovered more progressive rock-based bands like Yes, Van der Graaf Generator and King Crimson, and we were very inspired by those bands. They made us want to make our music more interesting and more complex and we tried to blend that with our own personalities to see what we could come up with that was indisputably us."[21] Trademarks such as increased synthesizer usage, extended-length concept songs, and highly dynamic playing featuring complex time signature changes became a staple of Rush's compositions. To achieve a broader, more progressive palette of sound, Alex Lifeson began to experiment with classical and twelve-string guitars, and Geddy Lee added bass-pedal synthesizers and Minimoog. Likewise, Peart's percussion became diversified in the form of triangles, glockenspiel, wood blocks, cowbells, timpani, gong and chimes. Beyond instrument additions, the band kept in stride with the progressive rock movement by continuing to compose long, conceptual songs with science fiction and fantasy overtones. However, as the new decade approached, Rush gradually began to dispose of their older styles of music in favor of shorter, and sometimes softer, arrangements. The lyrics up to this point (most of them written by Peart) were heavily influenced by classical poetry, fantasy literature, science fiction, and the writings of novelist Ayn Rand, as exhibited most prominently by their 1975 song "Anthem" from Fly By Night and a specifically acknowledged derivation in 1976's 2112.[22]

    Permanent Waves (1980) dramatically shifted Rush's style of music via the introduction of reggae and new wave elements.[23] Although a hard rock style was still evident, more and more synthesizers were introduced. Moreover, because of the limited airplay Rush's previous extended-length songs received, Permanent Waves included shorter, more radio-friendly songs such as "The Spirit of Radio" and "Freewill", two songs which helped Permanent Waves become Rush's first U.S. Top 5 album; both songs continue to make appearances on classic rock radio stations in Canada and the United States to this day.[24] Meanwhile, Peart's lyrics shifted toward an expository tone with subject matter that dwelled less on fantastical or allegorical story-telling and more heavily on topics that explored humanistic, social and emotional elements. Rush joined with fellow Toronto-based rock band Max Webster on July 28, 1980 to record "Battle Scar" for their 1980 release, Universal Juveniles.[25] While on tour together following the release, both bands would join between sets to play "Battle Scar". The song acted as both a transition from Max Webster to Rush, as well as a warm-up for Peart. In addition, Max Webster lyricist Pye Dubois offered the band lyrics to a song he had written. The band accepted; the song went on, after reworking by Peart, to become "Tom Sawyer".[25]

    "Tom Sawyer" (1981)

    Sample of "Tom Sawyer" from the album Moving Pictures. This is the band's best known song with heaviest radio airplay.

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    Rush's popularity reached its pinnacle with the release of Moving Pictures in 1981. Moving Pictures essentially continued where Permanent Waves left off, extending the trend of highly accessible and commercially friendly progressive rock that helped thrust them into the spotlight. The lead track, "Tom Sawyer", is probably the band's best-known song[26] with "Limelight" also receiving satisfactory responses from listeners and radio stations. Moving Pictures was Rush's last album to feature an extended song, the eleven-minute "The Camera Eye". The song also contained the band's heaviest usage of synthesizers up to that point, hinting that Rush's music was shifting direction once more. Moving Pictures reached #3 on the Billboard 200 album chart and has been certified quadruple platinum by the Recording Industry Association of America.[27]

    Following the success of Moving Pictures and the completion of another four studio albums, Rush released their second live recording, Exit...Stage Left, in 1981. The album delineates the apex of Rush's progressive period by featuring live material from the band's Permanent Waves and Moving Pictures tours. As with their first live release, Exit...Stage Left identified the margin of a new chapter of Rush's sound.

    [edit] The synthesizer period (1982–1989)
    The OBX synthesizer used by Geddy Lee on the album Signals (1982).The band underwent another radical stylistic transmutation with the release of Signals in 1982.[28]

    While Lee's synthesizers had been featured instruments ever since the late 70s, keyboards were suddenly shifted from the contrapuntal background to the melodic front-lines[29][30] in songs like "Countdown" and the lead-off track "Subdivisions". Both feature prominent lead synthesizer lines with minimalistic guitar chords and solos. Other previously unused instrument additions were seen in the song "Losing It," featuring collaborator Ben Mink on electric violin.[28]

    "Subdivisions" (1982)

    Sample of "Subdivisions" from the album Signals. This song is notable for demonstrating the band's foray into their synthesizer period.

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    Signals also represented a drastic stylistic transformation apart from instrumental changes. The album contained Rush's only U.S. top-40 pop hit, "New World Man",[31] while other more experimental songs such as "Digital Man", "The Weapon", and "Chemistry" expanded the band's use of ska, reggae, and funk.[32] Although the band members consciously decided to move in this overall direction, they felt dissatisfied with long-time producer Terry Brown's studio treatment of Signals and parted ways with him in 1983. These diverse styles would come into further play on their next studio album.


    Neil Peart began incorporating Simmons Electronic Drums beginning with 1984's Grace Under PressureThe style and production of Signals were augmented and taken to new heights on 1984's Grace Under Pressure. It was Peart who named the album, as he borrowed the words of Ernest Hemingway to describe what the band had to go through after making the decision to leave Terry Brown. Producer Steve Lillywhite, who gleaned fame with successful productions of Simple Minds and U2, was enlisted to produce Grace Under Pressure. However, he backed out at the last moment, much to the ire of Lee, Lifeson and Peart. Lee said "Steve Lillywhite is really not a man of his word....after agreeing to do our record, he got an offer from Simple Minds, changed his mind, blew us off,..so it put us in a horrible position." Rush eventually hired Peter Henderson to co-produce and engineer the album in his stead.[33]

    Musically, although Lee's use of sequencers and synthesizers remained the band's cornerstone, his focus on new technology was complemented by Peart's adaptation of Simmons electronic drums and percussion. Lifeson's contributions on the album were decidedly enhanced to act as an overreaction to the minimalistic role he played on Signals.[34] Still, many of his trademark guitar textures remained intact in the form of open reggae chords and funk and new-wave rhythms.

    With new producer Peter Collins, the band released 1985's Power Windows and 1987's Hold Your Fire. The music on these two albums gives far more emphasis and prominence to Lee's multi-layered synthesizer work. While fans and critics took notice of Lifeson's diminished guitar work, his presence was still palpable. Lifeson, like many guitarists in the late 1980s, experimented with processors that reduced his instrument to echoey chord bursts and razor-thin leads. Hold Your Fire represents both a modest extension of the guitar stylings found on Power Windows, and, according to Allmusic critic Eduardo Rivadavia, the culmination of this era of Rush.[35] Whereas the previous five Rush albums sold platinum or better, Hold Your Fire only went gold in November 1987, although it managed to peak at number 13 on the Billboard 200.[36]

    A third live album and video, A Show of Hands (1989), was also released by Mercury following the Power Windows and Hold Your Fire tours, demonstrating the aspects of Rush in the '80s. A Show of Hands met with strong fan approval, but Rolling Stone critic Michael Azerrad dismissed it as "musical muscle" with 1.5 stars, claiming Rush fans viewed their favourite power trio as "the holy trinity".[37] Nevertheless, A Show of Hands managed to surpass the gold album mark, reaching number 21 on the Billboard 200.[38] At this point, the group decided to change record labels from Mercury to Atlantic. After Rush's departure in 1989, Mercury released a double platinum two-volume compilation of their Rush catalogue, Chronicles (1990).[39]

    [edit] Returning to their roots (1989–1997) "Dreamline" (1991)

    Sample of "Dreamline" from the album Roll the Bones. This song is notable for demonstrating the band's return to a more standard three piece instrument style, where synthesizers are used more sparingly and the guitar returning to the forefront of the sound.

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    Rush started to deviate from their 1980s style with the albums Presto and Roll the Bones. Produced by record engineer and musician Rupert Hine, these two albums saw Rush shedding much of their keyboard-saturated sound. Beginning with 1989's Presto, the band opted for arrangements that were notably more guitar-centric than the previous two studio albums. Although synthesizers were still used in many songs, the instrument was no longer featured as the centerpiece of Rush's compositions. Continuing this trend, 1991's Roll the Bones extended the use of the standard three-instrument approach with even less focus on synthesizers than its predecessor. While musically these albums do not deviate significantly from a general pop-rock sound, Rush incorporated traces of other musical styles. "Roll the Bones", for instance, exhibits funk and hip hop elements, and the instrumental track "Where's My Thing?" features several jazz components.[40] This return to three-piece instrumentation helped pave the way for future albums in the mid-90s, which would adopt a more straightforward rock formula.

    The transition from synthesizers to more guitar-oriented and organic instrumentation continued with the 1993 album Counterparts[41] and its follow-up, 1996's Test for Echo, again both produced in collaboration with Peter Collins. Musically, Counterparts[41] and Test For Echo are two of Rush's most guitar-driven albums. Although the music in general did not meet the criteria for progressive rock, some songs adopted a dynamic format.[42] For instance, "Time and Motion" possesses multiple time signature changes and organ usage, while the instrumental track "Limbo", consists of multiple musical passages. Musically, Test For Echo still retained much of the hard rock/alternative style already charted on the previous record with Lifeson and Lee's playing remaining more or less unchanged; however, a distinct modification in technique became apparent in Peart's playing from his jazz and swing training under the tutelage of jazz instructor Freddie Gruber during the interim between Counterparts and Test For Echo.[43] In October 1996, in support of Test For Echo, the band embarked on a North American tour, the band's first without an opening act and dubbed "An Evening with Rush". The tour was broken up into two segments spanning October through December 1996 and May through July 1997 with the band taking a respite between tour legs.

    [edit] Hiatus and comeback (1997–2005)After wrapping up the tour promoting Test for Echo in 1997, the band entered a five-year hiatus mainly because of personal tragedies in Peart's life. Peart's daughter Selena died in an automobile accident in August 1997, followed by his wife Jacqueline's death from cancer in June 1998. Peart took a hiatus to mourn and reflect, during which time he traveled extensively throughout North America on his BMW motorcycle, covering 88,000 km (55,000 miles). At some point in his journey, Peart decided to return to the band. Peart wrote Ghost Rider: Travels on the Healing Road as a chronicle of his geographical and emotional journey. In this book he writes of how he had told his bandmates at Selena's funeral, "consider me retired."[44] On November 10, 1998 a triple CD live album entitled Different Stages was released, dedicated to the memory of Selena and Jacqueline. Mixed by producer Paul Northfield and engineered by Terry Brown, it contained three discs packed with recorded performances from the band's Counterparts, Test For Echo, and A Farewell to Kings tours, marking the fourth officially released live album by the band.

    "One Little Victory" (2002)

    Sample of "One Little Victory" from the album Vapor Trails. This song's rapid tempo and heavy double bass drumming was done intentionally in order to herald the comeback of the band after their hiatus.

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    After a time to grieve and reassemble the pieces of his life, and while visiting long-time Rush photographer Andrew MacNaughtan in Los Angeles, Peart was introduced to his future wife, photographer Carrie Nuttall. Peart married Nuttall on September 9, 2000. In early 2001 he announced to his band mates that he was ready to once again enter the studio and get back into the business of making music. With the help of producer Paul Northfield the band returned in May 2002 with Vapor Trails, written and recorded in Toronto. To herald the band's comeback, the single and lead track from the album, "One Little Victory" was designed to grab the attention of listeners with its rapid guitar and drum tempos.[45] Vapor Trails marked the first studio recording not to include a single synthesizer, organ or keyboard part since the early 1970s. While the album is almost completely guitar-driven, it is mostly devoid of any conventional sounding guitar solos, a conscious decision made by Lifeson during the writing process. According to the band, the entire developmental process for Vapor Trails was extremely taxing and took approximately 14 months to finish, by far the longest the band had ever spent writing and recording a studio album.[45] The album was supported by the band's first tour in six years, including first-ever concerts in Mexico City and Brazil, where they played to some of the largest crowds of their career.

    A triple CD live album and dual Rush in Rio DVD was released in late October 2003 featuring an entire concert performance recorded on the last night of their Vapor Trails Tour, November 23, 2002, at Maracanã Stadium in Rio de Janeiro, Brazil. To celebrate their 30th anniversary, June 2004 saw the release of Feedback, a studio EP recorded in suburban Toronto featuring eight covers of such artists as Cream, The Who and The Yardbirds, bands that the members of Rush cite as inspiration around the time of their inception.[46] Also in the summer of 2004, Rush hit the road again for their 30th Anniversary Tour, playing dates in the United States, Canada, the United Kingdom, Germany, Italy, Sweden, the Czech Republic, and the Netherlands. On September 24, 2004 a Frankfurt, Germany concert was recorded at The Festhalle for DVD (titled R30: Live in Frankfurt), which was released November 22, 2005; a complete version of the R30 Frankfurt set (the original DVD release omitted eight songs) was released on Blu-ray on December 8, 2009.[47]

    [edit] Snakes & Arrows (2006–2009)Main articles: Snakes & Arrows and Snakes & Arrows Tour
    During promotional interviews for the R30 Live In Frankfurt DVD, the band revealed their intention to begin writing new material in early 2006. While in Toronto, Lifeson and Lee began the songwriting process in January 2006. During this time, Peart simultaneously assumed his role of lyric writing while residing in Southern California. The following September, Rush chose to hire American producer Nick Raskulinecz to co-produce the album. The band officially entered Allaire Studios, in Shokan, New York in November 2006 in order to record the bulk of the material. Taking the band five weeks, the sessions ended in December. On February 14, 2007, an announcement was made on the official Rush web site that the title of the new album would be Snakes & Arrows. The first single, entitled "Far Cry", was released to North American radio stations on March 12, 2007 and reached #2 on the Mediabase Mainstream and Radio and Records Charts.[48]

    "Far Cry" (2007)

    Sample of "Far Cry", first single from the album Snakes & Arrows.

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    The Rush website, newly redesigned on March 12 to support the new album, also announced that the band would embark on a tour to begin in the summer. Snakes & Arrows was released May 1, 2007 in North America, where it debuted at #3 in the Billboard 200 with approximately 93,000 units sold in its first week.[49] It would go on to sell an estimated 611,000 copies worldwide. To coincide with the Atlantic ocean hurricane season, "Spindrift" was released as the official second radio single on June 1, 2007, whereas "The Larger Bowl (A Pantoum)" saw single status on June 25, 2007. "The Larger Bowl" positioned within the top 20 of the Mainstream Rock and Media Base Mainstream charts, however, "Spindrift" failed to appear on any commercial chart.[50] The planned intercontinental tour in support of Snakes & Arrows began on June 13, 2007 in Atlanta, Georgia, coming to a close on October 29, 2007 at Hartwall Arena in Helsinki, Finland.[51]

    The 2008 portion of the tour started on April 11, 2008 in San Juan, Puerto Rico at José Miguel Agrelot Coliseum and culminated on July 24, 2008 in Noblesville, Indiana at the Verizon Wireless Music Center.[52] On April 15, the band released Snakes & Arrows Live, a double live album documenting the first leg of the tour.[53] Those same performances featured on Snakes & Arrows Live filmed at the Ahoy arena in Rotterdam, Netherlands on October 16 and 17 of 2007 were released November 24 as a DVD and Blu-Ray set. The video also includes footage from the 2008 portion of the tour, recorded at Verizon Wireless Amphitheater in Atlanta.[54][55][56]

    As the band neared the conclusion of their Snakes & Arrows tour, they announced their first appearance on American television in over 30 years. Rush was interviewed by Stephen Colbert and they performed "Tom Sawyer" on The Colbert Report on July 16, 2008.[57] Continuing to ride what one movie reviewer has called a "pop cultural wave," they also appeared at a live show in April 2009 for the comedy film I Love You, Man.[58]

    [edit] Clockwork Angels and Time Machine Tour (2009–present)On February 16, 2009, Lifeson remarked that the band may begin working on a new album in the Fall 2009 with Nick Raskulinecz once again producing.[59] On March 19, 2010, the CBC posted a video interview with Lee and Lifeson where they discussed Rush's induction into the Canadian Songwriters Hall of Fame on March 28, 2010 at the Toronto Centre for the Arts' George Weston Recital Hall. The band was recognized for the songs "Limelight", "Closer to the Heart", "The Spirit of Radio", "Tom Sawyer" and "Subdivisions". In addition to discussing their induction, Lee and Lifeson touched on future material. During the interview, Lee was quoted as saying "... Just about a month and a half ago we had no songs. And now we've been writing and now we've got about 6 songs that we just love...".[60] On March 26, 2010, in an interview with The Globe and Mail, Lifeson reconfirmed that the band had already written a half-dozen songs and that there was the potential for two supporting tours, one planned for Summer 2010 and a more extensive tour planned for Summer 2011. While still uncertain of exactly how and when the new material would be released, he projected a tentative Spring 2011 release date.[61] Soon after, Peart confirmed that American producer Nick Raskulinecz had returned as co-producer.[62]

    On April 8, 2010 both the official Rush website and PR Newswire announced that the band would embark on the Rush Time Machine Tour. The first leg of the tour began on June 29 in Albuquerque, New Mexico and finished October 17 in Santiago, Chile at the National stadium. It featured the album Moving Pictures played in its entirety, as well as the single "Caravan" and its B-side "BU2B". These songs will be featured on the band's upcoming studio album, Clockwork Angels.[63] The "Caravan" single was announced May 25, 2010 and was released June 1 to radio stations and made available for digital download.[64] It was suggested that Rush would return to the studio after the completion of the Time Machine Tour with plans to release Clockwork Angels in 2011.[65] However, Rush confirmed on November 19, 2010 that they will be extending the Time Machine Tour for a second leg. They are scheduled to play Europe in spring 2011 and return to North America for dates between March and July.[66]

    On April 24, 2010, the documentary Rush: Beyond the Lighted Stage directed by Sam Dunn premiered at the Tribeca Film Festival. It went on to receive the Tribeca Film Festival Audience Award.[67] The band's music was featured in the 2010 documentary Jews and Baseball: An American Love Story, narrated by Academy Award winner Dustin Hoffman.[68][69]

    On June 25, 2010, Rush received a star on the Hollywood Walk of Fame, located at 6752 Hollywood Boulevard. Critical acclaim continued to mount for Rush in 2010 when, on September 28, Classic Rock magazine announced Rush would be this year's Living Legends awarded at the Marshall Classic Rock Roll of Honour Awards in the UK.[70] The award was presented November 10, 2010. On September 29, Billboard.com announced that Rush would also receive the 2010 Legends of Live award for significant and lasting contributions to live music and the art of performing live and reaching fans through the concert experience.[71] The award was presented at the Billboard Touring Awards on November 4, 2010.

    The original line-up formed in the neighbourhood of Willowdale in Toronto, Ontario, by Lifeson, bassist and front man Jeff Jones, and drummer John Rutsey. Within a couple of weeks of forming, and before their second performance, bassist and lead vocalist Jones was replaced by Geddy Lee, a schoolmate of Lifeson. After several lineup reformations, Rush's official incarnation was formed in May 1971 consisting of Lee, Lifeson, and Rutsey. The band was managed by local Toronto resident Ray Danniels, a frequent attendee of Rush's early shows.[7][8]

    After gaining stability in the lineup and honing their skills on the local bar/high school dance circuit, the band came to release their first single "Not Fade Away", a cover of the Buddy Holly song, in 1973. Side B contained an original composition, "You Can't Fight It", credited to Lee and Rutsey. The single generated little reaction and, because of record company indifference, the band formed their own independent record label, Moon Records. With the aid of Danniels and the newly enlisted engineer Terry Brown, the band released their self-titled debut album in 1974, which was considered highly derivative of Led Zeppelin.[9] Rush had limited local popularity until the album was picked up by WMMS, a radio station in Cleveland, Ohio. Donna Halper, a DJ and music director working at the station, selected "Working Man" for her regular play list. The song's blue collar theme resonated with hard rock fans and this new found popularity led to the album being re-released by Mercury Records in the U.S.[10][11]


    The "starman" logo first appeared on the back cover of the 1976 album 2112. Hugh Syme, creator of graphics on many of Rush's albums, stated in a 1983 interview that the Starman "didn't begin as an identity factor for the band, it just got adopted."[12]Immediately after the release of the debut album in 1974, Rutsey was forced to leave the band due to health difficulties stemming from diabetes and a general distaste for touring. His last performance with the band was on July 25, 1974 at Centennial Hall in London, Ontario. Rush held auditions for a new dummer and eventually selected Neil Peart as Rutsey's replacement. Peart officially joined the band on July 29, 1974, two weeks before the group's first U.S. tour. They performed their first concert together, opening for Uriah Heep and Manfred Mann with an attendance of over 11,000 people at the Civic Arena in Pittsburgh, Pennsylvania on August 14. In addition to becoming the band's drummer, Peart assumed the role of principal lyricist from Lee, who had very little interest in writing, despite penning the lyrics of the band's first album.[13] Instead, Lee, along with Lifeson, focused primarily on the musical aspects of Rush. Fly by Night (1975), Rush's first album after recruiting Peart, saw the inclusion of the band's first epic mini-tale "By-Tor and the Snow Dog", replete with complex arrangements and multi-section format. Lyrical themes also underwent dramatic changes after the addition of Peart because of his love for fantasy and science-fiction literature.[14] However, despite these many differences some of the music and songs still closely mirrored the blues style found on Rush's debut.[14][15]

    Following quickly on the heels of Fly By Night, the band released 1975's Caress of Steel, a five track hard rock/heavy metal album featuring two extended multi-chapter songs, "The Necromancer" and "The Fountain of Lamneth." Some critics said Caress of Steel was unfocused and an audacious move for the band because of the placement of two back-to-back protracted songs, as well as a heavier reliance on atmospherics and story-telling, a large deviation from Fly by Night.[16] Intended to be the band's first "break-through" album, Caress of Steel sold below expectations and the promotional tour consisted of smaller venues which led to the moniker the "Down the Tubes Tour".[17] In light of these events, Rush's record label pressured them into molding their next album in a more commercially friendly and accessible fashion. However, the band ignored the requests and developed their next album, 2112 with a 20-minute title track divided into seven sections. Despite this, the album was the band's first taste of commercial success and their first platinum album in Canada.[18] The supporting tour for the album culminated in a three night stand at Massey Hall in Toronto, which the band recorded for the release of their first live album titled All the World's a Stage. Allmusic critic Greg Prato summarily reminds listeners and fans of how the album demarcates the boundary between the band's early years and the next era of their music.[19][20]

    [edit] The progressive rock era (1977–1981)After 2112, Rush retreated to the United Kingdom to record 1977's A Farewell to Kings and 1978's Hemispheres at Rockfield Studios in Wales. These albums saw the band members expanding the use of progressive elements in their music. "As our tastes got more obscure," Geddy Lee said in a recent interview, "we discovered more progressive rock-based bands like Yes, Van der Graaf Generator and King Crimson, and we were very inspired by those bands. They made us want to make our music more interesting and more complex and we tried to blend that with our own personalities to see what we could come up with that was indisputably us."[21] Trademarks such as increased synthesizer usage, extended-length concept songs, and highly dynamic playing featuring complex time signature changes became a staple of Rush's compositions. To achieve a broader, more progressive palette of sound, Alex Lifeson began to experiment with classical and twelve-string guitars, and Geddy Lee added bass-pedal synthesizers and Minimoog. Likewise, Peart's percussion became diversified in the form of triangles, glockenspiel, wood blocks, cowbells, timpani, gong and chimes. Beyond instrument additions, the band kept in stride with the progressive rock movement by continuing to compose long, conceptual songs with science fiction and fantasy overtones. However, as the new decade approached, Rush gradually began to dispose of their older styles of music in favor of shorter, and sometimes softer, arrangements. The lyrics up to this point (most of them written by Peart) were heavily influenced by classical poetry, fantasy literature, science fiction, and the writings of novelist Ayn Rand, as exhibited most prominently by their 1975 song "Anthem" from Fly By Night and a specifically acknowledged derivation in 1976's 2112.[22]

    Permanent Waves (1980) dramatically shifted Rush's style of music via the introduction of reggae and new wave elements.[23] Although a hard rock style was still evident, more and more synthesizers were introduced. Moreover, because of the limited airplay Rush's previous extended-length songs received, Permanent Waves included shorter, more radio-friendly songs such as "The Spirit of Radio" and "Freewill", two songs which helped Permanent Waves become Rush's first U.S. Top 5 album; both songs continue to make appearances on classic rock radio stations in Canada and the United States to this day.[24] Meanwhile, Peart's lyrics shifted toward an expository tone with subject matter that dwelled less on fantastical or allegorical story-telling and more heavily on topics that explored humanistic, social and emotional elements. Rush joined with fellow Toronto-based rock band Max Webster on July 28, 1980 to record "Battle Scar" for their 1980 release, Universal Juveniles.[25] While on tour together following the release, both bands would join between sets to play "Battle Scar". The song acted as both a transition from Max Webster to Rush, as well as a warm-up for Peart. In addition, Max Webster lyricist Pye Dubois offered the band lyrics to a song he had written. The band accepted; the song went on, after reworking by Peart, to become "Tom Sawyer".[25]

    "Tom Sawyer" (1981)

    Sample of "Tom Sawyer" from the album Moving Pictures. This is the band's best known song with heaviest radio airplay.

    --------------------------------------------------------------------------------

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    Rush's popularity reached its pinnacle with the release of Moving Pictures in 1981. Moving Pictures essentially continued where Permanent Waves left off, extending the trend of highly accessible and commercially friendly progressive rock that helped thrust them into the spotlight. The lead track, "Tom Sawyer", is probably the band's best-known song[26] with "Limelight" also receiving satisfactory responses from listeners and radio stations. Moving Pictures was Rush's last album to feature an extended song, the eleven-minute "The Camera Eye". The song also contained the band's heaviest usage of synthesizers up to that point, hinting that Rush's music was shifting direction once more. Moving Pictures reached #3 on the Billboard 200 album chart and has been certified quadruple platinum by the Recording Industry Association of America.[27]

    Following the success of Moving Pictures and the completion of another four studio albums, Rush released their second live recording, Exit...Stage Left, in 1981. The album delineates the apex of Rush's progressive period by featuring live material from the band's Permanent Waves and Moving Pictures tours. As with their first live release, Exit...Stage Left identified the margin of a new chapter of Rush's sound.

    [edit] The synthesizer period (1982–1989)
    The OBX synthesizer used by Geddy Lee on the album Signals (1982).The band underwent another radical stylistic transmutation with the release of Signals in 1982.[28]

    While Lee's synthesizers had been featured instruments ever since the late 70s, keyboards were suddenly shifted from the contrapuntal background to the melodic front-lines[29][30] in songs like "Countdown" and the lead-off track "Subdivisions". Both feature prominent lead synthesizer lines with minimalistic guitar chords and solos. Other previously unused instrument additions were seen in the song "Losing It," featuring collaborator Ben Mink on electric violin.[28]

    "Subdivisions" (1982)

    Sample of "Subdivisions" from the album Signals. This song is notable for demonstrating the band's foray into their synthesizer period.

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    Signals also represented a drastic stylistic transformation apart from instrumental changes. The album contained Rush's only U.S. top-40 pop hit, "New World Man",[31] while other more experimental songs such as "Digital Man", "The Weapon", and "Chemistry" expanded the band's use of ska, reggae, and funk.[32] Although the band members consciously decided to move in this overall direction, they felt dissatisfied with long-time producer Terry Brown's studio treatment of Signals and parted ways with him in 1983. These diverse styles would come into further play on their next studio album.


    Neil Peart began incorporating Simmons Electronic Drums beginning with 1984's Grace Under PressureThe style and production of Signals were augmented and taken to new heights on 1984's Grace Under Pressure. It was Peart who named the album, as he borrowed the words of Ernest Hemingway to describe what the band had to go through after making the decision to leave Terry Brown. Producer Steve Lillywhite, who gleaned fame with successful productions of Simple Minds and U2, was enlisted to produce Grace Under Pressure. However, he backed out at the last moment, much to the ire of Lee, Lifeson and Peart. Lee said "Steve Lillywhite is really not a man of his word....after agreeing to do our record, he got an offer from Simple Minds, changed his mind, blew us off,..so it put us in a horrible position." Rush eventually hired Peter Henderson to co-produce and engineer the album in his stead.[33]

    Musically, although Lee's use of sequencers and synthesizers remained the band's cornerstone, his focus on new technology was complemented by Peart's adaptation of Simmons electronic drums and percussion. Lifeson's contributions on the album were decidedly enhanced to act as an overreaction to the minimalistic role he played on Signals.[34] Still, many of his trademark guitar textures remained intact in the form of open reggae chords and funk and new-wave rhythms.

    With new producer Peter Collins, the band released 1985's Power Windows and 1987's Hold Your Fire. The music on these two albums gives far more emphasis and prominence to Lee's multi-layered synthesizer work. While fans and critics took notice of Lifeson's diminished guitar work, his presence was still palpable. Lifeson, like many guitarists in the late 1980s, experimented with processors that reduced his instrument to echoey chord bursts and razor-thin leads. Hold Your Fire represents both a modest extension of the guitar stylings found on Power Windows, and, according to Allmusic critic Eduardo Rivadavia, the culmination of this era of Rush.[35] Whereas the previous five Rush albums sold platinum or better, Hold Your Fire only went gold in November 1987, although it managed to peak at number 13 on the Billboard 200.[36]

    A third live album and video, A Show of Hands (1989), was also released by Mercury following the Power Windows and Hold Your Fire tours, demonstrating the aspects of Rush in the '80s. A Show of Hands met with strong fan approval, but Rolling Stone critic Michael Azerrad dismissed it as "musical muscle" with 1.5 stars, claiming Rush fans viewed their favourite power trio as "the holy trinity".[37] Nevertheless, A Show of Hands managed to surpass the gold album mark, reaching number 21 on the Billboard 200.[38] At this point, the group decided to change record labels from Mercury to Atlantic. After Rush's departure in 1989, Mercury released a double platinum two-volume compilation of their Rush catalogue, Chronicles (1990).[39]

    [edit] Returning to their roots (1989–1997) "Dreamline" (1991)

    Sample of "Dreamline" from the album Roll the Bones. This song is notable for demonstrating the band's return to a more standard three piece instrument style, where synthesizers are used more sparingly and the guitar returning to the forefront of the sound.

    --------------------------------------------------------------------------------

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    Rush started to deviate from their 1980s style with the albums Presto and Roll the Bones. Produced by record engineer and musician Rupert Hine, these two albums saw Rush shedding much of their keyboard-saturated sound. Beginning with 1989's Presto, the band opted for arrangements that were notably more guitar-centric than the previous two studio albums. Although synthesizers were still used in many songs, the instrument was no longer featured as the centerpiece of Rush's compositions. Continuing this trend, 1991's Roll the Bones extended the use of the standard three-instrument approach with even less focus on synthesizers than its predecessor. While musically these albums do not deviate significantly from a general pop-rock sound, Rush incorporated traces of other musical styles. "Roll the Bones", for instance, exhibits funk and hip hop elements, and the instrumental track "Where's My Thing?" features several jazz components.[40] This return to three-piece instrumentation helped pave the way for future albums in the mid-90s, which would adopt a more straightforward rock formula.

    The transition from synthesizers to more guitar-oriented and organic instrumentation continued with the 1993 album Counterparts[41] and its follow-up, 1996's Test for Echo, again both produced in collaboration with Peter Collins. Musically, Counterparts[41] and Test For Echo are two of Rush's most guitar-driven albums. Although the music in general did not meet the criteria for progressive rock, some songs adopted a dynamic format.[42] For instance, "Time and Motion" possesses multiple time signature changes and organ usage, while the instrumental track "Limbo", consists of multiple musical passages. Musically, Test For Echo still retained much of the hard rock/alternative style already charted on the previous record with Lifeson and Lee's playing remaining more or less unchanged; however, a distinct modification in technique became apparent in Peart's playing from his jazz and swing training under the tutelage of jazz instructor Freddie Gruber during the interim between Counterparts and Test For Echo.[43] In October 1996, in support of Test For Echo, the band embarked on a North American tour, the band's first without an opening act and dubbed "An Evening with Rush". The tour was broken up into two segments spanning October through December 1996 and May through July 1997 with the band taking a respite between tour legs.

    [edit] Hiatus and comeback (1997–2005)After wrapping up the tour promoting Test for Echo in 1997, the band entered a five-year hiatus mainly because of personal tragedies in Peart's life. Peart's daughter Selena died in an automobile accident in August 1997, followed by his wife Jacqueline's death from cancer in June 1998. Peart took a hiatus to mourn and reflect, during which time he traveled extensively throughout North America on his BMW motorcycle, covering 88,000 km (55,000 miles). At some point in his journey, Peart decided to return to the band. Peart wrote Ghost Rider: Travels on the Healing Road as a chronicle of his geographical and emotional journey. In this book he writes of how he had told his bandmates at Selena's funeral, "consider me retired."[44] On November 10, 1998 a triple CD live album entitled Different Stages was released, dedicated to the memory of Selena and Jacqueline. Mixed by producer Paul Northfield and engineered by Terry Brown, it contained three discs packed with recorded performances from the band's Counterparts, Test For Echo, and A Farewell to Kings tours, marking the fourth officially released live album by the band.

    "One Little Victory" (2002)

    Sample of "One Little Victory" from the album Vapor Trails. This song's rapid tempo and heavy double bass drumming was done intentionally in order to herald the comeback of the band after their hiatus.

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    After a time to grieve and reassemble the pieces of his life, and while visiting long-time Rush photographer Andrew MacNaughtan in Los Angeles, Peart was introduced to his future wife, photographer Carrie Nuttall. Peart married Nuttall on September 9, 2000. In early 2001 he announced to his band mates that he was ready to once again enter the studio and get back into the business of making music. With the help of producer Paul Northfield the band returned in May 2002 with Vapor Trails, written and recorded in Toronto. To herald the band's comeback, the single and lead track from the album, "One Little Victory" was designed to grab the attention of listeners with its rapid guitar and drum tempos.[45] Vapor Trails marked the first studio recording not to include a single synthesizer, organ or keyboard part since the early 1970s. While the album is almost completely guitar-driven, it is mostly devoid of any conventional sounding guitar solos, a conscious decision made by Lifeson during the writing process. According to the band, the entire developmental process for Vapor Trails was extremely taxing and took approximately 14 months to finish, by far the longest the band had ever spent writing and recording a studio album.[45] The album was supported by the band's first tour in six years, including first-ever concerts in Mexico City and Brazil, where they played to some of the largest crowds of their career.

    A triple CD live album and dual Rush in Rio DVD was released in late October 2003 featuring an entire concert performance recorded on the last night of their Vapor Trails Tour, November 23, 2002, at Maracanã Stadium in Rio de Janeiro, Brazil. To celebrate their 30th anniversary, June 2004 saw the release of Feedback, a studio EP recorded in suburban Toronto featuring eight covers of such artists as Cream, The Who and The Yardbirds, bands that the members of Rush cite as inspiration around the time of their inception.[46] Also in the summer of 2004, Rush hit the road again for their 30th Anniversary Tour, playing dates in the United States, Canada, the United Kingdom, Germany, Italy, Sweden, the Czech Republic, and the Netherlands. On September 24, 2004 a Frankfurt, Germany concert was recorded at The Festhalle for DVD (titled R30: Live in Frankfurt), which was released November 22, 2005; a complete version of the R30 Frankfurt set (the original DVD release omitted eight songs) was released on Blu-ray on December 8, 2009.[47]

    [edit] Snakes & Arrows (2006–2009)Main articles: Snakes & Arrows and Snakes & Arrows Tour
    During promotional interviews for the R30 Live In Frankfurt DVD, the band revealed their intention to begin writing new material in early 2006. While in Toronto, Lifeson and Lee began the songwriting process in January 2006. During this time, Peart simultaneously assumed his role of lyric writing while residing in Southern California. The following September, Rush chose to hire American producer Nick Raskulinecz to co-produce the album. The band officially entered Allaire Studios, in Shokan, New York in November 2006 in order to record the bulk of the material. Taking the band five weeks, the sessions ended in December. On February 14, 2007, an announcement was made on the official Rush web site that the title of the new album would be Snakes & Arrows. The first single, entitled "Far Cry", was released to North American radio stations on March 12, 2007 and reached #2 on the Mediabase Mainstream and Radio and Records Charts.[48]

    "Far Cry" (2007)

    Sample of "Far Cry", first single from the album Snakes & Arrows.

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    The Rush website, newly redesigned on March 12 to support the new album, also announced that the band would embark on a tour to begin in the summer. Snakes & Arrows was released May 1, 2007 in North America, where it debuted at #3 in the Billboard 200 with approximately 93,000 units sold in its first week.[49] It would go on to sell an estimated 611,000 copies worldwide. To coincide with the Atlantic ocean hurricane season, "Spindrift" was released as the official second radio single on June 1, 2007, whereas "The Larger Bowl (A Pantoum)" saw single status on June 25, 2007. "The Larger Bowl" positioned within the top 20 of the Mainstream Rock and Media Base Mainstream charts, however, "Spindrift" failed to appear on any commercial chart.[50] The planned intercontinental tour in support of Snakes & Arrows began on June 13, 2007 in Atlanta, Georgia, coming to a close on October 29, 2007 at Hartwall Arena in Helsinki, Finland.[51]

    The 2008 portion of the tour started on April 11, 2008 in San Juan, Puerto Rico at José Miguel Agrelot Coliseum and culminated on July 24, 2008 in Noblesville, Indiana at the Verizon Wireless Music Center.[52] On April 15, the band released Snakes & Arrows Live, a double live album documenting the first leg of the tour.[53] Those same performances featured on Snakes & Arrows Live filmed at the Ahoy arena in Rotterdam, Netherlands on October 16 and 17 of 2007 were released November 24 as a DVD and Blu-Ray set. The video also includes footage from the 2008 portion of the tour, recorded at Verizon Wireless Amphitheater in Atlanta.[54][55][56]

    As the band neared the conclusion of their Snakes & Arrows tour, they announced their first appearance on American television in over 30 years. Rush was interviewed by Stephen Colbert and they performed "Tom Sawyer" on The Colbert Report on July 16, 2008.[57] Continuing to ride what one movie reviewer has called a "pop cultural wave," they also appeared at a live show in April 2009 for the comedy film I Love You, Man.[58]

    [edit] Clockwork Angels and Time Machine Tour (2009–present)On February 16, 2009, Lifeson remarked that the band may begin working on a new album in the Fall 2009 with Nick Raskulinecz once again producing.[59] On March 19, 2010, the CBC posted a video interview with Lee and Lifeson where they discussed Rush's induction into the Canadian Songwriters Hall of Fame on March 28, 2010 at the Toronto Centre for the Arts' George Weston Recital Hall. The band was recognized for the songs "Limelight", "Closer to the Heart", "The Spirit of Radio", "Tom Sawyer" and "Subdivisions". In addition to discussing their induction, Lee and Lifeson touched on future material. During the interview, Lee was quoted as saying "... Just about a month and a half ago we had no songs. And now we've been writing and now we've got about 6 songs that we just love...".[60] On March 26, 2010, in an interview with The Globe and Mail, Lifeson reconfirmed that the band had already written a half-dozen songs and that there was the potential for two supporting tours, one planned for Summer 2010 and a more extensive tour planned for Summer 2011. While still uncertain of exactly how and when the new material would be released, he projected a tentative Spring 2011 release date.[61] Soon after, Peart confirmed that American producer Nick Raskulinecz had returned as co-producer.[62]

    On April 8, 2010 both the official Rush website and PR Newswire announced that the band would embark on the Rush Time Machine Tour. The first leg of the tour began on June 29 in Albuquerque, New Mexico and finished October 17 in Santiago, Chile at the National stadium. It featured the album Moving Pictures played in its entirety, as well as the single "Caravan" and its B-side "BU2B". These songs will be featured on the band's upcoming studio album, Clockwork Angels.[63] The "Caravan" single was announced May 25, 2010 and was released June 1 to radio stations and made available for digital download.[64] It was suggested that Rush would return to the studio after the completion of the Time Machine Tour with plans to release Clockwork Angels in 2011.[65] However, Rush confirmed on November 19, 2010 that they will be extending the Time Machine Tour for a second leg. They are scheduled to play Europe in spring 2011 and return to North America for dates between March and July.[66]

    On April 24, 2010, the documentary Rush: Beyond the Lighted Stage directed by Sam Dunn premiered at the Tribeca Film Festival. It went on to receive the Tribeca Film Festival Audience Award.[67] The band's music was featured in the 2010 documentary Jews and Baseball: An American Love Story, narrated by Academy Award winner Dustin Hoffman.[68][69]

    On June 25, 2010, Rush received a star on the Hollywood Walk of Fame, located at 6752 Hollywood Boulevard. Critical acclaim continued to mount for Rush in 2010 when, on September 28, Classic Rock magazine announced Rush would be this year's Living Legends awarded at the Marshall Classic Rock Roll of Honour Awards in the UK.[70] The award was presented November 10, 2010. On September 29, Billboard.com announced that Rush would also receive the 2010 Legends of Live award for significant and lasting contributions to live music and the art of performing live and reaching fans through the concert experience.[71] The award was presented at the Billboard Touring Awards on November 4, 2010.

    The original line-up formed in the neighbourhood of Willowdale in Toronto, Ontario, by Lifeson, bassist and front man Jeff Jones, and drummer John Rutsey. Within a couple of weeks of forming, and before their second performance, bassist and lead vocalist Jones was replaced by Geddy Lee, a schoolmate of Lifeson. After several lineup reformations, Rush's official incarnation was formed in May 1971 consisting of Lee, Lifeson, and Rutsey. The band was managed by local Toronto resident Ray Danniels, a frequent attendee of Rush's early shows.[7][8]

    After gaining stability in the lineup and honing their skills on the local bar/high school dance circuit, the band came to release their first single "Not Fade Away", a cover of the Buddy Holly song, in 1973. Side B contained an original composition, "You Can't Fight It", credited to Lee and Rutsey. The single generated little reaction and, because of record company indifference, the band formed their own independent record label, Moon Records. With the aid of Danniels and the newly enlisted engineer Terry Brown, the band released their self-titled debut album in 1974, which was considered highly derivative of Led Zeppelin.[9] Rush had limited local popularity until the album was picked up by WMMS, a radio station in Cleveland, Ohio. Donna Halper, a DJ and music director working at the station, selected "Working Man" for her regular play list. The song's blue collar theme resonated with hard rock fans and this new found popularity led to the album being re-released by Mercury Records in the U.S.[10][11]


    The "starman" logo first appeared on the back cover of the 1976 album 2112. Hugh Syme, creator of graphics on many of Rush's albums, stated in a 1983 interview that the Starman "didn't begin as an identity factor for the band, it just got adopted."[12]Immediately after the release of the debut album in 1974, Rutsey was forced to leave the band due to health difficulties stemming from diabetes and a general distaste for touring. His last performance with the band was on July 25, 1974 at Centennial Hall in London, Ontario. Rush held auditions for a new dummer and eventually selected Neil Peart as Rutsey's replacement. Peart officially joined the band on July 29, 1974, two weeks before the group's first U.S. tour. They performed their first concert together, opening for Uriah Heep and Manfred Mann with an attendance of over 11,000 people at the Civic Arena in Pittsburgh, Pennsylvania on August 14. In addition to becoming the band's drummer, Peart assumed the role of principal lyricist from Lee, who had very little interest in writing, despite penning the lyrics of the band's first album.[13] Instead, Lee, along with Lifeson, focused primarily on the musical aspects of Rush. Fly by Night (1975), Rush's first album after recruiting Peart, saw the inclusion of the band's first epic mini-tale "By-Tor and the Snow Dog", replete with complex arrangements and multi-section format. Lyrical themes also underwent dramatic changes after the addition of Peart because of his love for fantasy and science-fiction literature.[14] However, despite these many differences some of the music and songs still closely mirrored the blues style found on Rush's debut.[14][15]

    Following quickly on the heels of Fly By Night, the band released 1975's Caress of Steel, a five track hard rock/heavy metal album featuring two extended multi-chapter songs, "The Necromancer" and "The Fountain of Lamneth." Some critics said Caress of Steel was unfocused and an audacious move for the band because of the placement of two back-to-back protracted songs, as well as a heavier reliance on atmospherics and story-telling, a large deviation from Fly by Night.[16] Intended to be the band's first "break-through" album, Caress of Steel sold below expectations and the promotional tour consisted of smaller venues which led to the moniker the "Down the Tubes Tour".[17] In light of these events, Rush's record label pressured them into molding their next album in a more commercially friendly and accessible fashion. However, the band ignored the requests and developed their next album, 2112 with a 20-minute title track divided into seven sections. Despite this, the album was the band's first taste of commercial success and their first platinum album in Canada.[18] The supporting tour for the album culminated in a three night stand at Massey Hall in Toronto, which the band recorded for the release of their first live album titled All the World's a Stage. Allmusic critic Greg Prato summarily reminds listeners and fans of how the album demarcates the boundary between the band's early years and the next era of their music.[19][20]

    [edit] The progressive rock era (1977–1981)After 2112, Rush retreated to the United Kingdom to record 1977's A Farewell to Kings and 1978's Hemispheres at Rockfield Studios in Wales. These albums saw the band members expanding the use of progressive elements in their music. "As our tastes got more obscure," Geddy Lee said in a recent interview, "we discovered more progressive rock-based bands like Yes, Van der Graaf Generator and King Crimson, and we were very inspired by those bands. They made us want to make our music more interesting and more complex and we tried to blend that with our own personalities to see what we could come up with that was indisputably us."[21] Trademarks such as increased synthesizer usage, extended-length concept songs, and highly dynamic playing featuring complex time signature changes became a staple of Rush's compositions. To achieve a broader, more progressive palette of sound, Alex Lifeson began to experiment with classical and twelve-string guitars, and Geddy Lee added bass-pedal synthesizers and Minimoog. Likewise, Peart's percussion became diversified in the form of triangles, glockenspiel, wood blocks, cowbells, timpani, gong and chimes. Beyond instrument additions, the band kept in stride with the progressive rock movement by continuing to compose long, conceptual songs with science fiction and fantasy overtones. However, as the new decade approached, Rush gradually began to dispose of their older styles of music in favor of shorter, and sometimes softer, arrangements. The lyrics up to this point (most of them written by Peart) were heavily influenced by classical poetry, fantasy literature, science fiction, and the writings of novelist Ayn Rand, as exhibited most prominently by their 1975 song "Anthem" from Fly By Night and a specifically acknowledged derivation in 1976's 2112.[22]

    Permanent Waves (1980) dramatically shifted Rush's style of music via the introduction of reggae and new wave elements.[23] Although a hard rock style was still evident, more and more synthesizers were introduced. Moreover, because of the limited airplay Rush's previous extended-length songs received, Permanent Waves included shorter, more radio-friendly songs such as "The Spirit of Radio" and "Freewill", two songs which helped Permanent Waves become Rush's first U.S. Top 5 album; both songs continue to make appearances on classic rock radio stations in Canada and the United States to this day.[24] Meanwhile, Peart's lyrics shifted toward an expository tone with subject matter that dwelled less on fantastical or allegorical story-telling and more heavily on topics that explored humanistic, social and emotional elements. Rush joined with fellow Toronto-based rock band Max Webster on July 28, 1980 to record "Battle Scar" for their 1980 release, Universal Juveniles.[25] While on tour together following the release, both bands would join between sets to play "Battle Scar". The song acted as both a transition from Max Webster to Rush, as well as a warm-up for Peart. In addition, Max Webster lyricist Pye Dubois offered the band lyrics to a song he had written. The band accepted; the song went on, after reworking by Peart, to become "Tom Sawyer".[25]

    "Tom Sawyer" (1981)

    Sample of "Tom Sawyer" from the album Moving Pictures. This is the band's best known song with heaviest radio airplay.

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    Rush's popularity reached its pinnacle with the release of Moving Pictures in 1981. Moving Pictures essentially continued where Permanent Waves left off, extending the trend of highly accessible and commercially friendly progressive rock that helped thrust them into the spotlight. The lead track, "Tom Sawyer", is probably the band's best-known song[26] with "Limelight" also receiving satisfactory responses from listeners and radio stations. Moving Pictures was Rush's last album to feature an extended song, the eleven-minute "The Camera Eye". The song also contained the band's heaviest usage of synthesizers up to that point, hinting that Rush's music was shifting direction once more. Moving Pictures reached #3 on the Billboard 200 album chart and has been certified quadruple platinum by the Recording Industry Association of America.[27]

    Following the success of Moving Pictures and the completion of another four studio albums, Rush released their second live recording, Exit...Stage Left, in 1981. The album delineates the apex of Rush's progressive period by featuring live material from the band's Permanent Waves and Moving Pictures tours. As with their first live release, Exit...Stage Left identified the margin of a new chapter of Rush's sound.

    [edit] The synthesizer period (1982–1989)
    The OBX synthesizer used by Geddy Lee on the album Signals (1982).The band underwent another radical stylistic transmutation with the release of Signals in 1982.[28]

    While Lee's synthesizers had been featured instruments ever since the late 70s, keyboards were suddenly shifted from the contrapuntal background to the melodic front-lines[29][30] in songs like "Countdown" and the lead-off track "Subdivisions". Both feature prominent lead synthesizer lines with minimalistic guitar chords and solos. Other previously unused instrument additions were seen in the song "Losing It," featuring collaborator Ben Mink on electric violin.[28]

    "Subdivisions" (1982)

    Sample of "Subdivisions" from the album Signals. This song is notable for demonstrating the band's foray into their synthesizer period.

    --------------------------------------------------------------------------------

    Problems listening to this file? See media help.

    Signals also represented a drastic stylistic transformation apart from instrumental changes. The album contained Rush's only U.S. top-40 pop hit, "New World Man",[31] while other more experimental songs such as "Digital Man", "The Weapon", and "Chemistry" expanded the band's use of ska, reggae, and funk.[32] Although the band members consciously decided to move in this overall direction, they felt dissatisfied with long-time producer Terry Brown's studio treatment of Signals and parted ways with him in 1983. These diverse styles would come into further play on their next studio album.


    Neil Peart began incorporating Simmons Electronic Drums beginning with 1984's Grace Under PressureThe style and production of Signals were augmented and taken to new heights on 1984's Grace Under Pressure. It was Peart who named the album, as he borrowed the words of Ernest Hemingway to describe what the band had to go through after making the decision to leave Terry Brown. Producer Steve Lillywhite, who gleaned fame with successful productions of Simple Minds and U2, was enlisted to produce Grace Under Pressure. However, he backed out at the last moment, much to the ire of Lee, Lifeson and Peart. Lee said "Steve Lillywhite is really not a man of his word....after agreeing to do our record, he got an offer from Simple Minds, changed his mind, blew us off,..so it put us in a horrible position." Rush eventually hired Peter Henderson to co-produce and engineer the album in his stead.[33]

    Musically, although Lee's use of sequencers and synthesizers remained the band's cornerstone, his focus on new technology was complemented by Peart's adaptation of Simmons electronic drums and percussion. Lifeson's contributions on the album were decidedly enhanced to act as an overreaction to the minimalistic role he played on Signals.[34] Still, many of his trademark guitar textures remained intact in the form of open reggae chords and funk and new-wave rhythms.

    With new producer Peter Collins, the band released 1985's Power Windows and 1987's Hold Your Fire. The music on these two albums gives far more emphasis and prominence to Lee's multi-layered synthesizer work. While fans and critics took notice of Lifeson's diminished guitar work, his presence was still palpable. Lifeson, like many guitarists in the late 1980s, experimented with processors that reduced his instrument to echoey chord bursts and razor-thin leads. Hold Your Fire represents both a modest extension of the guitar stylings found on Power Windows, and, according to Allmusic critic Eduardo Rivadavia, the culmination of this era of Rush.[35] Whereas the previous five Rush albums sold platinum or better, Hold Your Fire only went gold in November 1987, although it managed to peak at number 13 on the Billboard 200.[36]

    A third live album and video, A Show of Hands (1989), was also released by Mercury following the Power Windows and Hold Your Fire tours, demonstrating the aspects of Rush in the '80s. A Show of Hands met with strong fan approval, but Rolling Stone critic Michael Azerrad dismissed it as "musical muscle" with 1.5 stars, claiming Rush fans viewed their favourite power trio as "the holy trinity".[37] Nevertheless, A Show of Hands managed to surpass the gold album mark, reaching number 21 on the Billboard 200.[38] At this point, the group decided to change record labels from Mercury to Atlantic. After Rush's departure in 1989, Mercury released a double platinum two-volume compilation of their Rush catalogue, Chronicles (1990).[39]

    [edit] Returning to their roots (1989–1997) "Dreamline" (1991)

    Sample of "Dreamline" from the album Roll the Bones. This song is notable for demonstrating the band's return to a more standard three piece instrument style, where synthesizers are used more sparingly and the guitar returning to the forefront of the sound.

    --------------------------------------------------------------------------------

    Problems listening to this file? See media help.

    Rush started to deviate from their 1980s style with the albums Presto and Roll the Bones. Produced by record engineer and musician Rupert Hine, these two albums saw Rush shedding much of their keyboard-saturated sound. Beginning with 1989's Presto, the band opted for arrangements that were notably more guitar-centric than the previous two studio albums. Although synthesizers were still used in many songs, the instrument was no longer featured as the centerpiece of Rush's compositions. Continuing this trend, 1991's Roll the Bones extended the use of the standard three-instrument approach with even less focus on synthesizers than its predecessor. While musically these albums do not deviate significantly from a general pop-rock sound, Rush incorporated traces of other musical styles. "Roll the Bones", for instance, exhibits funk and hip hop elements, and the instrumental track "Where's My Thing?" features several jazz components.[40] This return to three-piece instrumentation helped pave the way for future albums in the mid-90s, which would adopt a more straightforward rock formula.

    The transition from synthesizers to more guitar-oriented and organic instrumentation continued with the 1993 album Counterparts[41] and its follow-up, 1996's Test for Echo, again both produced in collaboration with Peter Collins. Musically, Counterparts[41] and Test For Echo are two of Rush's most guitar-driven albums. Although the music in general did not meet the criteria for progressive rock, some songs adopted a dynamic format.[42] For instance, "Time and Motion" possesses multiple time signature changes and organ usage, while the instrumental track "Limbo", consists of multiple musical passages. Musically, Test For Echo still retained much of the hard rock/alternative style already charted on the previous record with Lifeson and Lee's playing remaining more or less unchanged; however, a distinct modification in technique became apparent in Peart's playing from his jazz and swing training under the tutelage of jazz instructor Freddie Gruber during the interim between Counterparts and Test For Echo.[43] In October 1996, in support of Test For Echo, the band embarked on a North American tour, the band's first without an opening act and dubbed "An Evening with Rush". The tour was broken up into two segments spanning October through December 1996 and May through July 1997 with the band taking a respite between tour legs.

    [edit] Hiatus and comeback (1997–2005)After wrapping up the tour promoting Test for Echo in 1997, the band entered a five-year hiatus mainly because of personal tragedies in Peart's life. Peart's daughter Selena died in an automobile accident in August 1997, followed by his wife Jacqueline's death from cancer in June 1998. Peart took a hiatus to mourn and reflect, during which time he traveled extensively throughout North America on his BMW motorcycle, covering 88,000 km (55,000 miles). At some point in his journey, Peart decided to return to the band. Peart wrote Ghost Rider: Travels on the Healing Road as a chronicle of his geographical and emotional journey. In this book he writes of how he had told his bandmates at Selena's funeral, "consider me retired."[44] On November 10, 1998 a triple CD live album entitled Different Stages was released, dedicated to the memory of Selena and Jacqueline. Mixed by producer Paul Northfield and engineered by Terry Brown, it contained three discs packed with recorded performances from the band's Counterparts, Test For Echo, and A Farewell to Kings tours, marking the fourth officially released live album by the band.

    "One Little Victory" (2002)

    Sample of "One Little Victory" from the album Vapor Trails. This song's rapid tempo and heavy double bass drumming was done intentionally in order to herald the comeback of the band after their hiatus.

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    After a time to grieve and reassemble the pieces of his life, and while visiting long-time Rush photographer Andrew MacNaughtan in Los Angeles, Peart was introduced to his future wife, photographer Carrie Nuttall. Peart married Nuttall on September 9, 2000. In early 2001 he announced to his band mates that he was ready to once again enter the studio and get back into the business of making music. With the help of producer Paul Northfield the band returned in May 2002 with Vapor Trails, written and recorded in Toronto. To herald the band's comeback, the single and lead track from the album, "One Little Victory" was designed to grab the attention of listeners with its rapid guitar and drum tempos.[45] Vapor Trails marked the first studio recording not to include a single synthesizer, organ or keyboard part since the early 1970s. While the album is almost completely guitar-driven, it is mostly devoid of any conventional sounding guitar solos, a conscious decision made by Lifeson during the writing process. According to the band, the entire developmental process for Vapor Trails was extremely taxing and took approximately 14 months to finish, by far the longest the band had ever spent writing and recording a studio album.[45] The album was supported by the band's first tour in six years, including first-ever concerts in Mexico City and Brazil, where they played to some of the largest crowds of their career.

    A triple CD live album and dual Rush in Rio DVD was released in late October 2003 featuring an entire concert performance recorded on the last night of their Vapor Trails Tour, November 23, 2002, at Maracanã Stadium in Rio de Janeiro, Brazil. To celebrate their 30th anniversary, June 2004 saw the release of Feedback, a studio EP recorded in suburban Toronto featuring eight covers of such artists as Cream, The Who and The Yardbirds, bands that the members of Rush cite as inspiration around the time of their inception.[46] Also in the summer of 2004, Rush hit the road again for their 30th Anniversary Tour, playing dates in the United States, Canada, the United Kingdom, Germany, Italy, Sweden, the Czech Republic, and the Netherlands. On September 24, 2004 a Frankfurt, Germany concert was recorded at The Festhalle for DVD (titled R30: Live in Frankfurt), which was released November 22, 2005; a complete version of the R30 Frankfurt set (the original DVD release omitted eight songs) was released on Blu-ray on December 8, 2009.[47]

    [edit] Snakes & Arrows (2006–2009)Main articles: Snakes & Arrows and Snakes & Arrows Tour
    During promotional interviews for the R30 Live In Frankfurt DVD, the band revealed their intention to begin writing new material in early 2006. While in Toronto, Lifeson and Lee began the songwriting process in January 2006. During this time, Peart simultaneously assumed his role of lyric writing while residing in Southern California. The following September, Rush chose to hire American producer Nick Raskulinecz to co-produce the album. The band officially entered Allaire Studios, in Shokan, New York in November 2006 in order to record the bulk of the material. Taking the band five weeks, the sessions ended in December. On February 14, 2007, an announcement was made on the official Rush web site that the title of the new album would be Snakes & Arrows. The first single, entitled "Far Cry", was released to North American radio stations on March 12, 2007 and reached #2 on the Mediabase Mainstream and Radio and Records Charts.[48]

    "Far Cry" (2007)

    Sample of "Far Cry", first single from the album Snakes & Arrows.

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    The Rush website, newly redesigned on March 12 to support the new album, also announced that the band would embark on a tour to begin in the summer. Snakes & Arrows was released May 1, 2007 in North America, where it debuted at #3 in the Billboard 200 with approximately 93,000 units sold in its first week.[49] It would go on to sell an estimated 611,000 copies worldwide. To coincide with the Atlantic ocean hurricane season, "Spindrift" was released as the official second radio single on June 1, 2007, whereas "The Larger Bowl (A Pantoum)" saw single status on June 25, 2007. "The Larger Bowl" positioned within the top 20 of the Mainstream Rock and Media Base Mainstream charts, however, "Spindrift" failed to appear on any commercial chart.[50] The planned intercontinental tour in support of Snakes & Arrows began on June 13, 2007 in Atlanta, Georgia, coming to a close on October 29, 2007 at Hartwall Arena in Helsinki, Finland.[51]

    The 2008 portion of the tour started on April 11, 2008 in San Juan, Puerto Rico at José Miguel Agrelot Coliseum and culminated on July 24, 2008 in Noblesville, Indiana at the Verizon Wireless Music Center.[52] On April 15, the band released Snakes & Arrows Live, a double live album documenting the first leg of the tour.[53] Those same performances featured on Snakes & Arrows Live filmed at the Ahoy arena in Rotterdam, Netherlands on October 16 and 17 of 2007 were released November 24 as a DVD and Blu-Ray set. The video also includes footage from the 2008 portion of the tour, recorded at Verizon Wireless Amphitheater in Atlanta.[54][55][56]

    As the band neared the conclusion of their Snakes & Arrows tour, they announced their first appearance on American television in over 30 years. Rush was interviewed by Stephen Colbert and they performed "Tom Sawyer" on The Colbert Report on July 16, 2008.[57] Continuing to ride what one movie reviewer has called a "pop cultural wave," they also appeared at a live show in April 2009 for the comedy film I Love You, Man.[58]

    [edit] Clockwork Angels and Time Machine Tour (2009–present)On February 16, 2009, Lifeson remarked that the band may begin working on a new album in the Fall 2009 with Nick Raskulinecz once again producing.[59] On March 19, 2010, the CBC posted a video interview with Lee and Lifeson where they discussed Rush's induction into the Canadian Songwriters Hall of Fame on March 28, 2010 at the Toronto Centre for the Arts' George Weston Recital Hall. The band was recognized for the songs "Limelight", "Closer to the Heart", "The Spirit of Radio", "Tom Sawyer" and "Subdivisions". In addition to discussing their induction, Lee and Lifeson touched on future material. During the interview, Lee was quoted as saying "... Just about a month and a half ago we had no songs. And now we've been writing and now we've got about 6 songs that we just love...".[60] On March 26, 2010, in an interview with The Globe and Mail, Lifeson reconfirmed that the band had already written a half-dozen songs and that there was the potential for two supporting tours, one planned for Summer 2010 and a more extensive tour planned for Summer 2011. While still uncertain of exactly how and when the new material would be released, he projected a tentative Spring 2011 release date.[61] Soon after, Peart confirmed that American producer Nick Raskulinecz had returned as co-producer.[62]

    On April 8, 2010 both the official Rush website and PR Newswire announced that the band would embark on the Rush Time Machine Tour. The first leg of the tour began on June 29 in Albuquerque, New Mexico and finished October 17 in Santiago, Chile at the National stadium. It featured the album Moving Pictures played in its entirety, as well as the single "Caravan" and its B-side "BU2B". These songs will be featured on the band's upcoming studio album, Clockwork Angels.[63] The "Caravan" single was announced May 25, 2010 and was released June 1 to radio stations and made available for digital download.[64] It was suggested that Rush would return to the studio after the completion of the Time Machine Tour with plans to release Clockwork Angels in 2011.[65] However, Rush confirmed on November 19, 2010 that they will be extending the Time Machine Tour for a second leg. They are scheduled to play Europe in spring 2011 and return to North America for dates between March and July.[66]

    On April 24, 2010, the documentary Rush: Beyond the Lighted Stage directed by Sam Dunn premiered at the Tribeca Film Festival. It went on to receive the Tribeca Film Festival Audience Award.[67] The band's music was featured in the 2010 documentary Jews and Baseball: An American Love Story, narrated by Academy Award winner Dustin Hoffman.[68][69]

    On June 25, 2010, Rush received a star on the Hollywood Walk of Fame, located at 6752 Hollywood Boulevard. Critical acclaim continued to mount for Rush in 2010 when, on September 28, Classic Rock magazine announced Rush would be this year's Living Legends awarded at the Marshall Classic Rock Roll of Honour Awards in the UK.[70] The award was presented November 10, 2010. On September 29, Billboard.com announced that Rush would also receive the 2010 Legends of Live award for significant and lasting contributions to live music and the art of performing live and reaching fans through the concert experience.[71] The award was presented at the Billboard Touring Awards on November 4, 2010.

    The original line-up formed in the neighbourhood of Willowdale in Toronto, Ontario, by Lifeson, bassist and front man Jeff Jones, and drummer John Rutsey. Within a couple of weeks of forming, and before their second performance, bassist and lead vocalist Jones was replaced by Geddy Lee, a schoolmate of Lifeson. After several lineup reformations, Rush's official incarnation was formed in May 1971 consisting of Lee, Lifeson, and Rutsey. The band was managed by local Toronto resident Ray Danniels, a frequent attendee of Rush's early shows.[7][8]

    After gaining stability in the lineup and honing their skills on the local bar/high school dance circuit, the band came to release their first single "Not Fade Away", a cover of the Buddy Holly song, in 1973. Side B contained an original composition, "You Can't Fight It", credited to Lee and Rutsey. The single generated little reaction and, because of record company indifference, the band formed their own independent record label, Moon Records. With the aid of Danniels and the newly enlisted engineer Terry Brown, the band released their self-titled debut album in 1974, which was considered highly derivative of Led Zeppelin.[9] Rush had limited local popularity until the album was picked up by WMMS, a radio station in Cleveland, Ohio. Donna Halper, a DJ and music director working at the station, selected "Working Man" for her regular play list. The song's blue collar theme resonated with hard rock fans and this new found popularity led to the album being re-released by Mercury Records in the U.S.[10][11]


    The "starman" logo first appeared on the back cover of the 1976 album 2112. Hugh Syme, creator of graphics on many of Rush's albums, stated in a 1983 interview that the Starman "didn't begin as an identity factor for the band, it just got adopted."[12]Immediately after the release of the debut album in 1974, Rutsey was forced to leave the band due to health difficulties stemming from diabetes and a general distaste for touring. His last performance with the band was on July 25, 1974 at Centennial Hall in London, Ontario. Rush held auditions for a new dummer and eventually selected Neil Peart as Rutsey's replacement. Peart officially joined the band on July 29, 1974, two weeks before the group's first U.S. tour. They performed their first concert together, opening for Uriah Heep and Manfred Mann with an attendance of over 11,000 people at the Civic Arena in Pittsburgh, Pennsylvania on August 14. In addition to becoming the band's drummer, Peart assumed the role of principal lyricist from Lee, who had very little interest in writing, despite penning the lyrics of the band's first album.[13] Instead, Lee, along with Lifeson, focused primarily on the musical aspects of Rush. Fly by Night (1975), Rush's first album after recruiting Peart, saw the inclusion of the band's first epic mini-tale "By-Tor and the Snow Dog", replete with complex arrangements and multi-section format. Lyrical themes also underwent dramatic changes after the addition of Peart because of his love for fantasy and science-fiction literature.[14] However, despite these many differences some of the music and songs still closely mirrored the blues style found on Rush's debut.[14][15]

    Following quickly on the heels of Fly By Night, the band released 1975's Caress of Steel, a five track hard rock/heavy metal album featuring two extended multi-chapter songs, "The Necromancer" and "The Fountain of Lamneth." Some critics said Caress of Steel was unfocused and an audacious move for the band because of the placement of two back-to-back protracted songs, as well as a heavier reliance on atmospherics and story-telling, a large deviation from Fly by Night.[16] Intended to be the band's first "break-through" album, Caress of Steel sold below expectations and the promotional tour consisted of smaller venues which led to the moniker the "Down the Tubes Tour".[17] In light of these events, Rush's record label pressured them into molding their next album in a more commercially friendly and accessible fashion. However, the band ignored the requests and developed their next album, 2112 with a 20-minute title track divided into seven sections. Despite this, the album was the band's first taste of commercial success and their first platinum album in Canada.[18] The supporting tour for the album culminated in a three night stand at Massey Hall in Toronto, which the band recorded for the release of their first live album titled All the World's a Stage. Allmusic critic Greg Prato summarily reminds listeners and fans of how the album demarcates the boundary between the band's early years and the next era of their music.[19][20]

    [edit] The progressive rock era (1977–1981)After 2112, Rush retreated to the United Kingdom to record 1977's A Farewell to Kings and 1978's Hemispheres at Rockfield Studios in Wales. These albums saw the band members expanding the use of progressive elements in their music. "As our tastes got more obscure," Geddy Lee said in a recent interview, "we discovered more progressive rock-based bands like Yes, Van der Graaf Generator and King Crimson, and we were very inspired by those bands. They made us want to make our music more interesting and more complex and we tried to blend that with our own personalities to see what we could come up with that was indisputably us."[21] Trademarks such as increased synthesizer usage, extended-length concept songs, and highly dynamic playing featuring complex time signature changes became a staple of Rush's compositions. To achieve a broader, more progressive palette of sound, Alex Lifeson began to experiment with classical and twelve-string guitars, and Geddy Lee added bass-pedal synthesizers and Minimoog. Likewise, Peart's percussion became diversified in the form of triangles, glockenspiel, wood blocks, cowbells, timpani, gong and chimes. Beyond instrument additions, the band kept in stride with the progressive rock movement by continuing to compose long, conceptual songs with science fiction and fantasy overtones. However, as the new decade approached, Rush gradually began to dispose of their older styles of music in favor of shorter, and sometimes softer, arrangements. The lyrics up to this point (most of them written by Peart) were heavily influenced by classical poetry, fantasy literature, science fiction, and the writings of novelist Ayn Rand, as exhibited most prominently by their 1975 song "Anthem" from Fly By Night and a specifically acknowledged derivation in 1976's 2112.[22]

    Permanent Waves (1980) dramatically shifted Rush's style of music via the introduction of reggae and new wave elements.[23] Although a hard rock style was still evident, more and more synthesizers were introduced. Moreover, because of the limited airplay Rush's previous extended-length songs received, Permanent Waves included shorter, more radio-friendly songs such as "The Spirit of Radio" and "Freewill", two songs which helped Permanent Waves become Rush's first U.S. Top 5 album; both songs continue to make appearances on classic rock radio stations in Canada and the United States to this day.[24] Meanwhile, Peart's lyrics shifted toward an expository tone with subject matter that dwelled less on fantastical or allegorical story-telling and more heavily on topics that explored humanistic, social and emotional elements. Rush joined with fellow Toronto-based rock band Max Webster on July 28, 1980 to record "Battle Scar" for their 1980 release, Universal Juveniles.[25] While on tour together following the release, both bands would join between sets to play "Battle Scar". The song acted as both a transition from Max Webster to Rush, as well as a warm-up for Peart. In addition, Max Webster lyricist Pye Dubois offered the band lyrics to a song he had written. The band accepted; the song went on, after reworking by Peart, to become "Tom Sawyer".[25]

    "Tom Sawyer" (1981)

    Sample of "Tom Sawyer" from the album Moving Pictures. This is the band's best known song with heaviest radio airplay.

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    Rush's popularity reached its pinnacle with the release of Moving Pictures in 1981. Moving Pictures essentially continued where Permanent Waves left off, extending the trend of highly accessible and commercially friendly progressive rock that helped thrust them into the spotlight. The lead track, "Tom Sawyer", is probably the band's best-known song[26] with "Limelight" also receiving satisfactory responses from listeners and radio stations. Moving Pictures was Rush's last album to feature an extended song, the eleven-minute "The Camera Eye". The song also contained the band's heaviest usage of synthesizers up to that point, hinting that Rush's music was shifting direction once more. Moving Pictures reached #3 on the Billboard 200 album chart and has been certified quadruple platinum by the Recording Industry Association of America.[27]

    Following the success of Moving Pictures and the completion of another four studio albums, Rush released their second live recording, Exit...Stage Left, in 1981. The album delineates the apex of Rush's progressive period by featuring live material from the band's Permanent Waves and Moving Pictures tours. As with their first live release, Exit...Stage Left identified the margin of a new chapter of Rush's sound.

    [edit] The synthesizer period (1982–1989)
    The OBX synthesizer used by Geddy Lee on the album Signals (1982).The band underwent another radical stylistic transmutation with the release of Signals in 1982.[28]

    While Lee's synthesizers had been featured instruments ever since the late 70s, keyboards were suddenly shifted from the contrapuntal background to the melodic front-lines[29][30] in songs like "Countdown" and the lead-off track "Subdivisions". Both feature prominent lead synthesizer lines with minimalistic guitar chords and solos. Other previously unused instrument additions were seen in the song "Losing It," featuring collaborator Ben Mink on electric violin.[28]

    "Subdivisions" (1982)

    Sample of "Subdivisions" from the album Signals. This song is notable for demonstrating the band's foray into their synthesizer period.

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    Signals also represented a drastic stylistic transformation apart from instrumental changes. The album contained Rush's only U.S. top-40 pop hit, "New World Man",[31] while other more experimental songs such as "Digital Man", "The Weapon", and "Chemistry" expanded the band's use of ska, reggae, and funk.[32] Although the band members consciously decided to move in this overall direction, they felt dissatisfied with long-time producer Terry Brown's studio treatment of Signals and parted ways with him in 1983. These diverse styles would come into further play on their next studio album.


    Neil Peart began incorporating Simmons Electronic Drums beginning with 1984's Grace Under PressureThe style and production of Signals were augmented and taken to new heights on 1984's Grace Under Pressure. It was Peart who named the album, as he borrowed the words of Ernest Hemingway to describe what the band had to go through after making the decision to leave Terry Brown. Producer Steve Lillywhite, who gleaned fame with successful productions of Simple Minds and U2, was enlisted to produce Grace Under Pressure. However, he backed out at the last moment, much to the ire of Lee, Lifeson and Peart. Lee said "Steve Lillywhite is really not a man of his word....after agreeing to do our record, he got an offer from Simple Minds, changed his mind, blew us off,..so it put us in a horrible position." Rush eventually hired Peter Henderson to co-produce and engineer the album in his stead.[33]

    Musically, although Lee's use of sequencers and synthesizers remained the band's cornerstone, his focus on new technology was complemented by Peart's adaptation of Simmons electronic drums and percussion. Lifeson's contributions on the album were decidedly enhanced to act as an overreaction to the minimalistic role he played on Signals.[34] Still, many of his trademark guitar textures remained intact in the form of open reggae chords and funk and new-wave rhythms.

    With new producer Peter Collins, the band released 1985's Power Windows and 1987's Hold Your Fire. The music on these two albums gives far more emphasis and prominence to Lee's multi-layered synthesizer work. While fans and critics took notice of Lifeson's diminished guitar work, his presence was still palpable. Lifeson, like many guitarists in the late 1980s, experimented with processors that reduced his instrument to echoey chord bursts and razor-thin leads. Hold Your Fire represents both a modest extension of the guitar stylings found on Power Windows, and, according to Allmusic critic Eduardo Rivadavia, the culmination of this era of Rush.[35] Whereas the previous five Rush albums sold platinum or better, Hold Your Fire only went gold in November 1987, although it managed to peak at number 13 on the Billboard 200.[36]

    A third live album and video, A Show of Hands (1989), was also released by Mercury following the Power Windows and Hold Your Fire tours, demonstrating the aspects of Rush in the '80s. A Show of Hands met with strong fan approval, but Rolling Stone critic Michael Azerrad dismissed it as "musical muscle" with 1.5 stars, claiming Rush fans viewed their favourite power trio as "the holy trinity".[37] Nevertheless, A Show of Hands managed to surpass the gold album mark, reaching number 21 on the Billboard 200.[38] At this point, the group decided to change record labels from Mercury to Atlantic. After Rush's departure in 1989, Mercury released a double platinum two-volume compilation of their Rush catalogue, Chronicles (1990).[39]

    [edit] Returning to their roots (1989–1997) "Dreamline" (1991)

    Sample of "Dreamline" from the album Roll the Bones. This song is notable for demonstrating the band's return to a more standard three piece instrument style, where synthesizers are used more sparingly and the guitar returning to the forefront of the sound.

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    Rush started to deviate from their 1980s style with the albums Presto and Roll the Bones. Produced by record engineer and musician Rupert Hine, these two albums saw Rush shedding much of their keyboard-saturated sound. Beginning with 1989's Presto, the band opted for arrangements that were notably more guitar-centric than the previous two studio albums. Although synthesizers were still used in many songs, the instrument was no longer featured as the centerpiece of Rush's compositions. Continuing this trend, 1991's Roll the Bones extended the use of the standard three-instrument approach with even less focus on synthesizers than its predecessor. While musically these albums do not deviate significantly from a general pop-rock sound, Rush incorporated traces of other musical styles. "Roll the Bones", for instance, exhibits funk and hip hop elements, and the instrumental track "Where's My Thing?" features several jazz components.[40] This return to three-piece instrumentation helped pave the way for future albums in the mid-90s, which would adopt a more straightforward rock formula.

    The transition from synthesizers to more guitar-oriented and organic instrumentation continued with the 1993 album Counterparts[41] and its follow-up, 1996's Test for Echo, again both produced in collaboration with Peter Collins. Musically, Counterparts[41] and Test For Echo are two of Rush's most guitar-driven albums. Although the music in general did not meet the criteria for progressive rock, some songs adopted a dynamic format.[42] For instance, "Time and Motion" possesses multiple time signature changes and organ usage, while the instrumental track "Limbo", consists of multiple musical passages. Musically, Test For Echo still retained much of the hard rock/alternative style already charted on the previous record with Lifeson and Lee's playing remaining more or less unchanged; however, a distinct modification in technique became apparent in Peart's playing from his jazz and swing training under the tutelage of jazz instructor Freddie Gruber during the interim between Counterparts and Test For Echo.[43] In October 1996, in support of Test For Echo, the band embarked on a North American tour, the band's first without an opening act and dubbed "An Evening with Rush". The tour was broken up into two segments spanning October through December 1996 and May through July 1997 with the band taking a respite between tour legs.

    [edit] Hiatus and comeback (1997–2005)After wrapping up the tour promoting Test for Echo in 1997, the band entered a five-year hiatus mainly because of personal tragedies in Peart's life. Peart's daughter Selena died in an automobile accident in August 1997, followed by his wife Jacqueline's death from cancer in June 1998. Peart took a hiatus to mourn and reflect, during which time he traveled extensively throughout North America on his BMW motorcycle, covering 88,000 km (55,000 miles). At some point in his journey, Peart decided to return to the band. Peart wrote Ghost Rider: Travels on the Healing Road as a chronicle of his geographical and emotional journey. In this book he writes of how he had told his bandmates at Selena's funeral, "consider me retired."[44] On November 10, 1998 a triple CD live album entitled Different Stages was released, dedicated to the memory of Selena and Jacqueline. Mixed by producer Paul Northfield and engineered by Terry Brown, it contained three discs packed with recorded performances from the band's Counterparts, Test For Echo, and A Farewell to Kings tours, marking the fourth officially released live album by the band.

    "One Little Victory" (2002)

    Sample of "One Little Victory" from the album Vapor Trails. This song's rapid tempo and heavy double bass drumming was done intentionally in order to herald the comeback of the band after their hiatus.

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    After a time to grieve and reassemble the pieces of his life, and while visiting long-time Rush photographer Andrew MacNaughtan in Los Angeles, Peart was introduced to his future wife, photographer Carrie Nuttall. Peart married Nuttall on September 9, 2000. In early 2001 he announced to his band mates that he was ready to once again enter the studio and get back into the business of making music. With the help of producer Paul Northfield the band returned in May 2002 with Vapor Trails, written and recorded in Toronto. To herald the band's comeback, the single and lead track from the album, "One Little Victory" was designed to grab the attention of listeners with its rapid guitar and drum tempos.[45] Vapor Trails marked the first studio recording not to include a single synthesizer, organ or keyboard part since the early 1970s. While the album is almost completely guitar-driven, it is mostly devoid of any conventional sounding guitar solos, a conscious decision made by Lifeson during the writing process. According to the band, the entire developmental process for Vapor Trails was extremely taxing and took approximately 14 months to finish, by far the longest the band had ever spent writing and recording a studio album.[45] The album was supported by the band's first tour in six years, including first-ever concerts in Mexico City and Brazil, where they played to some of the largest crowds of their career.

    A triple CD live album and dual Rush in Rio DVD was released in late October 2003 featuring an entire concert performance recorded on the last night of their Vapor Trails Tour, November 23, 2002, at Maracanã Stadium in Rio de Janeiro, Brazil. To celebrate their 30th anniversary, June 2004 saw the release of Feedback, a studio EP recorded in suburban Toronto featuring eight covers of such artists as Cream, The Who and The Yardbirds, bands that the members of Rush cite as inspiration around the time of their inception.[46] Also in the summer of 2004, Rush hit the road again for their 30th Anniversary Tour, playing dates in the United States, Canada, the United Kingdom, Germany, Italy, Sweden, the Czech Republic, and the Netherlands. On September 24, 2004 a Frankfurt, Germany concert was recorded at The Festhalle for DVD (titled R30: Live in Frankfurt), which was released November 22, 2005; a complete version of the R30 Frankfurt set (the original DVD release omitted eight songs) was released on Blu-ray on December 8, 2009.[47]

    [edit] Snakes & Arrows (2006–2009)Main articles: Snakes & Arrows and Snakes & Arrows Tour
    During promotional interviews for the R30 Live In Frankfurt DVD, the band revealed their intention to begin writing new material in early 2006. While in Toronto, Lifeson and Lee began the songwriting process in January 2006. During this time, Peart simultaneously assumed his role of lyric writing while residing in Southern California. The following September, Rush chose to hire American producer Nick Raskulinecz to co-produce the album. The band officially entered Allaire Studios, in Shokan, New York in November 2006 in order to record the bulk of the material. Taking the band five weeks, the sessions ended in December. On February 14, 2007, an announcement was made on the official Rush web site that the title of the new album would be Snakes & Arrows. The first single, entitled "Far Cry", was released to North American radio stations on March 12, 2007 and reached #2 on the Mediabase Mainstream and Radio and Records Charts.[48]

    "Far Cry" (2007)

    Sample of "Far Cry", first single from the album Snakes & Arrows.

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    The Rush website, newly redesigned on March 12 to support the new album, also announced that the band would embark on a tour to begin in the summer. Snakes & Arrows was released May 1, 2007 in North America, where it debuted at #3 in the Billboard 200 with approximately 93,000 units sold in its first week.[49] It would go on to sell an estimated 611,000 copies worldwide. To coincide with the Atlantic ocean hurricane season, "Spindrift" was released as the official second radio single on June 1, 2007, whereas "The Larger Bowl (A Pantoum)" saw single status on June 25, 2007. "The Larger Bowl" positioned within the top 20 of the Mainstream Rock and Media Base Mainstream charts, however, "Spindrift" failed to appear on any commercial chart.[50] The planned intercontinental tour in support of Snakes & Arrows began on June 13, 2007 in Atlanta, Georgia, coming to a close on October 29, 2007 at Hartwall Arena in Helsinki, Finland.[51]

    The 2008 portion of the tour started on April 11, 2008 in San Juan, Puerto Rico at José Miguel Agrelot Coliseum and culminated on July 24, 2008 in Noblesville, Indiana at the Verizon Wireless Music Center.[52] On April 15, the band released Snakes & Arrows Live, a double live album documenting the first leg of the tour.[53] Those same performances featured on Snakes & Arrows Live filmed at the Ahoy arena in Rotterdam, Netherlands on October 16 and 17 of 2007 were released November 24 as a DVD and Blu-Ray set. The video also includes footage from the 2008 portion of the tour, recorded at Verizon Wireless Amphitheater in Atlanta.[54][55][56]

    As the band neared the conclusion of their Snakes & Arrows tour, they announced their first appearance on American television in over 30 years. Rush was interviewed by Stephen Colbert and they performed "Tom Sawyer" on The Colbert Report on July 16, 2008.[57] Continuing to ride what one movie reviewer has called a "pop cultural wave," they also appeared at a live show in April 2009 for the comedy film I Love You, Man.[58]

    [edit] Clockwork Angels and Time Machine Tour (2009–present)On February 16, 2009, Lifeson remarked that the band may begin working on a new album in the Fall 2009 with Nick Raskulinecz once again producing.[59] On March 19, 2010, the CBC posted a video interview with Lee and Lifeson where they discussed Rush's induction into the Canadian Songwriters Hall of Fame on March 28, 2010 at the Toronto Centre for the Arts' George Weston Recital Hall. The band was recognized for the songs "Limelight", "Closer to the Heart", "The Spirit of Radio", "Tom Sawyer" and "Subdivisions". In addition to discussing their induction, Lee and Lifeson touched on future material. During the interview, Lee was quoted as saying "... Just about a month and a half ago we had no songs. And now we've been writing and now we've got about 6 songs that we just love...".[60] On March 26, 2010, in an interview with The Globe and Mail, Lifeson reconfirmed that the band had already written a half-dozen songs and that there was the potential for two supporting tours, one planned for Summer 2010 and a more extensive tour planned for Summer 2011. While still uncertain of exactly how and when the new material would be released, he projected a tentative Spring 2011 release date.[61] Soon after, Peart confirmed that American producer Nick Raskulinecz had returned as co-producer.[62]

    On April 8, 2010 both the official Rush website and PR Newswire announced that the band would embark on the Rush Time Machine Tour. The first leg of the tour began on June 29 in Albuquerque, New Mexico and finished October 17 in Santiago, Chile at the National stadium. It featured the album Moving Pictures played in its entirety, as well as the single "Caravan" and its B-side "BU2B". These songs will be featured on the band's upcoming studio album, Clockwork Angels.[63] The "Caravan" single was announced May 25, 2010 and was released June 1 to radio stations and made available for digital download.[64] It was suggested that Rush would return to the studio after the completion of the Time Machine Tour with plans to release Clockwork Angels in 2011.[65] However, Rush confirmed on November 19, 2010 that they will be extending the Time Machine Tour for a second leg. They are scheduled to play Europe in spring 2011 and return to North America for dates between March and July.[66]

    On April 24, 2010, the documentary Rush: Beyond the Lighted Stage directed by Sam Dunn premiered at the Tribeca Film Festival. It went on to receive the Tribeca Film Festival Audience Award.[67] The band's music was featured in the 2010 documentary Jews and Baseball: An American Love Story, narrated by Academy Award winner Dustin Hoffman.[68][69]

    On June 25, 2010, Rush received a star on the Hollywood Walk of Fame, located at 6752 Hollywood Boulevard. Critical acclaim continued to mount for Rush in 2010 when, on September 28, Classic Rock magazine announced Rush would be this year's Living Legends awarded at the Marshall Classic Rock Roll of Honour Awards in the UK.[70] The award was presented November 10, 2010. On September 29, Billboard.com announced that Rush would also receive the 2010 Legends of Live award for significant and lasting contributions to live music and the art of performing live and reaching fans through the concert experience.[71] The award was presented at the Billboard Touring Awards on November 4, 2010.

    The original line-up formed in the neighbourhood of Willowdale in Toronto, Ontario, by Lifeson, bassist and front man Jeff Jones, and drummer John Rutsey. Within a couple of weeks of forming, and before their second performance, bassist and lead vocalist Jones was replaced by Geddy Lee, a schoolmate of Lifeson. After several lineup reformations, Rush's official incarnation was formed in May 1971 consisting of Lee, Lifeson, and Rutsey. The band was managed by local Toronto resident Ray Danniels, a frequent attendee of Rush's early shows.[7][8]

    After gaining stability in the lineup and honing their skills on the local bar/high school dance circuit, the band came to release their first single "Not Fade Away", a cover of the Buddy Holly song, in 1973. Side B contained an original composition, "You Can't Fight It", credited to Lee and Rutsey. The single generated little reaction and, because of record company indifference, the band formed their own independent record label, Moon Records. With the aid of Danniels and the newly enlisted engineer Terry Brown, the band released their self-titled debut album in 1974, which was considered highly derivative of Led Zeppelin.[9] Rush had limited local popularity until the album was picked up by WMMS, a radio station in Cleveland, Ohio. Donna Halper, a DJ and music director working at the station, selected "Working Man" for her regular play list. The song's blue collar theme resonated with hard rock fans and this new found popularity led to the album being re-released by Mercury Records in the U.S.[10][11]


    The "starman" logo first appeared on the back cover of the 1976 album 2112. Hugh Syme, creator of graphics on many of Rush's albums, stated in a 1983 interview that the Starman "didn't begin as an identity factor for the band, it just got adopted."[12]Immediately after the release of the debut album in 1974, Rutsey was forced to leave the band due to health difficulties stemming from diabetes and a general distaste for touring. His last performance with the band was on July 25, 1974 at Centennial Hall in London, Ontario. Rush held auditions for a new dummer and eventually selected Neil Peart as Rutsey's replacement. Peart officially joined the band on July 29, 1974, two weeks before the group's first U.S. tour. They performed their first concert together, opening for Uriah Heep and Manfred Mann with an attendance of over 11,000 people at the Civic Arena in Pittsburgh, Pennsylvania on August 14. In addition to becoming the band's drummer, Peart assumed the role of principal lyricist from Lee, who had very little interest in writing, despite penning the lyrics of the band's first album.[13] Instead, Lee, along with Lifeson, focused primarily on the musical aspects of Rush. Fly by Night (1975), Rush's first album after recruiting Peart, saw the inclusion of the band's first epic mini-tale "By-Tor and the Snow Dog", replete with complex arrangements and multi-section format. Lyrical themes also underwent dramatic changes after the addition of Peart because of his love for fantasy and science-fiction literature.[14] However, despite these many differences some of the music and songs still closely mirrored the blues style found on Rush's debut.[14][15]

    Following quickly on the heels of Fly By Night, the band released 1975's Caress of Steel, a five track hard rock/heavy metal album featuring two extended multi-chapter songs, "The Necromancer" and "The Fountain of Lamneth." Some critics said Caress of Steel was unfocused and an audacious move for the band because of the placement of two back-to-back protracted songs, as well as a heavier reliance on atmospherics and story-telling, a large deviation from Fly by Night.[16] Intended to be the band's first "break-through" album, Caress of Steel sold below expectations and the promotional tour consisted of smaller venues which led to the moniker the "Down the Tubes Tour".[17] In light of these events, Rush's record label pressured them into molding their next album in a more commercially friendly and accessible fashion. However, the band ignored the requests and developed their next album, 2112 with a 20-minute title track divided into seven sections. Despite this, the album was the band's first taste of commercial success and their first platinum album in Canada.[18] The supporting tour for the album culminated in a three night stand at Massey Hall in Toronto, which the band recorded for the release of their first live album titled All the World's a Stage. Allmusic critic Greg Prato summarily reminds listeners and fans of how the album demarcates the boundary between the band's early years and the next era of their music.[19][20]

    [edit] The progressive rock era (1977–1981)After 2112, Rush retreated to the United Kingdom to record 1977's A Farewell to Kings and 1978's Hemispheres at Rockfield Studios in Wales. These albums saw the band members expanding the use of progressive elements in their music. "As our tastes got more obscure," Geddy Lee said in a recent interview, "we discovered more progressive rock-based bands like Yes, Van der Graaf Generator and King Crimson, and we were very inspired by those bands. They made us want to make our music more interesting and more complex and we tried to blend that with our own personalities to see what we could come up with that was indisputably us."[21] Trademarks such as increased synthesizer usage, extended-length concept songs, and highly dynamic playing featuring complex time signature changes became a staple of Rush's compositions. To achieve a broader, more progressive palette of sound, Alex Lifeson began to experiment with classical and twelve-string guitars, and Geddy Lee added bass-pedal synthesizers and Minimoog. Likewise, Peart's percussion became diversified in the form of triangles, glockenspiel, wood blocks, cowbells, timpani, gong and chimes. Beyond instrument additions, the band kept in stride with the progressive rock movement by continuing to compose long, conceptual songs with science fiction and fantasy overtones. However, as the new decade approached, Rush gradually began to dispose of their older styles of music in favor of shorter, and sometimes softer, arrangements. The lyrics up to this point (most of them written by Peart) were heavily influenced by classical poetry, fantasy literature, science fiction, and the writings of novelist Ayn Rand, as exhibited most prominently by their 1975 song "Anthem" from Fly By Night and a specifically acknowledged derivation in 1976's 2112.[22]

    Permanent Waves (1980) dramatically shifted Rush's style of music via the introduction of reggae and new wave elements.[23] Although a hard rock style was still evident, more and more synthesizers were introduced. Moreover, because of the limited airplay Rush's previous extended-length songs received, Permanent Waves included shorter, more radio-friendly songs such as "The Spirit of Radio" and "Freewill", two songs which helped Permanent Waves become Rush's first U.S. Top 5 album; both songs continue to make appearances on classic rock radio stations in Canada and the United States to this day.[24] Meanwhile, Peart's lyrics shifted toward an expository tone with subject matter that dwelled less on fantastical or allegorical story-telling and more heavily on topics that explored humanistic, social and emotional elements. Rush joined with fellow Toronto-based rock band Max Webster on July 28, 1980 to record "Battle Scar" for their 1980 release, Universal Juveniles.[25] While on tour together following the release, both bands would join between sets to play "Battle Scar". The song acted as both a transition from Max Webster to Rush, as well as a warm-up for Peart. In addition, Max Webster lyricist Pye Dubois offered the band lyrics to a song he had written. The band accepted; the song went on, after reworking by Peart, to become "Tom Sawyer".[25]

    "Tom Sawyer" (1981)

    Sample of "Tom Sawyer" from the album Moving Pictures. This is the band's best known song with heaviest radio airplay.

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    Rush's popularity reached its pinnacle with the release of Moving Pictures in 1981. Moving Pictures essentially continued where Permanent Waves left off, extending the trend of highly accessible and commercially friendly progressive rock that helped thrust them into the spotlight. The lead track, "Tom Sawyer", is probably the band's best-known song[26] with "Limelight" also receiving satisfactory responses from listeners and radio stations. Moving Pictures was Rush's last album to feature an extended song, the eleven-minute "The Camera Eye". The song also contained the band's heaviest usage of synthesizers up to that point, hinting that Rush's music was shifting direction once more. Moving Pictures reached #3 on the Billboard 200 album chart and has been certified quadruple platinum by the Recording Industry Association of America.[27]

    Following the success of Moving Pictures and the completion of another four studio albums, Rush released their second live recording, Exit...Stage Left, in 1981. The album delineates the apex of Rush's progressive period by featuring live material from the band's Permanent Waves and Moving Pictures tours. As with their first live release, Exit...Stage Left identified the margin of a new chapter of Rush's sound.

    [edit] The synthesizer period (1982–1989)
    The OBX synthesizer used by Geddy Lee on the album Signals (1982).The band underwent another radical stylistic transmutation with the release of Signals in 1982.[28]

    While Lee's synthesizers had been featured instruments ever since the late 70s, keyboards were suddenly shifted from the contrapuntal background to the melodic front-lines[29][30] in songs like "Countdown" and the lead-off track "Subdivisions". Both feature prominent lead synthesizer lines with minimalistic guitar chords and solos. Other previously unused instrument additions were seen in the song "Losing It," featuring collaborator Ben Mink on electric violin.[28]

    "Subdivisions" (1982)

    Sample of "Subdivisions" from the album Signals. This song is notable for demonstrating the band's foray into their synthesizer period.

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    Signals also represented a drastic stylistic transformation apart from instrumental changes. The album contained Rush's only U.S. top-40 pop hit, "New World Man",[31] while other more experimental songs such as "Digital Man", "The Weapon", and "Chemistry" expanded the band's use of ska, reggae, and funk.[32] Although the band members consciously decided to move in this overall direction, they felt dissatisfied with long-time producer Terry Brown's studio treatment of Signals and parted ways with him in 1983. These diverse styles would come into further play on their next studio album.


    Neil Peart began incorporating Simmons Electronic Drums beginning with 1984's Grace Under PressureThe style and production of Signals were augmented and taken to new heights on 1984's Grace Under Pressure. It was Peart who named the album, as he borrowed the words of Ernest Hemingway to describe what the band had to go through after making the decision to leave Terry Brown. Producer Steve Lillywhite, who gleaned fame with successful productions of Simple Minds and U2, was enlisted to produce Grace Under Pressure. However, he backed out at the last moment, much to the ire of Lee, Lifeson and Peart. Lee said "Steve Lillywhite is really not a man of his word....after agreeing to do our record, he got an offer from Simple Minds, changed his mind, blew us off,..so it put us in a horrible position." Rush eventually hired Peter Henderson to co-produce and engineer the album in his stead.[33]

    Musically, although Lee's use of sequencers and synthesizers remained the band's cornerstone, his focus on new technology was complemented by Peart's adaptation of Simmons electronic drums and percussion. Lifeson's contributions on the album were decidedly enhanced to act as an overreaction to the minimalistic role he played on Signals.[34] Still, many of his trademark guitar textures remained intact in the form of open reggae chords and funk and new-wave rhythms.

    With new producer Peter Collins, the band released 1985's Power Windows and 1987's Hold Your Fire. The music on these two albums gives far more emphasis and prominence to Lee's multi-layered synthesizer work. While fans and critics took notice of Lifeson's diminished guitar work, his presence was still palpable. Lifeson, like many guitarists in the late 1980s, experimented with processors that reduced his instrument to echoey chord bursts and razor-thin leads. Hold Your Fire represents both a modest extension of the guitar stylings found on Power Windows, and, according to Allmusic critic Eduardo Rivadavia, the culmination of this era of Rush.[35] Whereas the previous five Rush albums sold platinum or better, Hold Your Fire only went gold in November 1987, although it managed to peak at number 13 on the Billboard 200.[36]

    A third live album and video, A Show of Hands (1989), was also released by Mercury following the Power Windows and Hold Your Fire tours, demonstrating the aspects of Rush in the '80s. A Show of Hands met with strong fan approval, but Rolling Stone critic Michael Azerrad dismissed it as "musical muscle" with 1.5 stars, claiming Rush fans viewed their favourite power trio as "the holy trinity".[37] Nevertheless, A Show of Hands managed to surpass the gold album mark, reaching number 21 on the Billboard 200.[38] At this point, the group decided to change record labels from Mercury to Atlantic. After Rush's departure in 1989, Mercury released a double platinum two-volume compilation of their Rush catalogue, Chronicles (1990).[39]

    [edit] Returning to their roots (1989–1997) "Dreamline" (1991)

    Sample of "Dreamline" from the album Roll the Bones. This song is notable for demonstrating the band's return to a more standard three piece instrument style, where synthesizers are used more sparingly and the guitar returning to the forefront of the sound.

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    Rush started to deviate from their 1980s style with the albums Presto and Roll the Bones. Produced by record engineer and musician Rupert Hine, these two albums saw Rush shedding much of their keyboard-saturated sound. Beginning with 1989's Presto, the band opted for arrangements that were notably more guitar-centric than the previous two studio albums. Although synthesizers were still used in many songs, the instrument was no longer featured as the centerpiece of Rush's compositions. Continuing this trend, 1991's Roll the Bones extended the use of the standard three-instrument approach with even less focus on synthesizers than its predecessor. While musically these albums do not deviate significantly from a general pop-rock sound, Rush incorporated traces of other musical styles. "Roll the Bones", for instance, exhibits funk and hip hop elements, and the instrumental track "Where's My Thing?" features several jazz components.[40] This return to three-piece instrumentation helped pave the way for future albums in the mid-90s, which would adopt a more straightforward rock formula.

    The transition from synthesizers to more guitar-oriented and organic instrumentation continued with the 1993 album Counterparts[41] and its follow-up, 1996's Test for Echo, again both produced in collaboration with Peter Collins. Musically, Counterparts[41] and Test For Echo are two of Rush's most guitar-driven albums. Although the music in general did not meet the criteria for progressive rock, some songs adopted a dynamic format.[42] For instance, "Time and Motion" possesses multiple time signature changes and organ usage, while the instrumental track "Limbo", consists of multiple musical passages. Musically, Test For Echo still retained much of the hard rock/alternative style already charted on the previous record with Lifeson and Lee's playing remaining more or less unchanged; however, a distinct modification in technique became apparent in Peart's playing from his jazz and swing training under the tutelage of jazz instructor Freddie Gruber during the interim between Counterparts and Test For Echo.[43] In October 1996, in support of Test For Echo, the band embarked on a North American tour, the band's first without an opening act and dubbed "An Evening with Rush". The tour was broken up into two segments spanning October through December 1996 and May through July 1997 with the band taking a respite between tour legs.

    [edit] Hiatus and comeback (1997–2005)After wrapping up the tour promoting Test for Echo in 1997, the band entered a five-year hiatus mainly because of personal tragedies in Peart's life. Peart's daughter Selena died in an automobile accident in August 1997, followed by his wife Jacqueline's death from cancer in June 1998. Peart took a hiatus to mourn and reflect, during which time he traveled extensively throughout North America on his BMW motorcycle, covering 88,000 km (55,000 miles). At some point in his journey, Peart decided to return to the band. Peart wrote Ghost Rider: Travels on the Healing Road as a chronicle of his geographical and emotional journey. In this book he writes of how he had told his bandmates at Selena's funeral, "consider me retired."[44] On November 10, 1998 a triple CD live album entitled Different Stages was released, dedicated to the memory of Selena and Jacqueline. Mixed by producer Paul Northfield and engineered by Terry Brown, it contained three discs packed with recorded performances from the band's Counterparts, Test For Echo, and A Farewell to Kings tours, marking the fourth officially released live album by the band.

    "One Little Victory" (2002)

    Sample of "One Little Victory" from the album Vapor Trails. This song's rapid tempo and heavy double bass drumming was done intentionally in order to herald the comeback of the band after their hiatus.

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    After a time to grieve and reassemble the pieces of his life, and while visiting long-time Rush photographer Andrew MacNaughtan in Los Angeles, Peart was introduced to his future wife, photographer Carrie Nuttall. Peart married Nuttall on September 9, 2000. In early 2001 he announced to his band mates that he was ready to once again enter the studio and get back into the business of making music. With the help of producer Paul Northfield the band returned in May 2002 with Vapor Trails, written and recorded in Toronto. To herald the band's comeback, the single and lead track from the album, "One Little Victory" was designed to grab the attention of listeners with its rapid guitar and drum tempos.[45] Vapor Trails marked the first studio recording not to include a single synthesizer, organ or keyboard part since the early 1970s. While the album is almost completely guitar-driven, it is mostly devoid of any conventional sounding guitar solos, a conscious decision made by Lifeson during the writing process. According to the band, the entire developmental process for Vapor Trails was extremely taxing and took approximately 14 months to finish, by far the longest the band had ever spent writing and recording a studio album.[45] The album was supported by the band's first tour in six years, including first-ever concerts in Mexico City and Brazil, where they played to some of the largest crowds of their career.

    A triple CD live album and dual Rush in Rio DVD was released in late October 2003 featuring an entire concert performance recorded on the last night of their Vapor Trails Tour, November 23, 2002, at Maracanã Stadium in Rio de Janeiro, Brazil. To celebrate their 30th anniversary, June 2004 saw the release of Feedback, a studio EP recorded in suburban Toronto featuring eight covers of such artists as Cream, The Who and The Yardbirds, bands that the members of Rush cite as inspiration around the time of their inception.[46] Also in the summer of 2004, Rush hit the road again for their 30th Anniversary Tour, playing dates in the United States, Canada, the United Kingdom, Germany, Italy, Sweden, the Czech Republic, and the Netherlands. On September 24, 2004 a Frankfurt, Germany concert was recorded at The Festhalle for DVD (titled R30: Live in Frankfurt), which was released November 22, 2005; a complete version of the R30 Frankfurt set (the original DVD release omitted eight songs) was released on Blu-ray on December 8, 2009.[47]

    [edit] Snakes & Arrows (2006–2009)Main articles: Snakes & Arrows and Snakes & Arrows Tour
    During promotional interviews for the R30 Live In Frankfurt DVD, the band revealed their intention to begin writing new material in early 2006. While in Toronto, Lifeson and Lee began the songwriting process in January 2006. During this time, Peart simultaneously assumed his role of lyric writing while residing in Southern California. The following September, Rush chose to hire American producer Nick Raskulinecz to co-produce the album. The band officially entered Allaire Studios, in Shokan, New York in November 2006 in order to record the bulk of the material. Taking the band five weeks, the sessions ended in December. On February 14, 2007, an announcement was made on the official Rush web site that the title of the new album would be Snakes & Arrows. The first single, entitled "Far Cry", was released to North American radio stations on March 12, 2007 and reached #2 on the Mediabase Mainstream and Radio and Records Charts.[48]

    "Far Cry" (2007)

    Sample of "Far Cry", first single from the album Snakes & Arrows.

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    The Rush website, newly redesigned on March 12 to support the new album, also announced that the band would embark on a tour to begin in the summer. Snakes & Arrows was released May 1, 2007 in North America, where it debuted at #3 in the Billboard 200 with approximately 93,000 units sold in its first week.[49] It would go on to sell an estimated 611,000 copies worldwide. To coincide with the Atlantic ocean hurricane season, "Spindrift" was released as the official second radio single on June 1, 2007, whereas "The Larger Bowl (A Pantoum)" saw single status on June 25, 2007. "The Larger Bowl" positioned within the top 20 of the Mainstream Rock and Media Base Mainstream charts, however, "Spindrift" failed to appear on any commercial chart.[50] The planned intercontinental tour in support of Snakes & Arrows began on June 13, 2007 in Atlanta, Georgia, coming to a close on October 29, 2007 at Hartwall Arena in Helsinki, Finland.[51]

    The 2008 portion of the tour started on April 11, 2008 in San Juan, Puerto Rico at José Miguel Agrelot Coliseum and culminated on July 24, 2008 in Noblesville, Indiana at the Verizon Wireless Music Center.[52] On April 15, the band released Snakes & Arrows Live, a double live album documenting the first leg of the tour.[53] Those same performances featured on Snakes & Arrows Live filmed at the Ahoy arena in Rotterdam, Netherlands on October 16 and 17 of 2007 were released November 24 as a DVD and Blu-Ray set. The video also includes footage from the 2008 portion of the tour, recorded at Verizon Wireless Amphitheater in Atlanta.[54][55][56]

    As the band neared the conclusion of their Snakes & Arrows tour, they announced their first appearance on American television in over 30 years. Rush was interviewed by Stephen Colbert and they performed "Tom Sawyer" on The Colbert Report on July 16, 2008.[57] Continuing to ride what one movie reviewer has called a "pop cultural wave," they also appeared at a live show in April 2009 for the comedy film I Love You, Man.[58]

    [edit] Clockwork Angels and Time Machine Tour (2009–present)On February 16, 2009, Lifeson remarked that the band may begin working on a new album in the Fall 2009 with Nick Raskulinecz once again producing.[59] On March 19, 2010, the CBC posted a video interview with Lee and Lifeson where they discussed Rush's induction into the Canadian Songwriters Hall of Fame on March 28, 2010 at the Toronto Centre for the Arts' George Weston Recital Hall. The band was recognized for the songs "Limelight", "Closer to the Heart", "The Spirit of Radio", "Tom Sawyer" and "Subdivisions". In addition to discussing their induction, Lee and Lifeson touched on future material. During the interview, Lee was quoted as saying "... Just about a month and a half ago we had no songs. And now we've been writing and now we've got about 6 songs that we just love...".[60] On March 26, 2010, in an interview with The Globe and Mail, Lifeson reconfirmed that the band had already written a half-dozen songs and that there was the potential for two supporting tours, one planned for Summer 2010 and a more extensive tour planned for Summer 2011. While still uncertain of exactly how and when the new material would be released, he projected a tentative Spring 2011 release date.[61] Soon after, Peart confirmed that American producer Nick Raskulinecz had returned as co-producer.[62]

    On April 8, 2010 both the official Rush website and PR Newswire announced that the band would embark on the Rush Time Machine Tour. The first leg of the tour began on June 29 in Albuquerque, New Mexico and finished October 17 in Santiago, Chile at the National stadium. It featured the album Moving Pictures played in its entirety, as well as the single "Caravan" and its B-side "BU2B". These songs will be featured on the band's upcoming studio album, Clockwork Angels.[63] The "Caravan" single was announced May 25, 2010 and was released June 1 to radio stations and made available for digital download.[64] It was suggested that Rush would return to the studio after the completion of the Time Machine Tour with plans to release Clockwork Angels in 2011.[65] However, Rush confirmed on November 19, 2010 that they will be extending the Time Machine Tour for a second leg. They are scheduled to play Europe in spring 2011 and return to North America for dates between March and July.[66]

    On April 24, 2010, the documentary Rush: Beyond the Lighted Stage directed by Sam Dunn premiered at the Tribeca Film Festival. It went on to receive the Tribeca Film Festival Audience Award.[67] The band's music was featured in the 2010 documentary Jews and Baseball: An American Love Story, narrated by Academy Award winner Dustin Hoffman.[68][69]

    On June 25, 2010, Rush received a star on the Hollywood Walk of Fame, located at 6752 Hollywood Boulevard. Critical acclaim continued to mount for Rush in 2010 when, on September 28, Classic Rock magazine announced Rush would be this year's Living Legends awarded at the Marshall Classic Rock Roll of Honour Awards in the UK.[70] The award was presented November 10, 2010. On September 29, Billboard.com announced that Rush would also receive the 2010 Legends of Live award for significant and lasting contributions to live music and the art of performing live and reaching fans through the concert experience.[71] The award was presented at the Billboard Touring Awards on November 4, 2010.

    The original line-up formed in the neighbourhood of Willowdale in Toronto, Ontario, by Lifeson, bassist and front man Jeff Jones, and drummer John Rutsey. Within a couple of weeks of forming, and before their second performance, bassist and lead vocalist Jones was replaced by Geddy Lee, a schoolmate of Lifeson. After several lineup reformations, Rush's official incarnation was formed in May 1971 consisting of Lee, Lifeson, and Rutsey. The band was managed by local Toronto resident Ray Danniels, a frequent attendee of Rush's early shows.[7][8]

    After gaining stability in the lineup and honing their skills on the local bar/high school dance circuit, the band came to release their first single "Not Fade Away", a cover of the Buddy Holly song, in 1973. Side B contained an original composition, "You Can't Fight It", credited to Lee and Rutsey. The single generated little reaction and, because of record company indifference, the band formed their own independent record label, Moon Records. With the aid of Danniels and the newly enlisted engineer Terry Brown, the band released their self-titled debut album in 1974, which was considered highly derivative of Led Zeppelin.[9] Rush had limited local popularity until the album was picked up by WMMS, a radio station in Cleveland, Ohio. Donna Halper, a DJ and music director working at the station, selected "Working Man" for her regular play list. The song's blue collar theme resonated with hard rock fans and this new found popularity led to the album being re-released by Mercury Records in the U.S.[10][11]


    The "starman" logo first appeared on the back cover of the 1976 album 2112. Hugh Syme, creator of graphics on many of Rush's albums, stated in a 1983 interview that the Starman "didn't begin as an identity factor for the band, it just got adopted."[12]Immediately after the release of the debut album in 1974, Rutsey was forced to leave the band due to health difficulties stemming from diabetes and a general distaste for touring. His last performance with the band was on July 25, 1974 at Centennial Hall in London, Ontario. Rush held auditions for a new dummer and eventually selected Neil Peart as Rutsey's replacement. Peart officially joined the band on July 29, 1974, two weeks before the group's first U.S. tour. They performed their first concert together, opening for Uriah Heep and Manfred Mann with an attendance of over 11,000 people at the Civic Arena in Pittsburgh, Pennsylvania on August 14. In addition to becoming the band's drummer, Peart assumed the role of principal lyricist from Lee, who had very little interest in writing, despite penning the lyrics of the band's first album.[13] Instead, Lee, along with Lifeson, focused primarily on the musical aspects of Rush. Fly by Night (1975), Rush's first album after recruiting Peart, saw the inclusion of the band's first epic mini-tale "By-Tor and the Snow Dog", replete with complex arrangements and multi-section format. Lyrical themes also underwent dramatic changes after the addition of Peart because of his love for fantasy and science-fiction literature.[14] However, despite these many differences some of the music and songs still closely mirrored the blues style found on Rush's debut.[14][15]

    Following quickly on the heels of Fly By Night, the band released 1975's Caress of Steel, a five track hard rock/heavy metal album featuring two extended multi-chapter songs, "The Necromancer" and "The Fountain of Lamneth." Some critics said Caress of Steel was unfocused and an audacious move for the band because of the placement of two back-to-back protracted songs, as well as a heavier reliance on atmospherics and story-telling, a large deviation from Fly by Night.[16] Intended to be the band's first "break-through" album, Caress of Steel sold below expectations and the promotional tour consisted of smaller venues which led to the moniker the "Down the Tubes Tour".[17] In light of these events, Rush's record label pressured them into molding their next album in a more commercially friendly and accessible fashion. However, the band ignored the requests and developed their next album, 2112 with a 20-minute title track divided into seven sections. Despite this, the album was the band's first taste of commercial success and their first platinum album in Canada.[18] The supporting tour for the album culminated in a three night stand at Massey Hall in Toronto, which the band recorded for the release of their first live album titled All the World's a Stage. Allmusic critic Greg Prato summarily reminds listeners and fans of how the album demarcates the boundary between the band's early years and the next era of their music.[19][20]

    [edit] The progressive rock era (1977–1981)After 2112, Rush retreated to the United Kingdom to record 1977's A Farewell to Kings and 1978's Hemispheres at Rockfield Studios in Wales. These albums saw the band members expanding the use of progressive elements in their music. "As our tastes got more obscure," Geddy Lee said in a recent interview, "we discovered more progressive rock-based bands like Yes, Van der Graaf Generator and King Crimson, and we were very inspired by those bands. They made us want to make our music more interesting and more complex and we tried to blend that with our own personalities to see what we could come up with that was indisputably us."[21] Trademarks such as increased synthesizer usage, extended-length concept songs, and highly dynamic playing featuring complex time signature changes became a staple of Rush's compositions. To achieve a broader, more progressive palette of sound, Alex Lifeson began to experiment with classical and twelve-string guitars, and Geddy Lee added bass-pedal synthesizers and Minimoog. Likewise, Peart's percussion became diversified in the form of triangles, glockenspiel, wood blocks, cowbells, timpani, gong and chimes. Beyond instrument additions, the band kept in stride with the progressive rock movement by continuing to compose long, conceptual songs with science fiction and fantasy overtones. However, as the new decade approached, Rush gradually began to dispose of their older styles of music in favor of shorter, and sometimes softer, arrangements. The lyrics up to this point (most of them written by Peart) were heavily influenced by classical poetry, fantasy literature, science fiction, and the writings of novelist Ayn Rand, as exhibited most prominently by their 1975 song "Anthem" from Fly By Night and a specifically acknowledged derivation in 1976's 2112.[22]

    Permanent Waves (1980) dramatically shifted Rush's style of music via the introduction of reggae and new wave elements.[23] Although a hard rock style was still evident, more and more synthesizers were introduced. Moreover, because of the limited airplay Rush's previous extended-length songs received, Permanent Waves included shorter, more radio-friendly songs such as "The Spirit of Radio" and "Freewill", two songs which helped Permanent Waves become Rush's first U.S. Top 5 album; both songs continue to make appearances on classic rock radio stations in Canada and the United States to this day.[24] Meanwhile, Peart's lyrics shifted toward an expository tone with subject matter that dwelled less on fantastical or allegorical story-telling and more heavily on topics that explored humanistic, social and emotional elements. Rush joined with fellow Toronto-based rock band Max Webster on July 28, 1980 to record "Battle Scar" for their 1980 release, Universal Juveniles.[25] While on tour together following the release, both bands would join between sets to play "Battle Scar". The song acted as both a transition from Max Webster to Rush, as well as a warm-up for Peart. In addition, Max Webster lyricist Pye Dubois offered the band lyrics to a song he had written. The band accepted; the song went on, after reworking by Peart, to become "Tom Sawyer".[25]

    "Tom Sawyer" (1981)

    Sample of "Tom Sawyer" from the album Moving Pictures. This is the band's best known song with heaviest radio airplay.

    --------------------------------------------------------------------------------

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    Rush's popularity reached its pinnacle with the release of Moving Pictures in 1981. Moving Pictures essentially continued where Permanent Waves left off, extending the trend of highly accessible and commercially friendly progressive rock that helped thrust them into the spotlight. The lead track, "Tom Sawyer", is probably the band's best-known song[26] with "Limelight" also receiving satisfactory responses from listeners and radio stations. Moving Pictures was Rush's last album to feature an extended song, the eleven-minute "The Camera Eye". The song also contained the band's heaviest usage of synthesizers up to that point, hinting that Rush's music was shifting direction once more. Moving Pictures reached #3 on the Billboard 200 album chart and has been certified quadruple platinum by the Recording Industry Association of America.[27]

    Following the success of Moving Pictures and the completion of another four studio albums, Rush released their second live recording, Exit...Stage Left, in 1981. The album delineates the apex of Rush's progressive period by featuring live material from the band's Permanent Waves and Moving Pictures tours. As with their first live release, Exit...Stage Left identified the margin of a new chapter of Rush's sound.

    [edit] The synthesizer period (1982–1989)
    The OBX synthesizer used by Geddy Lee on the album Signals (1982).The band underwent another radical stylistic transmutation with the release of Signals in 1982.[28]

    While Lee's synthesizers had been featured instruments ever since the late 70s, keyboards were suddenly shifted from the contrapuntal background to the melodic front-lines[29][30] in songs like "Countdown" and the lead-off track "Subdivisions". Both feature prominent lead synthesizer lines with minimalistic guitar chords and solos. Other previously unused instrument additions were seen in the song "Losing It," featuring collaborator Ben Mink on electric violin.[28]

    "Subdivisions" (1982)

    Sample of "Subdivisions" from the album Signals. This song is notable for demonstrating the band's foray into their synthesizer period.

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    Signals also represented a drastic stylistic transformation apart from instrumental changes. The album contained Rush's only U.S. top-40 pop hit, "New World Man",[31] while other more experimental songs such as "Digital Man", "The Weapon", and "Chemistry" expanded the band's use of ska, reggae, and funk.[32] Although the band members consciously decided to move in this overall direction, they felt dissatisfied with long-time producer Terry Brown's studio treatment of Signals and parted ways with him in 1983. These diverse styles would come into further play on their next studio album.


    Neil Peart began incorporating Simmons Electronic Drums beginning with 1984's Grace Under PressureThe style and production of Signals were augmented and taken to new heights on 1984's Grace Under Pressure. It was Peart who named the album, as he borrowed the words of Ernest Hemingway to describe what the band had to go through after making the decision to leave Terry Brown. Producer Steve Lillywhite, who gleaned fame with successful productions of Simple Minds and U2, was enlisted to produce Grace Under Pressure. However, he backed out at the last moment, much to the ire of Lee, Lifeson and Peart. Lee said "Steve Lillywhite is really not a man of his word....after agreeing to do our record, he got an offer from Simple Minds, changed his mind, blew us off,..so it put us in a horrible position." Rush eventually hired Peter Henderson to co-produce and engineer the album in his stead.[33]

    Musically, although Lee's use of sequencers and synthesizers remained the band's cornerstone, his focus on new technology was complemented by Peart's adaptation of Simmons electronic drums and percussion. Lifeson's contributions on the album were decidedly enhanced to act as an overreaction to the minimalistic role he played on Signals.[34] Still, many of his trademark guitar textures remained intact in the form of open reggae chords and funk and new-wave rhythms.

    With new producer Peter Collins, the band released 1985's Power Windows and 1987's Hold Your Fire. The music on these two albums gives far more emphasis and prominence to Lee's multi-layered synthesizer work. While fans and critics took notice of Lifeson's diminished guitar work, his presence was still palpable. Lifeson, like many guitarists in the late 1980s, experimented with processors that reduced his instrument to echoey chord bursts and razor-thin leads. Hold Your Fire represents both a modest extension of the guitar stylings found on Power Windows, and, according to Allmusic critic Eduardo Rivadavia, the culmination of this era of Rush.[35] Whereas the previous five Rush albums sold platinum or better, Hold Your Fire only went gold in November 1987, although it managed to peak at number 13 on the Billboard 200.[36]

    A third live album and video, A Show of Hands (1989), was also released by Mercury following the Power Windows and Hold Your Fire tours, demonstrating the aspects of Rush in the '80s. A Show of Hands met with strong fan approval, but Rolling Stone critic Michael Azerrad dismissed it as "musical muscle" with 1.5 stars, claiming Rush fans viewed their favourite power trio as "the holy trinity".[37] Nevertheless, A Show of Hands managed to surpass the gold album mark, reaching number 21 on the Billboard 200.[38] At this point, the group decided to change record labels from Mercury to Atlantic. After Rush's departure in 1989, Mercury released a double platinum two-volume compilation of their Rush catalogue, Chronicles (1990).[39]

    [edit] Returning to their roots (1989–1997) "Dreamline" (1991)

    Sample of "Dreamline" from the album Roll the Bones. This song is notable for demonstrating the band's return to a more standard three piece instrument style, where synthesizers are used more sparingly and the guitar returning to the forefront of the sound.

    --------------------------------------------------------------------------------

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    Rush started to deviate from their 1980s style with the albums Presto and Roll the Bones. Produced by record engineer and musician Rupert Hine, these two albums saw Rush shedding much of their keyboard-saturated sound. Beginning with 1989's Presto, the band opted for arrangements that were notably more guitar-centric than the previous two studio albums. Although synthesizers were still used in many songs, the instrument was no longer featured as the centerpiece of Rush's compositions. Continuing this trend, 1991's Roll the Bones extended the use of the standard three-instrument approach with even less focus on synthesizers than its predecessor. While musically these albums do not deviate significantly from a general pop-rock sound, Rush incorporated traces of other musical styles. "Roll the Bones", for instance, exhibits funk and hip hop elements, and the instrumental track "Where's My Thing?" features several jazz components.[40] This return to three-piece instrumentation helped pave the way for future albums in the mid-90s, which would adopt a more straightforward rock formula.

    The transition from synthesizers to more guitar-oriented and organic instrumentation continued with the 1993 album Counterparts[41] and its follow-up, 1996's Test for Echo, again both produced in collaboration with Peter Collins. Musically, Counterparts[41] and Test For Echo are two of Rush's most guitar-driven albums. Although the music in general did not meet the criteria for progressive rock, some songs adopted a dynamic format.[42] For instance, "Time and Motion" possesses multiple time signature changes and organ usage, while the instrumental track "Limbo", consists of multiple musical passages. Musically, Test For Echo still retained much of the hard rock/alternative style already charted on the previous record with Lifeson and Lee's playing remaining more or less unchanged; however, a distinct modification in technique became apparent in Peart's playing from his jazz and swing training under the tutelage of jazz instructor Freddie Gruber during the interim between Counterparts and Test For Echo.[43] In October 1996, in support of Test For Echo, the band embarked on a North American tour, the band's first without an opening act and dubbed "An Evening with Rush". The tour was broken up into two segments spanning October through December 1996 and May through July 1997 with the band taking a respite between tour legs.

    [edit] Hiatus and comeback (1997–2005)After wrapping up the tour promoting Test for Echo in 1997, the band entered a five-year hiatus mainly because of personal tragedies in Peart's life. Peart's daughter Selena died in an automobile accident in August 1997, followed by his wife Jacqueline's death from cancer in June 1998. Peart took a hiatus to mourn and reflect, during which time he traveled extensively throughout North America on his BMW motorcycle, covering 88,000 km (55,000 miles). At some point in his journey, Peart decided to return to the band. Peart wrote Ghost Rider: Travels on the Healing Road as a chronicle of his geographical and emotional journey. In this book he writes of how he had told his bandmates at Selena's funeral, "consider me retired."[44] On November 10, 1998 a triple CD live album entitled Different Stages was released, dedicated to the memory of Selena and Jacqueline. Mixed by producer Paul Northfield and engineered by Terry Brown, it contained three discs packed with recorded performances from the band's Counterparts, Test For Echo, and A Farewell to Kings tours, marking the fourth officially released live album by the band.

    "One Little Victory" (2002)

    Sample of "One Little Victory" from the album Vapor Trails. This song's rapid tempo and heavy double bass drumming was done intentionally in order to herald the comeback of the band after their hiatus.

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    After a time to grieve and reassemble the pieces of his life, and while visiting long-time Rush photographer Andrew MacNaughtan in Los Angeles, Peart was introduced to his future wife, photographer Carrie Nuttall. Peart married Nuttall on September 9, 2000. In early 2001 he announced to his band mates that he was ready to once again enter the studio and get back into the business of making music. With the help of producer Paul Northfield the band returned in May 2002 with Vapor Trails, written and recorded in Toronto. To herald the band's comeback, the single and lead track from the album, "One Little Victory" was designed to grab the attention of listeners with its rapid guitar and drum tempos.[45] Vapor Trails marked the first studio recording not to include a single synthesizer, organ or keyboard part since the early 1970s. While the album is almost completely guitar-driven, it is mostly devoid of any conventional sounding guitar solos, a conscious decision made by Lifeson during the writing process. According to the band, the entire developmental process for Vapor Trails was extremely taxing and took approximately 14 months to finish, by far the longest the band had ever spent writing and recording a studio album.[45] The album was supported by the band's first tour in six years, including first-ever concerts in Mexico City and Brazil, where they played to some of the largest crowds of their career.

    A triple CD live album and dual Rush in Rio DVD was released in late October 2003 featuring an entire concert performance recorded on the last night of their Vapor Trails Tour, November 23, 2002, at Maracanã Stadium in Rio de Janeiro, Brazil. To celebrate their 30th anniversary, June 2004 saw the release of Feedback, a studio EP recorded in suburban Toronto featuring eight covers of such artists as Cream, The Who and The Yardbirds, bands that the members of Rush cite as inspiration around the time of their inception.[46] Also in the summer of 2004, Rush hit the road again for their 30th Anniversary Tour, playing dates in the United States, Canada, the United Kingdom, Germany, Italy, Sweden, the Czech Republic, and the Netherlands. On September 24, 2004 a Frankfurt, Germany concert was recorded at The Festhalle for DVD (titled R30: Live in Frankfurt), which was released November 22, 2005; a complete version of the R30 Frankfurt set (the original DVD release omitted eight songs) was released on Blu-ray on December 8, 2009.[47]

    [edit] Snakes & Arrows (2006–2009)Main articles: Snakes & Arrows and Snakes & Arrows Tour
    During promotional interviews for the R30 Live In Frankfurt DVD, the band revealed their intention to begin writing new material in early 2006. While in Toronto, Lifeson and Lee began the songwriting process in January 2006. During this time, Peart simultaneously assumed his role of lyric writing while residing in Southern California. The following September, Rush chose to hire American producer Nick Raskulinecz to co-produce the album. The band officially entered Allaire Studios, in Shokan, New York in November 2006 in order to record the bulk of the material. Taking the band five weeks, the sessions ended in December. On February 14, 2007, an announcement was made on the official Rush web site that the title of the new album would be Snakes & Arrows. The first single, entitled "Far Cry", was released to North American radio stations on March 12, 2007 and reached #2 on the Mediabase Mainstream and Radio and Records Charts.[48]

    "Far Cry" (2007)

    Sample of "Far Cry", first single from the album Snakes & Arrows.

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    The Rush website, newly redesigned on March 12 to support the new album, also announced that the band would embark on a tour to begin in the summer. Snakes & Arrows was released May 1, 2007 in North America, where it debuted at #3 in the Billboard 200 with approximately 93,000 units sold in its first week.[49] It would go on to sell an estimated 611,000 copies worldwide. To coincide with the Atlantic ocean hurricane season, "Spindrift" was released as the official second radio single on June 1, 2007, whereas "The Larger Bowl (A Pantoum)" saw single status on June 25, 2007. "The Larger Bowl" positioned within the top 20 of the Mainstream Rock and Media Base Mainstream charts, however, "Spindrift" failed to appear on any commercial chart.[50] The planned intercontinental tour in support of Snakes & Arrows began on June 13, 2007 in Atlanta, Georgia, coming to a close on October 29, 2007 at Hartwall Arena in Helsinki, Finland.[51]

    The 2008 portion of the tour started on April 11, 2008 in San Juan, Puerto Rico at José Miguel Agrelot Coliseum and culminated on July 24, 2008 in Noblesville, Indiana at the Verizon Wireless Music Center.[52] On April 15, the band released Snakes & Arrows Live, a double live album documenting the first leg of the tour.[53] Those same performances featured on Snakes & Arrows Live filmed at the Ahoy arena in Rotterdam, Netherlands on October 16 and 17 of 2007 were released November 24 as a DVD and Blu-Ray set. The video also includes footage from the 2008 portion of the tour, recorded at Verizon Wireless Amphitheater in Atlanta.[54][55][56]

    As the band neared the conclusion of their Snakes & Arrows tour, they announced their first appearance on American television in over 30 years. Rush was interviewed by Stephen Colbert and they performed "Tom Sawyer" on The Colbert Report on July 16, 2008.[57] Continuing to ride what one movie reviewer has called a "pop cultural wave," they also appeared at a live show in April 2009 for the comedy film I Love You, Man.[58]

    [edit] Clockwork Angels and Time Machine Tour (2009–present)On February 16, 2009, Lifeson remarked that the band may begin working on a new album in the Fall 2009 with Nick Raskulinecz once again producing.[59] On March 19, 2010, the CBC posted a video interview with Lee and Lifeson where they discussed Rush's induction into the Canadian Songwriters Hall of Fame on March 28, 2010 at the Toronto Centre for the Arts' George Weston Recital Hall. The band was recognized for the songs "Limelight", "Closer to the Heart", "The Spirit of Radio", "Tom Sawyer" and "Subdivisions". In addition to discussing their induction, Lee and Lifeson touched on future material. During the interview, Lee was quoted as saying "... Just about a month and a half ago we had no songs. And now we've been writing and now we've got about 6 songs that we just love...".[60] On March 26, 2010, in an interview with The Globe and Mail, Lifeson reconfirmed that the band had already written a half-dozen songs and that there was the potential for two supporting tours, one planned for Summer 2010 and a more extensive tour planned for Summer 2011. While still uncertain of exactly how and when the new material would be released, he projected a tentative Spring 2011 release date.[61] Soon after, Peart confirmed that American producer Nick Raskulinecz had returned as co-producer.[62]

    On April 8, 2010 both the official Rush website and PR Newswire announced that the band would embark on the Rush Time Machine Tour. The first leg of the tour began on June 29 in Albuquerque, New Mexico and finished October 17 in Santiago, Chile at the National stadium. It featured the album Moving Pictures played in its entirety, as well as the single "Caravan" and its B-side "BU2B". These songs will be featured on the band's upcoming studio album, Clockwork Angels.[63] The "Caravan" single was announced May 25, 2010 and was released June 1 to radio stations and made available for digital download.[64] It was suggested that Rush would return to the studio after the completion of the Time Machine Tour with plans to release Clockwork Angels in 2011.[65] However, Rush confirmed on November 19, 2010 that they will be extending the Time Machine Tour for a second leg. They are scheduled to play Europe in spring 2011 and return to North America for dates between March and July.[66]

    On April 24, 2010, the documentary Rush: Beyond the Lighted Stage directed by Sam Dunn premiered at the Tribeca Film Festival. It went on to receive the Tribeca Film Festival Audience Award.[67] The band's music was featured in the 2010 documentary Jews and Baseball: An American Love Story, narrated by Academy Award winner Dustin Hoffman.[68][69]

    On June 25, 2010, Rush received a star on the Hollywood Walk of Fame, located at 6752 Hollywood Boulevard. Critical acclaim continued to mount for Rush in 2010 when, on September 28, Classic Rock magazine announced Rush would be this year's Living Legends awarded at the Marshall Classic Rock Roll of Honour Awards in the UK.[70] The award was presented November 10, 2010. On September 29, Billboard.com announced that Rush would also receive the 2010 Legends of Live award for significant and lasting contributions to live music and the art of performing live and reaching fans through the concert experience.[71] The award was presented at the Billboard Touring Awards on November 4, 2010.

    The original line-up formed in the neighbourhood of Willowdale in Toronto, Ontario, by Lifeson, bassist and front man Jeff Jones, and drummer John Rutsey. Within a couple of weeks of forming, and before their second performance, bassist and lead vocalist Jones was replaced by Geddy Lee, a schoolmate of Lifeson. After several lineup reformations, Rush's official incarnation was formed in May 1971 consisting of Lee, Lifeson, and Rutsey. The band was managed by local Toronto resident Ray Danniels, a frequent attendee of Rush's early shows.[7][8]

    After gaining stability in the lineup and honing their skills on the local bar/high school dance circuit, the band came to release their first single "Not Fade Away", a cover of the Buddy Holly song, in 1973. Side B contained an original composition, "You Can't Fight It", credited to Lee and Rutsey. The single generated little reaction and, because of record company indifference, the band formed their own independent record label, Moon Records. With the aid of Danniels and the newly enlisted engineer Terry Brown, the band released their self-titled debut album in 1974, which was considered highly derivative of Led Zeppelin.[9] Rush had limited local popularity until the album was picked up by WMMS, a radio station in Cleveland, Ohio. Donna Halper, a DJ and music director working at the station, selected "Working Man" for her regular play list. The song's blue collar theme resonated with hard rock fans and this new found popularity led to the album being re-released by Mercury Records in the U.S.[10][11]


    The "starman" logo first appeared on the back cover of the 1976 album 2112. Hugh Syme, creator of graphics on many of Rush's albums, stated in a 1983 interview that the Starman "didn't begin as an identity factor for the band, it just got adopted."[12]Immediately after the release of the debut album in 1974, Rutsey was forced to leave the band due to health difficulties stemming from diabetes and a general distaste for touring. His last performance with the band was on July 25, 1974 at Centennial Hall in London, Ontario. Rush held auditions for a new dummer and eventually selected Neil Peart as Rutsey's replacement. Peart officially joined the band on July 29, 1974, two weeks before the group's first U.S. tour. They performed their first concert together, opening for Uriah Heep and Manfred Mann with an attendance of over 11,000 people at the Civic Arena in Pittsburgh, Pennsylvania on August 14. In addition to becoming the band's drummer, Peart assumed the role of principal lyricist from Lee, who had very little interest in writing, despite penning the lyrics of the band's first album.[13] Instead, Lee, along with Lifeson, focused primarily on the musical aspects of Rush. Fly by Night (1975), Rush's first album after recruiting Peart, saw the inclusion of the band's first epic mini-tale "By-Tor and the Snow Dog", replete with complex arrangements and multi-section format. Lyrical themes also underwent dramatic changes after the addition of Peart because of his love for fantasy and science-fiction literature.[14] However, despite these many differences some of the music and songs still closely mirrored the blues style found on Rush's debut.[14][15]

    Following quickly on the heels of Fly By Night, the band released 1975's Caress of Steel, a five track hard rock/heavy metal album featuring two extended multi-chapter songs, "The Necromancer" and "The Fountain of Lamneth." Some critics said Caress of Steel was unfocused and an audacious move for the band because of the placement of two back-to-back protracted songs, as well as a heavier reliance on atmospherics and story-telling, a large deviation from Fly by Night.[16] Intended to be the band's first "break-through" album, Caress of Steel sold below expectations and the promotional tour consisted of smaller venues which led to the moniker the "Down the Tubes Tour".[17] In light of these events, Rush's record label pressured them into molding their next album in a more commercially friendly and accessible fashion. However, the band ignored the requests and developed their next album, 2112 with a 20-minute title track divided into seven sections. Despite this, the album was the band's first taste of commercial success and their first platinum album in Canada.[18] The supporting tour for the album culminated in a three night stand at Massey Hall in Toronto, which the band recorded for the release of their first live album titled All the World's a Stage. Allmusic critic Greg Prato summarily reminds listeners and fans of how the album demarcates the boundary between the band's early years and the next era of their music.[19][20]

    [edit] The progressive rock era (1977–1981)After 2112, Rush retreated to the United Kingdom to record 1977's A Farewell to Kings and 1978's Hemispheres at Rockfield Studios in Wales. These albums saw the band members expanding the use of progressive elements in their music. "As our tastes got more obscure," Geddy Lee said in a recent interview, "we discovered more progressive rock-based bands like Yes, Van der Graaf Generator and King Crimson, and we were very inspired by those bands. They made us want to make our music more interesting and more complex and we tried to blend that with our own personalities to see what we could come up with that was indisputably us."[21] Trademarks such as increased synthesizer usage, extended-length concept songs, and highly dynamic playing featuring complex time signature changes became a staple of Rush's compositions. To achieve a broader, more progressive palette of sound, Alex Lifeson began to experiment with classical and twelve-string guitars, and Geddy Lee added bass-pedal synthesizers and Minimoog. Likewise, Peart's percussion became diversified in the form of triangles, glockenspiel, wood blocks, cowbells, timpani, gong and chimes. Beyond instrument additions, the band kept in stride with the progressive rock movement by continuing to compose long, conceptual songs with science fiction and fantasy overtones. However, as the new decade approached, Rush gradually began to dispose of their older styles of music in favor of shorter, and sometimes softer, arrangements. The lyrics up to this point (most of them written by Peart) were heavily influenced by classical poetry, fantasy literature, science fiction, and the writings of novelist Ayn Rand, as exhibited most prominently by their 1975 song "Anthem" from Fly By Night and a specifically acknowledged derivation in 1976's 2112.[22]

    Permanent Waves (1980) dramatically shifted Rush's style of music via the introduction of reggae and new wave elements.[23] Although a hard rock style was still evident, more and more synthesizers were introduced. Moreover, because of the limited airplay Rush's previous extended-length songs received, Permanent Waves included shorter, more radio-friendly songs such as "The Spirit of Radio" and "Freewill", two songs which helped Permanent Waves become Rush's first U.S. Top 5 album; both songs continue to make appearances on classic rock radio stations in Canada and the United States to this day.[24] Meanwhile, Peart's lyrics shifted toward an expository tone with subject matter that dwelled less on fantastical or allegorical story-telling and more heavily on topics that explored humanistic, social and emotional elements. Rush joined with fellow Toronto-based rock band Max Webster on July 28, 1980 to record "Battle Scar" for their 1980 release, Universal Juveniles.[25] While on tour together following the release, both bands would join between sets to play "Battle Scar". The song acted as both a transition from Max Webster to Rush, as well as a warm-up for Peart. In addition, Max Webster lyricist Pye Dubois offered the band lyrics to a song he had written. The band accepted; the song went on, after reworking by Peart, to become "Tom Sawyer".[25]

    "Tom Sawyer" (1981)

    Sample of "Tom Sawyer" from the album Moving Pictures. This is the band's best known song with heaviest radio airplay.

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    Rush's popularity reached its pinnacle with the release of Moving Pictures in 1981. Moving Pictures essentially continued where Permanent Waves left off, extending the trend of highly accessible and commercially friendly progressive rock that helped thrust them into the spotlight. The lead track, "Tom Sawyer", is probably the band's best-known song[26] with "Limelight" also receiving satisfactory responses from listeners and radio stations. Moving Pictures was Rush's last album to feature an extended song, the eleven-minute "The Camera Eye". The song also contained the band's heaviest usage of synthesizers up to that point, hinting that Rush's music was shifting direction once more. Moving Pictures reached #3 on the Billboard 200 album chart and has been certified quadruple platinum by the Recording Industry Association of America.[27]

    Following the success of Moving Pictures and the completion of another four studio albums, Rush released their second live recording, Exit...Stage Left, in 1981. The album delineates the apex of Rush's progressive period by featuring live material from the band's Permanent Waves and Moving Pictures tours. As with their first live release, Exit...Stage Left identified the margin of a new chapter of Rush's sound.

    [edit] The synthesizer period (1982–1989)
    The OBX synthesizer used by Geddy Lee on the album Signals (1982).The band underwent another radical stylistic transmutation with the release of Signals in 1982.[28]

    While Lee's synthesizers had been featured instruments ever since the late 70s, keyboards were suddenly shifted from the contrapuntal background to the melodic front-lines[29][30] in songs like "Countdown" and the lead-off track "Subdivisions". Both feature prominent lead synthesizer lines with minimalistic guitar chords and solos. Other previously unused instrument additions were seen in the song "Losing It," featuring collaborator Ben Mink on electric violin.[28]

    "Subdivisions" (1982)

    Sample of "Subdivisions" from the album Signals. This song is notable for demonstrating the band's foray into their synthesizer period.

    --------------------------------------------------------------------------------

    Problems listening to this file? See media help.

    Signals also represented a drastic stylistic transformation apart from instrumental changes. The album contained Rush's only U.S. top-40 pop hit, "New World Man",[31] while other more experimental songs such as "Digital Man", "The Weapon", and "Chemistry" expanded the band's use of ska, reggae, and funk.[32] Although the band members consciously decided to move in this overall direction, they felt dissatisfied with long-time producer Terry Brown's studio treatment of Signals and parted ways with him in 1983. These diverse styles would come into further play on their next studio album.


    Neil Peart began incorporating Simmons Electronic Drums beginning with 1984's Grace Under PressureThe style and production of Signals were augmented and taken to new heights on 1984's Grace Under Pressure. It was Peart who named the album, as he borrowed the words of Ernest Hemingway to describe what the band had to go through after making the decision to leave Terry Brown. Producer Steve Lillywhite, who gleaned fame with successful productions of Simple Minds and U2, was enlisted to produce Grace Under Pressure. However, he backed out at the last moment, much to the ire of Lee, Lifeson and Peart. Lee said "Steve Lillywhite is really not a man of his word....after agreeing to do our record, he got an offer from Simple Minds, changed his mind, blew us off,..so it put us in a horrible position." Rush eventually hired Peter Henderson to co-produce and engineer the album in his stead.[33]

    Musically, although Lee's use of sequencers and synthesizers remained the band's cornerstone, his focus on new technology was complemented by Peart's adaptation of Simmons electronic drums and percussion. Lifeson's contributions on the album were decidedly enhanced to act as an overreaction to the minimalistic role he played on Signals.[34] Still, many of his trademark guitar textures remained intact in the form of open reggae chords and funk and new-wave rhythms.

    With new producer Peter Collins, the band released 1985's Power Windows and 1987's Hold Your Fire. The music on these two albums gives far more emphasis and prominence to Lee's multi-layered synthesizer work. While fans and critics took notice of Lifeson's diminished guitar work, his presence was still palpable. Lifeson, like many guitarists in the late 1980s, experimented with processors that reduced his instrument to echoey chord bursts and razor-thin leads. Hold Your Fire represents both a modest extension of the guitar stylings found on Power Windows, and, according to Allmusic critic Eduardo Rivadavia, the culmination of this era of Rush.[35] Whereas the previous five Rush albums sold platinum or better, Hold Your Fire only went gold in November 1987, although it managed to peak at number 13 on the Billboard 200.[36]

    A third live album and video, A Show of Hands (1989), was also released by Mercury following the Power Windows and Hold Your Fire tours, demonstrating the aspects of Rush in the '80s. A Show of Hands met with strong fan approval, but Rolling Stone critic Michael Azerrad dismissed it as "musical muscle" with 1.5 stars, claiming Rush fans viewed their favourite power trio as "the holy trinity".[37] Nevertheless, A Show of Hands managed to surpass the gold album mark, reaching number 21 on the Billboard 200.[38] At this point, the group decided to change record labels from Mercury to Atlantic. After Rush's departure in 1989, Mercury released a double platinum two-volume compilation of their Rush catalogue, Chronicles (1990).[39]

    [edit] Returning to their roots (1989–1997) "Dreamline" (1991)

    Sample of "Dreamline" from the album Roll the Bones. This song is notable for demonstrating the band's return to a more standard three piece instrument style, where synthesizers are used more sparingly and the guitar returning to the forefront of the sound.

    --------------------------------------------------------------------------------

    Problems listening to this file? See media help.

    Rush started to deviate from their 1980s style with the albums Presto and Roll the Bones. Produced by record engineer and musician Rupert Hine, these two albums saw Rush shedding much of their keyboard-saturated sound. Beginning with 1989's Presto, the band opted for arrangements that were notably more guitar-centric than the previous two studio albums. Although synthesizers were still used in many songs, the instrument was no longer featured as the centerpiece of Rush's compositions. Continuing this trend, 1991's Roll the Bones extended the use of the standard three-instrument approach with even less focus on synthesizers than its predecessor. While musically these albums do not deviate significantly from a general pop-rock sound, Rush incorporated traces of other musical styles. "Roll the Bones", for instance, exhibits funk and hip hop elements, and the instrumental track "Where's My Thing?" features several jazz components.[40] This return to three-piece instrumentation helped pave the way for future albums in the mid-90s, which would adopt a more straightforward rock formula.

    The transition from synthesizers to more guitar-oriented and organic instrumentation continued with the 1993 album Counterparts[41] and its follow-up, 1996's Test for Echo, again both produced in collaboration with Peter Collins. Musically, Counterparts[41] and Test For Echo are two of Rush's most guitar-driven albums. Although the music in general did not meet the criteria for progressive rock, some songs adopted a dynamic format.[42] For instance, "Time and Motion" possesses multiple time signature changes and organ usage, while the instrumental track "Limbo", consists of multiple musical passages. Musically, Test For Echo still retained much of the hard rock/alternative style already charted on the previous record with Lifeson and Lee's playing remaining more or less unchanged; however, a distinct modification in technique became apparent in Peart's playing from his jazz and swing training under the tutelage of jazz instructor Freddie Gruber during the interim between Counterparts and Test For Echo.[43] In October 1996, in support of Test For Echo, the band embarked on a North American tour, the band's first without an opening act and dubbed "An Evening with Rush". The tour was broken up into two segments spanning October through December 1996 and May through July 1997 with the band taking a respite between tour legs.

    [edit] Hiatus and comeback (1997–2005)After wrapping up the tour promoting Test for Echo in 1997, the band entered a five-year hiatus mainly because of personal tragedies in Peart's life. Peart's daughter Selena died in an automobile accident in August 1997, followed by his wife Jacqueline's death from cancer in June 1998. Peart took a hiatus to mourn and reflect, during which time he traveled extensively throughout North America on his BMW motorcycle, covering 88,000 km (55,000 miles). At some point in his journey, Peart decided to return to the band. Peart wrote Ghost Rider: Travels on the Healing Road as a chronicle of his geographical and emotional journey. In this book he writes of how he had told his bandmates at Selena's funeral, "consider me retired."[44] On November 10, 1998 a triple CD live album entitled Different Stages was released, dedicated to the memory of Selena and Jacqueline. Mixed by producer Paul Northfield and engineered by Terry Brown, it contained three discs packed with recorded performances from the band's Counterparts, Test For Echo, and A Farewell to Kings tours, marking the fourth officially released live album by the band.

    "One Little Victory" (2002)

    Sample of "One Little Victory" from the album Vapor Trails. This song's rapid tempo and heavy double bass drumming was done intentionally in order to herald the comeback of the band after their hiatus.

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    After a time to grieve and reassemble the pieces of his life, and while visiting long-time Rush photographer Andrew MacNaughtan in Los Angeles, Peart was introduced to his future wife, photographer Carrie Nuttall. Peart married Nuttall on September 9, 2000. In early 2001 he announced to his band mates that he was ready to once again enter the studio and get back into the business of making music. With the help of producer Paul Northfield the band returned in May 2002 with Vapor Trails, written and recorded in Toronto. To herald the band's comeback, the single and lead track from the album, "One Little Victory" was designed to grab the attention of listeners with its rapid guitar and drum tempos.[45] Vapor Trails marked the first studio recording not to include a single synthesizer, organ or keyboard part since the early 1970s. While the album is almost completely guitar-driven, it is mostly devoid of any conventional sounding guitar solos, a conscious decision made by Lifeson during the writing process. According to the band, the entire developmental process for Vapor Trails was extremely taxing and took approximately 14 months to finish, by far the longest the band had ever spent writing and recording a studio album.[45] The album was supported by the band's first tour in six years, including first-ever concerts in Mexico City and Brazil, where they played to some of the largest crowds of their career.

    A triple CD live album and dual Rush in Rio DVD was released in late October 2003 featuring an entire concert performance recorded on the last night of their Vapor Trails Tour, November 23, 2002, at Maracanã Stadium in Rio de Janeiro, Brazil. To celebrate their 30th anniversary, June 2004 saw the release of Feedback, a studio EP recorded in suburban Toronto featuring eight covers of such artists as Cream, The Who and The Yardbirds, bands that the members of Rush cite as inspiration around the time of their inception.[46] Also in the summer of 2004, Rush hit the road again for their 30th Anniversary Tour, playing dates in the United States, Canada, the United Kingdom, Germany, Italy, Sweden, the Czech Republic, and the Netherlands. On September 24, 2004 a Frankfurt, Germany concert was recorded at The Festhalle for DVD (titled R30: Live in Frankfurt), which was released November 22, 2005; a complete version of the R30 Frankfurt set (the original DVD release omitted eight songs) was released on Blu-ray on December 8, 2009.[47]

    [edit] Snakes & Arrows (2006–2009)Main articles: Snakes & Arrows and Snakes & Arrows Tour
    During promotional interviews for the R30 Live In Frankfurt DVD, the band revealed their intention to begin writing new material in early 2006. While in Toronto, Lifeson and Lee began the songwriting process in January 2006. During this time, Peart simultaneously assumed his role of lyric writing while residing in Southern California. The following September, Rush chose to hire American producer Nick Raskulinecz to co-produce the album. The band officially entered Allaire Studios, in Shokan, New York in November 2006 in order to record the bulk of the material. Taking the band five weeks, the sessions ended in December. On February 14, 2007, an announcement was made on the official Rush web site that the title of the new album would be Snakes & Arrows. The first single, entitled "Far Cry", was released to North American radio stations on March 12, 2007 and reached #2 on the Mediabase Mainstream and Radio and Records Charts.[48]

    "Far Cry" (2007)

    Sample of "Far Cry", first single from the album Snakes & Arrows.

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    The Rush website, newly redesigned on March 12 to support the new album, also announced that the band would embark on a tour to begin in the summer. Snakes & Arrows was released May 1, 2007 in North America, where it debuted at #3 in the Billboard 200 with approximately 93,000 units sold in its first week.[49] It would go on to sell an estimated 611,000 copies worldwide. To coincide with the Atlantic ocean hurricane season, "Spindrift" was released as the official second radio single on June 1, 2007, whereas "The Larger Bowl (A Pantoum)" saw single status on June 25, 2007. "The Larger Bowl" positioned within the top 20 of the Mainstream Rock and Media Base Mainstream charts, however, "Spindrift" failed to appear on any commercial chart.[50] The planned intercontinental tour in support of Snakes & Arrows began on June 13, 2007 in Atlanta, Georgia, coming to a close on October 29, 2007 at Hartwall Arena in Helsinki, Finland.[51]

    The 2008 portion of the tour started on April 11, 2008 in San Juan, Puerto Rico at José Miguel Agrelot Coliseum and culminated on July 24, 2008 in Noblesville, Indiana at the Verizon Wireless Music Center.[52] On April 15, the band released Snakes & Arrows Live, a double live album documenting the first leg of the tour.[53] Those same performances featured on Snakes & Arrows Live filmed at the Ahoy arena in Rotterdam, Netherlands on October 16 and 17 of 2007 were released November 24 as a DVD and Blu-Ray set. The video also includes footage from the 2008 portion of the tour, recorded at Verizon Wireless Amphitheater in Atlanta.[54][55][56]

    As the band neared the conclusion of their Snakes & Arrows tour, they announced their first appearance on American television in over 30 years. Rush was interviewed by Stephen Colbert and they performed "Tom Sawyer" on The Colbert Report on July 16, 2008.[57] Continuing to ride what one movie reviewer has called a "pop cultural wave," they also appeared at a live show in April 2009 for the comedy film I Love You, Man.[58]

    [edit] Clockwork Angels and Time Machine Tour (2009–present)On February 16, 2009, Lifeson remarked that the band may begin working on a new album in the Fall 2009 with Nick Raskulinecz once again producing.[59] On March 19, 2010, the CBC posted a video interview with Lee and Lifeson where they discussed Rush's induction into the Canadian Songwriters Hall of Fame on March 28, 2010 at the Toronto Centre for the Arts' George Weston Recital Hall. The band was recognized for the songs "Limelight", "Closer to the Heart", "The Spirit of Radio", "Tom Sawyer" and "Subdivisions". In addition to discussing their induction, Lee and Lifeson touched on future material. During the interview, Lee was quoted as saying "... Just about a month and a half ago we had no songs. And now we've been writing and now we've got about 6 songs that we just love...".[60] On March 26, 2010, in an interview with The Globe and Mail, Lifeson reconfirmed that the band had already written a half-dozen songs and that there was the potential for two supporting tours, one planned for Summer 2010 and a more extensive tour planned for Summer 2011. While still uncertain of exactly how and when the new material would be released, he projected a tentative Spring 2011 release date.[61] Soon after, Peart confirmed that American producer Nick Raskulinecz had returned as co-producer.[62]

    On April 8, 2010 both the official Rush website and PR Newswire announced that the band would embark on the Rush Time Machine Tour. The first leg of the tour began on June 29 in Albuquerque, New Mexico and finished October 17 in Santiago, Chile at the National stadium. It featured the album Moving Pictures played in its entirety, as well as the single "Caravan" and its B-side "BU2B". These songs will be featured on the band's upcoming studio album, Clockwork Angels.[63] The "Caravan" single was announced May 25, 2010 and was released June 1 to radio stations and made available for digital download.[64] It was suggested that Rush would return to the studio after the completion of the Time Machine Tour with plans to release Clockwork Angels in 2011.[65] However, Rush confirmed on November 19, 2010 that they will be extending the Time Machine Tour for a second leg. They are scheduled to play Europe in spring 2011 and return to North America for dates between March and July.[66]

    On April 24, 2010, the documentary Rush: Beyond the Lighted Stage directed by Sam Dunn premiered at the Tribeca Film Festival. It went on to receive the Tribeca Film Festival Audience Award.[67] The band's music was featured in the 2010 documentary Jews and Baseball: An American Love Story, narrated by Academy Award winner Dustin Hoffman.[68][69]

    On June 25, 2010, Rush received a star on the Hollywood Walk of Fame, located at 6752 Hollywood Boulevard. Critical acclaim continued to mount for Rush in 2010 when, on September 28, Classic Rock magazine announced Rush would be this year's Living Legends awarded at the Marshall Classic Rock Roll of Honour Awards in the UK.[70] The award was presented November 10, 2010. On September 29, Billboard.com announced that Rush would also receive the 2010 Legends of Live award for significant and lasting contributions to live music and the art of performing live and reaching fans through the concert experience.[71] The award was presented at the Billboard Touring Awards on November 4, 2010.

    The original line-up formed in the neighbourhood of Willowdale in Toronto, Ontario, by Lifeson, bassist and front man Jeff Jones, and drummer John Rutsey. Within a couple of weeks of forming, and before their second performance, bassist and lead vocalist Jones was replaced by Geddy Lee, a schoolmate of Lifeson. After several lineup reformations, Rush's official incarnation was formed in May 1971 consisting of Lee, Lifeson, and Rutsey. The band was managed by local Toronto resident Ray Danniels, a frequent attendee of Rush's early shows.[7][8]

    After gaining stability in the lineup and honing their skills on the local bar/high school dance circuit, the band came to release their first single "Not Fade Away", a cover of the Buddy Holly song, in 1973. Side B contained an original composition, "You Can't Fight It", credited to Lee and Rutsey. The single generated little reaction and, because of record company indifference, the band formed their own independent record label, Moon Records. With the aid of Danniels and the newly enlisted engineer Terry Brown, the band released their self-titled debut album in 1974, which was considered highly derivative of Led Zeppelin.[9] Rush had limited local popularity until the album was picked up by WMMS, a radio station in Cleveland, Ohio. Donna Halper, a DJ and music director working at the station, selected "Working Man" for her regular play list. The song's blue collar theme resonated with hard rock fans and this new found popularity led to the album being re-released by Mercury Records in the U.S.[10][11]


    The "starman" logo first appeared on the back cover of the 1976 album 2112. Hugh Syme, creator of graphics on many of Rush's albums, stated in a 1983 interview that the Starman "didn't begin as an identity factor for the band, it just got adopted."[12]Immediately after the release of the debut album in 1974, Rutsey was forced to leave the band due to health difficulties stemming from diabetes and a general distaste for touring. His last performance with the band was on July 25, 1974 at Centennial Hall in London, Ontario. Rush held auditions for a new dummer and eventually selected Neil Peart as Rutsey's replacement. Peart officially joined the band on July 29, 1974, two weeks before the group's first U.S. tour. They performed their first concert together, opening for Uriah Heep and Manfred Mann with an attendance of over 11,000 people at the Civic Arena in Pittsburgh, Pennsylvania on August 14. In addition to becoming the band's drummer, Peart assumed the role of principal lyricist from Lee, who had very little interest in writing, despite penning the lyrics of the band's first album.[13] Instead, Lee, along with Lifeson, focused primarily on the musical aspects of Rush. Fly by Night (1975), Rush's first album after recruiting Peart, saw the inclusion of the band's first epic mini-tale "By-Tor and the Snow Dog", replete with complex arrangements and multi-section format. Lyrical themes also underwent dramatic changes after the addition of Peart because of his love for fantasy and science-fiction literature.[14] However, despite these many differences some of the music and songs still closely mirrored the blues style found on Rush's debut.[14][15]

    Following quickly on the heels of Fly By Night, the band released 1975's Caress of Steel, a five track hard rock/heavy metal album featuring two extended multi-chapter songs, "The Necromancer" and "The Fountain of Lamneth." Some critics said Caress of Steel was unfocused and an audacious move for the band because of the placement of two back-to-back protracted songs, as well as a heavier reliance on atmospherics and story-telling, a large deviation from Fly by Night.[16] Intended to be the band's first "break-through" album, Caress of Steel sold below expectations and the promotional tour consisted of smaller venues which led to the moniker the "Down the Tubes Tour".[17] In light of these events, Rush's record label pressured them into molding their next album in a more commercially friendly and accessible fashion. However, the band ignored the requests and developed their next album, 2112 with a 20-minute title track divided into seven sections. Despite this, the album was the band's first taste of commercial success and their first platinum album in Canada.[18] The supporting tour for the album culminated in a three night stand at Massey Hall in Toronto, which the band recorded for the release of their first live album titled All the World's a Stage. Allmusic critic Greg Prato summarily reminds listeners and fans of how the album demarcates the boundary between the band's early years and the next era of their music.[19][20]

    [edit] The progressive rock era (1977–1981)After 2112, Rush retreated to the United Kingdom to record 1977's A Farewell to Kings and 1978's Hemispheres at Rockfield Studios in Wales. These albums saw the band members expanding the use of progressive elements in their music. "As our tastes got more obscure," Geddy Lee said in a recent interview, "we discovered more progressive rock-based bands like Yes, Van der Graaf Generator and King Crimson, and we were very inspired by those bands. They made us want to make our music more interesting and more complex and we tried to blend that with our own personalities to see what we could come up with that was indisputably us."[21] Trademarks such as increased synthesizer usage, extended-length concept songs, and highly dynamic playing featuring complex time signature changes became a staple of Rush's compositions. To achieve a broader, more progressive palette of sound, Alex Lifeson began to experiment with classical and twelve-string guitars, and Geddy Lee added bass-pedal synthesizers and Minimoog. Likewise, Peart's percussion became diversified in the form of triangles, glockenspiel, wood blocks, cowbells, timpani, gong and chimes. Beyond instrument additions, the band kept in stride with the progressive rock movement by continuing to compose long, conceptual songs with science fiction and fantasy overtones. However, as the new decade approached, Rush gradually began to dispose of their older styles of music in favor of shorter, and sometimes softer, arrangements. The lyrics up to this point (most of them written by Peart) were heavily influenced by classical poetry, fantasy literature, science fiction, and the writings of novelist Ayn Rand, as exhibited most prominently by their 1975 song "Anthem" from Fly By Night and a specifically acknowledged derivation in 1976's 2112.[22]

    Permanent Waves (1980) dramatically shifted Rush's style of music via the introduction of reggae and new wave elements.[23] Although a hard rock style was still evident, more and more synthesizers were introduced. Moreover, because of the limited airplay Rush's previous extended-length songs received, Permanent Waves included shorter, more radio-friendly songs such as "The Spirit of Radio" and "Freewill", two songs which helped Permanent Waves become Rush's first U.S. Top 5 album; both songs continue to make appearances on classic rock radio stations in Canada and the United States to this day.[24] Meanwhile, Peart's lyrics shifted toward an expository tone with subject matter that dwelled less on fantastical or allegorical story-telling and more heavily on topics that explored humanistic, social and emotional elements. Rush joined with fellow Toronto-based rock band Max Webster on July 28, 1980 to record "Battle Scar" for their 1980 release, Universal Juveniles.[25] While on tour together following the release, both bands would join between sets to play "Battle Scar". The song acted as both a transition from Max Webster to Rush, as well as a warm-up for Peart. In addition, Max Webster lyricist Pye Dubois offered the band lyrics to a song he had written. The band accepted; the song went on, after reworking by Peart, to become "Tom Sawyer".[25]

    "Tom Sawyer" (1981)

    Sample of "Tom Sawyer" from the album Moving Pictures. This is the band's best known song with heaviest radio airplay.

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    Rush's popularity reached its pinnacle with the release of Moving Pictures in 1981. Moving Pictures essentially continued where Permanent Waves left off, extending the trend of highly accessible and commercially friendly progressive rock that helped thrust them into the spotlight. The lead track, "Tom Sawyer", is probably the band's best-known song[26] with "Limelight" also receiving satisfactory responses from listeners and radio stations. Moving Pictures was Rush's last album to feature an extended song, the eleven-minute "The Camera Eye". The song also contained the band's heaviest usage of synthesizers up to that point, hinting that Rush's music was shifting direction once more. Moving Pictures reached #3 on the Billboard 200 album chart and has been certified quadruple platinum by the Recording Industry Association of America.[27]

    Following the success of Moving Pictures and the completion of another four studio albums, Rush released their second live recording, Exit...Stage Left, in 1981. The album delineates the apex of Rush's progressive period by featuring live material from the band's Permanent Waves and Moving Pictures tours. As with their first live release, Exit...Stage Left identified the margin of a new chapter of Rush's sound.

    [edit] The synthesizer period (1982–1989)
    The OBX synthesizer used by Geddy Lee on the album Signals (1982).The band underwent another radical stylistic transmutation with the release of Signals in 1982.[28]

    While Lee's synthesizers had been featured instruments ever since the late 70s, keyboards were suddenly shifted from the contrapuntal background to the melodic front-lines[29][30] in songs like "Countdown" and the lead-off track "Subdivisions". Both feature prominent lead synthesizer lines with minimalistic guitar chords and solos. Other previously unused instrument additions were seen in the song "Losing It," featuring collaborator Ben Mink on electric violin.[28]

    "Subdivisions" (1982)

    Sample of "Subdivisions" from the album Signals. This song is notable for demonstrating the band's foray into their synthesizer period.

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    Signals also represented a drastic stylistic transformation apart from instrumental changes. The album contained Rush's only U.S. top-40 pop hit, "New World Man",[31] while other more experimental songs such as "Digital Man", "The Weapon", and "Chemistry" expanded the band's use of ska, reggae, and funk.[32] Although the band members consciously decided to move in this overall direction, they felt dissatisfied with long-time producer Terry Brown's studio treatment of Signals and parted ways with him in 1983. These diverse styles would come into further play on their next studio album.


    Neil Peart began incorporating Simmons Electronic Drums beginning with 1984's Grace Under PressureThe style and production of Signals were augmented and taken to new heights on 1984's Grace Under Pressure. It was Peart who named the album, as he borrowed the words of Ernest Hemingway to describe what the band had to go through after making the decision to leave Terry Brown. Producer Steve Lillywhite, who gleaned fame with successful productions of Simple Minds and U2, was enlisted to produce Grace Under Pressure. However, he backed out at the last moment, much to the ire of Lee, Lifeson and Peart. Lee said "Steve Lillywhite is really not a man of his word....after agreeing to do our record, he got an offer from Simple Minds, changed his mind, blew us off,..so it put us in a horrible position." Rush eventually hired Peter Henderson to co-produce and engineer the album in his stead.[33]

    Musically, although Lee's use of sequencers and synthesizers remained the band's cornerstone, his focus on new technology was complemented by Peart's adaptation of Simmons electronic drums and percussion. Lifeson's contributions on the album were decidedly enhanced to act as an overreaction to the minimalistic role he played on Signals.[34] Still, many of his trademark guitar textures remained intact in the form of open reggae chords and funk and new-wave rhythms.

    With new producer Peter Collins, the band released 1985's Power Windows and 1987's Hold Your Fire. The music on these two albums gives far more emphasis and prominence to Lee's multi-layered synthesizer work. While fans and critics took notice of Lifeson's diminished guitar work, his presence was still palpable. Lifeson, like many guitarists in the late 1980s, experimented with processors that reduced his instrument to echoey chord bursts and razor-thin leads. Hold Your Fire represents both a modest extension of the guitar stylings found on Power Windows, and, according to Allmusic critic Eduardo Rivadavia, the culmination of this era of Rush.[35] Whereas the previous five Rush albums sold platinum or better, Hold Your Fire only went gold in November 1987, although it managed to peak at number 13 on the Billboard 200.[36]

    A third live album and video, A Show of Hands (1989), was also released by Mercury following the Power Windows and Hold Your Fire tours, demonstrating the aspects of Rush in the '80s. A Show of Hands met with strong fan approval, but Rolling Stone critic Michael Azerrad dismissed it as "musical muscle" with 1.5 stars, claiming Rush fans viewed their favourite power trio as "the holy trinity".[37] Nevertheless, A Show of Hands managed to surpass the gold album mark, reaching number 21 on the Billboard 200.[38] At this point, the group decided to change record labels from Mercury to Atlantic. After Rush's departure in 1989, Mercury released a double platinum two-volume compilation of their Rush catalogue, Chronicles (1990).[39]

    [edit] Returning to their roots (1989–1997) "Dreamline" (1991)

    Sample of "Dreamline" from the album Roll the Bones. This song is notable for demonstrating the band's return to a more standard three piece instrument style, where synthesizers are used more sparingly and the guitar returning to the forefront of the sound.

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    Rush started to deviate from their 1980s style with the albums Presto and Roll the Bones. Produced by record engineer and musician Rupert Hine, these two albums saw Rush shedding much of their keyboard-saturated sound. Beginning with 1989's Presto, the band opted for arrangements that were notably more guitar-centric than the previous two studio albums. Although synthesizers were still used in many songs, the instrument was no longer featured as the centerpiece of Rush's compositions. Continuing this trend, 1991's Roll the Bones extended the use of the standard three-instrument approach with even less focus on synthesizers than its predecessor. While musically these albums do not deviate significantly from a general pop-rock sound, Rush incorporated traces of other musical styles. "Roll the Bones", for instance, exhibits funk and hip hop elements, and the instrumental track "Where's My Thing?" features several jazz components.[40] This return to three-piece instrumentation helped pave the way for future albums in the mid-90s, which would adopt a more straightforward rock formula.

    The transition from synthesizers to more guitar-oriented and organic instrumentation continued with the 1993 album Counterparts[41] and its follow-up, 1996's Test for Echo, again both produced in collaboration with Peter Collins. Musically, Counterparts[41] and Test For Echo are two of Rush's most guitar-driven albums. Although the music in general did not meet the criteria for progressive rock, some songs adopted a dynamic format.[42] For instance, "Time and Motion" possesses multiple time signature changes and organ usage, while the instrumental track "Limbo", consists of multiple musical passages. Musically, Test For Echo still retained much of the hard rock/alternative style already charted on the previous record with Lifeson and Lee's playing remaining more or less unchanged; however, a distinct modification in technique became apparent in Peart's playing from his jazz and swing training under the tutelage of jazz instructor Freddie Gruber during the interim between Counterparts and Test For Echo.[43] In October 1996, in support of Test For Echo, the band embarked on a North American tour, the band's first without an opening act and dubbed "An Evening with Rush". The tour was broken up into two segments spanning October through December 1996 and May through July 1997 with the band taking a respite between tour legs.

    [edit] Hiatus and comeback (1997–2005)After wrapping up the tour promoting Test for Echo in 1997, the band entered a five-year hiatus mainly because of personal tragedies in Peart's life. Peart's daughter Selena died in an automobile accident in August 1997, followed by his wife Jacqueline's death from cancer in June 1998. Peart took a hiatus to mourn and reflect, during which time he traveled extensively throughout North America on his BMW motorcycle, covering 88,000 km (55,000 miles). At some point in his journey, Peart decided to return to the band. Peart wrote Ghost Rider: Travels on the Healing Road as a chronicle of his geographical and emotional journey. In this book he writes of how he had told his bandmates at Selena's funeral, "consider me retired."[44] On November 10, 1998 a triple CD live album entitled Different Stages was released, dedicated to the memory of Selena and Jacqueline. Mixed by producer Paul Northfield and engineered by Terry Brown, it contained three discs packed with recorded performances from the band's Counterparts, Test For Echo, and A Farewell to Kings tours, marking the fourth officially released live album by the band.

    "One Little Victory" (2002)

    Sample of "One Little Victory" from the album Vapor Trails. This song's rapid tempo and heavy double bass drumming was done intentionally in order to herald the comeback of the band after their hiatus.

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    After a time to grieve and reassemble the pieces of his life, and while visiting long-time Rush photographer Andrew MacNaughtan in Los Angeles, Peart was introduced to his future wife, photographer Carrie Nuttall. Peart married Nuttall on September 9, 2000. In early 2001 he announced to his band mates that he was ready to once again enter the studio and get back into the business of making music. With the help of producer Paul Northfield the band returned in May 2002 with Vapor Trails, written and recorded in Toronto. To herald the band's comeback, the single and lead track from the album, "One Little Victory" was designed to grab the attention of listeners with its rapid guitar and drum tempos.[45] Vapor Trails marked the first studio recording not to include a single synthesizer, organ or keyboard part since the early 1970s. While the album is almost completely guitar-driven, it is mostly devoid of any conventional sounding guitar solos, a conscious decision made by Lifeson during the writing process. According to the band, the entire developmental process for Vapor Trails was extremely taxing and took approximately 14 months to finish, by far the longest the band had ever spent writing and recording a studio album.[45] The album was supported by the band's first tour in six years, including first-ever concerts in Mexico City and Brazil, where they played to some of the largest crowds of their career.

    A triple CD live album and dual Rush in Rio DVD was released in late October 2003 featuring an entire concert performance recorded on the last night of their Vapor Trails Tour, November 23, 2002, at Maracanã Stadium in Rio de Janeiro, Brazil. To celebrate their 30th anniversary, June 2004 saw the release of Feedback, a studio EP recorded in suburban Toronto featuring eight covers of such artists as Cream, The Who and The Yardbirds, bands that the members of Rush cite as inspiration around the time of their inception.[46] Also in the summer of 2004, Rush hit the road again for their 30th Anniversary Tour, playing dates in the United States, Canada, the United Kingdom, Germany, Italy, Sweden, the Czech Republic, and the Netherlands. On September 24, 2004 a Frankfurt, Germany concert was recorded at The Festhalle for DVD (titled R30: Live in Frankfurt), which was released November 22, 2005; a complete version of the R30 Frankfurt set (the original DVD release omitted eight songs) was released on Blu-ray on December 8, 2009.[47]

    [edit] Snakes & Arrows (2006–2009)Main articles: Snakes & Arrows and Snakes & Arrows Tour
    During promotional interviews for the R30 Live In Frankfurt DVD, the band revealed their intention to begin writing new material in early 2006. While in Toronto, Lifeson and Lee began the songwriting process in January 2006. During this time, Peart simultaneously assumed his role of lyric writing while residing in Southern California. The following September, Rush chose to hire American producer Nick Raskulinecz to co-produce the album. The band officially entered Allaire Studios, in Shokan, New York in November 2006 in order to record the bulk of the material. Taking the band five weeks, the sessions ended in December. On February 14, 2007, an announcement was made on the official Rush web site that the title of the new album would be Snakes & Arrows. The first single, entitled "Far Cry", was released to North American radio stations on March 12, 2007 and reached #2 on the Mediabase Mainstream and Radio and Records Charts.[48]

    "Far Cry" (2007)

    Sample of "Far Cry", first single from the album Snakes & Arrows.

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    The Rush website, newly redesigned on March 12 to support the new album, also announced that the band would embark on a tour to begin in the summer. Snakes & Arrows was released May 1, 2007 in North America, where it debuted at #3 in the Billboard 200 with approximately 93,000 units sold in its first week.[49] It would go on to sell an estimated 611,000 copies worldwide. To coincide with the Atlantic ocean hurricane season, "Spindrift" was released as the official second radio single on June 1, 2007, whereas "The Larger Bowl (A Pantoum)" saw single status on June 25, 2007. "The Larger Bowl" positioned within the top 20 of the Mainstream Rock and Media Base Mainstream charts, however, "Spindrift" failed to appear on any commercial chart.[50] The planned intercontinental tour in support of Snakes & Arrows began on June 13, 2007 in Atlanta, Georgia, coming to a close on October 29, 2007 at Hartwall Arena in Helsinki, Finland.[51]

    The 2008 portion of the tour started on April 11, 2008 in San Juan, Puerto Rico at José Miguel Agrelot Coliseum and culminated on July 24, 2008 in Noblesville, Indiana at the Verizon Wireless Music Center.[52] On April 15, the band released Snakes & Arrows Live, a double live album documenting the first leg of the tour.[53] Those same performances featured on Snakes & Arrows Live filmed at the Ahoy arena in Rotterdam, Netherlands on October 16 and 17 of 2007 were released November 24 as a DVD and Blu-Ray set. The video also includes footage from the 2008 portion of the tour, recorded at Verizon Wireless Amphitheater in Atlanta.[54][55][56]

    As the band neared the conclusion of their Snakes & Arrows tour, they announced their first appearance on American television in over 30 years. Rush was interviewed by Stephen Colbert and they performed "Tom Sawyer" on The Colbert Report on July 16, 2008.[57] Continuing to ride what one movie reviewer has called a "pop cultural wave," they also appeared at a live show in April 2009 for the comedy film I Love You, Man.[58]

    [edit] Clockwork Angels and Time Machine Tour (2009–present)On February 16, 2009, Lifeson remarked that the band may begin working on a new album in the Fall 2009 with Nick Raskulinecz once again producing.[59] On March 19, 2010, the CBC posted a video interview with Lee and Lifeson where they discussed Rush's induction into the Canadian Songwriters Hall of Fame on March 28, 2010 at the Toronto Centre for the Arts' George Weston Recital Hall. The band was recognized for the songs "Limelight", "Closer to the Heart", "The Spirit of Radio", "Tom Sawyer" and "Subdivisions". In addition to discussing their induction, Lee and Lifeson touched on future material. During the interview, Lee was quoted as saying "... Just about a month and a half ago we had no songs. And now we've been writing and now we've got about 6 songs that we just love...".[60] On March 26, 2010, in an interview with The Globe and Mail, Lifeson reconfirmed that the band had already written a half-dozen songs and that there was the potential for two supporting tours, one planned for Summer 2010 and a more extensive tour planned for Summer 2011. While still uncertain of exactly how and when the new material would be released, he projected a tentative Spring 2011 release date.[61] Soon after, Peart confirmed that American producer Nick Raskulinecz had returned as co-producer.[62]

    On April 8, 2010 both the official Rush website and PR Newswire announced that the band would embark on the Rush Time Machine Tour. The first leg of the tour began on June 29 in Albuquerque, New Mexico and finished October 17 in Santiago, Chile at the National stadium. It featured the album Moving Pictures played in its entirety, as well as the single "Caravan" and its B-side "BU2B". These songs will be featured on the band's upcoming studio album, Clockwork Angels.[63] The "Caravan" single was announced May 25, 2010 and was released June 1 to radio stations and made available for digital download.[64] It was suggested that Rush would return to the studio after the completion of the Time Machine Tour with plans to release Clockwork Angels in 2011.[65] However, Rush confirmed on November 19, 2010 that they will be extending the Time Machine Tour for a second leg. They are scheduled to play Europe in spring 2011 and return to North America for dates between March and July.[66]

    On April 24, 2010, the documentary Rush: Beyond the Lighted Stage directed by Sam Dunn premiered at the Tribeca Film Festival. It went on to receive the Tribeca Film Festival Audience Award.[67] The band's music was featured in the 2010 documentary Jews and Baseball: An American Love Story, narrated by Academy Award winner Dustin Hoffman.[68][69]

    On June 25, 2010, Rush received a star on the Hollywood Walk of Fame, located at 6752 Hollywood Boulevard. Critical acclaim continued to mount for Rush in 2010 when, on September 28, Classic Rock magazine announced Rush would be this year's Living Legends awarded at the Marshall Classic Rock Roll of Honour Awards in the UK.[70] The award was presented November 10, 2010. On September 29, Billboard.com announced that Rush would also receive the 2010 Legends of Live award for significant and lasting contributions to live music and the art of performing live and reaching fans through the concert experience.[71] The award was presented at the Billboard Touring Awards on November 4, 2010.

    The original line-up formed in the neighbourhood of Willowdale in Toronto, Ontario, by Lifeson, bassist and front man Jeff Jones, and drummer John Rutsey. Within a couple of weeks of forming, and before their second performance, bassist and lead vocalist Jones was replaced by Geddy Lee, a schoolmate of Lifeson. After several lineup reformations, Rush's official incarnation was formed in May 1971 consisting of Lee, Lifeson, and Rutsey. The band was managed by local Toronto resident Ray Danniels, a frequent attendee of Rush's early shows.[7][8]

    After gaining stability in the lineup and honing their skills on the local bar/high school dance circuit, the band came to release their first single "Not Fade Away", a cover of the Buddy Holly song, in 1973. Side B contained an original composition, "You Can't Fight It", credited to Lee and Rutsey. The single generated little reaction and, because of record company indifference, the band formed their own independent record label, Moon Records. With the aid of Danniels and the newly enlisted engineer Terry Brown, the band released their self-titled debut album in 1974, which was considered highly derivative of Led Zeppelin.[9] Rush had limited local popularity until the album was picked up by WMMS, a radio station in Cleveland, Ohio. Donna Halper, a DJ and music director working at the station, selected "Working Man" for her regular play list. The song's blue collar theme resonated with hard rock fans and this new found popularity led to the album being re-released by Mercury Records in the U.S.[10][11]


    The "starman" logo first appeared on the back cover of the 1976 album 2112. Hugh Syme, creator of graphics on many of Rush's albums, stated in a 1983 interview that the Starman "didn't begin as an identity factor for the band, it just got adopted."[12]Immediately after the release of the debut album in 1974, Rutsey was forced to leave the band due to health difficulties stemming from diabetes and a general distaste for touring. His last performance with the band was on July 25, 1974 at Centennial Hall in London, Ontario. Rush held auditions for a new dummer and eventually selected Neil Peart as Rutsey's replacement. Peart officially joined the band on July 29, 1974, two weeks before the group's first U.S. tour. They performed their first concert together, opening for Uriah Heep and Manfred Mann with an attendance of over 11,000 people at the Civic Arena in Pittsburgh, Pennsylvania on August 14. In addition to becoming the band's drummer, Peart assumed the role of principal lyricist from Lee, who had very little interest in writing, despite penning the lyrics of the band's first album.[13] Instead, Lee, along with Lifeson, focused primarily on the musical aspects of Rush. Fly by Night (1975), Rush's first album after recruiting Peart, saw the inclusion of the band's first epic mini-tale "By-Tor and the Snow Dog", replete with complex arrangements and multi-section format. Lyrical themes also underwent dramatic changes after the addition of Peart because of his love for fantasy and science-fiction literature.[14] However, despite these many differences some of the music and songs still closely mirrored the blues style found on Rush's debut.[14][15]

    Following quickly on the heels of Fly By Night, the band released 1975's Caress of Steel, a five track hard rock/heavy metal album featuring two extended multi-chapter songs, "The Necromancer" and "The Fountain of Lamneth." Some critics said Caress of Steel was unfocused and an audacious move for the band because of the placement of two back-to-back protracted songs, as well as a heavier reliance on atmospherics and story-telling, a large deviation from Fly by Night.[16] Intended to be the band's first "break-through" album, Caress of Steel sold below expectations and the promotional tour consisted of smaller venues which led to the moniker the "Down the Tubes Tour".[17] In light of these events, Rush's record label pressured them into molding their next album in a more commercially friendly and accessible fashion. However, the band ignored the requests and developed their next album, 2112 with a 20-minute title track divided into seven sections. Despite this, the album was the band's first taste of commercial success and their first platinum album in Canada.[18] The supporting tour for the album culminated in a three night stand at Massey Hall in Toronto, which the band recorded for the release of their first live album titled All the World's a Stage. Allmusic critic Greg Prato summarily reminds listeners and fans of how the album demarcates the boundary between the band's early years and the next era of their music.[19][20]

    [edit] The progressive rock era (1977–1981)After 2112, Rush retreated to the United Kingdom to record 1977's A Farewell to Kings and 1978's Hemispheres at Rockfield Studios in Wales. These albums saw the band members expanding the use of progressive elements in their music. "As our tastes got more obscure," Geddy Lee said in a recent interview, "we discovered more progressive rock-based bands like Yes, Van der Graaf Generator and King Crimson, and we were very inspired by those bands. They made us want to make our music more interesting and more complex and we tried to blend that with our own personalities to see what we could come up with that was indisputably us."[21] Trademarks such as increased synthesizer usage, extended-length concept songs, and highly dynamic playing featuring complex time signature changes became a staple of Rush's compositions. To achieve a broader, more progressive palette of sound, Alex Lifeson began to experiment with classical and twelve-string guitars, and Geddy Lee added bass-pedal synthesizers and Minimoog. Likewise, Peart's percussion became diversified in the form of triangles, glockenspiel, wood blocks, cowbells, timpani, gong and chimes. Beyond instrument additions, the band kept in stride with the progressive rock movement by continuing to compose long, conceptual songs with science fiction and fantasy overtones. However, as the new decade approached, Rush gradually began to dispose of their older styles of music in favor of shorter, and sometimes softer, arrangements. The lyrics up to this point (most of them written by Peart) were heavily influenced by classical poetry, fantasy literature, science fiction, and the writings of novelist Ayn Rand, as exhibited most prominently by their 1975 song "Anthem" from Fly By Night and a specifically acknowledged derivation in 1976's 2112.[22]

    Permanent Waves (1980) dramatically shifted Rush's style of music via the introduction of reggae and new wave elements.[23] Although a hard rock style was still evident, more and more synthesizers were introduced. Moreover, because of the limited airplay Rush's previous extended-length songs received, Permanent Waves included shorter, more radio-friendly songs such as "The Spirit of Radio" and "Freewill", two songs which helped Permanent Waves become Rush's first U.S. Top 5 album; both songs continue to make appearances on classic rock radio stations in Canada and the United States to this day.[24] Meanwhile, Peart's lyrics shifted toward an expository tone with subject matter that dwelled less on fantastical or allegorical story-telling and more heavily on topics that explored humanistic, social and emotional elements. Rush joined with fellow Toronto-based rock band Max Webster on July 28, 1980 to record "Battle Scar" for their 1980 release, Universal Juveniles.[25] While on tour together following the release, both bands would join between sets to play "Battle Scar". The song acted as both a transition from Max Webster to Rush, as well as a warm-up for Peart. In addition, Max Webster lyricist Pye Dubois offered the band lyrics to a song he had written. The band accepted; the song went on, after reworking by Peart, to become "Tom Sawyer".[25]

    "Tom Sawyer" (1981)

    Sample of "Tom Sawyer" from the album Moving Pictures. This is the band's best known song with heaviest radio airplay.

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    Rush's popularity reached its pinnacle with the release of Moving Pictures in 1981. Moving Pictures essentially continued where Permanent Waves left off, extending the trend of highly accessible and commercially friendly progressive rock that helped thrust them into the spotlight. The lead track, "Tom Sawyer", is probably the band's best-known song[26] with "Limelight" also receiving satisfactory responses from listeners and radio stations. Moving Pictures was Rush's last album to feature an extended song, the eleven-minute "The Camera Eye". The song also contained the band's heaviest usage of synthesizers up to that point, hinting that Rush's music was shifting direction once more. Moving Pictures reached #3 on the Billboard 200 album chart and has been certified quadruple platinum by the Recording Industry Association of America.[27]

    Following the success of Moving Pictures and the completion of another four studio albums, Rush released their second live recording, Exit...Stage Left, in 1981. The album delineates the apex of Rush's progressive period by featuring live material from the band's Permanent Waves and Moving Pictures tours. As with their first live release, Exit...Stage Left identified the margin of a new chapter of Rush's sound.

    [edit] The synthesizer period (1982–1989)
    The OBX synthesizer used by Geddy Lee on the album Signals (1982).The band underwent another radical stylistic transmutation with the release of Signals in 1982.[28]

    While Lee's synthesizers had been featured instruments ever since the late 70s, keyboards were suddenly shifted from the contrapuntal background to the melodic front-lines[29][30] in songs like "Countdown" and the lead-off track "Subdivisions". Both feature prominent lead synthesizer lines with minimalistic guitar chords and solos. Other previously unused instrument additions were seen in the song "Losing It," featuring collaborator Ben Mink on electric violin.[28]

    "Subdivisions" (1982)

    Sample of "Subdivisions" from the album Signals. This song is notable for demonstrating the band's foray into their synthesizer period.

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    Signals also represented a drastic stylistic transformation apart from instrumental changes. The album contained Rush's only U.S. top-40 pop hit, "New World Man",[31] while other more experimental songs such as "Digital Man", "The Weapon", and "Chemistry" expanded the band's use of ska, reggae, and funk.[32] Although the band members consciously decided to move in this overall direction, they felt dissatisfied with long-time producer Terry Brown's studio treatment of Signals and parted ways with him in 1983. These diverse styles would come into further play on their next studio album.


    Neil Peart began incorporating Simmons Electronic Drums beginning with 1984's Grace Under PressureThe style and production of Signals were augmented and taken to new heights on 1984's Grace Under Pressure. It was Peart who named the album, as he borrowed the words of Ernest Hemingway to describe what the band had to go through after making the decision to leave Terry Brown. Producer Steve Lillywhite, who gleaned fame with successful productions of Simple Minds and U2, was enlisted to produce Grace Under Pressure. However, he backed out at the last moment, much to the ire of Lee, Lifeson and Peart. Lee said "Steve Lillywhite is really not a man of his word....after agreeing to do our record, he got an offer from Simple Minds, changed his mind, blew us off,..so it put us in a horrible position." Rush eventually hired Peter Henderson to co-produce and engineer the album in his stead.[33]

    Musically, although Lee's use of sequencers and synthesizers remained the band's cornerstone, his focus on new technology was complemented by Peart's adaptation of Simmons electronic drums and percussion. Lifeson's contributions on the album were decidedly enhanced to act as an overreaction to the minimalistic role he played on Signals.[34] Still, many of his trademark guitar textures remained intact in the form of open reggae chords and funk and new-wave rhythms.

    With new producer Peter Collins, the band released 1985's Power Windows and 1987's Hold Your Fire. The music on these two albums gives far more emphasis and prominence to Lee's multi-layered synthesizer work. While fans and critics took notice of Lifeson's diminished guitar work, his presence was still palpable. Lifeson, like many guitarists in the late 1980s, experimented with processors that reduced his instrument to echoey chord bursts and razor-thin leads. Hold Your Fire represents both a modest extension of the guitar stylings found on Power Windows, and, according to Allmusic critic Eduardo Rivadavia, the culmination of this era of Rush.[35] Whereas the previous five Rush albums sold platinum or better, Hold Your Fire only went gold in November 1987, although it managed to peak at number 13 on the Billboard 200.[36]

    A third live album and video, A Show of Hands (1989), was also released by Mercury following the Power Windows and Hold Your Fire tours, demonstrating the aspects of Rush in the '80s. A Show of Hands met with strong fan approval, but Rolling Stone critic Michael Azerrad dismissed it as "musical muscle" with 1.5 stars, claiming Rush fans viewed their favourite power trio as "the holy trinity".[37] Nevertheless, A Show of Hands managed to surpass the gold album mark, reaching number 21 on the Billboard 200.[38] At this point, the group decided to change record labels from Mercury to Atlantic. After Rush's departure in 1989, Mercury released a double platinum two-volume compilation of their Rush catalogue, Chronicles (1990).[39]

    [edit] Returning to their roots (1989–1997) "Dreamline" (1991)

    Sample of "Dreamline" from the album Roll the Bones. This song is notable for demonstrating the band's return to a more standard three piece instrument style, where synthesizers are used more sparingly and the guitar returning to the forefront of the sound.

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    Rush started to deviate from their 1980s style with the albums Presto and Roll the Bones. Produced by record engineer and musician Rupert Hine, these two albums saw Rush shedding much of their keyboard-saturated sound. Beginning with 1989's Presto, the band opted for arrangements that were notably more guitar-centric than the previous two studio albums. Although synthesizers were still used in many songs, the instrument was no longer featured as the centerpiece of Rush's compositions. Continuing this trend, 1991's Roll the Bones extended the use of the standard three-instrument approach with even less focus on synthesizers than its predecessor. While musically these albums do not deviate significantly from a general pop-rock sound, Rush incorporated traces of other musical styles. "Roll the Bones", for instance, exhibits funk and hip hop elements, and the instrumental track "Where's My Thing?" features several jazz components.[40] This return to three-piece instrumentation helped pave the way for future albums in the mid-90s, which would adopt a more straightforward rock formula.

    The transition from synthesizers to more guitar-oriented and organic instrumentation continued with the 1993 album Counterparts[41] and its follow-up, 1996's Test for Echo, again both produced in collaboration with Peter Collins. Musically, Counterparts[41] and Test For Echo are two of Rush's most guitar-driven albums. Although the music in general did not meet the criteria for progressive rock, some songs adopted a dynamic format.[42] For instance, "Time and Motion" possesses multiple time signature changes and organ usage, while the instrumental track "Limbo", consists of multiple musical passages. Musically, Test For Echo still retained much of the hard rock/alternative style already charted on the previous record with Lifeson and Lee's playing remaining more or less unchanged; however, a distinct modification in technique became apparent in Peart's playing from his jazz and swing training under the tutelage of jazz instructor Freddie Gruber during the interim between Counterparts and Test For Echo.[43] In October 1996, in support of Test For Echo, the band embarked on a North American tour, the band's first without an opening act and dubbed "An Evening with Rush". The tour was broken up into two segments spanning October through December 1996 and May through July 1997 with the band taking a respite between tour legs.

    [edit] Hiatus and comeback (1997–2005)After wrapping up the tour promoting Test for Echo in 1997, the band entered a five-year hiatus mainly because of personal tragedies in Peart's life. Peart's daughter Selena died in an automobile accident in August 1997, followed by his wife Jacqueline's death from cancer in June 1998. Peart took a hiatus to mourn and reflect, during which time he traveled extensively throughout North America on his BMW motorcycle, covering 88,000 km (55,000 miles). At some point in his journey, Peart decided to return to the band. Peart wrote Ghost Rider: Travels on the Healing Road as a chronicle of his geographical and emotional journey. In this book he writes of how he had told his bandmates at Selena's funeral, "consider me retired."[44] On November 10, 1998 a triple CD live album entitled Different Stages was released, dedicated to the memory of Selena and Jacqueline. Mixed by producer Paul Northfield and engineered by Terry Brown, it contained three discs packed with recorded performances from the band's Counterparts, Test For Echo, and A Farewell to Kings tours, marking the fourth officially released live album by the band.

    "One Little Victory" (2002)

    Sample of "One Little Victory" from the album Vapor Trails. This song's rapid tempo and heavy double bass drumming was done intentionally in order to herald the comeback of the band after their hiatus.

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    After a time to grieve and reassemble the pieces of his life, and while visiting long-time Rush photographer Andrew MacNaughtan in Los Angeles, Peart was introduced to his future wife, photographer Carrie Nuttall. Peart married Nuttall on September 9, 2000. In early 2001 he announced to his band mates that he was ready to once again enter the studio and get back into the business of making music. With the help of producer Paul Northfield the band returned in May 2002 with Vapor Trails, written and recorded in Toronto. To herald the band's comeback, the single and lead track from the album, "One Little Victory" was designed to grab the attention of listeners with its rapid guitar and drum tempos.[45] Vapor Trails marked the first studio recording not to include a single synthesizer, organ or keyboard part since the early 1970s. While the album is almost completely guitar-driven, it is mostly devoid of any conventional sounding guitar solos, a conscious decision made by Lifeson during the writing process. According to the band, the entire developmental process for Vapor Trails was extremely taxing and took approximately 14 months to finish, by far the longest the band had ever spent writing and recording a studio album.[45] The album was supported by the band's first tour in six years, including first-ever concerts in Mexico City and Brazil, where they played to some of the largest crowds of their career.

    A triple CD live album and dual Rush in Rio DVD was released in late October 2003 featuring an entire concert performance recorded on the last night of their Vapor Trails Tour, November 23, 2002, at Maracanã Stadium in Rio de Janeiro, Brazil. To celebrate their 30th anniversary, June 2004 saw the release of Feedback, a studio EP recorded in suburban Toronto featuring eight covers of such artists as Cream, The Who and The Yardbirds, bands that the members of Rush cite as inspiration around the time of their inception.[46] Also in the summer of 2004, Rush hit the road again for their 30th Anniversary Tour, playing dates in the United States, Canada, the United Kingdom, Germany, Italy, Sweden, the Czech Republic, and the Netherlands. On September 24, 2004 a Frankfurt, Germany concert was recorded at The Festhalle for DVD (titled R30: Live in Frankfurt), which was released November 22, 2005; a complete version of the R30 Frankfurt set (the original DVD release omitted eight songs) was released on Blu-ray on December 8, 2009.[47]

    [edit] Snakes & Arrows (2006–2009)Main articles: Snakes & Arrows and Snakes & Arrows Tour
    During promotional interviews for the R30 Live In Frankfurt DVD, the band revealed their intention to begin writing new material in early 2006. While in Toronto, Lifeson and Lee began the songwriting process in January 2006. During this time, Peart simultaneously assumed his role of lyric writing while residing in Southern California. The following September, Rush chose to hire American producer Nick Raskulinecz to co-produce the album. The band officially entered Allaire Studios, in Shokan, New York in November 2006 in order to record the bulk of the material. Taking the band five weeks, the sessions ended in December. On February 14, 2007, an announcement was made on the official Rush web site that the title of the new album would be Snakes & Arrows. The first single, entitled "Far Cry", was released to North American radio stations on March 12, 2007 and reached #2 on the Mediabase Mainstream and Radio and Records Charts.[48]

    "Far Cry" (2007)

    Sample of "Far Cry", first single from the album Snakes & Arrows.

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    The Rush website, newly redesigned on March 12 to support the new album, also announced that the band would embark on a tour to begin in the summer. Snakes & Arrows was released May 1, 2007 in North America, where it debuted at #3 in the Billboard 200 with approximately 93,000 units sold in its first week.[49] It would go on to sell an estimated 611,000 copies worldwide. To coincide with the Atlantic ocean hurricane season, "Spindrift" was released as the official second radio single on June 1, 2007, whereas "The Larger Bowl (A Pantoum)" saw single status on June 25, 2007. "The Larger Bowl" positioned within the top 20 of the Mainstream Rock and Media Base Mainstream charts, however, "Spindrift" failed to appear on any commercial chart.[50] The planned intercontinental tour in support of Snakes & Arrows began on June 13, 2007 in Atlanta, Georgia, coming to a close on October 29, 2007 at Hartwall Arena in Helsinki, Finland.[51]

    The 2008 portion of the tour started on April 11, 2008 in San Juan, Puerto Rico at José Miguel Agrelot Coliseum and culminated on July 24, 2008 in Noblesville, Indiana at the Verizon Wireless Music Center.[52] On April 15, the band released Snakes & Arrows Live, a double live album documenting the first leg of the tour.[53] Those same performances featured on Snakes & Arrows Live filmed at the Ahoy arena in Rotterdam, Netherlands on October 16 and 17 of 2007 were released November 24 as a DVD and Blu-Ray set. The video also includes footage from the 2008 portion of the tour, recorded at Verizon Wireless Amphitheater in Atlanta.[54][55][56]

    As the band neared the conclusion of their Snakes & Arrows tour, they announced their first appearance on American television in over 30 years. Rush was interviewed by Stephen Colbert and they performed "Tom Sawyer" on The Colbert Report on July 16, 2008.[57] Continuing to ride what one movie reviewer has called a "pop cultural wave," they also appeared at a live show in April 2009 for the comedy film I Love You, Man.[58]

    [edit] Clockwork Angels and Time Machine Tour (2009–present)On February 16, 2009, Lifeson remarked that the band may begin working on a new album in the Fall 2009 with Nick Raskulinecz once again producing.[59] On March 19, 2010, the CBC posted a video interview with Lee and Lifeson where they discussed Rush's induction into the Canadian Songwriters Hall of Fame on March 28, 2010 at the Toronto Centre for the Arts' George Weston Recital Hall. The band was recognized for the songs "Limelight", "Closer to the Heart", "The Spirit of Radio", "Tom Sawyer" and "Subdivisions". In addition to discussing their induction, Lee and Lifeson touched on future material. During the interview, Lee was quoted as saying "... Just about a month and a half ago we had no songs. And now we've been writing and now we've got about 6 songs that we just love...".[60] On March 26, 2010, in an interview with The Globe and Mail, Lifeson reconfirmed that the band had already written a half-dozen songs and that there was the potential for two supporting tours, one planned for Summer 2010 and a more extensive tour planned for Summer 2011. While still uncertain of exactly how and when the new material would be released, he projected a tentative Spring 2011 release date.[61] Soon after, Peart confirmed that American producer Nick Raskulinecz had returned as co-producer.[62]

    On April 8, 2010 both the official Rush website and PR Newswire announced that the band would embark on the Rush Time Machine Tour. The first leg of the tour began on June 29 in Albuquerque, New Mexico and finished October 17 in Santiago, Chile at the National stadium. It featured the album Moving Pictures played in its entirety, as well as the single "Caravan" and its B-side "BU2B". These songs will be featured on the band's upcoming studio album, Clockwork Angels.[63] The "Caravan" single was announced May 25, 2010 and was released June 1 to radio stations and made available for digital download.[64] It was suggested that Rush would return to the studio after the completion of the Time Machine Tour with plans to release Clockwork Angels in 2011.[65] However, Rush confirmed on November 19, 2010 that they will be extending the Time Machine Tour for a second leg. They are scheduled to play Europe in spring 2011 and return to North America for dates between March and July.[66]

    On April 24, 2010, the documentary Rush: Beyond the Lighted Stage directed by Sam Dunn premiered at the Tribeca Film Festival. It went on to receive the Tribeca Film Festival Audience Award.[67] The band's music was featured in the 2010 documentary Jews and Baseball: An American Love Story, narrated by Academy Award winner Dustin Hoffman.[68][69]

    On June 25, 2010, Rush received a star on the Hollywood Walk of Fame, located at 6752 Hollywood Boulevard. Critical acclaim continued to mount for Rush in 2010 when, on September 28, Classic Rock magazine announced Rush would be this year's Living Legends awarded at the Marshall Classic Rock Roll of Honour Awards in the UK.[70] The award was presented November 10, 2010. On September 29, Billboard.com announced that Rush would also receive the 2010 Legends of Live award for significant and lasting contributions to live music and the art of performing live and reaching fans through the concert experience.[71] The award was presented at the Billboard Touring Awards on November 4, 2010.

    The original line-up formed in the neighbourhood of Willowdale in Toronto, Ontario, by Lifeson, bassist and front man Jeff Jones, and drummer John Rutsey. Within a couple of weeks of forming, and before their second performance, bassist and lead vocalist Jones was replaced by Geddy Lee, a schoolmate of Lifeson. After several lineup reformations, Rush's official incarnation was formed in May 1971 consisting of Lee, Lifeson, and Rutsey. The band was managed by local Toronto resident Ray Danniels, a frequent attendee of Rush's early shows.[7][8]

    After gaining stability in the lineup and honing their skills on the local bar/high school dance circuit, the band came to release their first single "Not Fade Away", a cover of the Buddy Holly song, in 1973. Side B contained an original composition, "You Can't Fight It", credited to Lee and Rutsey. The single generated little reaction and, because of record company indifference, the band formed their own independent record label, Moon Records. With the aid of Danniels and the newly enlisted engineer Terry Brown, the band released their self-titled debut album in 1974, which was considered highly derivative of Led Zeppelin.[9] Rush had limited local popularity until the album was picked up by WMMS, a radio station in Cleveland, Ohio. Donna Halper, a DJ and music director working at the station, selected "Working Man" for her regular play list. The song's blue collar theme resonated with hard rock fans and this new found popularity led to the album being re-released by Mercury Records in the U.S.[10][11]


    The "starman" logo first appeared on the back cover of the 1976 album 2112. Hugh Syme, creator of graphics on many of Rush's albums, stated in a 1983 interview that the Starman "didn't begin as an identity factor for the band, it just got adopted."[12]Immediately after the release of the debut album in 1974, Rutsey was forced to leave the band due to health difficulties stemming from diabetes and a general distaste for touring. His last performance with the band was on July 25, 1974 at Centennial Hall in London, Ontario. Rush held auditions for a new dummer and eventually selected Neil Peart as Rutsey's replacement. Peart officially joined the band on July 29, 1974, two weeks before the group's first U.S. tour. They performed their first concert together, opening for Uriah Heep and Manfred Mann with an attendance of over 11,000 people at the Civic Arena in Pittsburgh, Pennsylvania on August 14. In addition to becoming the band's drummer, Peart assumed the role of principal lyricist from Lee, who had very little interest in writing, despite penning the lyrics of the band's first album.[13] Instead, Lee, along with Lifeson, focused primarily on the musical aspects of Rush. Fly by Night (1975), Rush's first album after recruiting Peart, saw the inclusion of the band's first epic mini-tale "By-Tor and the Snow Dog", replete with complex arrangements and multi-section format. Lyrical themes also underwent dramatic changes after the addition of Peart because of his love for fantasy and science-fiction literature.[14] However, despite these many differences some of the music and songs still closely mirrored the blues style found on Rush's debut.[14][15]

    Following quickly on the heels of Fly By Night, the band released 1975's Caress of Steel, a five track hard rock/heavy metal album featuring two extended multi-chapter songs, "The Necromancer" and "The Fountain of Lamneth." Some critics said Caress of Steel was unfocused and an audacious move for the band because of the placement of two back-to-back protracted songs, as well as a heavier reliance on atmospherics and story-telling, a large deviation from Fly by Night.[16] Intended to be the band's first "break-through" album, Caress of Steel sold below expectations and the promotional tour consisted of smaller venues which led to the moniker the "Down the Tubes Tour".[17] In light of these events, Rush's record label pressured them into molding their next album in a more commercially friendly and accessible fashion. However, the band ignored the requests and developed their next album, 2112 with a 20-minute title track divided into seven sections. Despite this, the album was the band's first taste of commercial success and their first platinum album in Canada.[18] The supporting tour for the album culminated in a three night stand at Massey Hall in Toronto, which the band recorded for the release of their first live album titled All the World's a Stage. Allmusic critic Greg Prato summarily reminds listeners and fans of how the album demarcates the boundary between the band's early years and the next era of their music.[19][20]

    [edit] The progressive rock era (1977–1981)After 2112, Rush retreated to the United Kingdom to record 1977's A Farewell to Kings and 1978's Hemispheres at Rockfield Studios in Wales. These albums saw the band members expanding the use of progressive elements in their music. "As our tastes got more obscure," Geddy Lee said in a recent interview, "we discovered more progressive rock-based bands like Yes, Van der Graaf Generator and King Crimson, and we were very inspired by those bands. They made us want to make our music more interesting and more complex and we tried to blend that with our own personalities to see what we could come up with that was indisputably us."[21] Trademarks such as increased synthesizer usage, extended-length concept songs, and highly dynamic playing featuring complex time signature changes became a staple of Rush's compositions. To achieve a broader, more progressive palette of sound, Alex Lifeson began to experiment with classical and twelve-string guitars, and Geddy Lee added bass-pedal synthesizers and Minimoog. Likewise, Peart's percussion became diversified in the form of triangles, glockenspiel, wood blocks, cowbells, timpani, gong and chimes. Beyond instrument additions, the band kept in stride with the progressive rock movement by continuing to compose long, conceptual songs with science fiction and fantasy overtones. However, as the new decade approached, Rush gradually began to dispose of their older styles of music in favor of shorter, and sometimes softer, arrangements. The lyrics up to this point (most of them written by Peart) were heavily influenced by classical poetry, fantasy literature, science fiction, and the writings of novelist Ayn Rand, as exhibited most prominently by their 1975 song "Anthem" from Fly By Night and a specifically acknowledged derivation in 1976's 2112.[22]

    Permanent Waves (1980) dramatically shifted Rush's style of music via the introduction of reggae and new wave elements.[23] Although a hard rock style was still evident, more and more synthesizers were introduced. Moreover, because of the limited airplay Rush's previous extended-length songs received, Permanent Waves included shorter, more radio-friendly songs such as "The Spirit of Radio" and "Freewill", two songs which helped Permanent Waves become Rush's first U.S. Top 5 album; both songs continue to make appearances on classic rock radio stations in Canada and the United States to this day.[24] Meanwhile, Peart's lyrics shifted toward an expository tone with subject matter that dwelled less on fantastical or allegorical story-telling and more heavily on topics that explored humanistic, social and emotional elements. Rush joined with fellow Toronto-based rock band Max Webster on July 28, 1980 to record "Battle Scar" for their 1980 release, Universal Juveniles.[25] While on tour together following the release, both bands would join between sets to play "Battle Scar". The song acted as both a transition from Max Webster to Rush, as well as a warm-up for Peart. In addition, Max Webster lyricist Pye Dubois offered the band lyrics to a song he had written. The band accepted; the song went on, after reworking by Peart, to become "Tom Sawyer".[25]

    "Tom Sawyer" (1981)

    Sample of "Tom Sawyer" from the album Moving Pictures. This is the band's best known song with heaviest radio airplay.

    --------------------------------------------------------------------------------

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    Rush's popularity reached its pinnacle with the release of Moving Pictures in 1981. Moving Pictures essentially continued where Permanent Waves left off, extending the trend of highly accessible and commercially friendly progressive rock that helped thrust them into the spotlight. The lead track, "Tom Sawyer", is probably the band's best-known song[26] with "Limelight" also receiving satisfactory responses from listeners and radio stations. Moving Pictures was Rush's last album to feature an extended song, the eleven-minute "The Camera Eye". The song also contained the band's heaviest usage of synthesizers up to that point, hinting that Rush's music was shifting direction once more. Moving Pictures reached #3 on the Billboard 200 album chart and has been certified quadruple platinum by the Recording Industry Association of America.[27]

    Following the success of Moving Pictures and the completion of another four studio albums, Rush released their second live recording, Exit...Stage Left, in 1981. The album delineates the apex of Rush's progressive period by featuring live material from the band's Permanent Waves and Moving Pictures tours. As with their first live release, Exit...Stage Left identified the margin of a new chapter of Rush's sound.

    [edit] The synthesizer period (1982–1989)
    The OBX synthesizer used by Geddy Lee on the album Signals (1982).The band underwent another radical stylistic transmutation with the release of Signals in 1982.[28]

    While Lee's synthesizers had been featured instruments ever since the late 70s, keyboards were suddenly shifted from the contrapuntal background to the melodic front-lines[29][30] in songs like "Countdown" and the lead-off track "Subdivisions". Both feature prominent lead synthesizer lines with minimalistic guitar chords and solos. Other previously unused instrument additions were seen in the song "Losing It," featuring collaborator Ben Mink on electric violin.[28]

    "Subdivisions" (1982)

    Sample of "Subdivisions" from the album Signals. This song is notable for demonstrating the band's foray into their synthesizer period.

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    Signals also represented a drastic stylistic transformation apart from instrumental changes. The album contained Rush's only U.S. top-40 pop hit, "New World Man",[31] while other more experimental songs such as "Digital Man", "The Weapon", and "Chemistry" expanded the band's use of ska, reggae, and funk.[32] Although the band members consciously decided to move in this overall direction, they felt dissatisfied with long-time producer Terry Brown's studio treatment of Signals and parted ways with him in 1983. These diverse styles would come into further play on their next studio album.


    Neil Peart began incorporating Simmons Electronic Drums beginning with 1984's Grace Under PressureThe style and production of Signals were augmented and taken to new heights on 1984's Grace Under Pressure. It was Peart who named the album, as he borrowed the words of Ernest Hemingway to describe what the band had to go through after making the decision to leave Terry Brown. Producer Steve Lillywhite, who gleaned fame with successful productions of Simple Minds and U2, was enlisted to produce Grace Under Pressure. However, he backed out at the last moment, much to the ire of Lee, Lifeson and Peart. Lee said "Steve Lillywhite is really not a man of his word....after agreeing to do our record, he got an offer from Simple Minds, changed his mind, blew us off,..so it put us in a horrible position." Rush eventually hired Peter Henderson to co-produce and engineer the album in his stead.[33]

    Musically, although Lee's use of sequencers and synthesizers remained the band's cornerstone, his focus on new technology was complemented by Peart's adaptation of Simmons electronic drums and percussion. Lifeson's contributions on the album were decidedly enhanced to act as an overreaction to the minimalistic role he played on Signals.[34] Still, many of his trademark guitar textures remained intact in the form of open reggae chords and funk and new-wave rhythms.

    With new producer Peter Collins, the band released 1985's Power Windows and 1987's Hold Your Fire. The music on these two albums gives far more emphasis and prominence to Lee's multi-layered synthesizer work. While fans and critics took notice of Lifeson's diminished guitar work, his presence was still palpable. Lifeson, like many guitarists in the late 1980s, experimented with processors that reduced his instrument to echoey chord bursts and razor-thin leads. Hold Your Fire represents both a modest extension of the guitar stylings found on Power Windows, and, according to Allmusic critic Eduardo Rivadavia, the culmination of this era of Rush.[35] Whereas the previous five Rush albums sold platinum or better, Hold Your Fire only went gold in November 1987, although it managed to peak at number 13 on the Billboard 200.[36]

    A third live album and video, A Show of Hands (1989), was also released by Mercury following the Power Windows and Hold Your Fire tours, demonstrating the aspects of Rush in the '80s. A Show of Hands met with strong fan approval, but Rolling Stone critic Michael Azerrad dismissed it as "musical muscle" with 1.5 stars, claiming Rush fans viewed their favourite power trio as "the holy trinity".[37] Nevertheless, A Show of Hands managed to surpass the gold album mark, reaching number 21 on the Billboard 200.[38] At this point, the group decided to change record labels from Mercury to Atlantic. After Rush's departure in 1989, Mercury released a double platinum two-volume compilation of their Rush catalogue, Chronicles (1990).[39]

    [edit] Returning to their roots (1989–1997) "Dreamline" (1991)

    Sample of "Dreamline" from the album Roll the Bones. This song is notable for demonstrating the band's return to a more standard three piece instrument style, where synthesizers are used more sparingly and the guitar returning to the forefront of the sound.

    --------------------------------------------------------------------------------

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    Rush started to deviate from their 1980s style with the albums Presto and Roll the Bones. Produced by record engineer and musician Rupert Hine, these two albums saw Rush shedding much of their keyboard-saturated sound. Beginning with 1989's Presto, the band opted for arrangements that were notably more guitar-centric than the previous two studio albums. Although synthesizers were still used in many songs, the instrument was no longer featured as the centerpiece of Rush's compositions. Continuing this trend, 1991's Roll the Bones extended the use of the standard three-instrument approach with even less focus on synthesizers than its predecessor. While musically these albums do not deviate significantly from a general pop-rock sound, Rush incorporated traces of other musical styles. "Roll the Bones", for instance, exhibits funk and hip hop elements, and the instrumental track "Where's My Thing?" features several jazz components.[40] This return to three-piece instrumentation helped pave the way for future albums in the mid-90s, which would adopt a more straightforward rock formula.

    The transition from synthesizers to more guitar-oriented and organic instrumentation continued with the 1993 album Counterparts[41] and its follow-up, 1996's Test for Echo, again both produced in collaboration with Peter Collins. Musically, Counterparts[41] and Test For Echo are two of Rush's most guitar-driven albums. Although the music in general did not meet the criteria for progressive rock, some songs adopted a dynamic format.[42] For instance, "Time and Motion" possesses multiple time signature changes and organ usage, while the instrumental track "Limbo", consists of multiple musical passages. Musically, Test For Echo still retained much of the hard rock/alternative style already charted on the previous record with Lifeson and Lee's playing remaining more or less unchanged; however, a distinct modification in technique became apparent in Peart's playing from his jazz and swing training under the tutelage of jazz instructor Freddie Gruber during the interim between Counterparts and Test For Echo.[43] In October 1996, in support of Test For Echo, the band embarked on a North American tour, the band's first without an opening act and dubbed "An Evening with Rush". The tour was broken up into two segments spanning October through December 1996 and May through July 1997 with the band taking a respite between tour legs.

    [edit] Hiatus and comeback (1997–2005)After wrapping up the tour promoting Test for Echo in 1997, the band entered a five-year hiatus mainly because of personal tragedies in Peart's life. Peart's daughter Selena died in an automobile accident in August 1997, followed by his wife Jacqueline's death from cancer in June 1998. Peart took a hiatus to mourn and reflect, during which time he traveled extensively throughout North America on his BMW motorcycle, covering 88,000 km (55,000 miles). At some point in his journey, Peart decided to return to the band. Peart wrote Ghost Rider: Travels on the Healing Road as a chronicle of his geographical and emotional journey. In this book he writes of how he had told his bandmates at Selena's funeral, "consider me retired."[44] On November 10, 1998 a triple CD live album entitled Different Stages was released, dedicated to the memory of Selena and Jacqueline. Mixed by producer Paul Northfield and engineered by Terry Brown, it contained three discs packed with recorded performances from the band's Counterparts, Test For Echo, and A Farewell to Kings tours, marking the fourth officially released live album by the band.

    "One Little Victory" (2002)

    Sample of "One Little Victory" from the album Vapor Trails. This song's rapid tempo and heavy double bass drumming was done intentionally in order to herald the comeback of the band after their hiatus.

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    After a time to grieve and reassemble the pieces of his life, and while visiting long-time Rush photographer Andrew MacNaughtan in Los Angeles, Peart was introduced to his future wife, photographer Carrie Nuttall. Peart married Nuttall on September 9, 2000. In early 2001 he announced to his band mates that he was ready to once again enter the studio and get back into the business of making music. With the help of producer Paul Northfield the band returned in May 2002 with Vapor Trails, written and recorded in Toronto. To herald the band's comeback, the single and lead track from the album, "One Little Victory" was designed to grab the attention of listeners with its rapid guitar and drum tempos.[45] Vapor Trails marked the first studio recording not to include a single synthesizer, organ or keyboard part since the early 1970s. While the album is almost completely guitar-driven, it is mostly devoid of any conventional sounding guitar solos, a conscious decision made by Lifeson during the writing process. According to the band, the entire developmental process for Vapor Trails was extremely taxing and took approximately 14 months to finish, by far the longest the band had ever spent writing and recording a studio album.[45] The album was supported by the band's first tour in six years, including first-ever concerts in Mexico City and Brazil, where they played to some of the largest crowds of their career.

    A triple CD live album and dual Rush in Rio DVD was released in late October 2003 featuring an entire concert performance recorded on the last night of their Vapor Trails Tour, November 23, 2002, at Maracanã Stadium in Rio de Janeiro, Brazil. To celebrate their 30th anniversary, June 2004 saw the release of Feedback, a studio EP recorded in suburban Toronto featuring eight covers of such artists as Cream, The Who and The Yardbirds, bands that the members of Rush cite as inspiration around the time of their inception.[46] Also in the summer of 2004, Rush hit the road again for their 30th Anniversary Tour, playing dates in the United States, Canada, the United Kingdom, Germany, Italy, Sweden, the Czech Republic, and the Netherlands. On September 24, 2004 a Frankfurt, Germany concert was recorded at The Festhalle for DVD (titled R30: Live in Frankfurt), which was released November 22, 2005; a complete version of the R30 Frankfurt set (the original DVD release omitted eight songs) was released on Blu-ray on December 8, 2009.[47]

    [edit] Snakes & Arrows (2006–2009)Main articles: Snakes & Arrows and Snakes & Arrows Tour
    During promotional interviews for the R30 Live In Frankfurt DVD, the band revealed their intention to begin writing new material in early 2006. While in Toronto, Lifeson and Lee began the songwriting process in January 2006. During this time, Peart simultaneously assumed his role of lyric writing while residing in Southern California. The following September, Rush chose to hire American producer Nick Raskulinecz to co-produce the album. The band officially entered Allaire Studios, in Shokan, New York in November 2006 in order to record the bulk of the material. Taking the band five weeks, the sessions ended in December. On February 14, 2007, an announcement was made on the official Rush web site that the title of the new album would be Snakes & Arrows. The first single, entitled "Far Cry", was released to North American radio stations on March 12, 2007 and reached #2 on the Mediabase Mainstream and Radio and Records Charts.[48]

    "Far Cry" (2007)

    Sample of "Far Cry", first single from the album Snakes & Arrows.

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    The Rush website, newly redesigned on March 12 to support the new album, also announced that the band would embark on a tour to begin in the summer. Snakes & Arrows was released May 1, 2007 in North America, where it debuted at #3 in the Billboard 200 with approximately 93,000 units sold in its first week.[49] It would go on to sell an estimated 611,000 copies worldwide. To coincide with the Atlantic ocean hurricane season, "Spindrift" was released as the official second radio single on June 1, 2007, whereas "The Larger Bowl (A Pantoum)" saw single status on June 25, 2007. "The Larger Bowl" positioned within the top 20 of the Mainstream Rock and Media Base Mainstream charts, however, "Spindrift" failed to appear on any commercial chart.[50] The planned intercontinental tour in support of Snakes & Arrows began on June 13, 2007 in Atlanta, Georgia, coming to a close on October 29, 2007 at Hartwall Arena in Helsinki, Finland.[51]

    The 2008 portion of the tour started on April 11, 2008 in San Juan, Puerto Rico at José Miguel Agrelot Coliseum and culminated on July 24, 2008 in Noblesville, Indiana at the Verizon Wireless Music Center.[52] On April 15, the band released Snakes & Arrows Live, a double live album documenting the first leg of the tour.[53] Those same performances featured on Snakes & Arrows Live filmed at the Ahoy arena in Rotterdam, Netherlands on October 16 and 17 of 2007 were released November 24 as a DVD and Blu-Ray set. The video also includes footage from the 2008 portion of the tour, recorded at Verizon Wireless Amphitheater in Atlanta.[54][55][56]

    As the band neared the conclusion of their Snakes & Arrows tour, they announced their first appearance on American television in over 30 years. Rush was interviewed by Stephen Colbert and they performed "Tom Sawyer" on The Colbert Report on July 16, 2008.[57] Continuing to ride what one movie reviewer has called a "pop cultural wave," they also appeared at a live show in April 2009 for the comedy film I Love You, Man.[58]

    [edit] Clockwork Angels and Time Machine Tour (2009–present)On February 16, 2009, Lifeson remarked that the band may begin working on a new album in the Fall 2009 with Nick Raskulinecz once again producing.[59] On March 19, 2010, the CBC posted a video interview with Lee and Lifeson where they discussed Rush's induction into the Canadian Songwriters Hall of Fame on March 28, 2010 at the Toronto Centre for the Arts' George Weston Recital Hall. The band was recognized for the songs "Limelight", "Closer to the Heart", "The Spirit of Radio", "Tom Sawyer" and "Subdivisions". In addition to discussing their induction, Lee and Lifeson touched on future material. During the interview, Lee was quoted as saying "... Just about a month and a half ago we had no songs. And now we've been writing and now we've got about 6 songs that we just love...".[60] On March 26, 2010, in an interview with The Globe and Mail, Lifeson reconfirmed that the band had already written a half-dozen songs and that there was the potential for two supporting tours, one planned for Summer 2010 and a more extensive tour planned for Summer 2011. While still uncertain of exactly how and when the new material would be released, he projected a tentative Spring 2011 release date.[61] Soon after, Peart confirmed that American producer Nick Raskulinecz had returned as co-producer.[62]

    On April 8, 2010 both the official Rush website and PR Newswire announced that the band would embark on the Rush Time Machine Tour. The first leg of the tour began on June 29 in Albuquerque, New Mexico and finished October 17 in Santiago, Chile at the National stadium. It featured the album Moving Pictures played in its entirety, as well as the single "Caravan" and its B-side "BU2B". These songs will be featured on the band's upcoming studio album, Clockwork Angels.[63] The "Caravan" single was announced May 25, 2010 and was released June 1 to radio stations and made available for digital download.[64] It was suggested that Rush would return to the studio after the completion of the Time Machine Tour with plans to release Clockwork Angels in 2011.[65] However, Rush confirmed on November 19, 2010 that they will be extending the Time Machine Tour for a second leg. They are scheduled to play Europe in spring 2011 and return to North America for dates between March and July.[66]

    On April 24, 2010, the documentary Rush: Beyond the Lighted Stage directed by Sam Dunn premiered at the Tribeca Film Festival. It went on to receive the Tribeca Film Festival Audience Award.[67] The band's music was featured in the 2010 documentary Jews and Baseball: An American Love Story, narrated by Academy Award winner Dustin Hoffman.[68][69]

    On June 25, 2010, Rush received a star on the Hollywood Walk of Fame, located at 6752 Hollywood Boulevard. Critical acclaim continued to mount for Rush in 2010 when, on September 28, Classic Rock magazine announced Rush would be this year's Living Legends awarded at the Marshall Classic Rock Roll of Honour Awards in the UK.[70] The award was presented November 10, 2010. On September 29, Billboard.com announced that Rush would also receive the 2010 Legends of Live award for significant and lasting contributions to live music and the art of performing live and reaching fans through the concert experience.[71] The award was presented at the Billboard Touring Awards on November 4, 2010.

    The original line-up formed in the neighbourhood of Willowdale in Toronto, Ontario, by Lifeson, bassist and front man Jeff Jones, and drummer John Rutsey. Within a couple of weeks of forming, and before their second performance, bassist and lead vocalist Jones was replaced by Geddy Lee, a schoolmate of Lifeson. After several lineup reformations, Rush's official incarnation was formed in May 1971 consisting of Lee, Lifeson, and Rutsey. The band was managed by local Toronto resident Ray Danniels, a frequent attendee of Rush's early shows.[7][8]

    After gaining stability in the lineup and honing their skills on the local bar/high school dance circuit, the band came to release their first single "Not Fade Away", a cover of the Buddy Holly song, in 1973. Side B contained an original composition, "You Can't Fight It", credited to Lee and Rutsey. The single generated little reaction and, because of record company indifference, the band formed their own independent record label, Moon Records. With the aid of Danniels and the newly enlisted engineer Terry Brown, the band released their self-titled debut album in 1974, which was considered highly derivative of Led Zeppelin.[9] Rush had limited local popularity until the album was picked up by WMMS, a radio station in Cleveland, Ohio. Donna Halper, a DJ and music director working at the station, selected "Working Man" for her regular play list. The song's blue collar theme resonated with hard rock fans and this new found popularity led to the album being re-released by Mercury Records in the U.S.[10][11]


    The "starman" logo first appeared on the back cover of the 1976 album 2112. Hugh Syme, creator of graphics on many of Rush's albums, stated in a 1983 interview that the Starman "didn't begin as an identity factor for the band, it just got adopted."[12]Immediately after the release of the debut album in 1974, Rutsey was forced to leave the band due to health difficulties stemming from diabetes and a general distaste for touring. His last performance with the band was on July 25, 1974 at Centennial Hall in London, Ontario. Rush held auditions for a new dummer and eventually selected Neil Peart as Rutsey's replacement. Peart officially joined the band on July 29, 1974, two weeks before the group's first U.S. tour. They performed their first concert together, opening for Uriah Heep and Manfred Mann with an attendance of over 11,000 people at the Civic Arena in Pittsburgh, Pennsylvania on August 14. In addition to becoming the band's drummer, Peart assumed the role of principal lyricist from Lee, who had very little interest in writing, despite penning the lyrics of the band's first album.[13] Instead, Lee, along with Lifeson, focused primarily on the musical aspects of Rush. Fly by Night (1975), Rush's first album after recruiting Peart, saw the inclusion of the band's first epic mini-tale "By-Tor and the Snow Dog", replete with complex arrangements and multi-section format. Lyrical themes also underwent dramatic changes after the addition of Peart because of his love for fantasy and science-fiction literature.[14] However, despite these many differences some of the music and songs still closely mirrored the blues style found on Rush's debut.[14][15]

    Following quickly on the heels of Fly By Night, the band released 1975's Caress of Steel, a five track hard rock/heavy metal album featuring two extended multi-chapter songs, "The Necromancer" and "The Fountain of Lamneth." Some critics said Caress of Steel was unfocused and an audacious move for the band because of the placement of two back-to-back protracted songs, as well as a heavier reliance on atmospherics and story-telling, a large deviation from Fly by Night.[16] Intended to be the band's first "break-through" album, Caress of Steel sold below expectations and the promotional tour consisted of smaller venues which led to the moniker the "Down the Tubes Tour".[17] In light of these events, Rush's record label pressured them into molding their next album in a more commercially friendly and accessible fashion. However, the band ignored the requests and developed their next album, 2112 with a 20-minute title track divided into seven sections. Despite this, the album was the band's first taste of commercial success and their first platinum album in Canada.[18] The supporting tour for the album culminated in a three night stand at Massey Hall in Toronto, which the band recorded for the release of their first live album titled All the World's a Stage. Allmusic critic Greg Prato summarily reminds listeners and fans of how the album demarcates the boundary between the band's early years and the next era of their music.[19][20]

    [edit] The progressive rock era (1977–1981)After 2112, Rush retreated to the United Kingdom to record 1977's A Farewell to Kings and 1978's Hemispheres at Rockfield Studios in Wales. These albums saw the band members expanding the use of progressive elements in their music. "As our tastes got more obscure," Geddy Lee said in a recent interview, "we discovered more progressive rock-based bands like Yes, Van der Graaf Generator and King Crimson, and we were very inspired by those bands. They made us want to make our music more interesting and more complex and we tried to blend that with our own personalities to see what we could come up with that was indisputably us."[21] Trademarks such as increased synthesizer usage, extended-length concept songs, and highly dynamic playing featuring complex time signature changes became a staple of Rush's compositions. To achieve a broader, more progressive palette of sound, Alex Lifeson began to experiment with classical and twelve-string guitars, and Geddy Lee added bass-pedal synthesizers and Minimoog. Likewise, Peart's percussion became diversified in the form of triangles, glockenspiel, wood blocks, cowbells, timpani, gong and chimes. Beyond instrument additions, the band kept in stride with the progressive rock movement by continuing to compose long, conceptual songs with science fiction and fantasy overtones. However, as the new decade approached, Rush gradually began to dispose of their older styles of music in favor of shorter, and sometimes softer, arrangements. The lyrics up to this point (most of them written by Peart) were heavily influenced by classical poetry, fantasy literature, science fiction, and the writings of novelist Ayn Rand, as exhibited most prominently by their 1975 song "Anthem" from Fly By Night and a specifically acknowledged derivation in 1976's 2112.[22]

    Permanent Waves (1980) dramatically shifted Rush's style of music via the introduction of reggae and new wave elements.[23] Although a hard rock style was still evident, more and more synthesizers were introduced. Moreover, because of the limited airplay Rush's previous extended-length songs received, Permanent Waves included shorter, more radio-friendly songs such as "The Spirit of Radio" and "Freewill", two songs which helped Permanent Waves become Rush's first U.S. Top 5 album; both songs continue to make appearances on classic rock radio stations in Canada and the United States to this day.[24] Meanwhile, Peart's lyrics shifted toward an expository tone with subject matter that dwelled less on fantastical or allegorical story-telling and more heavily on topics that explored humanistic, social and emotional elements. Rush joined with fellow Toronto-based rock band Max Webster on July 28, 1980 to record "Battle Scar" for their 1980 release, Universal Juveniles.[25] While on tour together following the release, both bands would join between sets to play "Battle Scar". The song acted as both a transition from Max Webster to Rush, as well as a warm-up for Peart. In addition, Max Webster lyricist Pye Dubois offered the band lyrics to a song he had written. The band accepted; the song went on, after reworking by Peart, to become "Tom Sawyer".[25]

    "Tom Sawyer" (1981)

    Sample of "Tom Sawyer" from the album Moving Pictures. This is the band's best known song with heaviest radio airplay.

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    Rush's popularity reached its pinnacle with the release of Moving Pictures in 1981. Moving Pictures essentially continued where Permanent Waves left off, extending the trend of highly accessible and commercially friendly progressive rock that helped thrust them into the spotlight. The lead track, "Tom Sawyer", is probably the band's best-known song[26] with "Limelight" also receiving satisfactory responses from listeners and radio stations. Moving Pictures was Rush's last album to feature an extended song, the eleven-minute "The Camera Eye". The song also contained the band's heaviest usage of synthesizers up to that point, hinting that Rush's music was shifting direction once more. Moving Pictures reached #3 on the Billboard 200 album chart and has been certified quadruple platinum by the Recording Industry Association of America.[27]

    Following the success of Moving Pictures and the completion of another four studio albums, Rush released their second live recording, Exit...Stage Left, in 1981. The album delineates the apex of Rush's progressive period by featuring live material from the band's Permanent Waves and Moving Pictures tours. As with their first live release, Exit...Stage Left identified the margin of a new chapter of Rush's sound.

    [edit] The synthesizer period (1982–1989)
    The OBX synthesizer used by Geddy Lee on the album Signals (1982).The band underwent another radical stylistic transmutation with the release of Signals in 1982.[28]

    While Lee's synthesizers had been featured instruments ever since the late 70s, keyboards were suddenly shifted from the contrapuntal background to the melodic front-lines[29][30] in songs like "Countdown" and the lead-off track "Subdivisions". Both feature prominent lead synthesizer lines with minimalistic guitar chords and solos. Other previously unused instrument additions were seen in the song "Losing It," featuring collaborator Ben Mink on electric violin.[28]

    "Subdivisions" (1982)

    Sample of "Subdivisions" from the album Signals. This song is notable for demonstrating the band's foray into their synthesizer period.

    --------------------------------------------------------------------------------

    Problems listening to this file? See media help.

    Signals also represented a drastic stylistic transformation apart from instrumental changes. The album contained Rush's only U.S. top-40 pop hit, "New World Man",[31] while other more experimental songs such as "Digital Man", "The Weapon", and "Chemistry" expanded the band's use of ska, reggae, and funk.[32] Although the band members consciously decided to move in this overall direction, they felt dissatisfied with long-time producer Terry Brown's studio treatment of Signals and parted ways with him in 1983. These diverse styles would come into further play on their next studio album.


    Neil Peart began incorporating Simmons Electronic Drums beginning with 1984's Grace Under PressureThe style and production of Signals were augmented and taken to new heights on 1984's Grace Under Pressure. It was Peart who named the album, as he borrowed the words of Ernest Hemingway to describe what the band had to go through after making the decision to leave Terry Brown. Producer Steve Lillywhite, who gleaned fame with successful productions of Simple Minds and U2, was enlisted to produce Grace Under Pressure. However, he backed out at the last moment, much to the ire of Lee, Lifeson and Peart. Lee said "Steve Lillywhite is really not a man of his word....after agreeing to do our record, he got an offer from Simple Minds, changed his mind, blew us off,..so it put us in a horrible position." Rush eventually hired Peter Henderson to co-produce and engineer the album in his stead.[33]

    Musically, although Lee's use of sequencers and synthesizers remained the band's cornerstone, his focus on new technology was complemented by Peart's adaptation of Simmons electronic drums and percussion. Lifeson's contributions on the album were decidedly enhanced to act as an overreaction to the minimalistic role he played on Signals.[34] Still, many of his trademark guitar textures remained intact in the form of open reggae chords and funk and new-wave rhythms.

    With new producer Peter Collins, the band released 1985's Power Windows and 1987's Hold Your Fire. The music on these two albums gives far more emphasis and prominence to Lee's multi-layered synthesizer work. While fans and critics took notice of Lifeson's diminished guitar work, his presence was still palpable. Lifeson, like many guitarists in the late 1980s, experimented with processors that reduced his instrument to echoey chord bursts and razor-thin leads. Hold Your Fire represents both a modest extension of the guitar stylings found on Power Windows, and, according to Allmusic critic Eduardo Rivadavia, the culmination of this era of Rush.[35] Whereas the previous five Rush albums sold platinum or better, Hold Your Fire only went gold in November 1987, although it managed to peak at number 13 on the Billboard 200.[36]

    A third live album and video, A Show of Hands (1989), was also released by Mercury following the Power Windows and Hold Your Fire tours, demonstrating the aspects of Rush in the '80s. A Show of Hands met with strong fan approval, but Rolling Stone critic Michael Azerrad dismissed it as "musical muscle" with 1.5 stars, claiming Rush fans viewed their favourite power trio as "the holy trinity".[37] Nevertheless, A Show of Hands managed to surpass the gold album mark, reaching number 21 on the Billboard 200.[38] At this point, the group decided to change record labels from Mercury to Atlantic. After Rush's departure in 1989, Mercury released a double platinum two-volume compilation of their Rush catalogue, Chronicles (1990).[39]

    [edit] Returning to their roots (1989–1997) "Dreamline" (1991)

    Sample of "Dreamline" from the album Roll the Bones. This song is notable for demonstrating the band's return to a more standard three piece instrument style, where synthesizers are used more sparingly and the guitar returning to the forefront of the sound.

    --------------------------------------------------------------------------------

    Problems listening to this file? See media help.

    Rush started to deviate from their 1980s style with the albums Presto and Roll the Bones. Produced by record engineer and musician Rupert Hine, these two albums saw Rush shedding much of their keyboard-saturated sound. Beginning with 1989's Presto, the band opted for arrangements that were notably more guitar-centric than the previous two studio albums. Although synthesizers were still used in many songs, the instrument was no longer featured as the centerpiece of Rush's compositions. Continuing this trend, 1991's Roll the Bones extended the use of the standard three-instrument approach with even less focus on synthesizers than its predecessor. While musically these albums do not deviate significantly from a general pop-rock sound, Rush incorporated traces of other musical styles. "Roll the Bones", for instance, exhibits funk and hip hop elements, and the instrumental track "Where's My Thing?" features several jazz components.[40] This return to three-piece instrumentation helped pave the way for future albums in the mid-90s, which would adopt a more straightforward rock formula.

    The transition from synthesizers to more guitar-oriented and organic instrumentation continued with the 1993 album Counterparts[41] and its follow-up, 1996's Test for Echo, again both produced in collaboration with Peter Collins. Musically, Counterparts[41] and Test For Echo are two of Rush's most guitar-driven albums. Although the music in general did not meet the criteria for progressive rock, some songs adopted a dynamic format.[42] For instance, "Time and Motion" possesses multiple time signature changes and organ usage, while the instrumental track "Limbo", consists of multiple musical passages. Musically, Test For Echo still retained much of the hard rock/alternative style already charted on the previous record with Lifeson and Lee's playing remaining more or less unchanged; however, a distinct modification in technique became apparent in Peart's playing from his jazz and swing training under the tutelage of jazz instructor Freddie Gruber during the interim between Counterparts and Test For Echo.[43] In October 1996, in support of Test For Echo, the band embarked on a North American tour, the band's first without an opening act and dubbed "An Evening with Rush". The tour was broken up into two segments spanning October through December 1996 and May through July 1997 with the band taking a respite between tour legs.

    [edit] Hiatus and comeback (1997–2005)After wrapping up the tour promoting Test for Echo in 1997, the band entered a five-year hiatus mainly because of personal tragedies in Peart's life. Peart's daughter Selena died in an automobile accident in August 1997, followed by his wife Jacqueline's death from cancer in June 1998. Peart took a hiatus to mourn and reflect, during which time he traveled extensively throughout North America on his BMW motorcycle, covering 88,000 km (55,000 miles). At some point in his journey, Peart decided to return to the band. Peart wrote Ghost Rider: Travels on the Healing Road as a chronicle of his geographical and emotional journey. In this book he writes of how he had told his bandmates at Selena's funeral, "consider me retired."[44] On November 10, 1998 a triple CD live album entitled Different Stages was released, dedicated to the memory of Selena and Jacqueline. Mixed by producer Paul Northfield and engineered by Terry Brown, it contained three discs packed with recorded performances from the band's Counterparts, Test For Echo, and A Farewell to Kings tours, marking the fourth officially released live album by the band.

    "One Little Victory" (2002)

    Sample of "One Little Victory" from the album Vapor Trails. This song's rapid tempo and heavy double bass drumming was done intentionally in order to herald the comeback of the band after their hiatus.

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    After a time to grieve and reassemble the pieces of his life, and while visiting long-time Rush photographer Andrew MacNaughtan in Los Angeles, Peart was introduced to his future wife, photographer Carrie Nuttall. Peart married Nuttall on September 9, 2000. In early 2001 he announced to his band mates that he was ready to once again enter the studio and get back into the business of making music. With the help of producer Paul Northfield the band returned in May 2002 with Vapor Trails, written and recorded in Toronto. To herald the band's comeback, the single and lead track from the album, "One Little Victory" was designed to grab the attention of listeners with its rapid guitar and drum tempos.[45] Vapor Trails marked the first studio recording not to include a single synthesizer, organ or keyboard part since the early 1970s. While the album is almost completely guitar-driven, it is mostly devoid of any conventional sounding guitar solos, a conscious decision made by Lifeson during the writing process. According to the band, the entire developmental process for Vapor Trails was extremely taxing and took approximately 14 months to finish, by far the longest the band had ever spent writing and recording a studio album.[45] The album was supported by the band's first tour in six years, including first-ever concerts in Mexico City and Brazil, where they played to some of the largest crowds of their career.

    A triple CD live album and dual Rush in Rio DVD was released in late October 2003 featuring an entire concert performance recorded on the last night of their Vapor Trails Tour, November 23, 2002, at Maracanã Stadium in Rio de Janeiro, Brazil. To celebrate their 30th anniversary, June 2004 saw the release of Feedback, a studio EP recorded in suburban Toronto featuring eight covers of such artists as Cream, The Who and The Yardbirds, bands that the members of Rush cite as inspiration around the time of their inception.[46] Also in the summer of 2004, Rush hit the road again for their 30th Anniversary Tour, playing dates in the United States, Canada, the United Kingdom, Germany, Italy, Sweden, the Czech Republic, and the Netherlands. On September 24, 2004 a Frankfurt, Germany concert was recorded at The Festhalle for DVD (titled R30: Live in Frankfurt), which was released November 22, 2005; a complete version of the R30 Frankfurt set (the original DVD release omitted eight songs) was released on Blu-ray on December 8, 2009.[47]

    [edit] Snakes & Arrows (2006–2009)Main articles: Snakes & Arrows and Snakes & Arrows Tour
    During promotional interviews for the R30 Live In Frankfurt DVD, the band revealed their intention to begin writing new material in early 2006. While in Toronto, Lifeson and Lee began the songwriting process in January 2006. During this time, Peart simultaneously assumed his role of lyric writing while residing in Southern California. The following September, Rush chose to hire American producer Nick Raskulinecz to co-produce the album. The band officially entered Allaire Studios, in Shokan, New York in November 2006 in order to record the bulk of the material. Taking the band five weeks, the sessions ended in December. On February 14, 2007, an announcement was made on the official Rush web site that the title of the new album would be Snakes & Arrows. The first single, entitled "Far Cry", was released to North American radio stations on March 12, 2007 and reached #2 on the Mediabase Mainstream and Radio and Records Charts.[48]

    "Far Cry" (2007)

    Sample of "Far Cry", first single from the album Snakes & Arrows.

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    The Rush website, newly redesigned on March 12 to support the new album, also announced that the band would embark on a tour to begin in the summer. Snakes & Arrows was released May 1, 2007 in North America, where it debuted at #3 in the Billboard 200 with approximately 93,000 units sold in its first week.[49] It would go on to sell an estimated 611,000 copies worldwide. To coincide with the Atlantic ocean hurricane season, "Spindrift" was released as the official second radio single on June 1, 2007, whereas "The Larger Bowl (A Pantoum)" saw single status on June 25, 2007. "The Larger Bowl" positioned within the top 20 of the Mainstream Rock and Media Base Mainstream charts, however, "Spindrift" failed to appear on any commercial chart.[50] The planned intercontinental tour in support of Snakes & Arrows began on June 13, 2007 in Atlanta, Georgia, coming to a close on October 29, 2007 at Hartwall Arena in Helsinki, Finland.[51]

    The 2008 portion of the tour started on April 11, 2008 in San Juan, Puerto Rico at José Miguel Agrelot Coliseum and culminated on July 24, 2008 in Noblesville, Indiana at the Verizon Wireless Music Center.[52] On April 15, the band released Snakes & Arrows Live, a double live album documenting the first leg of the tour.[53] Those same performances featured on Snakes & Arrows Live filmed at the Ahoy arena in Rotterdam, Netherlands on October 16 and 17 of 2007 were released November 24 as a DVD and Blu-Ray set. The video also includes footage from the 2008 portion of the tour, recorded at Verizon Wireless Amphitheater in Atlanta.[54][55][56]

    As the band neared the conclusion of their Snakes & Arrows tour, they announced their first appearance on American television in over 30 years. Rush was interviewed by Stephen Colbert and they performed "Tom Sawyer" on The Colbert Report on July 16, 2008.[57] Continuing to ride what one movie reviewer has called a "pop cultural wave," they also appeared at a live show in April 2009 for the comedy film I Love You, Man.[58]

    [edit] Clockwork Angels and Time Machine Tour (2009–present)On February 16, 2009, Lifeson remarked that the band may begin working on a new album in the Fall 2009 with Nick Raskulinecz once again producing.[59] On March 19, 2010, the CBC posted a video interview with Lee and Lifeson where they discussed Rush's induction into the Canadian Songwriters Hall of Fame on March 28, 2010 at the Toronto Centre for the Arts' George Weston Recital Hall. The band was recognized for the songs "Limelight", "Closer to the Heart", "The Spirit of Radio", "Tom Sawyer" and "Subdivisions". In addition to discussing their induction, Lee and Lifeson touched on future material. During the interview, Lee was quoted as saying "... Just about a month and a half ago we had no songs. And now we've been writing and now we've got about 6 songs that we just love...".[60] On March 26, 2010, in an interview with The Globe and Mail, Lifeson reconfirmed that the band had already written a half-dozen songs and that there was the potential for two supporting tours, one planned for Summer 2010 and a more extensive tour planned for Summer 2011. While still uncertain of exactly how and when the new material would be released, he projected a tentative Spring 2011 release date.[61] Soon after, Peart confirmed that American producer Nick Raskulinecz had returned as co-producer.[62]

    On April 8, 2010 both the official Rush website and PR Newswire announced that the band would embark on the Rush Time Machine Tour. The first leg of the tour began on June 29 in Albuquerque, New Mexico and finished October 17 in Santiago, Chile at the National stadium. It featured the album Moving Pictures played in its entirety, as well as the single "Caravan" and its B-side "BU2B". These songs will be featured on the band's upcoming studio album, Clockwork Angels.[63] The "Caravan" single was announced May 25, 2010 and was released June 1 to radio stations and made available for digital download.[64] It was suggested that Rush would return to the studio after the completion of the Time Machine Tour with plans to release Clockwork Angels in 2011.[65] However, Rush confirmed on November 19, 2010 that they will be extending the Time Machine Tour for a second leg. They are scheduled to play Europe in spring 2011 and return to North America for dates between March and July.[66]

    On April 24, 2010, the documentary Rush: Beyond the Lighted Stage directed by Sam Dunn premiered at the Tribeca Film Festival. It went on to receive the Tribeca Film Festival Audience Award.[67] The band's music was featured in the 2010 documentary Jews and Baseball: An American Love Story, narrated by Academy Award winner Dustin Hoffman.[68][69]

    On June 25, 2010, Rush received a star on the Hollywood Walk of Fame, located at 6752 Hollywood Boulevard. Critical acclaim continued to mount for Rush in 2010 when, on September 28, Classic Rock magazine announced Rush would be this year's Living Legends awarded at the Marshall Classic Rock Roll of Honour Awards in the UK.[70] The award was presented November 10, 2010. On September 29, Billboard.com announced that Rush would also receive the 2010 Legends of Live award for significant and lasting contributions to live music and the art of performing live and reaching fans through the concert experience.[71] The award was presented at the Billboard Touring Awards on November 4, 2010.

    The original line-up formed in the neighbourhood of Willowdale in Toronto, Ontario, by Lifeson, bassist and front man Jeff Jones, and drummer John Rutsey. Within a couple of weeks of forming, and before their second performance, bassist and lead vocalist Jones was replaced by Geddy Lee, a schoolmate of Lifeson. After several lineup reformations, Rush's official incarnation was formed in May 1971 consisting of Lee, Lifeson, and Rutsey. The band was managed by local Toronto resident Ray Danniels, a frequent attendee of Rush's early shows.[7][8]

    After gaining stability in the lineup and honing their skills on the local bar/high school dance circuit, the band came to release their first single "Not Fade Away", a cover of the Buddy Holly song, in 1973. Side B contained an original composition, "You Can't Fight It", credited to Lee and Rutsey. The single generated little reaction and, because of record company indifference, the band formed their own independent record label, Moon Records. With the aid of Danniels and the newly enlisted engineer Terry Brown, the band released their self-titled debut album in 1974, which was considered highly derivative of Led Zeppelin.[9] Rush had limited local popularity until the album was picked up by WMMS, a radio station in Cleveland, Ohio. Donna Halper, a DJ and music director working at the station, selected "Working Man" for her regular play list. The song's blue collar theme resonated with hard rock fans and this new found popularity led to the album being re-released by Mercury Records in the U.S.[10][11]


    The "starman" logo first appeared on the back cover of the 1976 album 2112. Hugh Syme, creator of graphics on many of Rush's albums, stated in a 1983 interview that the Starman "didn't begin as an identity factor for the band, it just got adopted."[12]Immediately after the release of the debut album in 1974, Rutsey was forced to leave the band due to health difficulties stemming from diabetes and a general distaste for touring. His last performance with the band was on July 25, 1974 at Centennial Hall in London, Ontario. Rush held auditions for a new dummer and eventually selected Neil Peart as Rutsey's replacement. Peart officially joined the band on July 29, 1974, two weeks before the group's first U.S. tour. They performed their first concert together, opening for Uriah Heep and Manfred Mann with an attendance of over 11,000 people at the Civic Arena in Pittsburgh, Pennsylvania on August 14. In addition to becoming the band's drummer, Peart assumed the role of principal lyricist from Lee, who had very little interest in writing, despite penning the lyrics of the band's first album.[13] Instead, Lee, along with Lifeson, focused primarily on the musical aspects of Rush. Fly by Night (1975), Rush's first album after recruiting Peart, saw the inclusion of the band's first epic mini-tale "By-Tor and the Snow Dog", replete with complex arrangements and multi-section format. Lyrical themes also underwent dramatic changes after the addition of Peart because of his love for fantasy and science-fiction literature.[14] However, despite these many differences some of the music and songs still closely mirrored the blues style found on Rush's debut.[14][15]

    Following quickly on the heels of Fly By Night, the band released 1975's Caress of Steel, a five track hard rock/heavy metal album featuring two extended multi-chapter songs, "The Necromancer" and "The Fountain of Lamneth." Some critics said Caress of Steel was unfocused and an audacious move for the band because of the placement of two back-to-back protracted songs, as well as a heavier reliance on atmospherics and story-telling, a large deviation from Fly by Night.[16] Intended to be the band's first "break-through" album, Caress of Steel sold below expectations and the promotional tour consisted of smaller venues which led to the moniker the "Down the Tubes Tour".[17] In light of these events, Rush's record label pressured them into molding their next album in a more commercially friendly and accessible fashion. However, the band ignored the requests and developed their next album, 2112 with a 20-minute title track divided into seven sections. Despite this, the album was the band's first taste of commercial success and their first platinum album in Canada.[18] The supporting tour for the album culminated in a three night stand at Massey Hall in Toronto, which the band recorded for the release of their first live album titled All the World's a Stage. Allmusic critic Greg Prato summarily reminds listeners and fans of how the album demarcates the boundary between the band's early years and the next era of their music.[19][20]

    [edit] The progressive rock era (1977–1981)After 2112, Rush retreated to the United Kingdom to record 1977's A Farewell to Kings and 1978's Hemispheres at Rockfield Studios in Wales. These albums saw the band members expanding the use of progressive elements in their music. "As our tastes got more obscure," Geddy Lee said in a recent interview, "we discovered more progressive rock-based bands like Yes, Van der Graaf Generator and King Crimson, and we were very inspired by those bands. They made us want to make our music more interesting and more complex and we tried to blend that with our own personalities to see what we could come up with that was indisputably us."[21] Trademarks such as increased synthesizer usage, extended-length concept songs, and highly dynamic playing featuring complex time signature changes became a staple of Rush's compositions. To achieve a broader, more progressive palette of sound, Alex Lifeson began to experiment with classical and twelve-string guitars, and Geddy Lee added bass-pedal synthesizers and Minimoog. Likewise, Peart's percussion became diversified in the form of triangles, glockenspiel, wood blocks, cowbells, timpani, gong and chimes. Beyond instrument additions, the band kept in stride with the progressive rock movement by continuing to compose long, conceptual songs with science fiction and fantasy overtones. However, as the new decade approached, Rush gradually began to dispose of their older styles of music in favor of shorter, and sometimes softer, arrangements. The lyrics up to this point (most of them written by Peart) were heavily influenced by classical poetry, fantasy literature, science fiction, and the writings of novelist Ayn Rand, as exhibited most prominently by their 1975 song "Anthem" from Fly By Night and a specifically acknowledged derivation in 1976's 2112.[22]

    Permanent Waves (1980) dramatically shifted Rush's style of music via the introduction of reggae and new wave elements.[23] Although a hard rock style was still evident, more and more synthesizers were introduced. Moreover, because of the limited airplay Rush's previous extended-length songs received, Permanent Waves included shorter, more radio-friendly songs such as "The Spirit of Radio" and "Freewill", two songs which helped Permanent Waves become Rush's first U.S. Top 5 album; both songs continue to make appearances on classic rock radio stations in Canada and the United States to this day.[24] Meanwhile, Peart's lyrics shifted toward an expository tone with subject matter that dwelled less on fantastical or allegorical story-telling and more heavily on topics that explored humanistic, social and emotional elements. Rush joined with fellow Toronto-based rock band Max Webster on July 28, 1980 to record "Battle Scar" for their 1980 release, Universal Juveniles.[25] While on tour together following the release, both bands would join between sets to play "Battle Scar". The song acted as both a transition from Max Webster to Rush, as well as a warm-up for Peart. In addition, Max Webster lyricist Pye Dubois offered the band lyrics to a song he had written. The band accepted; the song went on, after reworking by Peart, to become "Tom Sawyer".[25]

    "Tom Sawyer" (1981)

    Sample of "Tom Sawyer" from the album Moving Pictures. This is the band's best known song with heaviest radio airplay.

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    Rush's popularity reached its pinnacle with the release of Moving Pictures in 1981. Moving Pictures essentially continued where Permanent Waves left off, extending the trend of highly accessible and commercially friendly progressive rock that helped thrust them into the spotlight. The lead track, "Tom Sawyer", is probably the band's best-known song[26] with "Limelight" also receiving satisfactory responses from listeners and radio stations. Moving Pictures was Rush's last album to feature an extended song, the eleven-minute "The Camera Eye". The song also contained the band's heaviest usage of synthesizers up to that point, hinting that Rush's music was shifting direction once more. Moving Pictures reached #3 on the Billboard 200 album chart and has been certified quadruple platinum by the Recording Industry Association of America.[27]

    Following the success of Moving Pictures and the completion of another four studio albums, Rush released their second live recording, Exit...Stage Left, in 1981. The album delineates the apex of Rush's progressive period by featuring live material from the band's Permanent Waves and Moving Pictures tours. As with their first live release, Exit...Stage Left identified the margin of a new chapter of Rush's sound.

    [edit] The synthesizer period (1982–1989)
    The OBX synthesizer used by Geddy Lee on the album Signals (1982).The band underwent another radical stylistic transmutation with the release of Signals in 1982.[28]

    While Lee's synthesizers had been featured instruments ever since the late 70s, keyboards were suddenly shifted from the contrapuntal background to the melodic front-lines[29][30] in songs like "Countdown" and the lead-off track "Subdivisions". Both feature prominent lead synthesizer lines with minimalistic guitar chords and solos. Other previously unused instrument additions were seen in the song "Losing It," featuring collaborator Ben Mink on electric violin.[28]

    "Subdivisions" (1982)

    Sample of "Subdivisions" from the album Signals. This song is notable for demonstrating the band's foray into their synthesizer period.

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    Signals also represented a drastic stylistic transformation apart from instrumental changes. The album contained Rush's only U.S. top-40 pop hit, "New World Man",[31] while other more experimental songs such as "Digital Man", "The Weapon", and "Chemistry" expanded the band's use of ska, reggae, and funk.[32] Although the band members consciously decided to move in this overall direction, they felt dissatisfied with long-time producer Terry Brown's studio treatment of Signals and parted ways with him in 1983. These diverse styles would come into further play on their next studio album.


    Neil Peart began incorporating Simmons Electronic Drums beginning with 1984's Grace Under PressureThe style and production of Signals were augmented and taken to new heights on 1984's Grace Under Pressure. It was Peart who named the album, as he borrowed the words of Ernest Hemingway to describe what the band had to go through after making the decision to leave Terry Brown. Producer Steve Lillywhite, who gleaned fame with successful productions of Simple Minds and U2, was enlisted to produce Grace Under Pressure. However, he backed out at the last moment, much to the ire of Lee, Lifeson and Peart. Lee said "Steve Lillywhite is really not a man of his word....after agreeing to do our record, he got an offer from Simple Minds, changed his mind, blew us off,..so it put us in a horrible position." Rush eventually hired Peter Henderson to co-produce and engineer the album in his stead.[33]

    Musically, although Lee's use of sequencers and synthesizers remained the band's cornerstone, his focus on new technology was complemented by Peart's adaptation of Simmons electronic drums and percussion. Lifeson's contributions on the album were decidedly enhanced to act as an overreaction to the minimalistic role he played on Signals.[34] Still, many of his trademark guitar textures remained intact in the form of open reggae chords and funk and new-wave rhythms.

    With new producer Peter Collins, the band released 1985's Power Windows and 1987's Hold Your Fire. The music on these two albums gives far more emphasis and prominence to Lee's multi-layered synthesizer work. While fans and critics took notice of Lifeson's diminished guitar work, his presence was still palpable. Lifeson, like many guitarists in the late 1980s, experimented with processors that reduced his instrument to echoey chord bursts and razor-thin leads. Hold Your Fire represents both a modest extension of the guitar stylings found on Power Windows, and, according to Allmusic critic Eduardo Rivadavia, the culmination of this era of Rush.[35] Whereas the previous five Rush albums sold platinum or better, Hold Your Fire only went gold in November 1987, although it managed to peak at number 13 on the Billboard 200.[36]

    A third live album and video, A Show of Hands (1989), was also released by Mercury following the Power Windows and Hold Your Fire tours, demonstrating the aspects of Rush in the '80s. A Show of Hands met with strong fan approval, but Rolling Stone critic Michael Azerrad dismissed it as "musical muscle" with 1.5 stars, claiming Rush fans viewed their favourite power trio as "the holy trinity".[37] Nevertheless, A Show of Hands managed to surpass the gold album mark, reaching number 21 on the Billboard 200.[38] At this point, the group decided to change record labels from Mercury to Atlantic. After Rush's departure in 1989, Mercury released a double platinum two-volume compilation of their Rush catalogue, Chronicles (1990).[39]

    [edit] Returning to their roots (1989–1997) "Dreamline" (1991)

    Sample of "Dreamline" from the album Roll the Bones. This song is notable for demonstrating the band's return to a more standard three piece instrument style, where synthesizers are used more sparingly and the guitar returning to the forefront of the sound.

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    Rush started to deviate from their 1980s style with the albums Presto and Roll the Bones. Produced by record engineer and musician Rupert Hine, these two albums saw Rush shedding much of their keyboard-saturated sound. Beginning with 1989's Presto, the band opted for arrangements that were notably more guitar-centric than the previous two studio albums. Although synthesizers were still used in many songs, the instrument was no longer featured as the centerpiece of Rush's compositions. Continuing this trend, 1991's Roll the Bones extended the use of the standard three-instrument approach with even less focus on synthesizers than its predecessor. While musically these albums do not deviate significantly from a general pop-rock sound, Rush incorporated traces of other musical styles. "Roll the Bones", for instance, exhibits funk and hip hop elements, and the instrumental track "Where's My Thing?" features several jazz components.[40] This return to three-piece instrumentation helped pave the way for future albums in the mid-90s, which would adopt a more straightforward rock formula.

    The transition from synthesizers to more guitar-oriented and organic instrumentation continued with the 1993 album Counterparts[41] and its follow-up, 1996's Test for Echo, again both produced in collaboration with Peter Collins. Musically, Counterparts[41] and Test For Echo are two of Rush's most guitar-driven albums. Although the music in general did not meet the criteria for progressive rock, some songs adopted a dynamic format.[42] For instance, "Time and Motion" possesses multiple time signature changes and organ usage, while the instrumental track "Limbo", consists of multiple musical passages. Musically, Test For Echo still retained much of the hard rock/alternative style already charted on the previous record with Lifeson and Lee's playing remaining more or less unchanged; however, a distinct modification in technique became apparent in Peart's playing from his jazz and swing training under the tutelage of jazz instructor Freddie Gruber during the interim between Counterparts and Test For Echo.[43] In October 1996, in support of Test For Echo, the band embarked on a North American tour, the band's first without an opening act and dubbed "An Evening with Rush". The tour was broken up into two segments spanning October through December 1996 and May through July 1997 with the band taking a respite between tour legs.

    [edit] Hiatus and comeback (1997–2005)After wrapping up the tour promoting Test for Echo in 1997, the band entered a five-year hiatus mainly because of personal tragedies in Peart's life. Peart's daughter Selena died in an automobile accident in August 1997, followed by his wife Jacqueline's death from cancer in June 1998. Peart took a hiatus to mourn and reflect, during which time he traveled extensively throughout North America on his BMW motorcycle, covering 88,000 km (55,000 miles). At some point in his journey, Peart decided to return to the band. Peart wrote Ghost Rider: Travels on the Healing Road as a chronicle of his geographical and emotional journey. In this book he writes of how he had told his bandmates at Selena's funeral, "consider me retired."[44] On November 10, 1998 a triple CD live album entitled Different Stages was released, dedicated to the memory of Selena and Jacqueline. Mixed by producer Paul Northfield and engineered by Terry Brown, it contained three discs packed with recorded performances from the band's Counterparts, Test For Echo, and A Farewell to Kings tours, marking the fourth officially released live album by the band.

    "One Little Victory" (2002)

    Sample of "One Little Victory" from the album Vapor Trails. This song's rapid tempo and heavy double bass drumming was done intentionally in order to herald the comeback of the band after their hiatus.

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    After a time to grieve and reassemble the pieces of his life, and while visiting long-time Rush photographer Andrew MacNaughtan in Los Angeles, Peart was introduced to his future wife, photographer Carrie Nuttall. Peart married Nuttall on September 9, 2000. In early 2001 he announced to his band mates that he was ready to once again enter the studio and get back into the business of making music. With the help of producer Paul Northfield the band returned in May 2002 with Vapor Trails, written and recorded in Toronto. To herald the band's comeback, the single and lead track from the album, "One Little Victory" was designed to grab the attention of listeners with its rapid guitar and drum tempos.[45] Vapor Trails marked the first studio recording not to include a single synthesizer, organ or keyboard part since the early 1970s. While the album is almost completely guitar-driven, it is mostly devoid of any conventional sounding guitar solos, a conscious decision made by Lifeson during the writing process. According to the band, the entire developmental process for Vapor Trails was extremely taxing and took approximately 14 months to finish, by far the longest the band had ever spent writing and recording a studio album.[45] The album was supported by the band's first tour in six years, including first-ever concerts in Mexico City and Brazil, where they played to some of the largest crowds of their career.

    A triple CD live album and dual Rush in Rio DVD was released in late October 2003 featuring an entire concert performance recorded on the last night of their Vapor Trails Tour, November 23, 2002, at Maracanã Stadium in Rio de Janeiro, Brazil. To celebrate their 30th anniversary, June 2004 saw the release of Feedback, a studio EP recorded in suburban Toronto featuring eight covers of such artists as Cream, The Who and The Yardbirds, bands that the members of Rush cite as inspiration around the time of their inception.[46] Also in the summer of 2004, Rush hit the road again for their 30th Anniversary Tour, playing dates in the United States, Canada, the United Kingdom, Germany, Italy, Sweden, the Czech Republic, and the Netherlands. On September 24, 2004 a Frankfurt, Germany concert was recorded at The Festhalle for DVD (titled R30: Live in Frankfurt), which was released November 22, 2005; a complete version of the R30 Frankfurt set (the original DVD release omitted eight songs) was released on Blu-ray on December 8, 2009.[47]

    [edit] Snakes & Arrows (2006–2009)Main articles: Snakes & Arrows and Snakes & Arrows Tour
    During promotional interviews for the R30 Live In Frankfurt DVD, the band revealed their intention to begin writing new material in early 2006. While in Toronto, Lifeson and Lee began the songwriting process in January 2006. During this time, Peart simultaneously assumed his role of lyric writing while residing in Southern California. The following September, Rush chose to hire American producer Nick Raskulinecz to co-produce the album. The band officially entered Allaire Studios, in Shokan, New York in November 2006 in order to record the bulk of the material. Taking the band five weeks, the sessions ended in December. On February 14, 2007, an announcement was made on the official Rush web site that the title of the new album would be Snakes & Arrows. The first single, entitled "Far Cry", was released to North American radio stations on March 12, 2007 and reached #2 on the Mediabase Mainstream and Radio and Records Charts.[48]

    "Far Cry" (2007)

    Sample of "Far Cry", first single from the album Snakes & Arrows.

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    The Rush website, newly redesigned on March 12 to support the new album, also announced that the band would embark on a tour to begin in the summer. Snakes & Arrows was released May 1, 2007 in North America, where it debuted at #3 in the Billboard 200 with approximately 93,000 units sold in its first week.[49] It would go on to sell an estimated 611,000 copies worldwide. To coincide with the Atlantic ocean hurricane season, "Spindrift" was released as the official second radio single on June 1, 2007, whereas "The Larger Bowl (A Pantoum)" saw single status on June 25, 2007. "The Larger Bowl" positioned within the top 20 of the Mainstream Rock and Media Base Mainstream charts, however, "Spindrift" failed to appear on any commercial chart.[50] The planned intercontinental tour in support of Snakes & Arrows began on June 13, 2007 in Atlanta, Georgia, coming to a close on October 29, 2007 at Hartwall Arena in Helsinki, Finland.[51]

    The 2008 portion of the tour started on April 11, 2008 in San Juan, Puerto Rico at José Miguel Agrelot Coliseum and culminated on July 24, 2008 in Noblesville, Indiana at the Verizon Wireless Music Center.[52] On April 15, the band released Snakes & Arrows Live, a double live album documenting the first leg of the tour.[53] Those same performances featured on Snakes & Arrows Live filmed at the Ahoy arena in Rotterdam, Netherlands on October 16 and 17 of 2007 were released November 24 as a DVD and Blu-Ray set. The video also includes footage from the 2008 portion of the tour, recorded at Verizon Wireless Amphitheater in Atlanta.[54][55][56]

    As the band neared the conclusion of their Snakes & Arrows tour, they announced their first appearance on American television in over 30 years. Rush was interviewed by Stephen Colbert and they performed "Tom Sawyer" on The Colbert Report on July 16, 2008.[57] Continuing to ride what one movie reviewer has called a "pop cultural wave," they also appeared at a live show in April 2009 for the comedy film I Love You, Man.[58]

    [edit] Clockwork Angels and Time Machine Tour (2009–present)On February 16, 2009, Lifeson remarked that the band may begin working on a new album in the Fall 2009 with Nick Raskulinecz once again producing.[59] On March 19, 2010, the CBC posted a video interview with Lee and Lifeson where they discussed Rush's induction into the Canadian Songwriters Hall of Fame on March 28, 2010 at the Toronto Centre for the Arts' George Weston Recital Hall. The band was recognized for the songs "Limelight", "Closer to the Heart", "The Spirit of Radio", "Tom Sawyer" and "Subdivisions". In addition to discussing their induction, Lee and Lifeson touched on future material. During the interview, Lee was quoted as saying "... Just about a month and a half ago we had no songs. And now we've been writing and now we've got about 6 songs that we just love...".[60] On March 26, 2010, in an interview with The Globe and Mail, Lifeson reconfirmed that the band had already written a half-dozen songs and that there was the potential for two supporting tours, one planned for Summer 2010 and a more extensive tour planned for Summer 2011. While still uncertain of exactly how and when the new material would be released, he projected a tentative Spring 2011 release date.[61] Soon after, Peart confirmed that American producer Nick Raskulinecz had returned as co-producer.[62]

    On April 8, 2010 both the official Rush website and PR Newswire announced that the band would embark on the Rush Time Machine Tour. The first leg of the tour began on June 29 in Albuquerque, New Mexico and finished October 17 in Santiago, Chile at the National stadium. It featured the album Moving Pictures played in its entirety, as well as the single "Caravan" and its B-side "BU2B". These songs will be featured on the band's upcoming studio album, Clockwork Angels.[63] The "Caravan" single was announced May 25, 2010 and was released June 1 to radio stations and made available for digital download.[64] It was suggested that Rush would return to the studio after the completion of the Time Machine Tour with plans to release Clockwork Angels in 2011.[65] However, Rush confirmed on November 19, 2010 that they will be extending the Time Machine Tour for a second leg. They are scheduled to play Europe in spring 2011 and return to North America for dates between March and July.[66]

    On April 24, 2010, the documentary Rush: Beyond the Lighted Stage directed by Sam Dunn premiered at the Tribeca Film Festival. It went on to receive the Tribeca Film Festival Audience Award.[67] The band's music was featured in the 2010 documentary Jews and Baseball: An American Love Story, narrated by Academy Award winner Dustin Hoffman.[68][69]

    On June 25, 2010, Rush received a star on the Hollywood Walk of Fame, located at 6752 Hollywood Boulevard. Critical acclaim continued to mount for Rush in 2010 when, on September 28, Classic Rock magazine announced Rush would be this year's Living Legends awarded at the Marshall Classic Rock Roll of Honour Awards in the UK.[70] The award was presented November 10, 2010. On September 29, Billboard.com announced that Rush would also receive the 2010 Legends of Live award for significant and lasting contributions to live music and the art of performing live and reaching fans through the concert experience.[71] The award was presented at the Billboard Touring Awards on November 4, 2010.

    The original line-up formed in the neighbourhood of Willowdale in Toronto, Ontario, by Lifeson, bassist and front man Jeff Jones, and drummer John Rutsey. Within a couple of weeks of forming, and before their second performance, bassist and lead vocalist Jones was replaced by Geddy Lee, a schoolmate of Lifeson. After several lineup reformations, Rush's official incarnation was formed in May 1971 consisting of Lee, Lifeson, and Rutsey. The band was managed by local Toronto resident Ray Danniels, a frequent attendee of Rush's early shows.[7][8]

    After gaining stability in the lineup and honing their skills on the local bar/high school dance circuit, the band came to release their first single "Not Fade Away", a cover of the Buddy Holly song, in 1973. Side B contained an original composition, "You Can't Fight It", credited to Lee and Rutsey. The single generated little reaction and, because of record company indifference, the band formed their own independent record label, Moon Records. With the aid of Danniels and the newly enlisted engineer Terry Brown, the band released their self-titled debut album in 1974, which was considered highly derivative of Led Zeppelin.[9] Rush had limited local popularity until the album was picked up by WMMS, a radio station in Cleveland, Ohio. Donna Halper, a DJ and music director working at the station, selected "Working Man" for her regular play list. The song's blue collar theme resonated with hard rock fans and this new found popularity led to the album being re-released by Mercury Records in the U.S.[10][11]


    The "starman" logo first appeared on the back cover of the 1976 album 2112. Hugh Syme, creator of graphics on many of Rush's albums, stated in a 1983 interview that the Starman "didn't begin as an identity factor for the band, it just got adopted."[12]Immediately after the release of the debut album in 1974, Rutsey was forced to leave the band due to health difficulties stemming from diabetes and a general distaste for touring. His last performance with the band was on July 25, 1974 at Centennial Hall in London, Ontario. Rush held auditions for a new dummer and eventually selected Neil Peart as Rutsey's replacement. Peart officially joined the band on July 29, 1974, two weeks before the group's first U.S. tour. They performed their first concert together, opening for Uriah Heep and Manfred Mann with an attendance of over 11,000 people at the Civic Arena in Pittsburgh, Pennsylvania on August 14. In addition to becoming the band's drummer, Peart assumed the role of principal lyricist from Lee, who had very little interest in writing, despite penning the lyrics of the band's first album.[13] Instead, Lee, along with Lifeson, focused primarily on the musical aspects of Rush. Fly by Night (1975), Rush's first album after recruiting Peart, saw the inclusion of the band's first epic mini-tale "By-Tor and the Snow Dog", replete with complex arrangements and multi-section format. Lyrical themes also underwent dramatic changes after the addition of Peart because of his love for fantasy and science-fiction literature.[14] However, despite these many differences some of the music and songs still closely mirrored the blues style found on Rush's debut.[14][15]

    Following quickly on the heels of Fly By Night, the band released 1975's Caress of Steel, a five track hard rock/heavy metal album featuring two extended multi-chapter songs, "The Necromancer" and "The Fountain of Lamneth." Some critics said Caress of Steel was unfocused and an audacious move for the band because of the placement of two back-to-back protracted songs, as well as a heavier reliance on atmospherics and story-telling, a large deviation from Fly by Night.[16] Intended to be the band's first "break-through" album, Caress of Steel sold below expectations and the promotional tour consisted of smaller venues which led to the moniker the "Down the Tubes Tour".[17] In light of these events, Rush's record label pressured them into molding their next album in a more commercially friendly and accessible fashion. However, the band ignored the requests and developed their next album, 2112 with a 20-minute title track divided into seven sections. Despite this, the album was the band's first taste of commercial success and their first platinum album in Canada.[18] The supporting tour for the album culminated in a three night stand at Massey Hall in Toronto, which the band recorded for the release of their first live album titled All the World's a Stage. Allmusic critic Greg Prato summarily reminds listeners and fans of how the album demarcates the boundary between the band's early years and the next era of their music.[19][20]

    [edit] The progressive rock era (1977–1981)After 2112, Rush retreated to the United Kingdom to record 1977's A Farewell to Kings and 1978's Hemispheres at Rockfield Studios in Wales. These albums saw the band members expanding the use of progressive elements in their music. "As our tastes got more obscure," Geddy Lee said in a recent interview, "we discovered more progressive rock-based bands like Yes, Van der Graaf Generator and King Crimson, and we were very inspired by those bands. They made us want to make our music more interesting and more complex and we tried to blend that with our own personalities to see what we could come up with that was indisputably us."[21] Trademarks such as increased synthesizer usage, extended-length concept songs, and highly dynamic playing featuring complex time signature changes became a staple of Rush's compositions. To achieve a broader, more progressive palette of sound, Alex Lifeson began to experiment with classical and twelve-string guitars, and Geddy Lee added bass-pedal synthesizers and Minimoog. Likewise, Peart's percussion became diversified in the form of triangles, glockenspiel, wood blocks, cowbells, timpani, gong and chimes. Beyond instrument additions, the band kept in stride with the progressive rock movement by continuing to compose long, conceptual songs with science fiction and fantasy overtones. However, as the new decade approached, Rush gradually began to dispose of their older styles of music in favor of shorter, and sometimes softer, arrangements. The lyrics up to this point (most of them written by Peart) were heavily influenced by classical poetry, fantasy literature, science fiction, and the writings of novelist Ayn Rand, as exhibited most prominently by their 1975 song "Anthem" from Fly By Night and a specifically acknowledged derivation in 1976's 2112.[22]

    Permanent Waves (1980) dramatically shifted Rush's style of music via the introduction of reggae and new wave elements.[23] Although a hard rock style was still evident, more and more synthesizers were introduced. Moreover, because of the limited airplay Rush's previous extended-length songs received, Permanent Waves included shorter, more radio-friendly songs such as "The Spirit of Radio" and "Freewill", two songs which helped Permanent Waves become Rush's first U.S. Top 5 album; both songs continue to make appearances on classic rock radio stations in Canada and the United States to this day.[24] Meanwhile, Peart's lyrics shifted toward an expository tone with subject matter that dwelled less on fantastical or allegorical story-telling and more heavily on topics that explored humanistic, social and emotional elements. Rush joined with fellow Toronto-based rock band Max Webster on July 28, 1980 to record "Battle Scar" for their 1980 release, Universal Juveniles.[25] While on tour together following the release, both bands would join between sets to play "Battle Scar". The song acted as both a transition from Max Webster to Rush, as well as a warm-up for Peart. In addition, Max Webster lyricist Pye Dubois offered the band lyrics to a song he had written. The band accepted; the song went on, after reworking by Peart, to become "Tom Sawyer".[25]

    "Tom Sawyer" (1981)

    Sample of "Tom Sawyer" from the album Moving Pictures. This is the band's best known song with heaviest radio airplay.

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    Rush's popularity reached its pinnacle with the release of Moving Pictures in 1981. Moving Pictures essentially continued where Permanent Waves left off, extending the trend of highly accessible and commercially friendly progressive rock that helped thrust them into the spotlight. The lead track, "Tom Sawyer", is probably the band's best-known song[26] with "Limelight" also receiving satisfactory responses from listeners and radio stations. Moving Pictures was Rush's last album to feature an extended song, the eleven-minute "The Camera Eye". The song also contained the band's heaviest usage of synthesizers up to that point, hinting that Rush's music was shifting direction once more. Moving Pictures reached #3 on the Billboard 200 album chart and has been certified quadruple platinum by the Recording Industry Association of America.[27]

    Following the success of Moving Pictures and the completion of another four studio albums, Rush released their second live recording, Exit...Stage Left, in 1981. The album delineates the apex of Rush's progressive period by featuring live material from the band's Permanent Waves and Moving Pictures tours. As with their first live release, Exit...Stage Left identified the margin of a new chapter of Rush's sound.

    [edit] The synthesizer period (1982–1989)
    The OBX synthesizer used by Geddy Lee on the album Signals (1982).The band underwent another radical stylistic transmutation with the release of Signals in 1982.[28]

    While Lee's synthesizers had been featured instruments ever since the late 70s, keyboards were suddenly shifted from the contrapuntal background to the melodic front-lines[29][30] in songs like "Countdown" and the lead-off track "Subdivisions". Both feature prominent lead synthesizer lines with minimalistic guitar chords and solos. Other previously unused instrument additions were seen in the song "Losing It," featuring collaborator Ben Mink on electric violin.[28]

    "Subdivisions" (1982)

    Sample of "Subdivisions" from the album Signals. This song is notable for demonstrating the band's foray into their synthesizer period.

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    Signals also represented a drastic stylistic transformation apart from instrumental changes. The album contained Rush's only U.S. top-40 pop hit, "New World Man",[31] while other more experimental songs such as "Digital Man", "The Weapon", and "Chemistry" expanded the band's use of ska, reggae, and funk.[32] Although the band members consciously decided to move in this overall direction, they felt dissatisfied with long-time producer Terry Brown's studio treatment of Signals and parted ways with him in 1983. These diverse styles would come into further play on their next studio album.


    Neil Peart began incorporating Simmons Electronic Drums beginning with 1984's Grace Under PressureThe style and production of Signals were augmented and taken to new heights on 1984's Grace Under Pressure. It was Peart who named the album, as he borrowed the words of Ernest Hemingway to describe what the band had to go through after making the decision to leave Terry Brown. Producer Steve Lillywhite, who gleaned fame with successful productions of Simple Minds and U2, was enlisted to produce Grace Under Pressure. However, he backed out at the last moment, much to the ire of Lee, Lifeson and Peart. Lee said "Steve Lillywhite is really not a man of his word....after agreeing to do our record, he got an offer from Simple Minds, changed his mind, blew us off,..so it put us in a horrible position." Rush eventually hired Peter Henderson to co-produce and engineer the album in his stead.[33]

    Musically, although Lee's use of sequencers and synthesizers remained the band's cornerstone, his focus on new technology was complemented by Peart's adaptation of Simmons electronic drums and percussion. Lifeson's contributions on the album were decidedly enhanced to act as an overreaction to the minimalistic role he played on Signals.[34] Still, many of his trademark guitar textures remained intact in the form of open reggae chords and funk and new-wave rhythms.

    With new producer Peter Collins, the band released 1985's Power Windows and 1987's Hold Your Fire. The music on these two albums gives far more emphasis and prominence to Lee's multi-layered synthesizer work. While fans and critics took notice of Lifeson's diminished guitar work, his presence was still palpable. Lifeson, like many guitarists in the late 1980s, experimented with processors that reduced his instrument to echoey chord bursts and razor-thin leads. Hold Your Fire represents both a modest extension of the guitar stylings found on Power Windows, and, according to Allmusic critic Eduardo Rivadavia, the culmination of this era of Rush.[35] Whereas the previous five Rush albums sold platinum or better, Hold Your Fire only went gold in November 1987, although it managed to peak at number 13 on the Billboard 200.[36]

    A third live album and video, A Show of Hands (1989), was also released by Mercury following the Power Windows and Hold Your Fire tours, demonstrating the aspects of Rush in the '80s. A Show of Hands met with strong fan approval, but Rolling Stone critic Michael Azerrad dismissed it as "musical muscle" with 1.5 stars, claiming Rush fans viewed their favourite power trio as "the holy trinity".[37] Nevertheless, A Show of Hands managed to surpass the gold album mark, reaching number 21 on the Billboard 200.[38] At this point, the group decided to change record labels from Mercury to Atlantic. After Rush's departure in 1989, Mercury released a double platinum two-volume compilation of their Rush catalogue, Chronicles (1990).[39]

    [edit] Returning to their roots (1989–1997) "Dreamline" (1991)

    Sample of "Dreamline" from the album Roll the Bones. This song is notable for demonstrating the band's return to a more standard three piece instrument style, where synthesizers are used more sparingly and the guitar returning to the forefront of the sound.

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    Rush started to deviate from their 1980s style with the albums Presto and Roll the Bones. Produced by record engineer and musician Rupert Hine, these two albums saw Rush shedding much of their keyboard-saturated sound. Beginning with 1989's Presto, the band opted for arrangements that were notably more guitar-centric than the previous two studio albums. Although synthesizers were still used in many songs, the instrument was no longer featured as the centerpiece of Rush's compositions. Continuing this trend, 1991's Roll the Bones extended the use of the standard three-instrument approach with even less focus on synthesizers than its predecessor. While musically these albums do not deviate significantly from a general pop-rock sound, Rush incorporated traces of other musical styles. "Roll the Bones", for instance, exhibits funk and hip hop elements, and the instrumental track "Where's My Thing?" features several jazz components.[40] This return to three-piece instrumentation helped pave the way for future albums in the mid-90s, which would adopt a more straightforward rock formula.

    The transition from synthesizers to more guitar-oriented and organic instrumentation continued with the 1993 album Counterparts[41] and its follow-up, 1996's Test for Echo, again both produced in collaboration with Peter Collins. Musically, Counterparts[41] and Test For Echo are two of Rush's most guitar-driven albums. Although the music in general did not meet the criteria for progressive rock, some songs adopted a dynamic format.[42] For instance, "Time and Motion" possesses multiple time signature changes and organ usage, while the instrumental track "Limbo", consists of multiple musical passages. Musically, Test For Echo still retained much of the hard rock/alternative style already charted on the previous record with Lifeson and Lee's playing remaining more or less unchanged; however, a distinct modification in technique became apparent in Peart's playing from his jazz and swing training under the tutelage of jazz instructor Freddie Gruber during the interim between Counterparts and Test For Echo.[43] In October 1996, in support of Test For Echo, the band embarked on a North American tour, the band's first without an opening act and dubbed "An Evening with Rush". The tour was broken up into two segments spanning October through December 1996 and May through July 1997 with the band taking a respite between tour legs.

    [edit] Hiatus and comeback (1997–2005)After wrapping up the tour promoting Test for Echo in 1997, the band entered a five-year hiatus mainly because of personal tragedies in Peart's life. Peart's daughter Selena died in an automobile accident in August 1997, followed by his wife Jacqueline's death from cancer in June 1998. Peart took a hiatus to mourn and reflect, during which time he traveled extensively throughout North America on his BMW motorcycle, covering 88,000 km (55,000 miles). At some point in his journey, Peart decided to return to the band. Peart wrote Ghost Rider: Travels on the Healing Road as a chronicle of his geographical and emotional journey. In this book he writes of how he had told his bandmates at Selena's funeral, "consider me retired."[44] On November 10, 1998 a triple CD live album entitled Different Stages was released, dedicated to the memory of Selena and Jacqueline. Mixed by producer Paul Northfield and engineered by Terry Brown, it contained three discs packed with recorded performances from the band's Counterparts, Test For Echo, and A Farewell to Kings tours, marking the fourth officially released live album by the band.

    "One Little Victory" (2002)

    Sample of "One Little Victory" from the album Vapor Trails. This song's rapid tempo and heavy double bass drumming was done intentionally in order to herald the comeback of the band after their hiatus.

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    After a time to grieve and reassemble the pieces of his life, and while visiting long-time Rush photographer Andrew MacNaughtan in Los Angeles, Peart was introduced to his future wife, photographer Carrie Nuttall. Peart married Nuttall on September 9, 2000. In early 2001 he announced to his band mates that he was ready to once again enter the studio and get back into the business of making music. With the help of producer Paul Northfield the band returned in May 2002 with Vapor Trails, written and recorded in Toronto. To herald the band's comeback, the single and lead track from the album, "One Little Victory" was designed to grab the attention of listeners with its rapid guitar and drum tempos.[45] Vapor Trails marked the first studio recording not to include a single synthesizer, organ or keyboard part since the early 1970s. While the album is almost completely guitar-driven, it is mostly devoid of any conventional sounding guitar solos, a conscious decision made by Lifeson during the writing process. According to the band, the entire developmental process for Vapor Trails was extremely taxing and took approximately 14 months to finish, by far the longest the band had ever spent writing and recording a studio album.[45] The album was supported by the band's first tour in six years, including first-ever concerts in Mexico City and Brazil, where they played to some of the largest crowds of their career.

    A triple CD live album and dual Rush in Rio DVD was released in late October 2003 featuring an entire concert performance recorded on the last night of their Vapor Trails Tour, November 23, 2002, at Maracanã Stadium in Rio de Janeiro, Brazil. To celebrate their 30th anniversary, June 2004 saw the release of Feedback, a studio EP recorded in suburban Toronto featuring eight covers of such artists as Cream, The Who and The Yardbirds, bands that the members of Rush cite as inspiration around the time of their inception.[46] Also in the summer of 2004, Rush hit the road again for their 30th Anniversary Tour, playing dates in the United States, Canada, the United Kingdom, Germany, Italy, Sweden, the Czech Republic, and the Netherlands. On September 24, 2004 a Frankfurt, Germany concert was recorded at The Festhalle for DVD (titled R30: Live in Frankfurt), which was released November 22, 2005; a complete version of the R30 Frankfurt set (the original DVD release omitted eight songs) was released on Blu-ray on December 8, 2009.[47]

    [edit] Snakes & Arrows (2006–2009)Main articles: Snakes & Arrows and Snakes & Arrows Tour
    During promotional interviews for the R30 Live In Frankfurt DVD, the band revealed their intention to begin writing new material in early 2006. While in Toronto, Lifeson and Lee began the songwriting process in January 2006. During this time, Peart simultaneously assumed his role of lyric writing while residing in Southern California. The following September, Rush chose to hire American producer Nick Raskulinecz to co-produce the album. The band officially entered Allaire Studios, in Shokan, New York in November 2006 in order to record the bulk of the material. Taking the band five weeks, the sessions ended in December. On February 14, 2007, an announcement was made on the official Rush web site that the title of the new album would be Snakes & Arrows. The first single, entitled "Far Cry", was released to North American radio stations on March 12, 2007 and reached #2 on the Mediabase Mainstream and Radio and Records Charts.[48]

    "Far Cry" (2007)

    Sample of "Far Cry", first single from the album Snakes & Arrows.

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    The Rush website, newly redesigned on March 12 to support the new album, also announced that the band would embark on a tour to begin in the summer. Snakes & Arrows was released May 1, 2007 in North America, where it debuted at #3 in the Billboard 200 with approximately 93,000 units sold in its first week.[49] It would go on to sell an estimated 611,000 copies worldwide. To coincide with the Atlantic ocean hurricane season, "Spindrift" was released as the official second radio single on June 1, 2007, whereas "The Larger Bowl (A Pantoum)" saw single status on June 25, 2007. "The Larger Bowl" positioned within the top 20 of the Mainstream Rock and Media Base Mainstream charts, however, "Spindrift" failed to appear on any commercial chart.[50] The planned intercontinental tour in support of Snakes & Arrows began on June 13, 2007 in Atlanta, Georgia, coming to a close on October 29, 2007 at Hartwall Arena in Helsinki, Finland.[51]

    The 2008 portion of the tour started on April 11, 2008 in San Juan, Puerto Rico at José Miguel Agrelot Coliseum and culminated on July 24, 2008 in Noblesville, Indiana at the Verizon Wireless Music Center.[52] On April 15, the band released Snakes & Arrows Live, a double live album documenting the first leg of the tour.[53] Those same performances featured on Snakes & Arrows Live filmed at the Ahoy arena in Rotterdam, Netherlands on October 16 and 17 of 2007 were released November 24 as a DVD and Blu-Ray set. The video also includes footage from the 2008 portion of the tour, recorded at Verizon Wireless Amphitheater in Atlanta.[54][55][56]

    As the band neared the conclusion of their Snakes & Arrows tour, they announced their first appearance on American television in over 30 years. Rush was interviewed by Stephen Colbert and they performed "Tom Sawyer" on The Colbert Report on July 16, 2008.[57] Continuing to ride what one movie reviewer has called a "pop cultural wave," they also appeared at a live show in April 2009 for the comedy film I Love You, Man.[58]

    [edit] Clockwork Angels and Time Machine Tour (2009–present)On February 16, 2009, Lifeson remarked that the band may begin working on a new album in the Fall 2009 with Nick Raskulinecz once again producing.[59] On March 19, 2010, the CBC posted a video interview with Lee and Lifeson where they discussed Rush's induction into the Canadian Songwriters Hall of Fame on March 28, 2010 at the Toronto Centre for the Arts' George Weston Recital Hall. The band was recognized for the songs "Limelight", "Closer to the Heart", "The Spirit of Radio", "Tom Sawyer" and "Subdivisions". In addition to discussing their induction, Lee and Lifeson touched on future material. During the interview, Lee was quoted as saying "... Just about a month and a half ago we had no songs. And now we've been writing and now we've got about 6 songs that we just love...".[60] On March 26, 2010, in an interview with The Globe and Mail, Lifeson reconfirmed that the band had already written a half-dozen songs and that there was the potential for two supporting tours, one planned for Summer 2010 and a more extensive tour planned for Summer 2011. While still uncertain of exactly how and when the new material would be released, he projected a tentative Spring 2011 release date.[61] Soon after, Peart confirmed that American producer Nick Raskulinecz had returned as co-producer.[62]

    On April 8, 2010 both the official Rush website and PR Newswire announced that the band would embark on the Rush Time Machine Tour. The first leg of the tour began on June 29 in Albuquerque, New Mexico and finished October 17 in Santiago, Chile at the National stadium. It featured the album Moving Pictures played in its entirety, as well as the single "Caravan" and its B-side "BU2B". These songs will be featured on the band's upcoming studio album, Clockwork Angels.[63] The "Caravan" single was announced May 25, 2010 and was released June 1 to radio stations and made available for digital download.[64] It was suggested that Rush would return to the studio after the completion of the Time Machine Tour with plans to release Clockwork Angels in 2011.[65] However, Rush confirmed on November 19, 2010 that they will be extending the Time Machine Tour for a second leg. They are scheduled to play Europe in spring 2011 and return to North America for dates between March and July.[66]

    On April 24, 2010, the documentary Rush: Beyond the Lighted Stage directed by Sam Dunn premiered at the Tribeca Film Festival. It went on to receive the Tribeca Film Festival Audience Award.[67] The band's music was featured in the 2010 documentary Jews and Baseball: An American Love Story, narrated by Academy Award winner Dustin Hoffman.[68][69]

    On June 25, 2010, Rush received a star on the Hollywood Walk of Fame, located at 6752 Hollywood Boulevard. Critical acclaim continued to mount for Rush in 2010 when, on September 28, Classic Rock magazine announced Rush would be this year's Living Legends awarded at the Marshall Classic Rock Roll of Honour Awards in the UK.[70] The award was presented November 10, 2010. On September 29, Billboard.com announced that Rush would also receive the 2010 Legends of Live award for significant and lasting contributions to live music and the art of performing live and reaching fans through the concert experience.[71] The award was presented at the Billboard Touring Awards on November 4, 2010.

    The original line-up formed in the neighbourhood of Willowdale in Toronto, Ontario, by Lifeson, bassist and front man Jeff Jones, and drummer John Rutsey. Within a couple of weeks of forming, and before their second performance, bassist and lead vocalist Jones was replaced by Geddy Lee, a schoolmate of Lifeson. After several lineup reformations, Rush's official incarnation was formed in May 1971 consisting of Lee, Lifeson, and Rutsey. The band was managed by local Toronto resident Ray Danniels, a frequent attendee of Rush's early shows.[7][8]

    After gaining stability in the lineup and honing their skills on the local bar/high school dance circuit, the band came to release their first single "Not Fade Away", a cover of the Buddy Holly song, in 1973. Side B contained an original composition, "You Can't Fight It", credited to Lee and Rutsey. The single generated little reaction and, because of record company indifference, the band formed their own independent record label, Moon Records. With the aid of Danniels and the newly enlisted engineer Terry Brown, the band released their self-titled debut album in 1974, which was considered highly derivative of Led Zeppelin.[9] Rush had limited local popularity until the album was picked up by WMMS, a radio station in Cleveland, Ohio. Donna Halper, a DJ and music director working at the station, selected "Working Man" for her regular play list. The song's blue collar theme resonated with hard rock fans and this new found popularity led to the album being re-released by Mercury Records in the U.S.[10][11]


    The "starman" logo first appeared on the back cover of the 1976 album 2112. Hugh Syme, creator of graphics on many of Rush's albums, stated in a 1983 interview that the Starman "didn't begin as an identity factor for the band, it just got adopted."[12]Immediately after the release of the debut album in 1974, Rutsey was forced to leave the band due to health difficulties stemming from diabetes and a general distaste for touring. His last performance with the band was on July 25, 1974 at Centennial Hall in London, Ontario. Rush held auditions for a new dummer and eventually selected Neil Peart as Rutsey's replacement. Peart officially joined the band on July 29, 1974, two weeks before the group's first U.S. tour. They performed their first concert together, opening for Uriah Heep and Manfred Mann with an attendance of over 11,000 people at the Civic Arena in Pittsburgh, Pennsylvania on August 14. In addition to becoming the band's drummer, Peart assumed the role of principal lyricist from Lee, who had very little interest in writing, despite penning the lyrics of the band's first album.[13] Instead, Lee, along with Lifeson, focused primarily on the musical aspects of Rush. Fly by Night (1975), Rush's first album after recruiting Peart, saw the inclusion of the band's first epic mini-tale "By-Tor and the Snow Dog", replete with complex arrangements and multi-section format. Lyrical themes also underwent dramatic changes after the addition of Peart because of his love for fantasy and science-fiction literature.[14] However, despite these many differences some of the music and songs still closely mirrored the blues style found on Rush's debut.[14][15]

    Following quickly on the heels of Fly By Night, the band released 1975's Caress of Steel, a five track hard rock/heavy metal album featuring two extended multi-chapter songs, "The Necromancer" and "The Fountain of Lamneth." Some critics said Caress of Steel was unfocused and an audacious move for the band because of the placement of two back-to-back protracted songs, as well as a heavier reliance on atmospherics and story-telling, a large deviation from Fly by Night.[16] Intended to be the band's first "break-through" album, Caress of Steel sold below expectations and the promotional tour consisted of smaller venues which led to the moniker the "Down the Tubes Tour".[17] In light of these events, Rush's record label pressured them into molding their next album in a more commercially friendly and accessible fashion. However, the band ignored the requests and developed their next album, 2112 with a 20-minute title track divided into seven sections. Despite this, the album was the band's first taste of commercial success and their first platinum album in Canada.[18] The supporting tour for the album culminated in a three night stand at Massey Hall in Toronto, which the band recorded for the release of their first live album titled All the World's a Stage. Allmusic critic Greg Prato summarily reminds listeners and fans of how the album demarcates the boundary between the band's early years and the next era of their music.[19][20]

    [edit] The progressive rock era (1977–1981)After 2112, Rush retreated to the United Kingdom to record 1977's A Farewell to Kings and 1978's Hemispheres at Rockfield Studios in Wales. These albums saw the band members expanding the use of progressive elements in their music. "As our tastes got more obscure," Geddy Lee said in a recent interview, "we discovered more progressive rock-based bands like Yes, Van der Graaf Generator and King Crimson, and we were very inspired by those bands. They made us want to make our music more interesting and more complex and we tried to blend that with our own personalities to see what we could come up with that was indisputably us."[21] Trademarks such as increased synthesizer usage, extended-length concept songs, and highly dynamic playing featuring complex time signature changes became a staple of Rush's compositions. To achieve a broader, more progressive palette of sound, Alex Lifeson began to experiment with classical and twelve-string guitars, and Geddy Lee added bass-pedal synthesizers and Minimoog. Likewise, Peart's percussion became diversified in the form of triangles, glockenspiel, wood blocks, cowbells, timpani, gong and chimes. Beyond instrument additions, the band kept in stride with the progressive rock movement by continuing to compose long, conceptual songs with science fiction and fantasy overtones. However, as the new decade approached, Rush gradually began to dispose of their older styles of music in favor of shorter, and sometimes softer, arrangements. The lyrics up to this point (most of them written by Peart) were heavily influenced by classical poetry, fantasy literature, science fiction, and the writings of novelist Ayn Rand, as exhibited most prominently by their 1975 song "Anthem" from Fly By Night and a specifically acknowledged derivation in 1976's 2112.[22]

    Permanent Waves (1980) dramatically shifted Rush's style of music via the introduction of reggae and new wave elements.[23] Although a hard rock style was still evident, more and more synthesizers were introduced. Moreover, because of the limited airplay Rush's previous extended-length songs received, Permanent Waves included shorter, more radio-friendly songs such as "The Spirit of Radio" and "Freewill", two songs which helped Permanent Waves become Rush's first U.S. Top 5 album; both songs continue to make appearances on classic rock radio stations in Canada and the United States to this day.[24] Meanwhile, Peart's lyrics shifted toward an expository tone with subject matter that dwelled less on fantastical or allegorical story-telling and more heavily on topics that explored humanistic, social and emotional elements. Rush joined with fellow Toronto-based rock band Max Webster on July 28, 1980 to record "Battle Scar" for their 1980 release, Universal Juveniles.[25] While on tour together following the release, both bands would join between sets to play "Battle Scar". The song acted as both a transition from Max Webster to Rush, as well as a warm-up for Peart. In addition, Max Webster lyricist Pye Dubois offered the band lyrics to a song he had written. The band accepted; the song went on, after reworking by Peart, to become "Tom Sawyer".[25]

    "Tom Sawyer" (1981)

    Sample of "Tom Sawyer" from the album Moving Pictures. This is the band's best known song with heaviest radio airplay.

    --------------------------------------------------------------------------------

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    Rush's popularity reached its pinnacle with the release of Moving Pictures in 1981. Moving Pictures essentially continued where Permanent Waves left off, extending the trend of highly accessible and commercially friendly progressive rock that helped thrust them into the spotlight. The lead track, "Tom Sawyer", is probably the band's best-known song[26] with "Limelight" also receiving satisfactory responses from listeners and radio stations. Moving Pictures was Rush's last album to feature an extended song, the eleven-minute "The Camera Eye". The song also contained the band's heaviest usage of synthesizers up to that point, hinting that Rush's music was shifting direction once more. Moving Pictures reached #3 on the Billboard 200 album chart and has been certified quadruple platinum by the Recording Industry Association of America.[27]

    Following the success of Moving Pictures and the completion of another four studio albums, Rush released their second live recording, Exit...Stage Left, in 1981. The album delineates the apex of Rush's progressive period by featuring live material from the band's Permanent Waves and Moving Pictures tours. As with their first live release, Exit...Stage Left identified the margin of a new chapter of Rush's sound.

    [edit] The synthesizer period (1982–1989)
    The OBX synthesizer used by Geddy Lee on the album Signals (1982).The band underwent another radical stylistic transmutation with the release of Signals in 1982.[28]

    While Lee's synthesizers had been featured instruments ever since the late 70s, keyboards were suddenly shifted from the contrapuntal background to the melodic front-lines[29][30] in songs like "Countdown" and the lead-off track "Subdivisions". Both feature prominent lead synthesizer lines with minimalistic guitar chords and solos. Other previously unused instrument additions were seen in the song "Losing It," featuring collaborator Ben Mink on electric violin.[28]

    "Subdivisions" (1982)

    Sample of "Subdivisions" from the album Signals. This song is notable for demonstrating the band's foray into their synthesizer period.

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    Signals also represented a drastic stylistic transformation apart from instrumental changes. The album contained Rush's only U.S. top-40 pop hit, "New World Man",[31] while other more experimental songs such as "Digital Man", "The Weapon", and "Chemistry" expanded the band's use of ska, reggae, and funk.[32] Although the band members consciously decided to move in this overall direction, they felt dissatisfied with long-time producer Terry Brown's studio treatment of Signals and parted ways with him in 1983. These diverse styles would come into further play on their next studio album.


    Neil Peart began incorporating Simmons Electronic Drums beginning with 1984's Grace Under PressureThe style and production of Signals were augmented and taken to new heights on 1984's Grace Under Pressure. It was Peart who named the album, as he borrowed the words of Ernest Hemingway to describe what the band had to go through after making the decision to leave Terry Brown. Producer Steve Lillywhite, who gleaned fame with successful productions of Simple Minds and U2, was enlisted to produce Grace Under Pressure. However, he backed out at the last moment, much to the ire of Lee, Lifeson and Peart. Lee said "Steve Lillywhite is really not a man of his word....after agreeing to do our record, he got an offer from Simple Minds, changed his mind, blew us off,..so it put us in a horrible position." Rush eventually hired Peter Henderson to co-produce and engineer the album in his stead.[33]

    Musically, although Lee's use of sequencers and synthesizers remained the band's cornerstone, his focus on new technology was complemented by Peart's adaptation of Simmons electronic drums and percussion. Lifeson's contributions on the album were decidedly enhanced to act as an overreaction to the minimalistic role he played on Signals.[34] Still, many of his trademark guitar textures remained intact in the form of open reggae chords and funk and new-wave rhythms.

    With new producer Peter Collins, the band released 1985's Power Windows and 1987's Hold Your Fire. The music on these two albums gives far more emphasis and prominence to Lee's multi-layered synthesizer work. While fans and critics took notice of Lifeson's diminished guitar work, his presence was still palpable. Lifeson, like many guitarists in the late 1980s, experimented with processors that reduced his instrument to echoey chord bursts and razor-thin leads. Hold Your Fire represents both a modest extension of the guitar stylings found on Power Windows, and, according to Allmusic critic Eduardo Rivadavia, the culmination of this era of Rush.[35] Whereas the previous five Rush albums sold platinum or better, Hold Your Fire only went gold in November 1987, although it managed to peak at number 13 on the Billboard 200.[36]

    A third live album and video, A Show of Hands (1989), was also released by Mercury following the Power Windows and Hold Your Fire tours, demonstrating the aspects of Rush in the '80s. A Show of Hands met with strong fan approval, but Rolling Stone critic Michael Azerrad dismissed it as "musical muscle" with 1.5 stars, claiming Rush fans viewed their favourite power trio as "the holy trinity".[37] Nevertheless, A Show of Hands managed to surpass the gold album mark, reaching number 21 on the Billboard 200.[38] At this point, the group decided to change record labels from Mercury to Atlantic. After Rush's departure in 1989, Mercury released a double platinum two-volume compilation of their Rush catalogue, Chronicles (1990).[39]

    [edit] Returning to their roots (1989–1997) "Dreamline" (1991)

    Sample of "Dreamline" from the album Roll the Bones. This song is notable for demonstrating the band's return to a more standard three piece instrument style, where synthesizers are used more sparingly and the guitar returning to the forefront of the sound.

    --------------------------------------------------------------------------------

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    Rush started to deviate from their 1980s style with the albums Presto and Roll the Bones. Produced by record engineer and musician Rupert Hine, these two albums saw Rush shedding much of their keyboard-saturated sound. Beginning with 1989's Presto, the band opted for arrangements that were notably more guitar-centric than the previous two studio albums. Although synthesizers were still used in many songs, the instrument was no longer featured as the centerpiece of Rush's compositions. Continuing this trend, 1991's Roll the Bones extended the use of the standard three-instrument approach with even less focus on synthesizers than its predecessor. While musically these albums do not deviate significantly from a general pop-rock sound, Rush incorporated traces of other musical styles. "Roll the Bones", for instance, exhibits funk and hip hop elements, and the instrumental track "Where's My Thing?" features several jazz components.[40] This return to three-piece instrumentation helped pave the way for future albums in the mid-90s, which would adopt a more straightforward rock formula.

    The transition from synthesizers to more guitar-oriented and organic instrumentation continued with the 1993 album Counterparts[41] and its follow-up, 1996's Test for Echo, again both produced in collaboration with Peter Collins. Musically, Counterparts[41] and Test For Echo are two of Rush's most guitar-driven albums. Although the music in general did not meet the criteria for progressive rock, some songs adopted a dynamic format.[42] For instance, "Time and Motion" possesses multiple time signature changes and organ usage, while the instrumental track "Limbo", consists of multiple musical passages. Musically, Test For Echo still retained much of the hard rock/alternative style already charted on the previous record with Lifeson and Lee's playing remaining more or less unchanged; however, a distinct modification in technique became apparent in Peart's playing from his jazz and swing training under the tutelage of jazz instructor Freddie Gruber during the interim between Counterparts and Test For Echo.[43] In October 1996, in support of Test For Echo, the band embarked on a North American tour, the band's first without an opening act and dubbed "An Evening with Rush". The tour was broken up into two segments spanning October through December 1996 and May through July 1997 with the band taking a respite between tour legs.

    [edit] Hiatus and comeback (1997–2005)After wrapping up the tour promoting Test for Echo in 1997, the band entered a five-year hiatus mainly because of personal tragedies in Peart's life. Peart's daughter Selena died in an automobile accident in August 1997, followed by his wife Jacqueline's death from cancer in June 1998. Peart took a hiatus to mourn and reflect, during which time he traveled extensively throughout North America on his BMW motorcycle, covering 88,000 km (55,000 miles). At some point in his journey, Peart decided to return to the band. Peart wrote Ghost Rider: Travels on the Healing Road as a chronicle of his geographical and emotional journey. In this book he writes of how he had told his bandmates at Selena's funeral, "consider me retired."[44] On November 10, 1998 a triple CD live album entitled Different Stages was released, dedicated to the memory of Selena and Jacqueline. Mixed by producer Paul Northfield and engineered by Terry Brown, it contained three discs packed with recorded performances from the band's Counterparts, Test For Echo, and A Farewell to Kings tours, marking the fourth officially released live album by the band.

    "One Little Victory" (2002)

    Sample of "One Little Victory" from the album Vapor Trails. This song's rapid tempo and heavy double bass drumming was done intentionally in order to herald the comeback of the band after their hiatus.

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    After a time to grieve and reassemble the pieces of his life, and while visiting long-time Rush photographer Andrew MacNaughtan in Los Angeles, Peart was introduced to his future wife, photographer Carrie Nuttall. Peart married Nuttall on September 9, 2000. In early 2001 he announced to his band mates that he was ready to once again enter the studio and get back into the business of making music. With the help of producer Paul Northfield the band returned in May 2002 with Vapor Trails, written and recorded in Toronto. To herald the band's comeback, the single and lead track from the album, "One Little Victory" was designed to grab the attention of listeners with its rapid guitar and drum tempos.[45] Vapor Trails marked the first studio recording not to include a single synthesizer, organ or keyboard part since the early 1970s. While the album is almost completely guitar-driven, it is mostly devoid of any conventional sounding guitar solos, a conscious decision made by Lifeson during the writing process. According to the band, the entire developmental process for Vapor Trails was extremely taxing and took approximately 14 months to finish, by far the longest the band had ever spent writing and recording a studio album.[45] The album was supported by the band's first tour in six years, including first-ever concerts in Mexico City and Brazil, where they played to some of the largest crowds of their career.

    A triple CD live album and dual Rush in Rio DVD was released in late October 2003 featuring an entire concert performance recorded on the last night of their Vapor Trails Tour, November 23, 2002, at Maracanã Stadium in Rio de Janeiro, Brazil. To celebrate their 30th anniversary, June 2004 saw the release of Feedback, a studio EP recorded in suburban Toronto featuring eight covers of such artists as Cream, The Who and The Yardbirds, bands that the members of Rush cite as inspiration around the time of their inception.[46] Also in the summer of 2004, Rush hit the road again for their 30th Anniversary Tour, playing dates in the United States, Canada, the United Kingdom, Germany, Italy, Sweden, the Czech Republic, and the Netherlands. On September 24, 2004 a Frankfurt, Germany concert was recorded at The Festhalle for DVD (titled R30: Live in Frankfurt), which was released November 22, 2005; a complete version of the R30 Frankfurt set (the original DVD release omitted eight songs) was released on Blu-ray on December 8, 2009.[47]

    [edit] Snakes & Arrows (2006–2009)Main articles: Snakes & Arrows and Snakes & Arrows Tour
    During promotional interviews for the R30 Live In Frankfurt DVD, the band revealed their intention to begin writing new material in early 2006. While in Toronto, Lifeson and Lee began the songwriting process in January 2006. During this time, Peart simultaneously assumed his role of lyric writing while residing in Southern California. The following September, Rush chose to hire American producer Nick Raskulinecz to co-produce the album. The band officially entered Allaire Studios, in Shokan, New York in November 2006 in order to record the bulk of the material. Taking the band five weeks, the sessions ended in December. On February 14, 2007, an announcement was made on the official Rush web site that the title of the new album would be Snakes & Arrows. The first single, entitled "Far Cry", was released to North American radio stations on March 12, 2007 and reached #2 on the Mediabase Mainstream and Radio and Records Charts.[48]

    "Far Cry" (2007)

    Sample of "Far Cry", first single from the album Snakes & Arrows.

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    The Rush website, newly redesigned on March 12 to support the new album, also announced that the band would embark on a tour to begin in the summer. Snakes & Arrows was released May 1, 2007 in North America, where it debuted at #3 in the Billboard 200 with approximately 93,000 units sold in its first week.[49] It would go on to sell an estimated 611,000 copies worldwide. To coincide with the Atlantic ocean hurricane season, "Spindrift" was released as the official second radio single on June 1, 2007, whereas "The Larger Bowl (A Pantoum)" saw single status on June 25, 2007. "The Larger Bowl" positioned within the top 20 of the Mainstream Rock and Media Base Mainstream charts, however, "Spindrift" failed to appear on any commercial chart.[50] The planned intercontinental tour in support of Snakes & Arrows began on June 13, 2007 in Atlanta, Georgia, coming to a close on October 29, 2007 at Hartwall Arena in Helsinki, Finland.[51]

    The 2008 portion of the tour started on April 11, 2008 in San Juan, Puerto Rico at José Miguel Agrelot Coliseum and culminated on July 24, 2008 in Noblesville, Indiana at the Verizon Wireless Music Center.[52] On April 15, the band released Snakes & Arrows Live, a double live album documenting the first leg of the tour.[53] Those same performances featured on Snakes & Arrows Live filmed at the Ahoy arena in Rotterdam, Netherlands on October 16 and 17 of 2007 were released November 24 as a DVD and Blu-Ray set. The video also includes footage from the 2008 portion of the tour, recorded at Verizon Wireless Amphitheater in Atlanta.[54][55][56]

    As the band neared the conclusion of their Snakes & Arrows tour, they announced their first appearance on American television in over 30 years. Rush was interviewed by Stephen Colbert and they performed "Tom Sawyer" on The Colbert Report on July 16, 2008.[57] Continuing to ride what one movie reviewer has called a "pop cultural wave," they also appeared at a live show in April 2009 for the comedy film I Love You, Man.[58]

    [edit] Clockwork Angels and Time Machine Tour (2009–present)On February 16, 2009, Lifeson remarked that the band may begin working on a new album in the Fall 2009 with Nick Raskulinecz once again producing.[59] On March 19, 2010, the CBC posted a video interview with Lee and Lifeson where they discussed Rush's induction into the Canadian Songwriters Hall of Fame on March 28, 2010 at the Toronto Centre for the Arts' George Weston Recital Hall. The band was recognized for the songs "Limelight", "Closer to the Heart", "The Spirit of Radio", "Tom Sawyer" and "Subdivisions". In addition to discussing their induction, Lee and Lifeson touched on future material. During the interview, Lee was quoted as saying "... Just about a month and a half ago we had no songs. And now we've been writing and now we've got about 6 songs that we just love...".[60] On March 26, 2010, in an interview with The Globe and Mail, Lifeson reconfirmed that the band had already written a half-dozen songs and that there was the potential for two supporting tours, one planned for Summer 2010 and a more extensive tour planned for Summer 2011. While still uncertain of exactly how and when the new material would be released, he projected a tentative Spring 2011 release date.[61] Soon after, Peart confirmed that American producer Nick Raskulinecz had returned as co-producer.[62]

    On April 8, 2010 both the official Rush website and PR Newswire announced that the band would embark on the Rush Time Machine Tour. The first leg of the tour began on June 29 in Albuquerque, New Mexico and finished October 17 in Santiago, Chile at the National stadium. It featured the album Moving Pictures played in its entirety, as well as the single "Caravan" and its B-side "BU2B". These songs will be featured on the band's upcoming studio album, Clockwork Angels.[63] The "Caravan" single was announced May 25, 2010 and was released June 1 to radio stations and made available for digital download.[64] It was suggested that Rush would return to the studio after the completion of the Time Machine Tour with plans to release Clockwork Angels in 2011.[65] However, Rush confirmed on November 19, 2010 that they will be extending the Time Machine Tour for a second leg. They are scheduled to play Europe in spring 2011 and return to North America for dates between March and July.[66]

    On April 24, 2010, the documentary Rush: Beyond the Lighted Stage directed by Sam Dunn premiered at the Tribeca Film Festival. It went on to receive the Tribeca Film Festival Audience Award.[67] The band's music was featured in the 2010 documentary Jews and Baseball: An American Love Story, narrated by Academy Award winner Dustin Hoffman.[68][69]

    On June 25, 2010, Rush received a star on the Hollywood Walk of Fame, located at 6752 Hollywood Boulevard. Critical acclaim continued to mount for Rush in 2010 when, on September 28, Classic Rock magazine announced Rush would be this year's Living Legends awarded at the Marshall Classic Rock Roll of Honour Awards in the UK.[70] The award was presented November 10, 2010. On September 29, Billboard.com announced that Rush would also receive the 2010 Legends of Live award for significant and lasting contributions to live music and the art of performing live and reaching fans through the concert experience.[71] The award was presented at the Billboard Touring Awards on November 4, 2010.

    The original line-up formed in the neighbourhood of Willowdale in Toronto, Ontario, by Lifeson, bassist and front man Jeff Jones, and drummer John Rutsey. Within a couple of weeks of forming, and before their second performance, bassist and lead vocalist Jones was replaced by Geddy Lee, a schoolmate of Lifeson. After several lineup reformations, Rush's official incarnation was formed in May 1971 consisting of Lee, Lifeson, and Rutsey. The band was managed by local Toronto resident Ray Danniels, a frequent attendee of Rush's early shows.[7][8]

    After gaining stability in the lineup and honing their skills on the local bar/high school dance circuit, the band came to release their first single "Not Fade Away", a cover of the Buddy Holly song, in 1973. Side B contained an original composition, "You Can't Fight It", credited to Lee and Rutsey. The single generated little reaction and, because of record company indifference, the band formed their own independent record label, Moon Records. With the aid of Danniels and the newly enlisted engineer Terry Brown, the band released their self-titled debut album in 1974, which was considered highly derivative of Led Zeppelin.[9] Rush had limited local popularity until the album was picked up by WMMS, a radio station in Cleveland, Ohio. Donna Halper, a DJ and music director working at the station, selected "Working Man" for her regular play list. The song's blue collar theme resonated with hard rock fans and this new found popularity led to the album being re-released by Mercury Records in the U.S.[10][11]


    The "starman" logo first appeared on the back cover of the 1976 album 2112. Hugh Syme, creator of graphics on many of Rush's albums, stated in a 1983 interview that the Starman "didn't begin as an identity factor for the band, it just got adopted."[12]Immediately after the release of the debut album in 1974, Rutsey was forced to leave the band due to health difficulties stemming from diabetes and a general distaste for touring. His last performance with the band was on July 25, 1974 at Centennial Hall in London, Ontario. Rush held auditions for a new dummer and eventually selected Neil Peart as Rutsey's replacement. Peart officially joined the band on July 29, 1974, two weeks before the group's first U.S. tour. They performed their first concert together, opening for Uriah Heep and Manfred Mann with an attendance of over 11,000 people at the Civic Arena in Pittsburgh, Pennsylvania on August 14. In addition to becoming the band's drummer, Peart assumed the role of principal lyricist from Lee, who had very little interest in writing, despite penning the lyrics of the band's first album.[13] Instead, Lee, along with Lifeson, focused primarily on the musical aspects of Rush. Fly by Night (1975), Rush's first album after recruiting Peart, saw the inclusion of the band's first epic mini-tale "By-Tor and the Snow Dog", replete with complex arrangements and multi-section format. Lyrical themes also underwent dramatic changes after the addition of Peart because of his love for fantasy and science-fiction literature.[14] However, despite these many differences some of the music and songs still closely mirrored the blues style found on Rush's debut.[14][15]

    Following quickly on the heels of Fly By Night, the band released 1975's Caress of Steel, a five track hard rock/heavy metal album featuring two extended multi-chapter songs, "The Necromancer" and "The Fountain of Lamneth." Some critics said Caress of Steel was unfocused and an audacious move for the band because of the placement of two back-to-back protracted songs, as well as a heavier reliance on atmospherics and story-telling, a large deviation from Fly by Night.[16] Intended to be the band's first "break-through" album, Caress of Steel sold below expectations and the promotional tour consisted of smaller venues which led to the moniker the "Down the Tubes Tour".[17] In light of these events, Rush's record label pressured them into molding their next album in a more commercially friendly and accessible fashion. However, the band ignored the requests and developed their next album, 2112 with a 20-minute title track divided into seven sections. Despite this, the album was the band's first taste of commercial success and their first platinum album in Canada.[18] The supporting tour for the album culminated in a three night stand at Massey Hall in Toronto, which the band recorded for the release of their first live album titled All the World's a Stage. Allmusic critic Greg Prato summarily reminds listeners and fans of how the album demarcates the boundary between the band's early years and the next era of their music.[19][20]

    [edit] The progressive rock era (1977–1981)After 2112, Rush retreated to the United Kingdom to record 1977's A Farewell to Kings and 1978's Hemispheres at Rockfield Studios in Wales. These albums saw the band members expanding the use of progressive elements in their music. "As our tastes got more obscure," Geddy Lee said in a recent interview, "we discovered more progressive rock-based bands like Yes, Van der Graaf Generator and King Crimson, and we were very inspired by those bands. They made us want to make our music more interesting and more complex and we tried to blend that with our own personalities to see what we could come up with that was indisputably us."[21] Trademarks such as increased synthesizer usage, extended-length concept songs, and highly dynamic playing featuring complex time signature changes became a staple of Rush's compositions. To achieve a broader, more progressive palette of sound, Alex Lifeson began to experiment with classical and twelve-string guitars, and Geddy Lee added bass-pedal synthesizers and Minimoog. Likewise, Peart's percussion became diversified in the form of triangles, glockenspiel, wood blocks, cowbells, timpani, gong and chimes. Beyond instrument additions, the band kept in stride with the progressive rock movement by continuing to compose long, conceptual songs with science fiction and fantasy overtones. However, as the new decade approached, Rush gradually began to dispose of their older styles of music in favor of shorter, and sometimes softer, arrangements. The lyrics up to this point (most of them written by Peart) were heavily influenced by classical poetry, fantasy literature, science fiction, and the writings of novelist Ayn Rand, as exhibited most prominently by their 1975 song "Anthem" from Fly By Night and a specifically acknowledged derivation in 1976's 2112.[22]

    Permanent Waves (1980) dramatically shifted Rush's style of music via the introduction of reggae and new wave elements.[23] Although a hard rock style was still evident, more and more synthesizers were introduced. Moreover, because of the limited airplay Rush's previous extended-length songs received, Permanent Waves included shorter, more radio-friendly songs such as "The Spirit of Radio" and "Freewill", two songs which helped Permanent Waves become Rush's first U.S. Top 5 album; both songs continue to make appearances on classic rock radio stations in Canada and the United States to this day.[24] Meanwhile, Peart's lyrics shifted toward an expository tone with subject matter that dwelled less on fantastical or allegorical story-telling and more heavily on topics that explored humanistic, social and emotional elements. Rush joined with fellow Toronto-based rock band Max Webster on July 28, 1980 to record "Battle Scar" for their 1980 release, Universal Juveniles.[25] While on tour together following the release, both bands would join between sets to play "Battle Scar". The song acted as both a transition from Max Webster to Rush, as well as a warm-up for Peart. In addition, Max Webster lyricist Pye Dubois offered the band lyrics to a song he had written. The band accepted; the song went on, after reworking by Peart, to become "Tom Sawyer".[25]

    "Tom Sawyer" (1981)

    Sample of "Tom Sawyer" from the album Moving Pictures. This is the band's best known song with heaviest radio airplay.

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    Rush's popularity reached its pinnacle with the release of Moving Pictures in 1981. Moving Pictures essentially continued where Permanent Waves left off, extending the trend of highly accessible and commercially friendly progressive rock that helped thrust them into the spotlight. The lead track, "Tom Sawyer", is probably the band's best-known song[26] with "Limelight" also receiving satisfactory responses from listeners and radio stations. Moving Pictures was Rush's last album to feature an extended song, the eleven-minute "The Camera Eye". The song also contained the band's heaviest usage of synthesizers up to that point, hinting that Rush's music was shifting direction once more. Moving Pictures reached #3 on the Billboard 200 album chart and has been certified quadruple platinum by the Recording Industry Association of America.[27]

    Following the success of Moving Pictures and the completion of another four studio albums, Rush released their second live recording, Exit...Stage Left, in 1981. The album delineates the apex of Rush's progressive period by featuring live material from the band's Permanent Waves and Moving Pictures tours. As with their first live release, Exit...Stage Left identified the margin of a new chapter of Rush's sound.

    [edit] The synthesizer period (1982–1989)
    The OBX synthesizer used by Geddy Lee on the album Signals (1982).The band underwent another radical stylistic transmutation with the release of Signals in 1982.[28]

    While Lee's synthesizers had been featured instruments ever since the late 70s, keyboards were suddenly shifted from the contrapuntal background to the melodic front-lines[29][30] in songs like "Countdown" and the lead-off track "Subdivisions". Both feature prominent lead synthesizer lines with minimalistic guitar chords and solos. Other previously unused instrument additions were seen in the song "Losing It," featuring collaborator Ben Mink on electric violin.[28]

    "Subdivisions" (1982)

    Sample of "Subdivisions" from the album Signals. This song is notable for demonstrating the band's foray into their synthesizer period.

    --------------------------------------------------------------------------------

    Problems listening to this file? See media help.

    Signals also represented a drastic stylistic transformation apart from instrumental changes. The album contained Rush's only U.S. top-40 pop hit, "New World Man",[31] while other more experimental songs such as "Digital Man", "The Weapon", and "Chemistry" expanded the band's use of ska, reggae, and funk.[32] Although the band members consciously decided to move in this overall direction, they felt dissatisfied with long-time producer Terry Brown's studio treatment of Signals and parted ways with him in 1983. These diverse styles would come into further play on their next studio album.


    Neil Peart began incorporating Simmons Electronic Drums beginning with 1984's Grace Under PressureThe style and production of Signals were augmented and taken to new heights on 1984's Grace Under Pressure. It was Peart who named the album, as he borrowed the words of Ernest Hemingway to describe what the band had to go through after making the decision to leave Terry Brown. Producer Steve Lillywhite, who gleaned fame with successful productions of Simple Minds and U2, was enlisted to produce Grace Under Pressure. However, he backed out at the last moment, much to the ire of Lee, Lifeson and Peart. Lee said "Steve Lillywhite is really not a man of his word....after agreeing to do our record, he got an offer from Simple Minds, changed his mind, blew us off,..so it put us in a horrible position." Rush eventually hired Peter Henderson to co-produce and engineer the album in his stead.[33]

    Musically, although Lee's use of sequencers and synthesizers remained the band's cornerstone, his focus on new technology was complemented by Peart's adaptation of Simmons electronic drums and percussion. Lifeson's contributions on the album were decidedly enhanced to act as an overreaction to the minimalistic role he played on Signals.[34] Still, many of his trademark guitar textures remained intact in the form of open reggae chords and funk and new-wave rhythms.

    With new producer Peter Collins, the band released 1985's Power Windows and 1987's Hold Your Fire. The music on these two albums gives far more emphasis and prominence to Lee's multi-layered synthesizer work. While fans and critics took notice of Lifeson's diminished guitar work, his presence was still palpable. Lifeson, like many guitarists in the late 1980s, experimented with processors that reduced his instrument to echoey chord bursts and razor-thin leads. Hold Your Fire represents both a modest extension of the guitar stylings found on Power Windows, and, according to Allmusic critic Eduardo Rivadavia, the culmination of this era of Rush.[35] Whereas the previous five Rush albums sold platinum or better, Hold Your Fire only went gold in November 1987, although it managed to peak at number 13 on the Billboard 200.[36]

    A third live album and video, A Show of Hands (1989), was also released by Mercury following the Power Windows and Hold Your Fire tours, demonstrating the aspects of Rush in the '80s. A Show of Hands met with strong fan approval, but Rolling Stone critic Michael Azerrad dismissed it as "musical muscle" with 1.5 stars, claiming Rush fans viewed their favourite power trio as "the holy trinity".[37] Nevertheless, A Show of Hands managed to surpass the gold album mark, reaching number 21 on the Billboard 200.[38] At this point, the group decided to change record labels from Mercury to Atlantic. After Rush's departure in 1989, Mercury released a double platinum two-volume compilation of their Rush catalogue, Chronicles (1990).[39]

    [edit] Returning to their roots (1989–1997) "Dreamline" (1991)

    Sample of "Dreamline" from the album Roll the Bones. This song is notable for demonstrating the band's return to a more standard three piece instrument style, where synthesizers are used more sparingly and the guitar returning to the forefront of the sound.

    --------------------------------------------------------------------------------

    Problems listening to this file? See media help.

    Rush started to deviate from their 1980s style with the albums Presto and Roll the Bones. Produced by record engineer and musician Rupert Hine, these two albums saw Rush shedding much of their keyboard-saturated sound. Beginning with 1989's Presto, the band opted for arrangements that were notably more guitar-centric than the previous two studio albums. Although synthesizers were still used in many songs, the instrument was no longer featured as the centerpiece of Rush's compositions. Continuing this trend, 1991's Roll the Bones extended the use of the standard three-instrument approach with even less focus on synthesizers than its predecessor. While musically these albums do not deviate significantly from a general pop-rock sound, Rush incorporated traces of other musical styles. "Roll the Bones", for instance, exhibits funk and hip hop elements, and the instrumental track "Where's My Thing?" features several jazz components.[40] This return to three-piece instrumentation helped pave the way for future albums in the mid-90s, which would adopt a more straightforward rock formula.

    The transition from synthesizers to more guitar-oriented and organic instrumentation continued with the 1993 album Counterparts[41] and its follow-up, 1996's Test for Echo, again both produced in collaboration with Peter Collins. Musically, Counterparts[41] and Test For Echo are two of Rush's most guitar-driven albums. Although the music in general did not meet the criteria for progressive rock, some songs adopted a dynamic format.[42] For instance, "Time and Motion" possesses multiple time signature changes and organ usage, while the instrumental track "Limbo", consists of multiple musical passages. Musically, Test For Echo still retained much of the hard rock/alternative style already charted on the previous record with Lifeson and Lee's playing remaining more or less unchanged; however, a distinct modification in technique became apparent in Peart's playing from his jazz and swing training under the tutelage of jazz instructor Freddie Gruber during the interim between Counterparts and Test For Echo.[43] In October 1996, in support of Test For Echo, the band embarked on a North American tour, the band's first without an opening act and dubbed "An Evening with Rush". The tour was broken up into two segments spanning October through December 1996 and May through July 1997 with the band taking a respite between tour legs.

    [edit] Hiatus and comeback (1997–2005)After wrapping up the tour promoting Test for Echo in 1997, the band entered a five-year hiatus mainly because of personal tragedies in Peart's life. Peart's daughter Selena died in an automobile accident in August 1997, followed by his wife Jacqueline's death from cancer in June 1998. Peart took a hiatus to mourn and reflect, during which time he traveled extensively throughout North America on his BMW motorcycle, covering 88,000 km (55,000 miles). At some point in his journey, Peart decided to return to the band. Peart wrote Ghost Rider: Travels on the Healing Road as a chronicle of his geographical and emotional journey. In this book he writes of how he had told his bandmates at Selena's funeral, "consider me retired."[44] On November 10, 1998 a triple CD live album entitled Different Stages was released, dedicated to the memory of Selena and Jacqueline. Mixed by producer Paul Northfield and engineered by Terry Brown, it contained three discs packed with recorded performances from the band's Counterparts, Test For Echo, and A Farewell to Kings tours, marking the fourth officially released live album by the band.

    "One Little Victory" (2002)

    Sample of "One Little Victory" from the album Vapor Trails. This song's rapid tempo and heavy double bass drumming was done intentionally in order to herald the comeback of the band after their hiatus.

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    After a time to grieve and reassemble the pieces of his life, and while visiting long-time Rush photographer Andrew MacNaughtan in Los Angeles, Peart was introduced to his future wife, photographer Carrie Nuttall. Peart married Nuttall on September 9, 2000. In early 2001 he announced to his band mates that he was ready to once again enter the studio and get back into the business of making music. With the help of producer Paul Northfield the band returned in May 2002 with Vapor Trails, written and recorded in Toronto. To herald the band's comeback, the single and lead track from the album, "One Little Victory" was designed to grab the attention of listeners with its rapid guitar and drum tempos.[45] Vapor Trails marked the first studio recording not to include a single synthesizer, organ or keyboard part since the early 1970s. While the album is almost completely guitar-driven, it is mostly devoid of any conventional sounding guitar solos, a conscious decision made by Lifeson during the writing process. According to the band, the entire developmental process for Vapor Trails was extremely taxing and took approximately 14 months to finish, by far the longest the band had ever spent writing and recording a studio album.[45] The album was supported by the band's first tour in six years, including first-ever concerts in Mexico City and Brazil, where they played to some of the largest crowds of their career.

    A triple CD live album and dual Rush in Rio DVD was released in late October 2003 featuring an entire concert performance recorded on the last night of their Vapor Trails Tour, November 23, 2002, at Maracanã Stadium in Rio de Janeiro, Brazil. To celebrate their 30th anniversary, June 2004 saw the release of Feedback, a studio EP recorded in suburban Toronto featuring eight covers of such artists as Cream, The Who and The Yardbirds, bands that the members of Rush cite as inspiration around the time of their inception.[46] Also in the summer of 2004, Rush hit the road again for their 30th Anniversary Tour, playing dates in the United States, Canada, the United Kingdom, Germany, Italy, Sweden, the Czech Republic, and the Netherlands. On September 24, 2004 a Frankfurt, Germany concert was recorded at The Festhalle for DVD (titled R30: Live in Frankfurt), which was released November 22, 2005; a complete version of the R30 Frankfurt set (the original DVD release omitted eight songs) was released on Blu-ray on December 8, 2009.[47]

    [edit] Snakes & Arrows (2006–2009)Main articles: Snakes & Arrows and Snakes & Arrows Tour
    During promotional interviews for the R30 Live In Frankfurt DVD, the band revealed their intention to begin writing new material in early 2006. While in Toronto, Lifeson and Lee began the songwriting process in January 2006. During this time, Peart simultaneously assumed his role of lyric writing while residing in Southern California. The following September, Rush chose to hire American producer Nick Raskulinecz to co-produce the album. The band officially entered Allaire Studios, in Shokan, New York in November 2006 in order to record the bulk of the material. Taking the band five weeks, the sessions ended in December. On February 14, 2007, an announcement was made on the official Rush web site that the title of the new album would be Snakes & Arrows. The first single, entitled "Far Cry", was released to North American radio stations on March 12, 2007 and reached #2 on the Mediabase Mainstream and Radio and Records Charts.[48]

    "Far Cry" (2007)

    Sample of "Far Cry", first single from the album Snakes & Arrows.

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    The Rush website, newly redesigned on March 12 to support the new album, also announced that the band would embark on a tour to begin in the summer. Snakes & Arrows was released May 1, 2007 in North America, where it debuted at #3 in the Billboard 200 with approximately 93,000 units sold in its first week.[49] It would go on to sell an estimated 611,000 copies worldwide. To coincide with the Atlantic ocean hurricane season, "Spindrift" was released as the official second radio single on June 1, 2007, whereas "The Larger Bowl (A Pantoum)" saw single status on June 25, 2007. "The Larger Bowl" positioned within the top 20 of the Mainstream Rock and Media Base Mainstream charts, however, "Spindrift" failed to appear on any commercial chart.[50] The planned intercontinental tour in support of Snakes & Arrows began on June 13, 2007 in Atlanta, Georgia, coming to a close on October 29, 2007 at Hartwall Arena in Helsinki, Finland.[51]

    The 2008 portion of the tour started on April 11, 2008 in San Juan, Puerto Rico at José Miguel Agrelot Coliseum and culminated on July 24, 2008 in Noblesville, Indiana at the Verizon Wireless Music Center.[52] On April 15, the band released Snakes & Arrows Live, a double live album documenting the first leg of the tour.[53] Those same performances featured on Snakes & Arrows Live filmed at the Ahoy arena in Rotterdam, Netherlands on October 16 and 17 of 2007 were released November 24 as a DVD and Blu-Ray set. The video also includes footage from the 2008 portion of the tour, recorded at Verizon Wireless Amphitheater in Atlanta.[54][55][56]

    As the band neared the conclusion of their Snakes & Arrows tour, they announced their first appearance on American television in over 30 years. Rush was interviewed by Stephen Colbert and they performed "Tom Sawyer" on The Colbert Report on July 16, 2008.[57] Continuing to ride what one movie reviewer has called a "pop cultural wave," they also appeared at a live show in April 2009 for the comedy film I Love You, Man.[58]

    [edit] Clockwork Angels and Time Machine Tour (2009–present)On February 16, 2009, Lifeson remarked that the band may begin working on a new album in the Fall 2009 with Nick Raskulinecz once again producing.[59] On March 19, 2010, the CBC posted a video interview with Lee and Lifeson where they discussed Rush's induction into the Canadian Songwriters Hall of Fame on March 28, 2010 at the Toronto Centre for the Arts' George Weston Recital Hall. The band was recognized for the songs "Limelight", "Closer to the Heart", "The Spirit of Radio", "Tom Sawyer" and "Subdivisions". In addition to discussing their induction, Lee and Lifeson touched on future material. During the interview, Lee was quoted as saying "... Just about a month and a half ago we had no songs. And now we've been writing and now we've got about 6 songs that we just love...".[60] On March 26, 2010, in an interview with The Globe and Mail, Lifeson reconfirmed that the band had already written a half-dozen songs and that there was the potential for two supporting tours, one planned for Summer 2010 and a more extensive tour planned for Summer 2011. While still uncertain of exactly how and when the new material would be released, he projected a tentative Spring 2011 release date.[61] Soon after, Peart confirmed that American producer Nick Raskulinecz had returned as co-producer.[62]

    On April 8, 2010 both the official Rush website and PR Newswire announced that the band would embark on the Rush Time Machine Tour. The first leg of the tour began on June 29 in Albuquerque, New Mexico and finished October 17 in Santiago, Chile at the National stadium. It featured the album Moving Pictures played in its entirety, as well as the single "Caravan" and its B-side "BU2B". These songs will be featured on the band's upcoming studio album, Clockwork Angels.[63] The "Caravan" single was announced May 25, 2010 and was released June 1 to radio stations and made available for digital download.[64] It was suggested that Rush would return to the studio after the completion of the Time Machine Tour with plans to release Clockwork Angels in 2011.[65] However, Rush confirmed on November 19, 2010 that they will be extending the Time Machine Tour for a second leg. They are scheduled to play Europe in spring 2011 and return to North America for dates between March and July.[66]

    On April 24, 2010, the documentary Rush: Beyond the Lighted Stage directed by Sam Dunn premiered at the Tribeca Film Festival. It went on to receive the Tribeca Film Festival Audience Award.[67] The band's music was featured in the 2010 documentary Jews and Baseball: An American Love Story, narrated by Academy Award winner Dustin Hoffman.[68][69]

    On June 25, 2010, Rush received a star on the Hollywood Walk of Fame, located at 6752 Hollywood Boulevard. Critical acclaim continued to mount for Rush in 2010 when, on September 28, Classic Rock magazine announced Rush would be this year's Living Legends awarded at the Marshall Classic Rock Roll of Honour Awards in the UK.[70] The award was presented November 10, 2010. On September 29, Billboard.com announced that Rush would also receive the 2010 Legends of Live award for significant and lasting contributions to live music and the art of performing live and reaching fans through the concert experience.[71] The award was presented at the Billboard Touring Awards on November 4, 2010.

    The original line-up formed in the neighbourhood of Willowdale in Toronto, Ontario, by Lifeson, bassist and front man Jeff Jones, and drummer John Rutsey. Within a couple of weeks of forming, and before their second performance, bassist and lead vocalist Jones was replaced by Geddy Lee, a schoolmate of Lifeson. After several lineup reformations, Rush's official incarnation was formed in May 1971 consisting of Lee, Lifeson, and Rutsey. The band was managed by local Toronto resident Ray Danniels, a frequent attendee of Rush's early shows.[7][8]

    After gaining stability in the lineup and honing their skills on the local bar/high school dance circuit, the band came to release their first single "Not Fade Away", a cover of the Buddy Holly song, in 1973. Side B contained an original composition, "You Can't Fight It", credited to Lee and Rutsey. The single generated little reaction and, because of record company indifference, the band formed their own independent record label, Moon Records. With the aid of Danniels and the newly enlisted engineer Terry Brown, the band released their self-titled debut album in 1974, which was considered highly derivative of Led Zeppelin.[9] Rush had limited local popularity until the album was picked up by WMMS, a radio station in Cleveland, Ohio. Donna Halper, a DJ and music director working at the station, selected "Working Man" for her regular play list. The song's blue collar theme resonated with hard rock fans and this new found popularity led to the album being re-released by Mercury Records in the U.S.[10][11]


    The "starman" logo first appeared on the back cover of the 1976 album 2112. Hugh Syme, creator of graphics on many of Rush's albums, stated in a 1983 interview that the Starman "didn't begin as an identity factor for the band, it just got adopted."[12]Immediately after the release of the debut album in 1974, Rutsey was forced to leave the band due to health difficulties stemming from diabetes and a general distaste for touring. His last performance with the band was on July 25, 1974 at Centennial Hall in London, Ontario. Rush held auditions for a new dummer and eventually selected Neil Peart as Rutsey's replacement. Peart officially joined the band on July 29, 1974, two weeks before the group's first U.S. tour. They performed their first concert together, opening for Uriah Heep and Manfred Mann with an attendance of over 11,000 people at the Civic Arena in Pittsburgh, Pennsylvania on August 14. In addition to becoming the band's drummer, Peart assumed the role of principal lyricist from Lee, who had very little interest in writing, despite penning the lyrics of the band's first album.[13] Instead, Lee, along with Lifeson, focused primarily on the musical aspects of Rush. Fly by Night (1975), Rush's first album after recruiting Peart, saw the inclusion of the band's first epic mini-tale "By-Tor and the Snow Dog", replete with complex arrangements and multi-section format. Lyrical themes also underwent dramatic changes after the addition of Peart because of his love for fantasy and science-fiction literature.[14] However, despite these many differences some of the music and songs still closely mirrored the blues style found on Rush's debut.[14][15]

    Following quickly on the heels of Fly By Night, the band released 1975's Caress of Steel, a five track hard rock/heavy metal album featuring two extended multi-chapter songs, "The Necromancer" and "The Fountain of Lamneth." Some critics said Caress of Steel was unfocused and an audacious move for the band because of the placement of two back-to-back protracted songs, as well as a heavier reliance on atmospherics and story-telling, a large deviation from Fly by Night.[16] Intended to be the band's first "break-through" album, Caress of Steel sold below expectations and the promotional tour consisted of smaller venues which led to the moniker the "Down the Tubes Tour".[17] In light of these events, Rush's record label pressured them into molding their next album in a more commercially friendly and accessible fashion. However, the band ignored the requests and developed their next album, 2112 with a 20-minute title track divided into seven sections. Despite this, the album was the band's first taste of commercial success and their first platinum album in Canada.[18] The supporting tour for the album culminated in a three night stand at Massey Hall in Toronto, which the band recorded for the release of their first live album titled All the World's a Stage. Allmusic critic Greg Prato summarily reminds listeners and fans of how the album demarcates the boundary between the band's early years and the next era of their music.[19][20]

    [edit] The progressive rock era (1977–1981)After 2112, Rush retreated to the United Kingdom to record 1977's A Farewell to Kings and 1978's Hemispheres at Rockfield Studios in Wales. These albums saw the band members expanding the use of progressive elements in their music. "As our tastes got more obscure," Geddy Lee said in a recent interview, "we discovered more progressive rock-based bands like Yes, Van der Graaf Generator and King Crimson, and we were very inspired by those bands. They made us want to make our music more interesting and more complex and we tried to blend that with our own personalities to see what we could come up with that was indisputably us."[21] Trademarks such as increased synthesizer usage, extended-length concept songs, and highly dynamic playing featuring complex time signature changes became a staple of Rush's compositions. To achieve a broader, more progressive palette of sound, Alex Lifeson began to experiment with classical and twelve-string guitars, and Geddy Lee added bass-pedal synthesizers and Minimoog. Likewise, Peart's percussion became diversified in the form of triangles, glockenspiel, wood blocks, cowbells, timpani, gong and chimes. Beyond instrument additions, the band kept in stride with the progressive rock movement by continuing to compose long, conceptual songs with science fiction and fantasy overtones. However, as the new decade approached, Rush gradually began to dispose of their older styles of music in favor of shorter, and sometimes softer, arrangements. The lyrics up to this point (most of them written by Peart) were heavily influenced by classical poetry, fantasy literature, science fiction, and the writings of novelist Ayn Rand, as exhibited most prominently by their 1975 song "Anthem" from Fly By Night and a specifically acknowledged derivation in 1976's 2112.[22]

    Permanent Waves (1980) dramatically shifted Rush's style of music via the introduction of reggae and new wave elements.[23] Although a hard rock style was still evident, more and more synthesizers were introduced. Moreover, because of the limited airplay Rush's previous extended-length songs received, Permanent Waves included shorter, more radio-friendly songs such as "The Spirit of Radio" and "Freewill", two songs which helped Permanent Waves become Rush's first U.S. Top 5 album; both songs continue to make appearances on classic rock radio stations in Canada and the United States to this day.[24] Meanwhile, Peart's lyrics shifted toward an expository tone with subject matter that dwelled less on fantastical or allegorical story-telling and more heavily on topics that explored humanistic, social and emotional elements. Rush joined with fellow Toronto-based rock band Max Webster on July 28, 1980 to record "Battle Scar" for their 1980 release, Universal Juveniles.[25] While on tour together following the release, both bands would join between sets to play "Battle Scar". The song acted as both a transition from Max Webster to Rush, as well as a warm-up for Peart. In addition, Max Webster lyricist Pye Dubois offered the band lyrics to a song he had written. The band accepted; the song went on, after reworking by Peart, to become "Tom Sawyer".[25]

    "Tom Sawyer" (1981)

    Sample of "Tom Sawyer" from the album Moving Pictures. This is the band's best known song with heaviest radio airplay.

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    Rush's popularity reached its pinnacle with the release of Moving Pictures in 1981. Moving Pictures essentially continued where Permanent Waves left off, extending the trend of highly accessible and commercially friendly progressive rock that helped thrust them into the spotlight. The lead track, "Tom Sawyer", is probably the band's best-known song[26] with "Limelight" also receiving satisfactory responses from listeners and radio stations. Moving Pictures was Rush's last album to feature an extended song, the eleven-minute "The Camera Eye". The song also contained the band's heaviest usage of synthesizers up to that point, hinting that Rush's music was shifting direction once more. Moving Pictures reached #3 on the Billboard 200 album chart and has been certified quadruple platinum by the Recording Industry Association of America.[27]

    Following the success of Moving Pictures and the completion of another four studio albums, Rush released their second live recording, Exit...Stage Left, in 1981. The album delineates the apex of Rush's progressive period by featuring live material from the band's Permanent Waves and Moving Pictures tours. As with their first live release, Exit...Stage Left identified the margin of a new chapter of Rush's sound.

    [edit] The synthesizer period (1982–1989)
    The OBX synthesizer used by Geddy Lee on the album Signals (1982).The band underwent another radical stylistic transmutation with the release of Signals in 1982.[28]

    While Lee's synthesizers had been featured instruments ever since the late 70s, keyboards were suddenly shifted from the contrapuntal background to the melodic front-lines[29][30] in songs like "Countdown" and the lead-off track "Subdivisions". Both feature prominent lead synthesizer lines with minimalistic guitar chords and solos. Other previously unused instrument additions were seen in the song "Losing It," featuring collaborator Ben Mink on electric violin.[28]

    "Subdivisions" (1982)

    Sample of "Subdivisions" from the album Signals. This song is notable for demonstrating the band's foray into their synthesizer period.

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    Signals also represented a drastic stylistic transformation apart from instrumental changes. The album contained Rush's only U.S. top-40 pop hit, "New World Man",[31] while other more experimental songs such as "Digital Man", "The Weapon", and "Chemistry" expanded the band's use of ska, reggae, and funk.[32] Although the band members consciously decided to move in this overall direction, they felt dissatisfied with long-time producer Terry Brown's studio treatment of Signals and parted ways with him in 1983. These diverse styles would come into further play on their next studio album.


    Neil Peart began incorporating Simmons Electronic Drums beginning with 1984's Grace Under PressureThe style and production of Signals were augmented and taken to new heights on 1984's Grace Under Pressure. It was Peart who named the album, as he borrowed the words of Ernest Hemingway to describe what the band had to go through after making the decision to leave Terry Brown. Producer Steve Lillywhite, who gleaned fame with successful productions of Simple Minds and U2, was enlisted to produce Grace Under Pressure. However, he backed out at the last moment, much to the ire of Lee, Lifeson and Peart. Lee said "Steve Lillywhite is really not a man of his word....after agreeing to do our record, he got an offer from Simple Minds, changed his mind, blew us off,..so it put us in a horrible position." Rush eventually hired Peter Henderson to co-produce and engineer the album in his stead.[33]

    Musically, although Lee's use of sequencers and synthesizers remained the band's cornerstone, his focus on new technology was complemented by Peart's adaptation of Simmons electronic drums and percussion. Lifeson's contributions on the album were decidedly enhanced to act as an overreaction to the minimalistic role he played on Signals.[34] Still, many of his trademark guitar textures remained intact in the form of open reggae chords and funk and new-wave rhythms.

    With new producer Peter Collins, the band released 1985's Power Windows and 1987's Hold Your Fire. The music on these two albums gives far more emphasis and prominence to Lee's multi-layered synthesizer work. While fans and critics took notice of Lifeson's diminished guitar work, his presence was still palpable. Lifeson, like many guitarists in the late 1980s, experimented with processors that reduced his instrument to echoey chord bursts and razor-thin leads. Hold Your Fire represents both a modest extension of the guitar stylings found on Power Windows, and, according to Allmusic critic Eduardo Rivadavia, the culmination of this era of Rush.[35] Whereas the previous five Rush albums sold platinum or better, Hold Your Fire only went gold in November 1987, although it managed to peak at number 13 on the Billboard 200.[36]

    A third live album and video, A Show of Hands (1989), was also released by Mercury following the Power Windows and Hold Your Fire tours, demonstrating the aspects of Rush in the '80s. A Show of Hands met with strong fan approval, but Rolling Stone critic Michael Azerrad dismissed it as "musical muscle" with 1.5 stars, claiming Rush fans viewed their favourite power trio as "the holy trinity".[37] Nevertheless, A Show of Hands managed to surpass the gold album mark, reaching number 21 on the Billboard 200.[38] At this point, the group decided to change record labels from Mercury to Atlantic. After Rush's departure in 1989, Mercury released a double platinum two-volume compilation of their Rush catalogue, Chronicles (1990).[39]

    [edit] Returning to their roots (1989–1997) "Dreamline" (1991)

    Sample of "Dreamline" from the album Roll the Bones. This song is notable for demonstrating the band's return to a more standard three piece instrument style, where synthesizers are used more sparingly and the guitar returning to the forefront of the sound.

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    Rush started to deviate from their 1980s style with the albums Presto and Roll the Bones. Produced by record engineer and musician Rupert Hine, these two albums saw Rush shedding much of their keyboard-saturated sound. Beginning with 1989's Presto, the band opted for arrangements that were notably more guitar-centric than the previous two studio albums. Although synthesizers were still used in many songs, the instrument was no longer featured as the centerpiece of Rush's compositions. Continuing this trend, 1991's Roll the Bones extended the use of the standard three-instrument approach with even less focus on synthesizers than its predecessor. While musically these albums do not deviate significantly from a general pop-rock sound, Rush incorporated traces of other musical styles. "Roll the Bones", for instance, exhibits funk and hip hop elements, and the instrumental track "Where's My Thing?" features several jazz components.[40] This return to three-piece instrumentation helped pave the way for future albums in the mid-90s, which would adopt a more straightforward rock formula.

    The transition from synthesizers to more guitar-oriented and organic instrumentation continued with the 1993 album Counterparts[41] and its follow-up, 1996's Test for Echo, again both produced in collaboration with Peter Collins. Musically, Counterparts[41] and Test For Echo are two of Rush's most guitar-driven albums. Although the music in general did not meet the criteria for progressive rock, some songs adopted a dynamic format.[42] For instance, "Time and Motion" possesses multiple time signature changes and organ usage, while the instrumental track "Limbo", consists of multiple musical passages. Musically, Test For Echo still retained much of the hard rock/alternative style already charted on the previous record with Lifeson and Lee's playing remaining more or less unchanged; however, a distinct modification in technique became apparent in Peart's playing from his jazz and swing training under the tutelage of jazz instructor Freddie Gruber during the interim between Counterparts and Test For Echo.[43] In October 1996, in support of Test For Echo, the band embarked on a North American tour, the band's first without an opening act and dubbed "An Evening with Rush". The tour was broken up into two segments spanning October through December 1996 and May through July 1997 with the band taking a respite between tour legs.

    [edit] Hiatus and comeback (1997–2005)After wrapping up the tour promoting Test for Echo in 1997, the band entered a five-year hiatus mainly because of personal tragedies in Peart's life. Peart's daughter Selena died in an automobile accident in August 1997, followed by his wife Jacqueline's death from cancer in June 1998. Peart took a hiatus to mourn and reflect, during which time he traveled extensively throughout North America on his BMW motorcycle, covering 88,000 km (55,000 miles). At some point in his journey, Peart decided to return to the band. Peart wrote Ghost Rider: Travels on the Healing Road as a chronicle of his geographical and emotional journey. In this book he writes of how he had told his bandmates at Selena's funeral, "consider me retired."[44] On November 10, 1998 a triple CD live album entitled Different Stages was released, dedicated to the memory of Selena and Jacqueline. Mixed by producer Paul Northfield and engineered by Terry Brown, it contained three discs packed with recorded performances from the band's Counterparts, Test For Echo, and A Farewell to Kings tours, marking the fourth officially released live album by the band.

    "One Little Victory" (2002)

    Sample of "One Little Victory" from the album Vapor Trails. This song's rapid tempo and heavy double bass drumming was done intentionally in order to herald the comeback of the band after their hiatus.

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    After a time to grieve and reassemble the pieces of his life, and while visiting long-time Rush photographer Andrew MacNaughtan in Los Angeles, Peart was introduced to his future wife, photographer Carrie Nuttall. Peart married Nuttall on September 9, 2000. In early 2001 he announced to his band mates that he was ready to once again enter the studio and get back into the business of making music. With the help of producer Paul Northfield the band returned in May 2002 with Vapor Trails, written and recorded in Toronto. To herald the band's comeback, the single and lead track from the album, "One Little Victory" was designed to grab the attention of listeners with its rapid guitar and drum tempos.[45] Vapor Trails marked the first studio recording not to include a single synthesizer, organ or keyboard part since the early 1970s. While the album is almost completely guitar-driven, it is mostly devoid of any conventional sounding guitar solos, a conscious decision made by Lifeson during the writing process. According to the band, the entire developmental process for Vapor Trails was extremely taxing and took approximately 14 months to finish, by far the longest the band had ever spent writing and recording a studio album.[45] The album was supported by the band's first tour in six years, including first-ever concerts in Mexico City and Brazil, where they played to some of the largest crowds of their career.

    A triple CD live album and dual Rush in Rio DVD was released in late October 2003 featuring an entire concert performance recorded on the last night of their Vapor Trails Tour, November 23, 2002, at Maracanã Stadium in Rio de Janeiro, Brazil. To celebrate their 30th anniversary, June 2004 saw the release of Feedback, a studio EP recorded in suburban Toronto featuring eight covers of such artists as Cream, The Who and The Yardbirds, bands that the members of Rush cite as inspiration around the time of their inception.[46] Also in the summer of 2004, Rush hit the road again for their 30th Anniversary Tour, playing dates in the United States, Canada, the United Kingdom, Germany, Italy, Sweden, the Czech Republic, and the Netherlands. On September 24, 2004 a Frankfurt, Germany concert was recorded at The Festhalle for DVD (titled R30: Live in Frankfurt), which was released November 22, 2005; a complete version of the R30 Frankfurt set (the original DVD release omitted eight songs) was released on Blu-ray on December 8, 2009.[47]

    [edit] Snakes & Arrows (2006–2009)Main articles: Snakes & Arrows and Snakes & Arrows Tour
    During promotional interviews for the R30 Live In Frankfurt DVD, the band revealed their intention to begin writing new material in early 2006. While in Toronto, Lifeson and Lee began the songwriting process in January 2006. During this time, Peart simultaneously assumed his role of lyric writing while residing in Southern California. The following September, Rush chose to hire American producer Nick Raskulinecz to co-produce the album. The band officially entered Allaire Studios, in Shokan, New York in November 2006 in order to record the bulk of the material. Taking the band five weeks, the sessions ended in December. On February 14, 2007, an announcement was made on the official Rush web site that the title of the new album would be Snakes & Arrows. The first single, entitled "Far Cry", was released to North American radio stations on March 12, 2007 and reached #2 on the Mediabase Mainstream and Radio and Records Charts.[48]

    "Far Cry" (2007)

    Sample of "Far Cry", first single from the album Snakes & Arrows.

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    The Rush website, newly redesigned on March 12 to support the new album, also announced that the band would embark on a tour to begin in the summer. Snakes & Arrows was released May 1, 2007 in North America, where it debuted at #3 in the Billboard 200 with approximately 93,000 units sold in its first week.[49] It would go on to sell an estimated 611,000 copies worldwide. To coincide with the Atlantic ocean hurricane season, "Spindrift" was released as the official second radio single on June 1, 2007, whereas "The Larger Bowl (A Pantoum)" saw single status on June 25, 2007. "The Larger Bowl" positioned within the top 20 of the Mainstream Rock and Media Base Mainstream charts, however, "Spindrift" failed to appear on any commercial chart.[50] The planned intercontinental tour in support of Snakes & Arrows began on June 13, 2007 in Atlanta, Georgia, coming to a close on October 29, 2007 at Hartwall Arena in Helsinki, Finland.[51]

    The 2008 portion of the tour started on April 11, 2008 in San Juan, Puerto Rico at José Miguel Agrelot Coliseum and culminated on July 24, 2008 in Noblesville, Indiana at the Verizon Wireless Music Center.[52] On April 15, the band released Snakes & Arrows Live, a double live album documenting the first leg of the tour.[53] Those same performances featured on Snakes & Arrows Live filmed at the Ahoy arena in Rotterdam, Netherlands on October 16 and 17 of 2007 were released November 24 as a DVD and Blu-Ray set. The video also includes footage from the 2008 portion of the tour, recorded at Verizon Wireless Amphitheater in Atlanta.[54][55][56]

    As the band neared the conclusion of their Snakes & Arrows tour, they announced their first appearance on American television in over 30 years. Rush was interviewed by Stephen Colbert and they performed "Tom Sawyer" on The Colbert Report on July 16, 2008.[57] Continuing to ride what one movie reviewer has called a "pop cultural wave," they also appeared at a live show in April 2009 for the comedy film I Love You, Man.[58]

    [edit] Clockwork Angels and Time Machine Tour (2009–present)On February 16, 2009, Lifeson remarked that the band may begin working on a new album in the Fall 2009 with Nick Raskulinecz once again producing.[59] On March 19, 2010, the CBC posted a video interview with Lee and Lifeson where they discussed Rush's induction into the Canadian Songwriters Hall of Fame on March 28, 2010 at the Toronto Centre for the Arts' George Weston Recital Hall. The band was recognized for the songs "Limelight", "Closer to the Heart", "The Spirit of Radio", "Tom Sawyer" and "Subdivisions". In addition to discussing their induction, Lee and Lifeson touched on future material. During the interview, Lee was quoted as saying "... Just about a month and a half ago we had no songs. And now we've been writing and now we've got about 6 songs that we just love...".[60] On March 26, 2010, in an interview with The Globe and Mail, Lifeson reconfirmed that the band had already written a half-dozen songs and that there was the potential for two supporting tours, one planned for Summer 2010 and a more extensive tour planned for Summer 2011. While still uncertain of exactly how and when the new material would be released, he projected a tentative Spring 2011 release date.[61] Soon after, Peart confirmed that American producer Nick Raskulinecz had returned as co-producer.[62]

    On April 8, 2010 both the official Rush website and PR Newswire announced that the band would embark on the Rush Time Machine Tour. The first leg of the tour began on June 29 in Albuquerque, New Mexico and finished October 17 in Santiago, Chile at the National stadium. It featured the album Moving Pictures played in its entirety, as well as the single "Caravan" and its B-side "BU2B". These songs will be featured on the band's upcoming studio album, Clockwork Angels.[63] The "Caravan" single was announced May 25, 2010 and was released June 1 to radio stations and made available for digital download.[64] It was suggested that Rush would return to the studio after the completion of the Time Machine Tour with plans to release Clockwork Angels in 2011.[65] However, Rush confirmed on November 19, 2010 that they will be extending the Time Machine Tour for a second leg. They are scheduled to play Europe in spring 2011 and return to North America for dates between March and July.[66]

    On April 24, 2010, the documentary Rush: Beyond the Lighted Stage directed by Sam Dunn premiered at the Tribeca Film Festival. It went on to receive the Tribeca Film Festival Audience Award.[67] The band's music was featured in the 2010 documentary Jews and Baseball: An American Love Story, narrated by Academy Award winner Dustin Hoffman.[68][69]

    On June 25, 2010, Rush received a star on the Hollywood Walk of Fame, located at 6752 Hollywood Boulevard. Critical acclaim continued to mount for Rush in 2010 when, on September 28, Classic Rock magazine announced Rush would be this year's Living Legends awarded at the Marshall Classic Rock Roll of Honour Awards in the UK.[70] The award was presented November 10, 2010. On September 29, Billboard.com announced that Rush would also receive the 2010 Legends of Live award for significant and lasting contributions to live music and the art of performing live and reaching fans through the concert experience.[71] The award was presented at the Billboard Touring Awards on November 4, 2010.

    The original line-up formed in the neighbourhood of Willowdale in Toronto, Ontario, by Lifeson, bassist and front man Jeff Jones, and drummer John Rutsey. Within a couple of weeks of forming, and before their second performance, bassist and lead vocalist Jones was replaced by Geddy Lee, a schoolmate of Lifeson. After several lineup reformations, Rush's official incarnation was formed in May 1971 consisting of Lee, Lifeson, and Rutsey. The band was managed by local Toronto resident Ray Danniels, a frequent attendee of Rush's early shows.[7][8]

    After gaining stability in the lineup and honing their skills on the local bar/high school dance circuit, the band came to release their first single "Not Fade Away", a cover of the Buddy Holly song, in 1973. Side B contained an original composition, "You Can't Fight It", credited to Lee and Rutsey. The single generated little reaction and, because of record company indifference, the band formed their own independent record label, Moon Records. With the aid of Danniels and the newly enlisted engineer Terry Brown, the band released their self-titled debut album in 1974, which was considered highly derivative of Led Zeppelin.[9] Rush had limited local popularity until the album was picked up by WMMS, a radio station in Cleveland, Ohio. Donna Halper, a DJ and music director working at the station, selected "Working Man" for her regular play list. The song's blue collar theme resonated with hard rock fans and this new found popularity led to the album being re-released by Mercury Records in the U.S.[10][11]


    The "starman" logo first appeared on the back cover of the 1976 album 2112. Hugh Syme, creator of graphics on many of Rush's albums, stated in a 1983 interview that the Starman "didn't begin as an identity factor for the band, it just got adopted."[12]Immediately after the release of the debut album in 1974, Rutsey was forced to leave the band due to health difficulties stemming from diabetes and a general distaste for touring. His last performance with the band was on July 25, 1974 at Centennial Hall in London, Ontario. Rush held auditions for a new dummer and eventually selected Neil Peart as Rutsey's replacement. Peart officially joined the band on July 29, 1974, two weeks before the group's first U.S. tour. They performed their first concert together, opening for Uriah Heep and Manfred Mann with an attendance of over 11,000 people at the Civic Arena in Pittsburgh, Pennsylvania on August 14. In addition to becoming the band's drummer, Peart assumed the role of principal lyricist from Lee, who had very little interest in writing, despite penning the lyrics of the band's first album.[13] Instead, Lee, along with Lifeson, focused primarily on the musical aspects of Rush. Fly by Night (1975), Rush's first album after recruiting Peart, saw the inclusion of the band's first epic mini-tale "By-Tor and the Snow Dog", replete with complex arrangements and multi-section format. Lyrical themes also underwent dramatic changes after the addition of Peart because of his love for fantasy and science-fiction literature.[14] However, despite these many differences some of the music and songs still closely mirrored the blues style found on Rush's debut.[14][15]

    Following quickly on the heels of Fly By Night, the band released 1975's Caress of Steel, a five track hard rock/heavy metal album featuring two extended multi-chapter songs, "The Necromancer" and "The Fountain of Lamneth." Some critics said Caress of Steel was unfocused and an audacious move for the band because of the placement of two back-to-back protracted songs, as well as a heavier reliance on atmospherics and story-telling, a large deviation from Fly by Night.[16] Intended to be the band's first "break-through" album, Caress of Steel sold below expectations and the promotional tour consisted of smaller venues which led to the moniker the "Down the Tubes Tour".[17] In light of these events, Rush's record label pressured them into molding their next album in a more commercially friendly and accessible fashion. However, the band ignored the requests and developed their next album, 2112 with a 20-minute title track divided into seven sections. Despite this, the album was the band's first taste of commercial success and their first platinum album in Canada.[18] The supporting tour for the album culminated in a three night stand at Massey Hall in Toronto, which the band recorded for the release of their first live album titled All the World's a Stage. Allmusic critic Greg Prato summarily reminds listeners and fans of how the album demarcates the boundary between the band's early years and the next era of their music.[19][20]

    [edit] The progressive rock era (1977–1981)After 2112, Rush retreated to the United Kingdom to record 1977's A Farewell to Kings and 1978's Hemispheres at Rockfield Studios in Wales. These albums saw the band members expanding the use of progressive elements in their music. "As our tastes got more obscure," Geddy Lee said in a recent interview, "we discovered more progressive rock-based bands like Yes, Van der Graaf Generator and King Crimson, and we were very inspired by those bands. They made us want to make our music more interesting and more complex and we tried to blend that with our own personalities to see what we could come up with that was indisputably us."[21] Trademarks such as increased synthesizer usage, extended-length concept songs, and highly dynamic playing featuring complex time signature changes became a staple of Rush's compositions. To achieve a broader, more progressive palette of sound, Alex Lifeson began to experiment with classical and twelve-string guitars, and Geddy Lee added bass-pedal synthesizers and Minimoog. Likewise, Peart's percussion became diversified in the form of triangles, glockenspiel, wood blocks, cowbells, timpani, gong and chimes. Beyond instrument additions, the band kept in stride with the progressive rock movement by continuing to compose long, conceptual songs with science fiction and fantasy overtones. However, as the new decade approached, Rush gradually began to dispose of their older styles of music in favor of shorter, and sometimes softer, arrangements. The lyrics up to this point (most of them written by Peart) were heavily influenced by classical poetry, fantasy literature, science fiction, and the writings of novelist Ayn Rand, as exhibited most prominently by their 1975 song "Anthem" from Fly By Night and a specifically acknowledged derivation in 1976's 2112.[22]

    Permanent Waves (1980) dramatically shifted Rush's style of music via the introduction of reggae and new wave elements.[23] Although a hard rock style was still evident, more and more synthesizers were introduced. Moreover, because of the limited airplay Rush's previous extended-length songs received, Permanent Waves included shorter, more radio-friendly songs such as "The Spirit of Radio" and "Freewill", two songs which helped Permanent Waves become Rush's first U.S. Top 5 album; both songs continue to make appearances on classic rock radio stations in Canada and the United States to this day.[24] Meanwhile, Peart's lyrics shifted toward an expository tone with subject matter that dwelled less on fantastical or allegorical story-telling and more heavily on topics that explored humanistic, social and emotional elements. Rush joined with fellow Toronto-based rock band Max Webster on July 28, 1980 to record "Battle Scar" for their 1980 release, Universal Juveniles.[25] While on tour together following the release, both bands would join between sets to play "Battle Scar". The song acted as both a transition from Max Webster to Rush, as well as a warm-up for Peart. In addition, Max Webster lyricist Pye Dubois offered the band lyrics to a song he had written. The band accepted; the song went on, after reworking by Peart, to become "Tom Sawyer".[25]

    "Tom Sawyer" (1981)

    Sample of "Tom Sawyer" from the album Moving Pictures. This is the band's best known song with heaviest radio airplay.

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    Rush's popularity reached its pinnacle with the release of Moving Pictures in 1981. Moving Pictures essentially continued where Permanent Waves left off, extending the trend of highly accessible and commercially friendly progressive rock that helped thrust them into the spotlight. The lead track, "Tom Sawyer", is probably the band's best-known song[26] with "Limelight" also receiving satisfactory responses from listeners and radio stations. Moving Pictures was Rush's last album to feature an extended song, the eleven-minute "The Camera Eye". The song also contained the band's heaviest usage of synthesizers up to that point, hinting that Rush's music was shifting direction once more. Moving Pictures reached #3 on the Billboard 200 album chart and has been certified quadruple platinum by the Recording Industry Association of America.[27]

    Following the success of Moving Pictures and the completion of another four studio albums, Rush released their second live recording, Exit...Stage Left, in 1981. The album delineates the apex of Rush's progressive period by featuring live material from the band's Permanent Waves and Moving Pictures tours. As with their first live release, Exit...Stage Left identified the margin of a new chapter of Rush's sound.

    [edit] The synthesizer period (1982–1989)
    The OBX synthesizer used by Geddy Lee on the album Signals (1982).The band underwent another radical stylistic transmutation with the release of Signals in 1982.[28]

    While Lee's synthesizers had been featured instruments ever since the late 70s, keyboards were suddenly shifted from the contrapuntal background to the melodic front-lines[29][30] in songs like "Countdown" and the lead-off track "Subdivisions". Both feature prominent lead synthesizer lines with minimalistic guitar chords and solos. Other previously unused instrument additions were seen in the song "Losing It," featuring collaborator Ben Mink on electric violin.[28]

    "Subdivisions" (1982)

    Sample of "Subdivisions" from the album Signals. This song is notable for demonstrating the band's foray into their synthesizer period.

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    Signals also represented a drastic stylistic transformation apart from instrumental changes. The album contained Rush's only U.S. top-40 pop hit, "New World Man",[31] while other more experimental songs such as "Digital Man", "The Weapon", and "Chemistry" expanded the band's use of ska, reggae, and funk.[32] Although the band members consciously decided to move in this overall direction, they felt dissatisfied with long-time producer Terry Brown's studio treatment of Signals and parted ways with him in 1983. These diverse styles would come into further play on their next studio album.


    Neil Peart began incorporating Simmons Electronic Drums beginning with 1984's Grace Under PressureThe style and production of Signals were augmented and taken to new heights on 1984's Grace Under Pressure. It was Peart who named the album, as he borrowed the words of Ernest Hemingway to describe what the band had to go through after making the decision to leave Terry Brown. Producer Steve Lillywhite, who gleaned fame with successful productions of Simple Minds and U2, was enlisted to produce Grace Under Pressure. However, he backed out at the last moment, much to the ire of Lee, Lifeson and Peart. Lee said "Steve Lillywhite is really not a man of his word....after agreeing to do our record, he got an offer from Simple Minds, changed his mind, blew us off,..so it put us in a horrible position." Rush eventually hired Peter Henderson to co-produce and engineer the album in his stead.[33]

    Musically, although Lee's use of sequencers and synthesizers remained the band's cornerstone, his focus on new technology was complemented by Peart's adaptation of Simmons electronic drums and percussion. Lifeson's contributions on the album were decidedly enhanced to act as an overreaction to the minimalistic role he played on Signals.[34] Still, many of his trademark guitar textures remained intact in the form of open reggae chords and funk and new-wave rhythms.

    With new producer Peter Collins, the band released 1985's Power Windows and 1987's Hold Your Fire. The music on these two albums gives far more emphasis and prominence to Lee's multi-layered synthesizer work. While fans and critics took notice of Lifeson's diminished guitar work, his presence was still palpable. Lifeson, like many guitarists in the late 1980s, experimented with processors that reduced his instrument to echoey chord bursts and razor-thin leads. Hold Your Fire represents both a modest extension of the guitar stylings found on Power Windows, and, according to Allmusic critic Eduardo Rivadavia, the culmination of this era of Rush.[35] Whereas the previous five Rush albums sold platinum or better, Hold Your Fire only went gold in November 1987, although it managed to peak at number 13 on the Billboard 200.[36]

    A third live album and video, A Show of Hands (1989), was also released by Mercury following the Power Windows and Hold Your Fire tours, demonstrating the aspects of Rush in the '80s. A Show of Hands met with strong fan approval, but Rolling Stone critic Michael Azerrad dismissed it as "musical muscle" with 1.5 stars, claiming Rush fans viewed their favourite power trio as "the holy trinity".[37] Nevertheless, A Show of Hands managed to surpass the gold album mark, reaching number 21 on the Billboard 200.[38] At this point, the group decided to change record labels from Mercury to Atlantic. After Rush's departure in 1989, Mercury released a double platinum two-volume compilation of their Rush catalogue, Chronicles (1990).[39]

    [edit] Returning to their roots (1989–1997) "Dreamline" (1991)

    Sample of "Dreamline" from the album Roll the Bones. This song is notable for demonstrating the band's return to a more standard three piece instrument style, where synthesizers are used more sparingly and the guitar returning to the forefront of the sound.

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    Rush started to deviate from their 1980s style with the albums Presto and Roll the Bones. Produced by record engineer and musician Rupert Hine, these two albums saw Rush shedding much of their keyboard-saturated sound. Beginning with 1989's Presto, the band opted for arrangements that were notably more guitar-centric than the previous two studio albums. Although synthesizers were still used in many songs, the instrument was no longer featured as the centerpiece of Rush's compositions. Continuing this trend, 1991's Roll the Bones extended the use of the standard three-instrument approach with even less focus on synthesizers than its predecessor. While musically these albums do not deviate significantly from a general pop-rock sound, Rush incorporated traces of other musical styles. "Roll the Bones", for instance, exhibits funk and hip hop elements, and the instrumental track "Where's My Thing?" features several jazz components.[40] This return to three-piece instrumentation helped pave the way for future albums in the mid-90s, which would adopt a more straightforward rock formula.

    The transition from synthesizers to more guitar-oriented and organic instrumentation continued with the 1993 album Counterparts[41] and its follow-up, 1996's Test for Echo, again both produced in collaboration with Peter Collins. Musically, Counterparts[41] and Test For Echo are two of Rush's most guitar-driven albums. Although the music in general did not meet the criteria for progressive rock, some songs adopted a dynamic format.[42] For instance, "Time and Motion" possesses multiple time signature changes and organ usage, while the instrumental track "Limbo", consists of multiple musical passages. Musically, Test For Echo still retained much of the hard rock/alternative style already charted on the previous record with Lifeson and Lee's playing remaining more or less unchanged; however, a distinct modification in technique became apparent in Peart's playing from his jazz and swing training under the tutelage of jazz instructor Freddie Gruber during the interim between Counterparts and Test For Echo.[43] In October 1996, in support of Test For Echo, the band embarked on a North American tour, the band's first without an opening act and dubbed "An Evening with Rush". The tour was broken up into two segments spanning October through December 1996 and May through July 1997 with the band taking a respite between tour legs.

    [edit] Hiatus and comeback (1997–2005)After wrapping up the tour promoting Test for Echo in 1997, the band entered a five-year hiatus mainly because of personal tragedies in Peart's life. Peart's daughter Selena died in an automobile accident in August 1997, followed by his wife Jacqueline's death from cancer in June 1998. Peart took a hiatus to mourn and reflect, during which time he traveled extensively throughout North America on his BMW motorcycle, covering 88,000 km (55,000 miles). At some point in his journey, Peart decided to return to the band. Peart wrote Ghost Rider: Travels on the Healing Road as a chronicle of his geographical and emotional journey. In this book he writes of how he had told his bandmates at Selena's funeral, "consider me retired."[44] On November 10, 1998 a triple CD live album entitled Different Stages was released, dedicated to the memory of Selena and Jacqueline. Mixed by producer Paul Northfield and engineered by Terry Brown, it contained three discs packed with recorded performances from the band's Counterparts, Test For Echo, and A Farewell to Kings tours, marking the fourth officially released live album by the band.

    "One Little Victory" (2002)

    Sample of "One Little Victory" from the album Vapor Trails. This song's rapid tempo and heavy double bass drumming was done intentionally in order to herald the comeback of the band after their hiatus.

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    After a time to grieve and reassemble the pieces of his life, and while visiting long-time Rush photographer Andrew MacNaughtan in Los Angeles, Peart was introduced to his future wife, photographer Carrie Nuttall. Peart married Nuttall on September 9, 2000. In early 2001 he announced to his band mates that he was ready to once again enter the studio and get back into the business of making music. With the help of producer Paul Northfield the band returned in May 2002 with Vapor Trails, written and recorded in Toronto. To herald the band's comeback, the single and lead track from the album, "One Little Victory" was designed to grab the attention of listeners with its rapid guitar and drum tempos.[45] Vapor Trails marked the first studio recording not to include a single synthesizer, organ or keyboard part since the early 1970s. While the album is almost completely guitar-driven, it is mostly devoid of any conventional sounding guitar solos, a conscious decision made by Lifeson during the writing process. According to the band, the entire developmental process for Vapor Trails was extremely taxing and took approximately 14 months to finish, by far the longest the band had ever spent writing and recording a studio album.[45] The album was supported by the band's first tour in six years, including first-ever concerts in Mexico City and Brazil, where they played to some of the largest crowds of their career.

    A triple CD live album and dual Rush in Rio DVD was released in late October 2003 featuring an entire concert performance recorded on the last night of their Vapor Trails Tour, November 23, 2002, at Maracanã Stadium in Rio de Janeiro, Brazil. To celebrate their 30th anniversary, June 2004 saw the release of Feedback, a studio EP recorded in suburban Toronto featuring eight covers of such artists as Cream, The Who and The Yardbirds, bands that the members of Rush cite as inspiration around the time of their inception.[46] Also in the summer of 2004, Rush hit the road again for their 30th Anniversary Tour, playing dates in the United States, Canada, the United Kingdom, Germany, Italy, Sweden, the Czech Republic, and the Netherlands. On September 24, 2004 a Frankfurt, Germany concert was recorded at The Festhalle for DVD (titled R30: Live in Frankfurt), which was released November 22, 2005; a complete version of the R30 Frankfurt set (the original DVD release omitted eight songs) was released on Blu-ray on December 8, 2009.[47]

    [edit] Snakes & Arrows (2006–2009)Main articles: Snakes & Arrows and Snakes & Arrows Tour
    During promotional interviews for the R30 Live In Frankfurt DVD, the band revealed their intention to begin writing new material in early 2006. While in Toronto, Lifeson and Lee began the songwriting process in January 2006. During this time, Peart simultaneously assumed his role of lyric writing while residing in Southern California. The following September, Rush chose to hire American producer Nick Raskulinecz to co-produce the album. The band officially entered Allaire Studios, in Shokan, New York in November 2006 in order to record the bulk of the material. Taking the band five weeks, the sessions ended in December. On February 14, 2007, an announcement was made on the official Rush web site that the title of the new album would be Snakes & Arrows. The first single, entitled "Far Cry", was released to North American radio stations on March 12, 2007 and reached #2 on the Mediabase Mainstream and Radio and Records Charts.[48]

    "Far Cry" (2007)

    Sample of "Far Cry", first single from the album Snakes & Arrows.

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    The Rush website, newly redesigned on March 12 to support the new album, also announced that the band would embark on a tour to begin in the summer. Snakes & Arrows was released May 1, 2007 in North America, where it debuted at #3 in the Billboard 200 with approximately 93,000 units sold in its first week.[49] It would go on to sell an estimated 611,000 copies worldwide. To coincide with the Atlantic ocean hurricane season, "Spindrift" was released as the official second radio single on June 1, 2007, whereas "The Larger Bowl (A Pantoum)" saw single status on June 25, 2007. "The Larger Bowl" positioned within the top 20 of the Mainstream Rock and Media Base Mainstream charts, however, "Spindrift" failed to appear on any commercial chart.[50] The planned intercontinental tour in support of Snakes & Arrows began on June 13, 2007 in Atlanta, Georgia, coming to a close on October 29, 2007 at Hartwall Arena in Helsinki, Finland.[51]

    The 2008 portion of the tour started on April 11, 2008 in San Juan, Puerto Rico at José Miguel Agrelot Coliseum and culminated on July 24, 2008 in Noblesville, Indiana at the Verizon Wireless Music Center.[52] On April 15, the band released Snakes & Arrows Live, a double live album documenting the first leg of the tour.[53] Those same performances featured on Snakes & Arrows Live filmed at the Ahoy arena in Rotterdam, Netherlands on October 16 and 17 of 2007 were released November 24 as a DVD and Blu-Ray set. The video also includes footage from the 2008 portion of the tour, recorded at Verizon Wireless Amphitheater in Atlanta.[54][55][56]

    As the band neared the conclusion of their Snakes & Arrows tour, they announced their first appearance on American television in over 30 years. Rush was interviewed by Stephen Colbert and they performed "Tom Sawyer" on The Colbert Report on July 16, 2008.[57] Continuing to ride what one movie reviewer has called a "pop cultural wave," they also appeared at a live show in April 2009 for the comedy film I Love You, Man.[58]

    [edit] Clockwork Angels and Time Machine Tour (2009–present)On February 16, 2009, Lifeson remarked that the band may begin working on a new album in the Fall 2009 with Nick Raskulinecz once again producing.[59] On March 19, 2010, the CBC posted a video interview with Lee and Lifeson where they discussed Rush's induction into the Canadian Songwriters Hall of Fame on March 28, 2010 at the Toronto Centre for the Arts' George Weston Recital Hall. The band was recognized for the songs "Limelight", "Closer to the Heart", "The Spirit of Radio", "Tom Sawyer" and "Subdivisions". In addition to discussing their induction, Lee and Lifeson touched on future material. During the interview, Lee was quoted as saying "... Just about a month and a half ago we had no songs. And now we've been writing and now we've got about 6 songs that we just love...".[60] On March 26, 2010, in an interview with The Globe and Mail, Lifeson reconfirmed that the band had already written a half-dozen songs and that there was the potential for two supporting tours, one planned for Summer 2010 and a more extensive tour planned for Summer 2011. While still uncertain of exactly how and when the new material would be released, he projected a tentative Spring 2011 release date.[61] Soon after, Peart confirmed that American producer Nick Raskulinecz had returned as co-producer.[62]

    On April 8, 2010 both the official Rush website and PR Newswire announced that the band would embark on the Rush Time Machine Tour. The first leg of the tour began on June 29 in Albuquerque, New Mexico and finished October 17 in Santiago, Chile at the National stadium. It featured the album Moving Pictures played in its entirety, as well as the single "Caravan" and its B-side "BU2B". These songs will be featured on the band's upcoming studio album, Clockwork Angels.[63] The "Caravan" single was announced May 25, 2010 and was released June 1 to radio stations and made available for digital download.[64] It was suggested that Rush would return to the studio after the completion of the Time Machine Tour with plans to release Clockwork Angels in 2011.[65] However, Rush confirmed on November 19, 2010 that they will be extending the Time Machine Tour for a second leg. They are scheduled to play Europe in spring 2011 and return to North America for dates between March and July.[66]

    On April 24, 2010, the documentary Rush: Beyond the Lighted Stage directed by Sam Dunn premiered at the Tribeca Film Festival. It went on to receive the Tribeca Film Festival Audience Award.[67] The band's music was featured in the 2010 documentary Jews and Baseball: An American Love Story, narrated by Academy Award winner Dustin Hoffman.[68][69]

    On June 25, 2010, Rush received a star on the Hollywood Walk of Fame, located at 6752 Hollywood Boulevard. Critical acclaim continued to mount for Rush in 2010 when, on September 28, Classic Rock magazine announced Rush would be this year's Living Legends awarded at the Marshall Classic Rock Roll of Honour Awards in the UK.[70] The award was presented November 10, 2010. On September 29, Billboard.com announced that Rush would also receive the 2010 Legends of Live award for significant and lasting contributions to live music and the art of performing live and reaching fans through the concert experience.[71] The award was presented at the Billboard Touring Awards on November 4, 2010.

    The original line-up formed in the neighbourhood of Willowdale in Toronto, Ontario, by Lifeson, bassist and front man Jeff Jones, and drummer John Rutsey. Within a couple of weeks of forming, and before their second performance, bassist and lead vocalist Jones was replaced by Geddy Lee, a schoolmate of Lifeson. After several lineup reformations, Rush's official incarnation was formed in May 1971 consisting of Lee, Lifeson, and Rutsey. The band was managed by local Toronto resident Ray Danniels, a frequent attendee of Rush's early shows.[7][8]

    After gaining stability in the lineup and honing their skills on the local bar/high school dance circuit, the band came to release their first single "Not Fade Away", a cover of the Buddy Holly song, in 1973. Side B contained an original composition, "You Can't Fight It", credited to Lee and Rutsey. The single generated little reaction and, because of record company indifference, the band formed their own independent record label, Moon Records. With the aid of Danniels and the newly enlisted engineer Terry Brown, the band released their self-titled debut album in 1974, which was considered highly derivative of Led Zeppelin.[9] Rush had limited local popularity until the album was picked up by WMMS, a radio station in Cleveland, Ohio. Donna Halper, a DJ and music director working at the station, selected "Working Man" for her regular play list. The song's blue collar theme resonated with hard rock fans and this new found popularity led to the album being re-released by Mercury Records in the U.S.[10][11]


    The "starman" logo first appeared on the back cover of the 1976 album 2112. Hugh Syme, creator of graphics on many of Rush's albums, stated in a 1983 interview that the Starman "didn't begin as an identity factor for the band, it just got adopted."[12]Immediately after the release of the debut album in 1974, Rutsey was forced to leave the band due to health difficulties stemming from diabetes and a general distaste for touring. His last performance with the band was on July 25, 1974 at Centennial Hall in London, Ontario. Rush held auditions for a new dummer and eventually selected Neil Peart as Rutsey's replacement. Peart officially joined the band on July 29, 1974, two weeks before the group's first U.S. tour. They performed their first concert together, opening for Uriah Heep and Manfred Mann with an attendance of over 11,000 people at the Civic Arena in Pittsburgh, Pennsylvania on August 14. In addition to becoming the band's drummer, Peart assumed the role of principal lyricist from Lee, who had very little interest in writing, despite penning the lyrics of the band's first album.[13] Instead, Lee, along with Lifeson, focused primarily on the musical aspects of Rush. Fly by Night (1975), Rush's first album after recruiting Peart, saw the inclusion of the band's first epic mini-tale "By-Tor and the Snow Dog", replete with complex arrangements and multi-section format. Lyrical themes also underwent dramatic changes after the addition of Peart because of his love for fantasy and science-fiction literature.[14] However, despite these many differences some of the music and songs still closely mirrored the blues style found on Rush's debut.[14][15]

    Following quickly on the heels of Fly By Night, the band released 1975's Caress of Steel, a five track hard rock/heavy metal album featuring two extended multi-chapter songs, "The Necromancer" and "The Fountain of Lamneth." Some critics said Caress of Steel was unfocused and an audacious move for the band because of the placement of two back-to-back protracted songs, as well as a heavier reliance on atmospherics and story-telling, a large deviation from Fly by Night.[16] Intended to be the band's first "break-through" album, Caress of Steel sold below expectations and the promotional tour consisted of smaller venues which led to the moniker the "Down the Tubes Tour".[17] In light of these events, Rush's record label pressured them into molding their next album in a more commercially friendly and accessible fashion. However, the band ignored the requests and developed their next album, 2112 with a 20-minute title track divided into seven sections. Despite this, the album was the band's first taste of commercial success and their first platinum album in Canada.[18] The supporting tour for the album culminated in a three night stand at Massey Hall in Toronto, which the band recorded for the release of their first live album titled All the World's a Stage. Allmusic critic Greg Prato summarily reminds listeners and fans of how the album demarcates the boundary between the band's early years and the next era of their music.[19][20]

    [edit] The progressive rock era (1977–1981)After 2112, Rush retreated to the United Kingdom to record 1977's A Farewell to Kings and 1978's Hemispheres at Rockfield Studios in Wales. These albums saw the band members expanding the use of progressive elements in their music. "As our tastes got more obscure," Geddy Lee said in a recent interview, "we discovered more progressive rock-based bands like Yes, Van der Graaf Generator and King Crimson, and we were very inspired by those bands. They made us want to make our music more interesting and more complex and we tried to blend that with our own personalities to see what we could come up with that was indisputably us."[21] Trademarks such as increased synthesizer usage, extended-length concept songs, and highly dynamic playing featuring complex time signature changes became a staple of Rush's compositions. To achieve a broader, more progressive palette of sound, Alex Lifeson began to experiment with classical and twelve-string guitars, and Geddy Lee added bass-pedal synthesizers and Minimoog. Likewise, Peart's percussion became diversified in the form of triangles, glockenspiel, wood blocks, cowbells, timpani, gong and chimes. Beyond instrument additions, the band kept in stride with the progressive rock movement by continuing to compose long, conceptual songs with science fiction and fantasy overtones. However, as the new decade approached, Rush gradually began to dispose of their older styles of music in favor of shorter, and sometimes softer, arrangements. The lyrics up to this point (most of them written by Peart) were heavily influenced by classical poetry, fantasy literature, science fiction, and the writings of novelist Ayn Rand, as exhibited most prominently by their 1975 song "Anthem" from Fly By Night and a specifically acknowledged derivation in 1976's 2112.[22]

    Permanent Waves (1980) dramatically shifted Rush's style of music via the introduction of reggae and new wave elements.[23] Although a hard rock style was still evident, more and more synthesizers were introduced. Moreover, because of the limited airplay Rush's previous extended-length songs received, Permanent Waves included shorter, more radio-friendly songs such as "The Spirit of Radio" and "Freewill", two songs which helped Permanent Waves become Rush's first U.S. Top 5 album; both songs continue to make appearances on classic rock radio stations in Canada and the United States to this day.[24] Meanwhile, Peart's lyrics shifted toward an expository tone with subject matter that dwelled less on fantastical or allegorical story-telling and more heavily on topics that explored humanistic, social and emotional elements. Rush joined with fellow Toronto-based rock band Max Webster on July 28, 1980 to record "Battle Scar" for their 1980 release, Universal Juveniles.[25] While on tour together following the release, both bands would join between sets to play "Battle Scar". The song acted as both a transition from Max Webster to Rush, as well as a warm-up for Peart. In addition, Max Webster lyricist Pye Dubois offered the band lyrics to a song he had written. The band accepted; the song went on, after reworking by Peart, to become "Tom Sawyer".[25]

    "Tom Sawyer" (1981)

    Sample of "Tom Sawyer" from the album Moving Pictures. This is the band's best known song with heaviest radio airplay.

    --------------------------------------------------------------------------------

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    Rush's popularity reached its pinnacle with the release of Moving Pictures in 1981. Moving Pictures essentially continued where Permanent Waves left off, extending the trend of highly accessible and commercially friendly progressive rock that helped thrust them into the spotlight. The lead track, "Tom Sawyer", is probably the band's best-known song[26] with "Limelight" also receiving satisfactory responses from listeners and radio stations. Moving Pictures was Rush's last album to feature an extended song, the eleven-minute "The Camera Eye". The song also contained the band's heaviest usage of synthesizers up to that point, hinting that Rush's music was shifting direction once more. Moving Pictures reached #3 on the Billboard 200 album chart and has been certified quadruple platinum by the Recording Industry Association of America.[27]

    Following the success of Moving Pictures and the completion of another four studio albums, Rush released their second live recording, Exit...Stage Left, in 1981. The album delineates the apex of Rush's progressive period by featuring live material from the band's Permanent Waves and Moving Pictures tours. As with their first live release, Exit...Stage Left identified the margin of a new chapter of Rush's sound.

    [edit] The synthesizer period (1982–1989)
    The OBX synthesizer used by Geddy Lee on the album Signals (1982).The band underwent another radical stylistic transmutation with the release of Signals in 1982.[28]

    While Lee's synthesizers had been featured instruments ever since the late 70s, keyboards were suddenly shifted from the contrapuntal background to the melodic front-lines[29][30] in songs like "Countdown" and the lead-off track "Subdivisions". Both feature prominent lead synthesizer lines with minimalistic guitar chords and solos. Other previously unused instrument additions were seen in the song "Losing It," featuring collaborator Ben Mink on electric violin.[28]

    "Subdivisions" (1982)

    Sample of "Subdivisions" from the album Signals. This song is notable for demonstrating the band's foray into their synthesizer period.

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    Signals also represented a drastic stylistic transformation apart from instrumental changes. The album contained Rush's only U.S. top-40 pop hit, "New World Man",[31] while other more experimental songs such as "Digital Man", "The Weapon", and "Chemistry" expanded the band's use of ska, reggae, and funk.[32] Although the band members consciously decided to move in this overall direction, they felt dissatisfied with long-time producer Terry Brown's studio treatment of Signals and parted ways with him in 1983. These diverse styles would come into further play on their next studio album.


    Neil Peart began incorporating Simmons Electronic Drums beginning with 1984's Grace Under PressureThe style and production of Signals were augmented and taken to new heights on 1984's Grace Under Pressure. It was Peart who named the album, as he borrowed the words of Ernest Hemingway to describe what the band had to go through after making the decision to leave Terry Brown. Producer Steve Lillywhite, who gleaned fame with successful productions of Simple Minds and U2, was enlisted to produce Grace Under Pressure. However, he backed out at the last moment, much to the ire of Lee, Lifeson and Peart. Lee said "Steve Lillywhite is really not a man of his word....after agreeing to do our record, he got an offer from Simple Minds, changed his mind, blew us off,..so it put us in a horrible position." Rush eventually hired Peter Henderson to co-produce and engineer the album in his stead.[33]

    Musically, although Lee's use of sequencers and synthesizers remained the band's cornerstone, his focus on new technology was complemented by Peart's adaptation of Simmons electronic drums and percussion. Lifeson's contributions on the album were decidedly enhanced to act as an overreaction to the minimalistic role he played on Signals.[34] Still, many of his trademark guitar textures remained intact in the form of open reggae chords and funk and new-wave rhythms.

    With new producer Peter Collins, the band released 1985's Power Windows and 1987's Hold Your Fire. The music on these two albums gives far more emphasis and prominence to Lee's multi-layered synthesizer work. While fans and critics took notice of Lifeson's diminished guitar work, his presence was still palpable. Lifeson, like many guitarists in the late 1980s, experimented with processors that reduced his instrument to echoey chord bursts and razor-thin leads. Hold Your Fire represents both a modest extension of the guitar stylings found on Power Windows, and, according to Allmusic critic Eduardo Rivadavia, the culmination of this era of Rush.[35] Whereas the previous five Rush albums sold platinum or better, Hold Your Fire only went gold in November 1987, although it managed to peak at number 13 on the Billboard 200.[36]

    A third live album and video, A Show of Hands (1989), was also released by Mercury following the Power Windows and Hold Your Fire tours, demonstrating the aspects of Rush in the '80s. A Show of Hands met with strong fan approval, but Rolling Stone critic Michael Azerrad dismissed it as "musical muscle" with 1.5 stars, claiming Rush fans viewed their favourite power trio as "the holy trinity".[37] Nevertheless, A Show of Hands managed to surpass the gold album mark, reaching number 21 on the Billboard 200.[38] At this point, the group decided to change record labels from Mercury to Atlantic. After Rush's departure in 1989, Mercury released a double platinum two-volume compilation of their Rush catalogue, Chronicles (1990).[39]

    [edit] Returning to their roots (1989–1997) "Dreamline" (1991)

    Sample of "Dreamline" from the album Roll the Bones. This song is notable for demonstrating the band's return to a more standard three piece instrument style, where synthesizers are used more sparingly and the guitar returning to the forefront of the sound.

    --------------------------------------------------------------------------------

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    Rush started to deviate from their 1980s style with the albums Presto and Roll the Bones. Produced by record engineer and musician Rupert Hine, these two albums saw Rush shedding much of their keyboard-saturated sound. Beginning with 1989's Presto, the band opted for arrangements that were notably more guitar-centric than the previous two studio albums. Although synthesizers were still used in many songs, the instrument was no longer featured as the centerpiece of Rush's compositions. Continuing this trend, 1991's Roll the Bones extended the use of the standard three-instrument approach with even less focus on synthesizers than its predecessor. While musically these albums do not deviate significantly from a general pop-rock sound, Rush incorporated traces of other musical styles. "Roll the Bones", for instance, exhibits funk and hip hop elements, and the instrumental track "Where's My Thing?" features several jazz components.[40] This return to three-piece instrumentation helped pave the way for future albums in the mid-90s, which would adopt a more straightforward rock formula.

    The transition from synthesizers to more guitar-oriented and organic instrumentation continued with the 1993 album Counterparts[41] and its follow-up, 1996's Test for Echo, again both produced in collaboration with Peter Collins. Musically, Counterparts[41] and Test For Echo are two of Rush's most guitar-driven albums. Although the music in general did not meet the criteria for progressive rock, some songs adopted a dynamic format.[42] For instance, "Time and Motion" possesses multiple time signature changes and organ usage, while the instrumental track "Limbo", consists of multiple musical passages. Musically, Test For Echo still retained much of the hard rock/alternative style already charted on the previous record with Lifeson and Lee's playing remaining more or less unchanged; however, a distinct modification in technique became apparent in Peart's playing from his jazz and swing training under the tutelage of jazz instructor Freddie Gruber during the interim between Counterparts and Test For Echo.[43] In October 1996, in support of Test For Echo, the band embarked on a North American tour, the band's first without an opening act and dubbed "An Evening with Rush". The tour was broken up into two segments spanning October through December 1996 and May through July 1997 with the band taking a respite between tour legs.

    [edit] Hiatus and comeback (1997–2005)After wrapping up the tour promoting Test for Echo in 1997, the band entered a five-year hiatus mainly because of personal tragedies in Peart's life. Peart's daughter Selena died in an automobile accident in August 1997, followed by his wife Jacqueline's death from cancer in June 1998. Peart took a hiatus to mourn and reflect, during which time he traveled extensively throughout North America on his BMW motorcycle, covering 88,000 km (55,000 miles). At some point in his journey, Peart decided to return to the band. Peart wrote Ghost Rider: Travels on the Healing Road as a chronicle of his geographical and emotional journey. In this book he writes of how he had told his bandmates at Selena's funeral, "consider me retired."[44] On November 10, 1998 a triple CD live album entitled Different Stages was released, dedicated to the memory of Selena and Jacqueline. Mixed by producer Paul Northfield and engineered by Terry Brown, it contained three discs packed with recorded performances from the band's Counterparts, Test For Echo, and A Farewell to Kings tours, marking the fourth officially released live album by the band.

    "One Little Victory" (2002)

    Sample of "One Little Victory" from the album Vapor Trails. This song's rapid tempo and heavy double bass drumming was done intentionally in order to herald the comeback of the band after their hiatus.

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    After a time to grieve and reassemble the pieces of his life, and while visiting long-time Rush photographer Andrew MacNaughtan in Los Angeles, Peart was introduced to his future wife, photographer Carrie Nuttall. Peart married Nuttall on September 9, 2000. In early 2001 he announced to his band mates that he was ready to once again enter the studio and get back into the business of making music. With the help of producer Paul Northfield the band returned in May 2002 with Vapor Trails, written and recorded in Toronto. To herald the band's comeback, the single and lead track from the album, "One Little Victory" was designed to grab the attention of listeners with its rapid guitar and drum tempos.[45] Vapor Trails marked the first studio recording not to include a single synthesizer, organ or keyboard part since the early 1970s. While the album is almost completely guitar-driven, it is mostly devoid of any conventional sounding guitar solos, a conscious decision made by Lifeson during the writing process. According to the band, the entire developmental process for Vapor Trails was extremely taxing and took approximately 14 months to finish, by far the longest the band had ever spent writing and recording a studio album.[45] The album was supported by the band's first tour in six years, including first-ever concerts in Mexico City and Brazil, where they played to some of the largest crowds of their career.

    A triple CD live album and dual Rush in Rio DVD was released in late October 2003 featuring an entire concert performance recorded on the last night of their Vapor Trails Tour, November 23, 2002, at Maracanã Stadium in Rio de Janeiro, Brazil. To celebrate their 30th anniversary, June 2004 saw the release of Feedback, a studio EP recorded in suburban Toronto featuring eight covers of such artists as Cream, The Who and The Yardbirds, bands that the members of Rush cite as inspiration around the time of their inception.[46] Also in the summer of 2004, Rush hit the road again for their 30th Anniversary Tour, playing dates in the United States, Canada, the United Kingdom, Germany, Italy, Sweden, the Czech Republic, and the Netherlands. On September 24, 2004 a Frankfurt, Germany concert was recorded at The Festhalle for DVD (titled R30: Live in Frankfurt), which was released November 22, 2005; a complete version of the R30 Frankfurt set (the original DVD release omitted eight songs) was released on Blu-ray on December 8, 2009.[47]

    [edit] Snakes & Arrows (2006–2009)Main articles: Snakes & Arrows and Snakes & Arrows Tour
    During promotional interviews for the R30 Live In Frankfurt DVD, the band revealed their intention to begin writing new material in early 2006. While in Toronto, Lifeson and Lee began the songwriting process in January 2006. During this time, Peart simultaneously assumed his role of lyric writing while residing in Southern California. The following September, Rush chose to hire American producer Nick Raskulinecz to co-produce the album. The band officially entered Allaire Studios, in Shokan, New York in November 2006 in order to record the bulk of the material. Taking the band five weeks, the sessions ended in December. On February 14, 2007, an announcement was made on the official Rush web site that the title of the new album would be Snakes & Arrows. The first single, entitled "Far Cry", was released to North American radio stations on March 12, 2007 and reached #2 on the Mediabase Mainstream and Radio and Records Charts.[48]

    "Far Cry" (2007)

    Sample of "Far Cry", first single from the album Snakes & Arrows.

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    The Rush website, newly redesigned on March 12 to support the new album, also announced that the band would embark on a tour to begin in the summer. Snakes & Arrows was released May 1, 2007 in North America, where it debuted at #3 in the Billboard 200 with approximately 93,000 units sold in its first week.[49] It would go on to sell an estimated 611,000 copies worldwide. To coincide with the Atlantic ocean hurricane season, "Spindrift" was released as the official second radio single on June 1, 2007, whereas "The Larger Bowl (A Pantoum)" saw single status on June 25, 2007. "The Larger Bowl" positioned within the top 20 of the Mainstream Rock and Media Base Mainstream charts, however, "Spindrift" failed to appear on any commercial chart.[50] The planned intercontinental tour in support of Snakes & Arrows began on June 13, 2007 in Atlanta, Georgia, coming to a close on October 29, 2007 at Hartwall Arena in Helsinki, Finland.[51]

    The 2008 portion of the tour started on April 11, 2008 in San Juan, Puerto Rico at José Miguel Agrelot Coliseum and culminated on July 24, 2008 in Noblesville, Indiana at the Verizon Wireless Music Center.[52] On April 15, the band released Snakes & Arrows Live, a double live album documenting the first leg of the tour.[53] Those same performances featured on Snakes & Arrows Live filmed at the Ahoy arena in Rotterdam, Netherlands on October 16 and 17 of 2007 were released November 24 as a DVD and Blu-Ray set. The video also includes footage from the 2008 portion of the tour, recorded at Verizon Wireless Amphitheater in Atlanta.[54][55][56]

    As the band neared the conclusion of their Snakes & Arrows tour, they announced their first appearance on American television in over 30 years. Rush was interviewed by Stephen Colbert and they performed "Tom Sawyer" on The Colbert Report on July 16, 2008.[57] Continuing to ride what one movie reviewer has called a "pop cultural wave," they also appeared at a live show in April 2009 for the comedy film I Love You, Man.[58]

    [edit] Clockwork Angels and Time Machine Tour (2009–present)On February 16, 2009, Lifeson remarked that the band may begin working on a new album in the Fall 2009 with Nick Raskulinecz once again producing.[59] On March 19, 2010, the CBC posted a video interview with Lee and Lifeson where they discussed Rush's induction into the Canadian Songwriters Hall of Fame on March 28, 2010 at the Toronto Centre for the Arts' George Weston Recital Hall. The band was recognized for the songs "Limelight", "Closer to the Heart", "The Spirit of Radio", "Tom Sawyer" and "Subdivisions". In addition to discussing their induction, Lee and Lifeson touched on future material. During the interview, Lee was quoted as saying "... Just about a month and a half ago we had no songs. And now we've been writing and now we've got about 6 songs that we just love...".[60] On March 26, 2010, in an interview with The Globe and Mail, Lifeson reconfirmed that the band had already written a half-dozen songs and that there was the potential for two supporting tours, one planned for Summer 2010 and a more extensive tour planned for Summer 2011. While still uncertain of exactly how and when the new material would be released, he projected a tentative Spring 2011 release date.[61] Soon after, Peart confirmed that American producer Nick Raskulinecz had returned as co-producer.[62]

    On April 8, 2010 both the official Rush website and PR Newswire announced that the band would embark on the Rush Time Machine Tour. The first leg of the tour began on June 29 in Albuquerque, New Mexico and finished October 17 in Santiago, Chile at the National stadium. It featured the album Moving Pictures played in its entirety, as well as the single "Caravan" and its B-side "BU2B". These songs will be featured on the band's upcoming studio album, Clockwork Angels.[63] The "Caravan" single was announced May 25, 2010 and was released June 1 to radio stations and made available for digital download.[64] It was suggested that Rush would return to the studio after the completion of the Time Machine Tour with plans to release Clockwork Angels in 2011.[65] However, Rush confirmed on November 19, 2010 that they will be extending the Time Machine Tour for a second leg. They are scheduled to play Europe in spring 2011 and return to North America for dates between March and July.[66]

    On April 24, 2010, the documentary Rush: Beyond the Lighted Stage directed by Sam Dunn premiered at the Tribeca Film Festival. It went on to receive the Tribeca Film Festival Audience Award.[67] The band's music was featured in the 2010 documentary Jews and Baseball: An American Love Story, narrated by Academy Award winner Dustin Hoffman.[68][69]

    On June 25, 2010, Rush received a star on the Hollywood Walk of Fame, located at 6752 Hollywood Boulevard. Critical acclaim continued to mount for Rush in 2010 when, on September 28, Classic Rock magazine announced Rush would be this year's Living Legends awarded at the Marshall Classic Rock Roll of Honour Awards in the UK.[70] The award was presented November 10, 2010. On September 29, Billboard.com announced that Rush would also receive the 2010 Legends of Live award for significant and lasting contributions to live music and the art of performing live and reaching fans through the concert experience.[71] The award was presented at the Billboard Touring Awards on November 4, 2010.

    The original line-up formed in the neighbourhood of Willowdale in Toronto, Ontario, by Lifeson, bassist and front man Jeff Jones, and drummer John Rutsey. Within a couple of weeks of forming, and before their second performance, bassist and lead vocalist Jones was replaced by Geddy Lee, a schoolmate of Lifeson. After several lineup reformations, Rush's official incarnation was formed in May 1971 consisting of Lee, Lifeson, and Rutsey. The band was managed by local Toronto resident Ray Danniels, a frequent attendee of Rush's early shows.[7][8]

    After gaining stability in the lineup and honing their skills on the local bar/high school dance circuit, the band came to release their first single "Not Fade Away", a cover of the Buddy Holly song, in 1973. Side B contained an original composition, "You Can't Fight It", credited to Lee and Rutsey. The single generated little reaction and, because of record company indifference, the band formed their own independent record label, Moon Records. With the aid of Danniels and the newly enlisted engineer Terry Brown, the band released their self-titled debut album in 1974, which was considered highly derivative of Led Zeppelin.[9] Rush had limited local popularity until the album was picked up by WMMS, a radio station in Cleveland, Ohio. Donna Halper, a DJ and music director working at the station, selected "Working Man" for her regular play list. The song's blue collar theme resonated with hard rock fans and this new found popularity led to the album being re-released by Mercury Records in the U.S.[10][11]


    The "starman" logo first appeared on the back cover of the 1976 album 2112. Hugh Syme, creator of graphics on many of Rush's albums, stated in a 1983 interview that the Starman "didn't begin as an identity factor for the band, it just got adopted."[12]Immediately after the release of the debut album in 1974, Rutsey was forced to leave the band due to health difficulties stemming from diabetes and a general distaste for touring. His last performance with the band was on July 25, 1974 at Centennial Hall in London, Ontario. Rush held auditions for a new dummer and eventually selected Neil Peart as Rutsey's replacement. Peart officially joined the band on July 29, 1974, two weeks before the group's first U.S. tour. They performed their first concert together, opening for Uriah Heep and Manfred Mann with an attendance of over 11,000 people at the Civic Arena in Pittsburgh, Pennsylvania on August 14. In addition to becoming the band's drummer, Peart assumed the role of principal lyricist from Lee, who had very little interest in writing, despite penning the lyrics of the band's first album.[13] Instead, Lee, along with Lifeson, focused primarily on the musical aspects of Rush. Fly by Night (1975), Rush's first album after recruiting Peart, saw the inclusion of the band's first epic mini-tale "By-Tor and the Snow Dog", replete with complex arrangements and multi-section format. Lyrical themes also underwent dramatic changes after the addition of Peart because of his love for fantasy and science-fiction literature.[14] However, despite these many differences some of the music and songs still closely mirrored the blues style found on Rush's debut.[14][15]

    Following quickly on the heels of Fly By Night, the band released 1975's Caress of Steel, a five track hard rock/heavy metal album featuring two extended multi-chapter songs, "The Necromancer" and "The Fountain of Lamneth." Some critics said Caress of Steel was unfocused and an audacious move for the band because of the placement of two back-to-back protracted songs, as well as a heavier reliance on atmospherics and story-telling, a large deviation from Fly by Night.[16] Intended to be the band's first "break-through" album, Caress of Steel sold below expectations and the promotional tour consisted of smaller venues which led to the moniker the "Down the Tubes Tour".[17] In light of these events, Rush's record label pressured them into molding their next album in a more commercially friendly and accessible fashion. However, the band ignored the requests and developed their next album, 2112 with a 20-minute title track divided into seven sections. Despite this, the album was the band's first taste of commercial success and their first platinum album in Canada.[18] The supporting tour for the album culminated in a three night stand at Massey Hall in Toronto, which the band recorded for the release of their first live album titled All the World's a Stage. Allmusic critic Greg Prato summarily reminds listeners and fans of how the album demarcates the boundary between the band's early years and the next era of their music.[19][20]

    [edit] The progressive rock era (1977–1981)After 2112, Rush retreated to the United Kingdom to record 1977's A Farewell to Kings and 1978's Hemispheres at Rockfield Studios in Wales. These albums saw the band members expanding the use of progressive elements in their music. "As our tastes got more obscure," Geddy Lee said in a recent interview, "we discovered more progressive rock-based bands like Yes, Van der Graaf Generator and King Crimson, and we were very inspired by those bands. They made us want to make our music more interesting and more complex and we tried to blend that with our own personalities to see what we could come up with that was indisputably us."[21] Trademarks such as increased synthesizer usage, extended-length concept songs, and highly dynamic playing featuring complex time signature changes became a staple of Rush's compositions. To achieve a broader, more progressive palette of sound, Alex Lifeson began to experiment with classical and twelve-string guitars, and Geddy Lee added bass-pedal synthesizers and Minimoog. Likewise, Peart's percussion became diversified in the form of triangles, glockenspiel, wood blocks, cowbells, timpani, gong and chimes. Beyond instrument additions, the band kept in stride with the progressive rock movement by continuing to compose long, conceptual songs with science fiction and fantasy overtones. However, as the new decade approached, Rush gradually began to dispose of their older styles of music in favor of shorter, and sometimes softer, arrangements. The lyrics up to this point (most of them written by Peart) were heavily influenced by classical poetry, fantasy literature, science fiction, and the writings of novelist Ayn Rand, as exhibited most prominently by their 1975 song "Anthem" from Fly By Night and a specifically acknowledged derivation in 1976's 2112.[22]

    Permanent Waves (1980) dramatically shifted Rush's style of music via the introduction of reggae and new wave elements.[23] Although a hard rock style was still evident, more and more synthesizers were introduced. Moreover, because of the limited airplay Rush's previous extended-length songs received, Permanent Waves included shorter, more radio-friendly songs such as "The Spirit of Radio" and "Freewill", two songs which helped Permanent Waves become Rush's first U.S. Top 5 album; both songs continue to make appearances on classic rock radio stations in Canada and the United States to this day.[24] Meanwhile, Peart's lyrics shifted toward an expository tone with subject matter that dwelled less on fantastical or allegorical story-telling and more heavily on topics that explored humanistic, social and emotional elements. Rush joined with fellow Toronto-based rock band Max Webster on July 28, 1980 to record "Battle Scar" for their 1980 release, Universal Juveniles.[25] While on tour together following the release, both bands would join between sets to play "Battle Scar". The song acted as both a transition from Max Webster to Rush, as well as a warm-up for Peart. In addition, Max Webster lyricist Pye Dubois offered the band lyrics to a song he had written. The band accepted; the song went on, after reworking by Peart, to become "Tom Sawyer".[25]

    "Tom Sawyer" (1981)

    Sample of "Tom Sawyer" from the album Moving Pictures. This is the band's best known song with heaviest radio airplay.

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    Rush's popularity reached its pinnacle with the release of Moving Pictures in 1981. Moving Pictures essentially continued where Permanent Waves left off, extending the trend of highly accessible and commercially friendly progressive rock that helped thrust them into the spotlight. The lead track, "Tom Sawyer", is probably the band's best-known song[26] with "Limelight" also receiving satisfactory responses from listeners and radio stations. Moving Pictures was Rush's last album to feature an extended song, the eleven-minute "The Camera Eye". The song also contained the band's heaviest usage of synthesizers up to that point, hinting that Rush's music was shifting direction once more. Moving Pictures reached #3 on the Billboard 200 album chart and has been certified quadruple platinum by the Recording Industry Association of America.[27]

    Following the success of Moving Pictures and the completion of another four studio albums, Rush released their second live recording, Exit...Stage Left, in 1981. The album delineates the apex of Rush's progressive period by featuring live material from the band's Permanent Waves and Moving Pictures tours. As with their first live release, Exit...Stage Left identified the margin of a new chapter of Rush's sound.

    [edit] The synthesizer period (1982–1989)
    The OBX synthesizer used by Geddy Lee on the album Signals (1982).The band underwent another radical stylistic transmutation with the release of Signals in 1982.[28]

    While Lee's synthesizers had been featured instruments ever since the late 70s, keyboards were suddenly shifted from the contrapuntal background to the melodic front-lines[29][30] in songs like "Countdown" and the lead-off track "Subdivisions". Both feature prominent lead synthesizer lines with minimalistic guitar chords and solos. Other previously unused instrument additions were seen in the song "Losing It," featuring collaborator Ben Mink on electric violin.[28]

    "Subdivisions" (1982)

    Sample of "Subdivisions" from the album Signals. This song is notable for demonstrating the band's foray into their synthesizer period.

    --------------------------------------------------------------------------------

    Problems listening to this file? See media help.

    Signals also represented a drastic stylistic transformation apart from instrumental changes. The album contained Rush's only U.S. top-40 pop hit, "New World Man",[31] while other more experimental songs such as "Digital Man", "The Weapon", and "Chemistry" expanded the band's use of ska, reggae, and funk.[32] Although the band members consciously decided to move in this overall direction, they felt dissatisfied with long-time producer Terry Brown's studio treatment of Signals and parted ways with him in 1983. These diverse styles would come into further play on their next studio album.


    Neil Peart began incorporating Simmons Electronic Drums beginning with 1984's Grace Under PressureThe style and production of Signals were augmented and taken to new heights on 1984's Grace Under Pressure. It was Peart who named the album, as he borrowed the words of Ernest Hemingway to describe what the band had to go through after making the decision to leave Terry Brown. Producer Steve Lillywhite, who gleaned fame with successful productions of Simple Minds and U2, was enlisted to produce Grace Under Pressure. However, he backed out at the last moment, much to the ire of Lee, Lifeson and Peart. Lee said "Steve Lillywhite is really not a man of his word....after agreeing to do our record, he got an offer from Simple Minds, changed his mind, blew us off,..so it put us in a horrible position." Rush eventually hired Peter Henderson to co-produce and engineer the album in his stead.[33]

    Musically, although Lee's use of sequencers and synthesizers remained the band's cornerstone, his focus on new technology was complemented by Peart's adaptation of Simmons electronic drums and percussion. Lifeson's contributions on the album were decidedly enhanced to act as an overreaction to the minimalistic role he played on Signals.[34] Still, many of his trademark guitar textures remained intact in the form of open reggae chords and funk and new-wave rhythms.

    With new producer Peter Collins, the band released 1985's Power Windows and 1987's Hold Your Fire. The music on these two albums gives far more emphasis and prominence to Lee's multi-layered synthesizer work. While fans and critics took notice of Lifeson's diminished guitar work, his presence was still palpable. Lifeson, like many guitarists in the late 1980s, experimented with processors that reduced his instrument to echoey chord bursts and razor-thin leads. Hold Your Fire represents both a modest extension of the guitar stylings found on Power Windows, and, according to Allmusic critic Eduardo Rivadavia, the culmination of this era of Rush.[35] Whereas the previous five Rush albums sold platinum or better, Hold Your Fire only went gold in November 1987, although it managed to peak at number 13 on the Billboard 200.[36]

    A third live album and video, A Show of Hands (1989), was also released by Mercury following the Power Windows and Hold Your Fire tours, demonstrating the aspects of Rush in the '80s. A Show of Hands met with strong fan approval, but Rolling Stone critic Michael Azerrad dismissed it as "musical muscle" with 1.5 stars, claiming Rush fans viewed their favourite power trio as "the holy trinity".[37] Nevertheless, A Show of Hands managed to surpass the gold album mark, reaching number 21 on the Billboard 200.[38] At this point, the group decided to change record labels from Mercury to Atlantic. After Rush's departure in 1989, Mercury released a double platinum two-volume compilation of their Rush catalogue, Chronicles (1990).[39]

    [edit] Returning to their roots (1989–1997) "Dreamline" (1991)

    Sample of "Dreamline" from the album Roll the Bones. This song is notable for demonstrating the band's return to a more standard three piece instrument style, where synthesizers are used more sparingly and the guitar returning to the forefront of the sound.

    --------------------------------------------------------------------------------

    Problems listening to this file? See media help.

    Rush started to deviate from their 1980s style with the albums Presto and Roll the Bones. Produced by record engineer and musician Rupert Hine, these two albums saw Rush shedding much of their keyboard-saturated sound. Beginning with 1989's Presto, the band opted for arrangements that were notably more guitar-centric than the previous two studio albums. Although synthesizers were still used in many songs, the instrument was no longer featured as the centerpiece of Rush's compositions. Continuing this trend, 1991's Roll the Bones extended the use of the standard three-instrument approach with even less focus on synthesizers than its predecessor. While musically these albums do not deviate significantly from a general pop-rock sound, Rush incorporated traces of other musical styles. "Roll the Bones", for instance, exhibits funk and hip hop elements, and the instrumental track "Where's My Thing?" features several jazz components.[40] This return to three-piece instrumentation helped pave the way for future albums in the mid-90s, which would adopt a more straightforward rock formula.

    The transition from synthesizers to more guitar-oriented and organic instrumentation continued with the 1993 album Counterparts[41] and its follow-up, 1996's Test for Echo, again both produced in collaboration with Peter Collins. Musically, Counterparts[41] and Test For Echo are two of Rush's most guitar-driven albums. Although the music in general did not meet the criteria for progressive rock, some songs adopted a dynamic format.[42] For instance, "Time and Motion" possesses multiple time signature changes and organ usage, while the instrumental track "Limbo", consists of multiple musical passages. Musically, Test For Echo still retained much of the hard rock/alternative style already charted on the previous record with Lifeson and Lee's playing remaining more or less unchanged; however, a distinct modification in technique became apparent in Peart's playing from his jazz and swing training under the tutelage of jazz instructor Freddie Gruber during the interim between Counterparts and Test For Echo.[43] In October 1996, in support of Test For Echo, the band embarked on a North American tour, the band's first without an opening act and dubbed "An Evening with Rush". The tour was broken up into two segments spanning October through December 1996 and May through July 1997 with the band taking a respite between tour legs.

    [edit] Hiatus and comeback (1997–2005)After wrapping up the tour promoting Test for Echo in 1997, the band entered a five-year hiatus mainly because of personal tragedies in Peart's life. Peart's daughter Selena died in an automobile accident in August 1997, followed by his wife Jacqueline's death from cancer in June 1998. Peart took a hiatus to mourn and reflect, during which time he traveled extensively throughout North America on his BMW motorcycle, covering 88,000 km (55,000 miles). At some point in his journey, Peart decided to return to the band. Peart wrote Ghost Rider: Travels on the Healing Road as a chronicle of his geographical and emotional journey. In this book he writes of how he had told his bandmates at Selena's funeral, "consider me retired."[44] On November 10, 1998 a triple CD live album entitled Different Stages was released, dedicated to the memory of Selena and Jacqueline. Mixed by producer Paul Northfield and engineered by Terry Brown, it contained three discs packed with recorded performances from the band's Counterparts, Test For Echo, and A Farewell to Kings tours, marking the fourth officially released live album by the band.

    "One Little Victory" (2002)

    Sample of "One Little Victory" from the album Vapor Trails. This song's rapid tempo and heavy double bass drumming was done intentionally in order to herald the comeback of the band after their hiatus.

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    After a time to grieve and reassemble the pieces of his life, and while visiting long-time Rush photographer Andrew MacNaughtan in Los Angeles, Peart was introduced to his future wife, photographer Carrie Nuttall. Peart married Nuttall on September 9, 2000. In early 2001 he announced to his band mates that he was ready to once again enter the studio and get back into the business of making music. With the help of producer Paul Northfield the band returned in May 2002 with Vapor Trails, written and recorded in Toronto. To herald the band's comeback, the single and lead track from the album, "One Little Victory" was designed to grab the attention of listeners with its rapid guitar and drum tempos.[45] Vapor Trails marked the first studio recording not to include a single synthesizer, organ or keyboard part since the early 1970s. While the album is almost completely guitar-driven, it is mostly devoid of any conventional sounding guitar solos, a conscious decision made by Lifeson during the writing process. According to the band, the entire developmental process for Vapor Trails was extremely taxing and took approximately 14 months to finish, by far the longest the band had ever spent writing and recording a studio album.[45] The album was supported by the band's first tour in six years, including first-ever concerts in Mexico City and Brazil, where they played to some of the largest crowds of their career.

    A triple CD live album and dual Rush in Rio DVD was released in late October 2003 featuring an entire concert performance recorded on the last night of their Vapor Trails Tour, November 23, 2002, at Maracanã Stadium in Rio de Janeiro, Brazil. To celebrate their 30th anniversary, June 2004 saw the release of Feedback, a studio EP recorded in suburban Toronto featuring eight covers of such artists as Cream, The Who and The Yardbirds, bands that the members of Rush cite as inspiration around the time of their inception.[46] Also in the summer of 2004, Rush hit the road again for their 30th Anniversary Tour, playing dates in the United States, Canada, the United Kingdom, Germany, Italy, Sweden, the Czech Republic, and the Netherlands. On September 24, 2004 a Frankfurt, Germany concert was recorded at The Festhalle for DVD (titled R30: Live in Frankfurt), which was released November 22, 2005; a complete version of the R30 Frankfurt set (the original DVD release omitted eight songs) was released on Blu-ray on December 8, 2009.[47]

    [edit] Snakes & Arrows (2006–2009)Main articles: Snakes & Arrows and Snakes & Arrows Tour
    During promotional interviews for the R30 Live In Frankfurt DVD, the band revealed their intention to begin writing new material in early 2006. While in Toronto, Lifeson and Lee began the songwriting process in January 2006. During this time, Peart simultaneously assumed his role of lyric writing while residing in Southern California. The following September, Rush chose to hire American producer Nick Raskulinecz to co-produce the album. The band officially entered Allaire Studios, in Shokan, New York in November 2006 in order to record the bulk of the material. Taking the band five weeks, the sessions ended in December. On February 14, 2007, an announcement was made on the official Rush web site that the title of the new album would be Snakes & Arrows. The first single, entitled "Far Cry", was released to North American radio stations on March 12, 2007 and reached #2 on the Mediabase Mainstream and Radio and Records Charts.[48]

    "Far Cry" (2007)

    Sample of "Far Cry", first single from the album Snakes & Arrows.

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    The Rush website, newly redesigned on March 12 to support the new album, also announced that the band would embark on a tour to begin in the summer. Snakes & Arrows was released May 1, 2007 in North America, where it debuted at #3 in the Billboard 200 with approximately 93,000 units sold in its first week.[49] It would go on to sell an estimated 611,000 copies worldwide. To coincide with the Atlantic ocean hurricane season, "Spindrift" was released as the official second radio single on June 1, 2007, whereas "The Larger Bowl (A Pantoum)" saw single status on June 25, 2007. "The Larger Bowl" positioned within the top 20 of the Mainstream Rock and Media Base Mainstream charts, however, "Spindrift" failed to appear on any commercial chart.[50] The planned intercontinental tour in support of Snakes & Arrows began on June 13, 2007 in Atlanta, Georgia, coming to a close on October 29, 2007 at Hartwall Arena in Helsinki, Finland.[51]

    The 2008 portion of the tour started on April 11, 2008 in San Juan, Puerto Rico at José Miguel Agrelot Coliseum and culminated on July 24, 2008 in Noblesville, Indiana at the Verizon Wireless Music Center.[52] On April 15, the band released Snakes & Arrows Live, a double live album documenting the first leg of the tour.[53] Those same performances featured on Snakes & Arrows Live filmed at the Ahoy arena in Rotterdam, Netherlands on October 16 and 17 of 2007 were released November 24 as a DVD and Blu-Ray set. The video also includes footage from the 2008 portion of the tour, recorded at Verizon Wireless Amphitheater in Atlanta.[54][55][56]

    As the band neared the conclusion of their Snakes & Arrows tour, they announced their first appearance on American television in over 30 years. Rush was interviewed by Stephen Colbert and they performed "Tom Sawyer" on The Colbert Report on July 16, 2008.[57] Continuing to ride what one movie reviewer has called a "pop cultural wave," they also appeared at a live show in April 2009 for the comedy film I Love You, Man.[58]

    [edit] Clockwork Angels and Time Machine Tour (2009–present)On February 16, 2009, Lifeson remarked that the band may begin working on a new album in the Fall 2009 with Nick Raskulinecz once again producing.[59] On March 19, 2010, the CBC posted a video interview with Lee and Lifeson where they discussed Rush's induction into the Canadian Songwriters Hall of Fame on March 28, 2010 at the Toronto Centre for the Arts' George Weston Recital Hall. The band was recognized for the songs "Limelight", "Closer to the Heart", "The Spirit of Radio", "Tom Sawyer" and "Subdivisions". In addition to discussing their induction, Lee and Lifeson touched on future material. During the interview, Lee was quoted as saying "... Just about a month and a half ago we had no songs. And now we've been writing and now we've got about 6 songs that we just love...".[60] On March 26, 2010, in an interview with The Globe and Mail, Lifeson reconfirmed that the band had already written a half-dozen songs and that there was the potential for two supporting tours, one planned for Summer 2010 and a more extensive tour planned for Summer 2011. While still uncertain of exactly how and when the new material would be released, he projected a tentative Spring 2011 release date.[61] Soon after, Peart confirmed that American producer Nick Raskulinecz had returned as co-producer.[62]

    On April 8, 2010 both the official Rush website and PR Newswire announced that the band would embark on the Rush Time Machine Tour. The first leg of the tour began on June 29 in Albuquerque, New Mexico and finished October 17 in Santiago, Chile at the National stadium. It featured the album Moving Pictures played in its entirety, as well as the single "Caravan" and its B-side "BU2B". These songs will be featured on the band's upcoming studio album, Clockwork Angels.[63] The "Caravan" single was announced May 25, 2010 and was released June 1 to radio stations and made available for digital download.[64] It was suggested that Rush would return to the studio after the completion of the Time Machine Tour with plans to release Clockwork Angels in 2011.[65] However, Rush confirmed on November 19, 2010 that they will be extending the Time Machine Tour for a second leg. They are scheduled to play Europe in spring 2011 and return to North America for dates between March and July.[66]

    On April 24, 2010, the documentary Rush: Beyond the Lighted Stage directed by Sam Dunn premiered at the Tribeca Film Festival. It went on to receive the Tribeca Film Festival Audience Award.[67] The band's music was featured in the 2010 documentary Jews and Baseball: An American Love Story, narrated by Academy Award winner Dustin Hoffman.[68][69]

    On June 25, 2010, Rush received a star on the Hollywood Walk of Fame, located at 6752 Hollywood Boulevard. Critical acclaim continued to mount for Rush in 2010 when, on September 28, Classic Rock magazine announced Rush would be this year's Living Legends awarded at the Marshall Classic Rock Roll of Honour Awards in the UK.[70] The award was presented November 10, 2010. On September 29, Billboard.com announced that Rush would also receive the 2010 Legends of Live award for significant and lasting contributions to live music and the art of performing live and reaching fans through the concert experience.[71] The award was presented at the Billboard Touring Awards on November 4, 2010.

    The original line-up formed in the neighbourhood of Willowdale in Toronto, Ontario, by Lifeson, bassist and front man Jeff Jones, and drummer John Rutsey. Within a couple of weeks of forming, and before their second performance, bassist and lead vocalist Jones was replaced by Geddy Lee, a schoolmate of Lifeson. After several lineup reformations, Rush's official incarnation was formed in May 1971 consisting of Lee, Lifeson, and Rutsey. The band was managed by local Toronto resident Ray Danniels, a frequent attendee of Rush's early shows.[7][8]

    After gaining stability in the lineup and honing their skills on the local bar/high school dance circuit, the band came to release their first single "Not Fade Away", a cover of the Buddy Holly song, in 1973. Side B contained an original composition, "You Can't Fight It", credited to Lee and Rutsey. The single generated little reaction and, because of record company indifference, the band formed their own independent record label, Moon Records. With the aid of Danniels and the newly enlisted engineer Terry Brown, the band released their self-titled debut album in 1974, which was considered highly derivative of Led Zeppelin.[9] Rush had limited local popularity until the album was picked up by WMMS, a radio station in Cleveland, Ohio. Donna Halper, a DJ and music director working at the station, selected "Working Man" for her regular play list. The song's blue collar theme resonated with hard rock fans and this new found popularity led to the album being re-released by Mercury Records in the U.S.[10][11]


    The "starman" logo first appeared on the back cover of the 1976 album 2112. Hugh Syme, creator of graphics on many of Rush's albums, stated in a 1983 interview that the Starman "didn't begin as an identity factor for the band, it just got adopted."[12]Immediately after the release of the debut album in 1974, Rutsey was forced to leave the band due to health difficulties stemming from diabetes and a general distaste for touring. His last performance with the band was on July 25, 1974 at Centennial Hall in London, Ontario. Rush held auditions for a new dummer and eventually selected Neil Peart as Rutsey's replacement. Peart officially joined the band on July 29, 1974, two weeks before the group's first U.S. tour. They performed their first concert together, opening for Uriah Heep and Manfred Mann with an attendance of over 11,000 people at the Civic Arena in Pittsburgh, Pennsylvania on August 14. In addition to becoming the band's drummer, Peart assumed the role of principal lyricist from Lee, who had very little interest in writing, despite penning the lyrics of the band's first album.[13] Instead, Lee, along with Lifeson, focused primarily on the musical aspects of Rush. Fly by Night (1975), Rush's first album after recruiting Peart, saw the inclusion of the band's first epic mini-tale "By-Tor and the Snow Dog", replete with complex arrangements and multi-section format. Lyrical themes also underwent dramatic changes after the addition of Peart because of his love for fantasy and science-fiction literature.[14] However, despite these many differences some of the music and songs still closely mirrored the blues style found on Rush's debut.[14][15]

    Following quickly on the heels of Fly By Night, the band released 1975's Caress of Steel, a five track hard rock/heavy metal album featuring two extended multi-chapter songs, "The Necromancer" and "The Fountain of Lamneth." Some critics said Caress of Steel was unfocused and an audacious move for the band because of the placement of two back-to-back protracted songs, as well as a heavier reliance on atmospherics and story-telling, a large deviation from Fly by Night.[16] Intended to be the band's first "break-through" album, Caress of Steel sold below expectations and the promotional tour consisted of smaller venues which led to the moniker the "Down the Tubes Tour".[17] In light of these events, Rush's record label pressured them into molding their next album in a more commercially friendly and accessible fashion. However, the band ignored the requests and developed their next album, 2112 with a 20-minute title track divided into seven sections. Despite this, the album was the band's first taste of commercial success and their first platinum album in Canada.[18] The supporting tour for the album culminated in a three night stand at Massey Hall in Toronto, which the band recorded for the release of their first live album titled All the World's a Stage. Allmusic critic Greg Prato summarily reminds listeners and fans of how the album demarcates the boundary between the band's early years and the next era of their music.[19][20]

    [edit] The progressive rock era (1977–1981)After 2112, Rush retreated to the United Kingdom to record 1977's A Farewell to Kings and 1978's Hemispheres at Rockfield Studios in Wales. These albums saw the band members expanding the use of progressive elements in their music. "As our tastes got more obscure," Geddy Lee said in a recent interview, "we discovered more progressive rock-based bands like Yes, Van der Graaf Generator and King Crimson, and we were very inspired by those bands. They made us want to make our music more interesting and more complex and we tried to blend that with our own personalities to see what we could come up with that was indisputably us."[21] Trademarks such as increased synthesizer usage, extended-length concept songs, and highly dynamic playing featuring complex time signature changes became a staple of Rush's compositions. To achieve a broader, more progressive palette of sound, Alex Lifeson began to experiment with classical and twelve-string guitars, and Geddy Lee added bass-pedal synthesizers and Minimoog. Likewise, Peart's percussion became diversified in the form of triangles, glockenspiel, wood blocks, cowbells, timpani, gong and chimes. Beyond instrument additions, the band kept in stride with the progressive rock movement by continuing to compose long, conceptual songs with science fiction and fantasy overtones. However, as the new decade approached, Rush gradually began to dispose of their older styles of music in favor of shorter, and sometimes softer, arrangements. The lyrics up to this point (most of them written by Peart) were heavily influenced by classical poetry, fantasy literature, science fiction, and the writings of novelist Ayn Rand, as exhibited most prominently by their 1975 song "Anthem" from Fly By Night and a specifically acknowledged derivation in 1976's 2112.[22]

    Permanent Waves (1980) dramatically shifted Rush's style of music via the introduction of reggae and new wave elements.[23] Although a hard rock style was still evident, more and more synthesizers were introduced. Moreover, because of the limited airplay Rush's previous extended-length songs received, Permanent Waves included shorter, more radio-friendly songs such as "The Spirit of Radio" and "Freewill", two songs which helped Permanent Waves become Rush's first U.S. Top 5 album; both songs continue to make appearances on classic rock radio stations in Canada and the United States to this day.[24] Meanwhile, Peart's lyrics shifted toward an expository tone with subject matter that dwelled less on fantastical or allegorical story-telling and more heavily on topics that explored humanistic, social and emotional elements. Rush joined with fellow Toronto-based rock band Max Webster on July 28, 1980 to record "Battle Scar" for their 1980 release, Universal Juveniles.[25] While on tour together following the release, both bands would join between sets to play "Battle Scar". The song acted as both a transition from Max Webster to Rush, as well as a warm-up for Peart. In addition, Max Webster lyricist Pye Dubois offered the band lyrics to a song he had written. The band accepted; the song went on, after reworking by Peart, to become "Tom Sawyer".[25]

    "Tom Sawyer" (1981)

    Sample of "Tom Sawyer" from the album Moving Pictures. This is the band's best known song with heaviest radio airplay.

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    Rush's popularity reached its pinnacle with the release of Moving Pictures in 1981. Moving Pictures essentially continued where Permanent Waves left off, extending the trend of highly accessible and commercially friendly progressive rock that helped thrust them into the spotlight. The lead track, "Tom Sawyer", is probably the band's best-known song[26] with "Limelight" also receiving satisfactory responses from listeners and radio stations. Moving Pictures was Rush's last album to feature an extended song, the eleven-minute "The Camera Eye". The song also contained the band's heaviest usage of synthesizers up to that point, hinting that Rush's music was shifting direction once more. Moving Pictures reached #3 on the Billboard 200 album chart and has been certified quadruple platinum by the Recording Industry Association of America.[27]

    Following the success of Moving Pictures and the completion of another four studio albums, Rush released their second live recording, Exit...Stage Left, in 1981. The album delineates the apex of Rush's progressive period by featuring live material from the band's Permanent Waves and Moving Pictures tours. As with their first live release, Exit...Stage Left identified the margin of a new chapter of Rush's sound.

    [edit] The synthesizer period (1982–1989)
    The OBX synthesizer used by Geddy Lee on the album Signals (1982).The band underwent another radical stylistic transmutation with the release of Signals in 1982.[28]

    While Lee's synthesizers had been featured instruments ever since the late 70s, keyboards were suddenly shifted from the contrapuntal background to the melodic front-lines[29][30] in songs like "Countdown" and the lead-off track "Subdivisions". Both feature prominent lead synthesizer lines with minimalistic guitar chords and solos. Other previously unused instrument additions were seen in the song "Losing It," featuring collaborator Ben Mink on electric violin.[28]

    "Subdivisions" (1982)

    Sample of "Subdivisions" from the album Signals. This song is notable for demonstrating the band's foray into their synthesizer period.

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    Signals also represented a drastic stylistic transformation apart from instrumental changes. The album contained Rush's only U.S. top-40 pop hit, "New World Man",[31] while other more experimental songs such as "Digital Man", "The Weapon", and "Chemistry" expanded the band's use of ska, reggae, and funk.[32] Although the band members consciously decided to move in this overall direction, they felt dissatisfied with long-time producer Terry Brown's studio treatment of Signals and parted ways with him in 1983. These diverse styles would come into further play on their next studio album.


    Neil Peart began incorporating Simmons Electronic Drums beginning with 1984's Grace Under PressureThe style and production of Signals were augmented and taken to new heights on 1984's Grace Under Pressure. It was Peart who named the album, as he borrowed the words of Ernest Hemingway to describe what the band had to go through after making the decision to leave Terry Brown. Producer Steve Lillywhite, who gleaned fame with successful productions of Simple Minds and U2, was enlisted to produce Grace Under Pressure. However, he backed out at the last moment, much to the ire of Lee, Lifeson and Peart. Lee said "Steve Lillywhite is really not a man of his word....after agreeing to do our record, he got an offer from Simple Minds, changed his mind, blew us off,..so it put us in a horrible position." Rush eventually hired Peter Henderson to co-produce and engineer the album in his stead.[33]

    Musically, although Lee's use of sequencers and synthesizers remained the band's cornerstone, his focus on new technology was complemented by Peart's adaptation of Simmons electronic drums and percussion. Lifeson's contributions on the album were decidedly enhanced to act as an overreaction to the minimalistic role he played on Signals.[34] Still, many of his trademark guitar textures remained intact in the form of open reggae chords and funk and new-wave rhythms.

    With new producer Peter Collins, the band released 1985's Power Windows and 1987's Hold Your Fire. The music on these two albums gives far more emphasis and prominence to Lee's multi-layered synthesizer work. While fans and critics took notice of Lifeson's diminished guitar work, his presence was still palpable. Lifeson, like many guitarists in the late 1980s, experimented with processors that reduced his instrument to echoey chord bursts and razor-thin leads. Hold Your Fire represents both a modest extension of the guitar stylings found on Power Windows, and, according to Allmusic critic Eduardo Rivadavia, the culmination of this era of Rush.[35] Whereas the previous five Rush albums sold platinum or better, Hold Your Fire only went gold in November 1987, although it managed to peak at number 13 on the Billboard 200.[36]

    A third live album and video, A Show of Hands (1989), was also released by Mercury following the Power Windows and Hold Your Fire tours, demonstrating the aspects of Rush in the '80s. A Show of Hands met with strong fan approval, but Rolling Stone critic Michael Azerrad dismissed it as "musical muscle" with 1.5 stars, claiming Rush fans viewed their favourite power trio as "the holy trinity".[37] Nevertheless, A Show of Hands managed to surpass the gold album mark, reaching number 21 on the Billboard 200.[38] At this point, the group decided to change record labels from Mercury to Atlantic. After Rush's departure in 1989, Mercury released a double platinum two-volume compilation of their Rush catalogue, Chronicles (1990).[39]

    [edit] Returning to their roots (1989–1997) "Dreamline" (1991)

    Sample of "Dreamline" from the album Roll the Bones. This song is notable for demonstrating the band's return to a more standard three piece instrument style, where synthesizers are used more sparingly and the guitar returning to the forefront of the sound.

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    Rush started to deviate from their 1980s style with the albums Presto and Roll the Bones. Produced by record engineer and musician Rupert Hine, these two albums saw Rush shedding much of their keyboard-saturated sound. Beginning with 1989's Presto, the band opted for arrangements that were notably more guitar-centric than the previous two studio albums. Although synthesizers were still used in many songs, the instrument was no longer featured as the centerpiece of Rush's compositions. Continuing this trend, 1991's Roll the Bones extended the use of the standard three-instrument approach with even less focus on synthesizers than its predecessor. While musically these albums do not deviate significantly from a general pop-rock sound, Rush incorporated traces of other musical styles. "Roll the Bones", for instance, exhibits funk and hip hop elements, and the instrumental track "Where's My Thing?" features several jazz components.[40] This return to three-piece instrumentation helped pave the way for future albums in the mid-90s, which would adopt a more straightforward rock formula.

    The transition from synthesizers to more guitar-oriented and organic instrumentation continued with the 1993 album Counterparts[41] and its follow-up, 1996's Test for Echo, again both produced in collaboration with Peter Collins. Musically, Counterparts[41] and Test For Echo are two of Rush's most guitar-driven albums. Although the music in general did not meet the criteria for progressive rock, some songs adopted a dynamic format.[42] For instance, "Time and Motion" possesses multiple time signature changes and organ usage, while the instrumental track "Limbo", consists of multiple musical passages. Musically, Test For Echo still retained much of the hard rock/alternative style already charted on the previous record with Lifeson and Lee's playing remaining more or less unchanged; however, a distinct modification in technique became apparent in Peart's playing from his jazz and swing training under the tutelage of jazz instructor Freddie Gruber during the interim between Counterparts and Test For Echo.[43] In October 1996, in support of Test For Echo, the band embarked on a North American tour, the band's first without an opening act and dubbed "An Evening with Rush". The tour was broken up into two segments spanning October through December 1996 and May through July 1997 with the band taking a respite between tour legs.

    [edit] Hiatus and comeback (1997–2005)After wrapping up the tour promoting Test for Echo in 1997, the band entered a five-year hiatus mainly because of personal tragedies in Peart's life. Peart's daughter Selena died in an automobile accident in August 1997, followed by his wife Jacqueline's death from cancer in June 1998. Peart took a hiatus to mourn and reflect, during which time he traveled extensively throughout North America on his BMW motorcycle, covering 88,000 km (55,000 miles). At some point in his journey, Peart decided to return to the band. Peart wrote Ghost Rider: Travels on the Healing Road as a chronicle of his geographical and emotional journey. In this book he writes of how he had told his bandmates at Selena's funeral, "consider me retired."[44] On November 10, 1998 a triple CD live album entitled Different Stages was released, dedicated to the memory of Selena and Jacqueline. Mixed by producer Paul Northfield and engineered by Terry Brown, it contained three discs packed with recorded performances from the band's Counterparts, Test For Echo, and A Farewell to Kings tours, marking the fourth officially released live album by the band.

    "One Little Victory" (2002)

    Sample of "One Little Victory" from the album Vapor Trails. This song's rapid tempo and heavy double bass drumming was done intentionally in order to herald the comeback of the band after their hiatus.

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    After a time to grieve and reassemble the pieces of his life, and while visiting long-time Rush photographer Andrew MacNaughtan in Los Angeles, Peart was introduced to his future wife, photographer Carrie Nuttall. Peart married Nuttall on September 9, 2000. In early 2001 he announced to his band mates that he was ready to once again enter the studio and get back into the business of making music. With the help of producer Paul Northfield the band returned in May 2002 with Vapor Trails, written and recorded in Toronto. To herald the band's comeback, the single and lead track from the album, "One Little Victory" was designed to grab the attention of listeners with its rapid guitar and drum tempos.[45] Vapor Trails marked the first studio recording not to include a single synthesizer, organ or keyboard part since the early 1970s. While the album is almost completely guitar-driven, it is mostly devoid of any conventional sounding guitar solos, a conscious decision made by Lifeson during the writing process. According to the band, the entire developmental process for Vapor Trails was extremely taxing and took approximately 14 months to finish, by far the longest the band had ever spent writing and recording a studio album.[45] The album was supported by the band's first tour in six years, including first-ever concerts in Mexico City and Brazil, where they played to some of the largest crowds of their career.

    A triple CD live album and dual Rush in Rio DVD was released in late October 2003 featuring an entire concert performance recorded on the last night of their Vapor Trails Tour, November 23, 2002, at Maracanã Stadium in Rio de Janeiro, Brazil. To celebrate their 30th anniversary, June 2004 saw the release of Feedback, a studio EP recorded in suburban Toronto featuring eight covers of such artists as Cream, The Who and The Yardbirds, bands that the members of Rush cite as inspiration around the time of their inception.[46] Also in the summer of 2004, Rush hit the road again for their 30th Anniversary Tour, playing dates in the United States, Canada, the United Kingdom, Germany, Italy, Sweden, the Czech Republic, and the Netherlands. On September 24, 2004 a Frankfurt, Germany concert was recorded at The Festhalle for DVD (titled R30: Live in Frankfurt), which was released November 22, 2005; a complete version of the R30 Frankfurt set (the original DVD release omitted eight songs) was released on Blu-ray on December 8, 2009.[47]

    [edit] Snakes & Arrows (2006–2009)Main articles: Snakes & Arrows and Snakes & Arrows Tour
    During promotional interviews for the R30 Live In Frankfurt DVD, the band revealed their intention to begin writing new material in early 2006. While in Toronto, Lifeson and Lee began the songwriting process in January 2006. During this time, Peart simultaneously assumed his role of lyric writing while residing in Southern California. The following September, Rush chose to hire American producer Nick Raskulinecz to co-produce the album. The band officially entered Allaire Studios, in Shokan, New York in November 2006 in order to record the bulk of the material. Taking the band five weeks, the sessions ended in December. On February 14, 2007, an announcement was made on the official Rush web site that the title of the new album would be Snakes & Arrows. The first single, entitled "Far Cry", was released to North American radio stations on March 12, 2007 and reached #2 on the Mediabase Mainstream and Radio and Records Charts.[48]

    "Far Cry" (2007)

    Sample of "Far Cry", first single from the album Snakes & Arrows.

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    The Rush website, newly redesigned on March 12 to support the new album, also announced that the band would embark on a tour to begin in the summer. Snakes & Arrows was released May 1, 2007 in North America, where it debuted at #3 in the Billboard 200 with approximately 93,000 units sold in its first week.[49] It would go on to sell an estimated 611,000 copies worldwide. To coincide with the Atlantic ocean hurricane season, "Spindrift" was released as the official second radio single on June 1, 2007, whereas "The Larger Bowl (A Pantoum)" saw single status on June 25, 2007. "The Larger Bowl" positioned within the top 20 of the Mainstream Rock and Media Base Mainstream charts, however, "Spindrift" failed to appear on any commercial chart.[50] The planned intercontinental tour in support of Snakes & Arrows began on June 13, 2007 in Atlanta, Georgia, coming to a close on October 29, 2007 at Hartwall Arena in Helsinki, Finland.[51]

    The 2008 portion of the tour started on April 11, 2008 in San Juan, Puerto Rico at José Miguel Agrelot Coliseum and culminated on July 24, 2008 in Noblesville, Indiana at the Verizon Wireless Music Center.[52] On April 15, the band released Snakes & Arrows Live, a double live album documenting the first leg of the tour.[53] Those same performances featured on Snakes & Arrows Live filmed at the Ahoy arena in Rotterdam, Netherlands on October 16 and 17 of 2007 were released November 24 as a DVD and Blu-Ray set. The video also includes footage from the 2008 portion of the tour, recorded at Verizon Wireless Amphitheater in Atlanta.[54][55][56]

    As the band neared the conclusion of their Snakes & Arrows tour, they announced their first appearance on American television in over 30 years. Rush was interviewed by Stephen Colbert and they performed "Tom Sawyer" on The Colbert Report on July 16, 2008.[57] Continuing to ride what one movie reviewer has called a "pop cultural wave," they also appeared at a live show in April 2009 for the comedy film I Love You, Man.[58]

    [edit] Clockwork Angels and Time Machine Tour (2009–present)On February 16, 2009, Lifeson remarked that the band may begin working on a new album in the Fall 2009 with Nick Raskulinecz once again producing.[59] On March 19, 2010, the CBC posted a video interview with Lee and Lifeson where they discussed Rush's induction into the Canadian Songwriters Hall of Fame on March 28, 2010 at the Toronto Centre for the Arts' George Weston Recital Hall. The band was recognized for the songs "Limelight", "Closer to the Heart", "The Spirit of Radio", "Tom Sawyer" and "Subdivisions". In addition to discussing their induction, Lee and Lifeson touched on future material. During the interview, Lee was quoted as saying "... Just about a month and a half ago we had no songs. And now we've been writing and now we've got about 6 songs that we just love...".[60] On March 26, 2010, in an interview with The Globe and Mail, Lifeson reconfirmed that the band had already written a half-dozen songs and that there was the potential for two supporting tours, one planned for Summer 2010 and a more extensive tour planned for Summer 2011. While still uncertain of exactly how and when the new material would be released, he projected a tentative Spring 2011 release date.[61] Soon after, Peart confirmed that American producer Nick Raskulinecz had returned as co-producer.[62]

    On April 8, 2010 both the official Rush website and PR Newswire announced that the band would embark on the Rush Time Machine Tour. The first leg of the tour began on June 29 in Albuquerque, New Mexico and finished October 17 in Santiago, Chile at the National stadium. It featured the album Moving Pictures played in its entirety, as well as the single "Caravan" and its B-side "BU2B". These songs will be featured on the band's upcoming studio album, Clockwork Angels.[63] The "Caravan" single was announced May 25, 2010 and was released June 1 to radio stations and made available for digital download.[64] It was suggested that Rush would return to the studio after the completion of the Time Machine Tour with plans to release Clockwork Angels in 2011.[65] However, Rush confirmed on November 19, 2010 that they will be extending the Time Machine Tour for a second leg. They are scheduled to play Europe in spring 2011 and return to North America for dates between March and July.[66]

    On April 24, 2010, the documentary Rush: Beyond the Lighted Stage directed by Sam Dunn premiered at the Tribeca Film Festival. It went on to receive the Tribeca Film Festival Audience Award.[67] The band's music was featured in the 2010 documentary Jews and Baseball: An American Love Story, narrated by Academy Award winner Dustin Hoffman.[68][69]

    On June 25, 2010, Rush received a star on the Hollywood Walk of Fame, located at 6752 Hollywood Boulevard. Critical acclaim continued to mount for Rush in 2010 when, on September 28, Classic Rock magazine announced Rush would be this year's Living Legends awarded at the Marshall Classic Rock Roll of Honour Awards in the UK.[70] The award was presented November 10, 2010. On September 29, Billboard.com announced that Rush would also receive the 2010 Legends of Live award for significant and lasting contributions to live music and the art of performing live and reaching fans through the concert experience.[71] The award was presented at the Billboard Touring Awards on November 4, 2010.

    The original line-up formed in the neighbourhood of Willowdale in Toronto, Ontario, by Lifeson, bassist and front man Jeff Jones, and drummer John Rutsey. Within a couple of weeks of forming, and before their second performance, bassist and lead vocalist Jones was replaced by Geddy Lee, a schoolmate of Lifeson. After several lineup reformations, Rush's official incarnation was formed in May 1971 consisting of Lee, Lifeson, and Rutsey. The band was managed by local Toronto resident Ray Danniels, a frequent attendee of Rush's early shows.[7][8]

    After gaining stability in the lineup and honing their skills on the local bar/high school dance circuit, the band came to release their first single "Not Fade Away", a cover of the Buddy Holly song, in 1973. Side B contained an original composition, "You Can't Fight It", credited to Lee and Rutsey. The single generated little reaction and, because of record company indifference, the band formed their own independent record label, Moon Records. With the aid of Danniels and the newly enlisted engineer Terry Brown, the band released their self-titled debut album in 1974, which was considered highly derivative of Led Zeppelin.[9] Rush had limited local popularity until the album was picked up by WMMS, a radio station in Cleveland, Ohio. Donna Halper, a DJ and music director working at the station, selected "Working Man" for her regular play list. The song's blue collar theme resonated with hard rock fans and this new found popularity led to the album being re-released by Mercury Records in the U.S.[10][11]


    The "starman" logo first appeared on the back cover of the 1976 album 2112. Hugh Syme, creator of graphics on many of Rush's albums, stated in a 1983 interview that the Starman "didn't begin as an identity factor for the band, it just got adopted."[12]Immediately after the release of the debut album in 1974, Rutsey was forced to leave the band due to health difficulties stemming from diabetes and a general distaste for touring. His last performance with the band was on July 25, 1974 at Centennial Hall in London, Ontario. Rush held auditions for a new dummer and eventually selected Neil Peart as Rutsey's replacement. Peart officially joined the band on July 29, 1974, two weeks before the group's first U.S. tour. They performed their first concert together, opening for Uriah Heep and Manfred Mann with an attendance of over 11,000 people at the Civic Arena in Pittsburgh, Pennsylvania on August 14. In addition to becoming the band's drummer, Peart assumed the role of principal lyricist from Lee, who had very little interest in writing, despite penning the lyrics of the band's first album.[13] Instead, Lee, along with Lifeson, focused primarily on the musical aspects of Rush. Fly by Night (1975), Rush's first album after recruiting Peart, saw the inclusion of the band's first epic mini-tale "By-Tor and the Snow Dog", replete with complex arrangements and multi-section format. Lyrical themes also underwent dramatic changes after the addition of Peart because of his love for fantasy and science-fiction literature.[14] However, despite these many differences some of the music and songs still closely mirrored the blues style found on Rush's debut.[14][15]

    Following quickly on the heels of Fly By Night, the band released 1975's Caress of Steel, a five track hard rock/heavy metal album featuring two extended multi-chapter songs, "The Necromancer" and "The Fountain of Lamneth." Some critics said Caress of Steel was unfocused and an audacious move for the band because of the placement of two back-to-back protracted songs, as well as a heavier reliance on atmospherics and story-telling, a large deviation from Fly by Night.[16] Intended to be the band's first "break-through" album, Caress of Steel sold below expectations and the promotional tour consisted of smaller venues which led to the moniker the "Down the Tubes Tour".[17] In light of these events, Rush's record label pressured them into molding their next album in a more commercially friendly and accessible fashion. However, the band ignored the requests and developed their next album, 2112 with a 20-minute title track divided into seven sections. Despite this, the album was the band's first taste of commercial success and their first platinum album in Canada.[18] The supporting tour for the album culminated in a three night stand at Massey Hall in Toronto, which the band recorded for the release of their first live album titled All the World's a Stage. Allmusic critic Greg Prato summarily reminds listeners and fans of how the album demarcates the boundary between the band's early years and the next era of their music.[19][20]

    [edit] The progressive rock era (1977–1981)After 2112, Rush retreated to the United Kingdom to record 1977's A Farewell to Kings and 1978's Hemispheres at Rockfield Studios in Wales. These albums saw the band members expanding the use of progressive elements in their music. "As our tastes got more obscure," Geddy Lee said in a recent interview, "we discovered more progressive rock-based bands like Yes, Van der Graaf Generator and King Crimson, and we were very inspired by those bands. They made us want to make our music more interesting and more complex and we tried to blend that with our own personalities to see what we could come up with that was indisputably us."[21] Trademarks such as increased synthesizer usage, extended-length concept songs, and highly dynamic playing featuring complex time signature changes became a staple of Rush's compositions. To achieve a broader, more progressive palette of sound, Alex Lifeson began to experiment with classical and twelve-string guitars, and Geddy Lee added bass-pedal synthesizers and Minimoog. Likewise, Peart's percussion became diversified in the form of triangles, glockenspiel, wood blocks, cowbells, timpani, gong and chimes. Beyond instrument additions, the band kept in stride with the progressive rock movement by continuing to compose long, conceptual songs with science fiction and fantasy overtones. However, as the new decade approached, Rush gradually began to dispose of their older styles of music in favor of shorter, and sometimes softer, arrangements. The lyrics up to this point (most of them written by Peart) were heavily influenced by classical poetry, fantasy literature, science fiction, and the writings of novelist Ayn Rand, as exhibited most prominently by their 1975 song "Anthem" from Fly By Night and a specifically acknowledged derivation in 1976's 2112.[22]

    Permanent Waves (1980) dramatically shifted Rush's style of music via the introduction of reggae and new wave elements.[23] Although a hard rock style was still evident, more and more synthesizers were introduced. Moreover, because of the limited airplay Rush's previous extended-length songs received, Permanent Waves included shorter, more radio-friendly songs such as "The Spirit of Radio" and "Freewill", two songs which helped Permanent Waves become Rush's first U.S. Top 5 album; both songs continue to make appearances on classic rock radio stations in Canada and the United States to this day.[24] Meanwhile, Peart's lyrics shifted toward an expository tone with subject matter that dwelled less on fantastical or allegorical story-telling and more heavily on topics that explored humanistic, social and emotional elements. Rush joined with fellow Toronto-based rock band Max Webster on July 28, 1980 to record "Battle Scar" for their 1980 release, Universal Juveniles.[25] While on tour together following the release, both bands would join between sets to play "Battle Scar". The song acted as both a transition from Max Webster to Rush, as well as a warm-up for Peart. In addition, Max Webster lyricist Pye Dubois offered the band lyrics to a song he had written. The band accepted; the song went on, after reworking by Peart, to become "Tom Sawyer".[25]

    "Tom Sawyer" (1981)

    Sample of "Tom Sawyer" from the album Moving Pictures. This is the band's best known song with heaviest radio airplay.

    --------------------------------------------------------------------------------

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    Rush's popularity reached its pinnacle with the release of Moving Pictures in 1981. Moving Pictures essentially continued where Permanent Waves left off, extending the trend of highly accessible and commercially friendly progressive rock that helped thrust them into the spotlight. The lead track, "Tom Sawyer", is probably the band's best-known song[26] with "Limelight" also receiving satisfactory responses from listeners and radio stations. Moving Pictures was Rush's last album to feature an extended song, the eleven-minute "The Camera Eye". The song also contained the band's heaviest usage of synthesizers up to that point, hinting that Rush's music was shifting direction once more. Moving Pictures reached #3 on the Billboard 200 album chart and has been certified quadruple platinum by the Recording Industry Association of America.[27]

    Following the success of Moving Pictures and the completion of another four studio albums, Rush released their second live recording, Exit...Stage Left, in 1981. The album delineates the apex of Rush's progressive period by featuring live material from the band's Permanent Waves and Moving Pictures tours. As with their first live release, Exit...Stage Left identified the margin of a new chapter of Rush's sound.

    [edit] The synthesizer period (1982–1989)
    The OBX synthesizer used by Geddy Lee on the album Signals (1982).The band underwent another radical stylistic transmutation with the release of Signals in 1982.[28]

    While Lee's synthesizers had been featured instruments ever since the late 70s, keyboards were suddenly shifted from the contrapuntal background to the melodic front-lines[29][30] in songs like "Countdown" and the lead-off track "Subdivisions". Both feature prominent lead synthesizer lines with minimalistic guitar chords and solos. Other previously unused instrument additions were seen in the song "Losing It," featuring collaborator Ben Mink on electric violin.[28]

    "Subdivisions" (1982)

    Sample of "Subdivisions" from the album Signals. This song is notable for demonstrating the band's foray into their synthesizer period.

    --------------------------------------------------------------------------------

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    Signals also represented a drastic stylistic transformation apart from instrumental changes. The album contained Rush's only U.S. top-40 pop hit, "New World Man",[31] while other more experimental songs such as "Digital Man", "The Weapon", and "Chemistry" expanded the band's use of ska, reggae, and funk.[32] Although the band members consciously decided to move in this overall direction, they felt dissatisfied with long-time producer Terry Brown's studio treatment of Signals and parted ways with him in 1983. These diverse styles would come into further play on their next studio album.


    Neil Peart began incorporating Simmons Electronic Drums beginning with 1984's Grace Under PressureThe style and production of Signals were augmented and taken to new heights on 1984's Grace Under Pressure. It was Peart who named the album, as he borrowed the words of Ernest Hemingway to describe what the band had to go through after making the decision to leave Terry Brown. Producer Steve Lillywhite, who gleaned fame with successful productions of Simple Minds and U2, was enlisted to produce Grace Under Pressure. However, he backed out at the last moment, much to the ire of Lee, Lifeson and Peart. Lee said "Steve Lillywhite is really not a man of his word....after agreeing to do our record, he got an offer from Simple Minds, changed his mind, blew us off,..so it put us in a horrible position." Rush eventually hired Peter Henderson to co-produce and engineer the album in his stead.[33]

    Musically, although Lee's use of sequencers and synthesizers remained the band's cornerstone, his focus on new technology was complemented by Peart's adaptation of Simmons electronic drums and percussion. Lifeson's contributions on the album were decidedly enhanced to act as an overreaction to the minimalistic role he played on Signals.[34] Still, many of his trademark guitar textures remained intact in the form of open reggae chords and funk and new-wave rhythms.

    With new producer Peter Collins, the band released 1985's Power Windows and 1987's Hold Your Fire. The music on these two albums gives far more emphasis and prominence to Lee's multi-layered synthesizer work. While fans and critics took notice of Lifeson's diminished guitar work, his presence was still palpable. Lifeson, like many guitarists in the late 1980s, experimented with processors that reduced his instrument to echoey chord bursts and razor-thin leads. Hold Your Fire represents both a modest extension of the guitar stylings found on Power Windows, and, according to Allmusic critic Eduardo Rivadavia, the culmination of this era of Rush.[35] Whereas the previous five Rush albums sold platinum or better, Hold Your Fire only went gold in November 1987, although it managed to peak at number 13 on the Billboard 200.[36]

    A third live album and video, A Show of Hands (1989), was also released by Mercury following the Power Windows and Hold Your Fire tours, demonstrating the aspects of Rush in the '80s. A Show of Hands met with strong fan approval, but Rolling Stone critic Michael Azerrad dismissed it as "musical muscle" with 1.5 stars, claiming Rush fans viewed their favourite power trio as "the holy trinity".[37] Nevertheless, A Show of Hands managed to surpass the gold album mark, reaching number 21 on the Billboard 200.[38] At this point, the group decided to change record labels from Mercury to Atlantic. After Rush's departure in 1989, Mercury released a double platinum two-volume compilation of their Rush catalogue, Chronicles (1990).[39]

    [edit] Returning to their roots (1989–1997) "Dreamline" (1991)

    Sample of "Dreamline" from the album Roll the Bones. This song is notable for demonstrating the band's return to a more standard three piece instrument style, where synthesizers are used more sparingly and the guitar returning to the forefront of the sound.

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    Rush started to deviate from their 1980s style with the albums Presto and Roll the Bones. Produced by record engineer and musician Rupert Hine, these two albums saw Rush shedding much of their keyboard-saturated sound. Beginning with 1989's Presto, the band opted for arrangements that were notably more guitar-centric than the previous two studio albums. Although synthesizers were still used in many songs, the instrument was no longer featured as the centerpiece of Rush's compositions. Continuing this trend, 1991's Roll the Bones extended the use of the standard three-instrument approach with even less focus on synthesizers than its predecessor. While musically these albums do not deviate significantly from a general pop-rock sound, Rush incorporated traces of other musical styles. "Roll the Bones", for instance, exhibits funk and hip hop elements, and the instrumental track "Where's My Thing?" features several jazz components.[40] This return to three-piece instrumentation helped pave the way for future albums in the mid-90s, which would adopt a more straightforward rock formula.

    The transition from synthesizers to more guitar-oriented and organic instrumentation continued with the 1993 album Counterparts[41] and its follow-up, 1996's Test for Echo, again both produced in collaboration with Peter Collins. Musically, Counterparts[41] and Test For Echo are two of Rush's most guitar-driven albums. Although the music in general did not meet the criteria for progressive rock, some songs adopted a dynamic format.[42] For instance, "Time and Motion" possesses multiple time signature changes and organ usage, while the instrumental track "Limbo", consists of multiple musical passages. Musically, Test For Echo still retained much of the hard rock/alternative style already charted on the previous record with Lifeson and Lee's playing remaining more or less unchanged; however, a distinct modification in technique became apparent in Peart's playing from his jazz and swing training under the tutelage of jazz instructor Freddie Gruber during the interim between Counterparts and Test For Echo.[43] In October 1996, in support of Test For Echo, the band embarked on a North American tour, the band's first without an opening act and dubbed "An Evening with Rush". The tour was broken up into two segments spanning October through December 1996 and May through July 1997 with the band taking a respite between tour legs.

    [edit] Hiatus and comeback (1997–2005)After wrapping up the tour promoting Test for Echo in 1997, the band entered a five-year hiatus mainly because of personal tragedies in Peart's life. Peart's daughter Selena died in an automobile accident in August 1997, followed by his wife Jacqueline's death from cancer in June 1998. Peart took a hiatus to mourn and reflect, during which time he traveled extensively throughout North America on his BMW motorcycle, covering 88,000 km (55,000 miles). At some point in his journey, Peart decided to return to the band. Peart wrote Ghost Rider: Travels on the Healing Road as a chronicle of his geographical and emotional journey. In this book he writes of how he had told his bandmates at Selena's funeral, "consider me retired."[44] On November 10, 1998 a triple CD live album entitled Different Stages was released, dedicated to the memory of Selena and Jacqueline. Mixed by producer Paul Northfield and engineered by Terry Brown, it contained three discs packed with recorded performances from the band's Counterparts, Test For Echo, and A Farewell to Kings tours, marking the fourth officially released live album by the band.

    "One Little Victory" (2002)

    Sample of "One Little Victory" from the album Vapor Trails. This song's rapid tempo and heavy double bass drumming was done intentionally in order to herald the comeback of the band after their hiatus.

    --------------------------------------------------------------------------------

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    After a time to grieve and reassemble the pieces of his life, and while visiting long-time Rush photographer Andrew MacNaughtan in Los Angeles, Peart was introduced to his future wife, photographer Carrie Nuttall. Peart married Nuttall on September 9, 2000. In early 2001 he announced to his band mates that he was ready to once again enter the studio and get back into the business of making music. With the help of producer Paul Northfield the band returned in May 2002 with Vapor Trails, written and recorded in Toronto. To herald the band's comeback, the single and lead track from the album, "One Little Victory" was designed to grab the attention of listeners with its rapid guitar and drum tempos.[45] Vapor Trails marked the first studio recording not to include a single synthesizer, organ or keyboard part since the early 1970s. While the album is almost completely guitar-driven, it is mostly devoid of any conventional sounding guitar solos, a conscious decision made by Lifeson during the writing process. According to the band, the entire developmental process for Vapor Trails was extremely taxing and took approximately 14 months to finish, by far the longest the band had ever spent writing and recording a studio album.[45] The album was supported by the band's first tour in six years, including first-ever concerts in Mexico City and Brazil, where they played to some of the largest crowds of their career.

    A triple CD live album and dual Rush in Rio DVD was released in late October 2003 featuring an entire concert performance recorded on the last night of their Vapor Trails Tour, November 23, 2002, at Maracanã Stadium in Rio de Janeiro, Brazil. To celebrate their 30th anniversary, June 2004 saw the release of Feedback, a studio EP recorded in suburban Toronto featuring eight covers of such artists as Cream, The Who and The Yardbirds, bands that the members of Rush cite as inspiration around the time of their inception.[46] Also in the summer of 2004, Rush hit the road again for their 30th Anniversary Tour, playing dates in the United States, Canada, the United Kingdom, Germany, Italy, Sweden, the Czech Republic, and the Netherlands. On September 24, 2004 a Frankfurt, Germany concert was recorded at The Festhalle for DVD (titled R30: Live in Frankfurt), which was released November 22, 2005; a complete version of the R30 Frankfurt set (the original DVD release omitted eight songs) was released on Blu-ray on December 8, 2009.[47]

    [edit] Snakes & Arrows (2006–2009)Main articles: Snakes & Arrows and Snakes & Arrows Tour
    During promotional interviews for the R30 Live In Frankfurt DVD, the band revealed their intention to begin writing new material in early 2006. While in Toronto, Lifeson and Lee began the songwriting process in January 2006. During this time, Peart simultaneously assumed his role of lyric writing while residing in Southern California. The following September, Rush chose to hire American producer Nick Raskulinecz to co-produce the album. The band officially entered Allaire Studios, in Shokan, New York in November 2006 in order to record the bulk of the material. Taking the band five weeks, the sessions ended in December. On February 14, 2007, an announcement was made on the official Rush web site that the title of the new album would be Snakes & Arrows. The first single, entitled "Far Cry", was released to North American radio stations on March 12, 2007 and reached #2 on the Mediabase Mainstream and Radio and Records Charts.[48]

    "Far Cry" (2007)

    Sample of "Far Cry", first single from the album Snakes & Arrows.

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    The Rush website, newly redesigned on March 12 to support the new album, also announced that the band would embark on a tour to begin in the summer. Snakes & Arrows was released May 1, 2007 in North America, where it debuted at #3 in the Billboard 200 with approximately 93,000 units sold in its first week.[49] It would go on to sell an estimated 611,000 copies worldwide. To coincide with the Atlantic ocean hurricane season, "Spindrift" was released as the official second radio single on June 1, 2007, whereas "The Larger Bowl (A Pantoum)" saw single status on June 25, 2007. "The Larger Bowl" positioned within the top 20 of the Mainstream Rock and Media Base Mainstream charts, however, "Spindrift" failed to appear on any commercial chart.[50] The planned intercontinental tour in support of Snakes & Arrows began on June 13, 2007 in Atlanta, Georgia, coming to a close on October 29, 2007 at Hartwall Arena in Helsinki, Finland.[51]

    The 2008 portion of the tour started on April 11, 2008 in San Juan, Puerto Rico at José Miguel Agrelot Coliseum and culminated on July 24, 2008 in Noblesville, Indiana at the Verizon Wireless Music Center.[52] On April 15, the band released Snakes & Arrows Live, a double live album documenting the first leg of the tour.[53] Those same performances featured on Snakes & Arrows Live filmed at the Ahoy arena in Rotterdam, Netherlands on October 16 and 17 of 2007 were released November 24 as a DVD and Blu-Ray set. The video also includes footage from the 2008 portion of the tour, recorded at Verizon Wireless Amphitheater in Atlanta.[54][55][56]

    As the band neared the conclusion of their Snakes & Arrows tour, they announced their first appearance on American television in over 30 years. Rush was interviewed by Stephen Colbert and they performed "Tom Sawyer" on The Colbert Report on July 16, 2008.[57] Continuing to ride what one movie reviewer has called a "pop cultural wave," they also appeared at a live show in April 2009 for the comedy film I Love You, Man.[58]

    [edit] Clockwork Angels and Time Machine Tour (2009–present)On February 16, 2009, Lifeson remarked that the band may begin working on a new album in the Fall 2009 with Nick Raskulinecz once again producing.[59] On March 19, 2010, the CBC posted a video interview with Lee and Lifeson where they discussed Rush's induction into the Canadian Songwriters Hall of Fame on March 28, 2010 at the Toronto Centre for the Arts' George Weston Recital Hall. The band was recognized for the songs "Limelight", "Closer to the Heart", "The Spirit of Radio", "Tom Sawyer" and "Subdivisions". In addition to discussing their induction, Lee and Lifeson touched on future material. During the interview, Lee was quoted as saying "... Just about a month and a half ago we had no songs. And now we've been writing and now we've got about 6 songs that we just love...".[60] On March 26, 2010, in an interview with The Globe and Mail, Lifeson reconfirmed that the band had already written a half-dozen songs and that there was the potential for two supporting tours, one planned for Summer 2010 and a more extensive tour planned for Summer 2011. While still uncertain of exactly how and when the new material would be released, he projected a tentative Spring 2011 release date.[61] Soon after, Peart confirmed that American producer Nick Raskulinecz had returned as co-producer.[62]

    On April 8, 2010 both the official Rush website and PR Newswire announced that the band would embark on the Rush Time Machine Tour. The first leg of the tour began on June 29 in Albuquerque, New Mexico and finished October 17 in Santiago, Chile at the National stadium. It featured the album Moving Pictures played in its entirety, as well as the single "Caravan" and its B-side "BU2B". These songs will be featured on the band's upcoming studio album, Clockwork Angels.[63] The "Caravan" single was announced May 25, 2010 and was released June 1 to radio stations and made available for digital download.[64] It was suggested that Rush would return to the studio after the completion of the Time Machine Tour with plans to release Clockwork Angels in 2011.[65] However, Rush confirmed on November 19, 2010 that they will be extending the Time Machine Tour for a second leg. They are scheduled to play Europe in spring 2011 and return to North America for dates between March and July.[66]

    On April 24, 2010, the documentary Rush: Beyond the Lighted Stage directed by Sam Dunn premiered at the Tribeca Film Festival. It went on to receive the Tribeca Film Festival Audience Award.[67] The band's music was featured in the 2010 documentary Jews and Baseball: An American Love Story, narrated by Academy Award winner Dustin Hoffman.[68][69]

    On June 25, 2010, Rush received a star on the Hollywood Walk of Fame, located at 6752 Hollywood Boulevard. Critical acclaim continued to mount for Rush in 2010 when, on September 28, Classic Rock magazine announced Rush would be this year's Living Legends awarded at the Marshall Classic Rock Roll of Honour Awards in the UK.[70] The award was presented November 10, 2010. On September 29, Billboard.com announced that Rush would also receive the 2010 Legends of Live award for significant and lasting contributions to live music and the art of performing live and reaching fans through the concert experience.[71] The award was presented at the Billboard Touring Awards on November 4, 2010.

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    2 hours 21 minutes ago

    31 views
    shout out to my Brother @AlanSmithHoUsToNiAn nigga i USE GUCCI tooo
    your NOT the only one
    kakakakakakkakakaka
    ice swaggg babe !!!!!!!
    ayooo
    @smartass
    @Lyndsie_Fischer

    AlanSmithHoUsToNiAn

    #1

    Reply

    WORD UP NIGGA

    2 hours 20 minutes ago
    Lindseyluvsu

    #2

    Reply

    yourr sew cute jonathan i luv youu

    2 hours 18 minutes ago
    JonathanSwagga

    #3

    Reply

    @AlanSmithHoUsToNiAn you know how we do it

    @Lindseyluvsu luv u babe

    2 hours 15 minutes ago
    AlanSmithHoUsToNiAn

    #4

    Reply

    fasho

    2 hours 14 minutes ago
    JonathanSwagga

    #5

    Reply

    o.O @AlanSmithHoUsToNiAn

    2 hours 12 minutes ago
    Lindseyluvsu

    #6

    Reply

    @JonathanSwagga <3
    @AlanSmithHoUsToNiAn <3

    1 hour 17 minutes ago
    JonathanSwagga

    #7

    Reply

    @Lindseyluvsu kakakkaa i luv u too my special girl

    1 hour 16 minutes ago
    AlanSmithHoUsToNiAn

    #8

    Reply

    @Lindseyluvsu i ruvvv uuu

    1 hour 8 minutes ago
    Lindseyluvsu

    #9

    Reply

    @AlanSmithHoUsToNiAn i ruvvv tooooo

    22 minutes 44 seconds ago

    Snap a picture comment Upload a picture comment

    9

    booths
    10

    followers
    11

    following

    Jonathan is a 18 year old male from United States.

    Picture #9

    2 hours 21 minutes ago
    Picture #8

    1 day 20 hours ago
    Picture #7

    1 day 22 hours ago
    Picture #6

    1 day 23 hours ago
    Picture #5

    1 day 23 hours ago

    Following them

    10

    Neeners91
    blueeyezcutie
    Lindseyluvsu
    Adri24
    JenniferRita
    AlanSmithHoUsToNiAn
    tae_gooh
    JustWant2MakeUsmile

    They're following

    11

    blueeyezcutie
    Lindseyluvsu
    lalalovergirl
    Adri24
    BethJoye
    smartass
    JenniferRita
    AlanSmithHoUsToNiAn

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    2 hours 21 minutes ago

    31 views
    shout out to my Brother @AlanSmithHoUsToNiAn nigga i USE GUCCI tooo
    your NOT the only one
    kakakakakakkakakaka
    ice swaggg babe !!!!!!!
    ayooo
    @smartass
    @Lyndsie_Fischer

    AlanSmithHoUsToNiAn

    #1

    Reply

    WORD UP NIGGA

    2 hours 20 minutes ago
    Lindseyluvsu

    #2

    Reply

    yourr sew cute jonathan i luv youu

    2 hours 18 minutes ago
    JonathanSwagga

    #3

    Reply

    @AlanSmithHoUsToNiAn you know how we do it

    @Lindseyluvsu luv u babe

    2 hours 15 minutes ago
    AlanSmithHoUsToNiAn

    #4

    Reply

    fasho

    2 hours 14 minutes ago
    JonathanSwagga

    #5

    Reply

    o.O @AlanSmithHoUsToNiAn

    2 hours 12 minutes ago
    Lindseyluvsu

    #6

    Reply

    @JonathanSwagga <3
    @AlanSmithHoUsToNiAn <3

    1 hour 17 minutes ago
    JonathanSwagga

    #7

    Reply

    @Lindseyluvsu kakakkaa i luv u too my special girl

    1 hour 16 minutes ago
    AlanSmithHoUsToNiAn

    #8

    Reply

    @Lindseyluvsu i ruvvv uuu

    1 hour 8 minutes ago
    Lindseyluvsu

    #9

    Reply

    @AlanSmithHoUsToNiAn i ruvvv tooooo

    22 minutes 44 seconds ago

    Snap a picture comment Upload a picture comment

    9

    booths
    10

    followers
    11

    following

    Jonathan is a 18 year old male from United States.

    Picture #9

    2 hours 21 minutes ago
    Picture #8

    1 day 20 hours ago
    Picture #7

    1 day 22 hours ago
    Picture #6

    1 day 23 hours ago
    Picture #5

    1 day 23 hours ago

    Following them

    10

    Neeners91
    blueeyezcutie
    Lindseyluvsu
    Adri24
    JenniferRita
    AlanSmithHoUsToNiAn
    tae_gooh
    JustWant2MakeUsmile

    They're following

    11

    blueeyezcutie
    Lindseyluvsu
    lalalovergirl
    Adri24
    BethJoye
    smartass
    JenniferRita
    AlanSmithHoUsToNiAn

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    2 hours 21 minutes ago

    31 views
    shout out to my Brother @AlanSmithHoUsToNiAn nigga i USE GUCCI tooo
    your NOT the only one
    kakakakakakkakakaka
    ice swaggg babe !!!!!!!
    ayooo
    @smartass
    @Lyndsie_Fischer

    AlanSmithHoUsToNiAn

    #1

    Reply

    WORD UP NIGGA

    2 hours 20 minutes ago
    Lindseyluvsu

    #2

    Reply

    yourr sew cute jonathan i luv youu

    2 hours 18 minutes ago
    JonathanSwagga

    #3

    Reply

    @AlanSmithHoUsToNiAn you know how we do it

    @Lindseyluvsu luv u babe

    2 hours 15 minutes ago
    AlanSmithHoUsToNiAn

    #4

    Reply

    fasho

    2 hours 14 minutes ago
    JonathanSwagga

    #5

    Reply

    o.O @AlanSmithHoUsToNiAn

    2 hours 12 minutes ago
    Lindseyluvsu

    #6

    Reply

    @JonathanSwagga <3
    @AlanSmithHoUsToNiAn <3

    1 hour 17 minutes ago
    JonathanSwagga

    #7

    Reply

    @Lindseyluvsu kakakkaa i luv u too my special girl

    1 hour 16 minutes ago
    AlanSmithHoUsToNiAn

    #8

    Reply

    @Lindseyluvsu i ruvvv uuu

    1 hour 8 minutes ago
    Lindseyluvsu

    #9

    Reply

    @AlanSmithHoUsToNiAn i ruvvv tooooo

    22 minutes 44 seconds ago

    Snap a picture comment Upload a picture comment

    9

    booths
    10

    followers
    11

    following

    Jonathan is a 18 year old male from United States.

    Picture #9

    2 hours 21 minutes ago
    Picture #8

    1 day 20 hours ago
    Picture #7

    1 day 22 hours ago
    Picture #6

    1 day 23 hours ago
    Picture #5

    1 day 23 hours ago

    Following them

    10

    Neeners91
    blueeyezcutie
    Lindseyluvsu
    Adri24
    JenniferRita
    AlanSmithHoUsToNiAn
    tae_gooh
    JustWant2MakeUsmile

    They're following

    11

    blueeyezcutie
    Lindseyluvsu
    lalalovergirl
    Adri24
    BethJoye
    smartass
    JenniferRita
    AlanSmithHoUsToNiAn

    Find your Facebook friends

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    2 hours 21 minutes ago

    31 views
    shout out to my Brother @AlanSmithHoUsToNiAn nigga i USE GUCCI tooo
    your NOT the only one
    kakakakakakkakakaka
    ice swaggg babe !!!!!!!
    ayooo
    @smartass
    @Lyndsie_Fischer

    AlanSmithHoUsToNiAn

    #1

    Reply

    WORD UP NIGGA

    2 hours 20 minutes ago
    Lindseyluvsu

    #2

    Reply

    yourr sew cute jonathan i luv youu

    2 hours 18 minutes ago
    JonathanSwagga

    #3

    Reply

    @AlanSmithHoUsToNiAn you know how we do it

    @Lindseyluvsu luv u babe

    2 hours 15 minutes ago
    AlanSmithHoUsToNiAn

    #4

    Reply

    fasho

    2 hours 14 minutes ago
    JonathanSwagga

    #5

    Reply

    o.O @AlanSmithHoUsToNiAn

    2 hours 12 minutes ago
    Lindseyluvsu

    #6

    Reply

    @JonathanSwagga <3
    @AlanSmithHoUsToNiAn <3

    1 hour 17 minutes ago
    JonathanSwagga

    #7

    Reply

    @Lindseyluvsu kakakkaa i luv u too my special girl

    1 hour 16 minutes ago
    AlanSmithHoUsToNiAn

    #8

    Reply

    @Lindseyluvsu i ruvvv uuu

    1 hour 8 minutes ago
    Lindseyluvsu

    #9

    Reply

    @AlanSmithHoUsToNiAn i ruvvv tooooo

    22 minutes 44 seconds ago

    Snap a picture comment Upload a picture comment

    9

    booths
    10

    followers
    11

    following

    Jonathan is a 18 year old male from United States.

    Picture #9

    2 hours 21 minutes ago
    Picture #8

    1 day 20 hours ago
    Picture #7

    1 day 22 hours ago
    Picture #6

    1 day 23 hours ago
    Picture #5

    1 day 23 hours ago

    Following them

    10

    Neeners91
    blueeyezcutie
    Lindseyluvsu
    Adri24
    JenniferRita
    AlanSmithHoUsToNiAn
    tae_gooh
    JustWant2MakeUsmile

    They're following

    11

    blueeyezcutie
    Lindseyluvsu
    lalalovergirl
    Adri24
    BethJoye
    smartass
    JenniferRita
    AlanSmithHoUsToNiAn

    Find your Facebook friends

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    © DailyBooth, Inc.

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    JonathanSwagga
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    2 hours 21 minutes ago

    31 views
    shout out to my Brother @AlanSmithHoUsToNiAn nigga i USE GUCCI tooo
    your NOT the only one
    kakakakakakkakakaka
    ice swaggg babe !!!!!!!
    ayooo
    @smartass
    @Lyndsie_Fischer

    AlanSmithHoUsToNiAn

    #1

    Reply

    WORD UP NIGGA

    2 hours 20 minutes ago
    Lindseyluvsu

    #2

    Reply

    yourr sew cute jonathan i luv youu

    2 hours 18 minutes ago
    JonathanSwagga

    #3

    Reply

    @AlanSmithHoUsToNiAn you know how we do it

    @Lindseyluvsu luv u babe

    2 hours 15 minutes ago
    AlanSmithHoUsToNiAn

    #4

    Reply

    fasho

    2 hours 14 minutes ago
    JonathanSwagga

    #5

    Reply

    o.O @AlanSmithHoUsToNiAn

    2 hours 12 minutes ago
    Lindseyluvsu

    #6

    Reply

    @JonathanSwagga <3
    @AlanSmithHoUsToNiAn <3

    1 hour 17 minutes ago
    JonathanSwagga

    #7

    Reply

    @Lindseyluvsu kakakkaa i luv u too my special girl

    1 hour 16 minutes ago
    AlanSmithHoUsToNiAn

    #8

    Reply

    @Lindseyluvsu i ruvvv uuu

    1 hour 8 minutes ago
    Lindseyluvsu

    #9

    Reply

    @AlanSmithHoUsToNiAn i ruvvv tooooo

    22 minutes 44 seconds ago

    Snap a picture comment Upload a picture comment

    9

    booths
    10

    followers
    11

    following

    Jonathan is a 18 year old male from United States.

    Picture #9

    2 hours 21 minutes ago
    Picture #8

    1 day 20 hours ago
    Picture #7

    1 day 22 hours ago
    Picture #6

    1 day 23 hours ago
    Picture #5

    1 day 23 hours ago

    Following them

    10

    Neeners91
    blueeyezcutie
    Lindseyluvsu
    Adri24
    JenniferRita
    AlanSmithHoUsToNiAn
    tae_gooh
    JustWant2MakeUsmile

    They're following

    11

    blueeyezcutie
    Lindseyluvsu
    lalalovergirl
    Adri24
    BethJoye
    smartass
    JenniferRita
    AlanSmithHoUsToNiAn

    Find your Facebook friends

    Connect to Facebook to find friends and share booths.
    © DailyBooth, Inc.

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    JonathanSwagga
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    2 hours 21 minutes ago

    31 views
    shout out to my Brother @AlanSmithHoUsToNiAn nigga i USE GUCCI tooo
    your NOT the only one
    kakakakakakkakakaka
    ice swaggg babe !!!!!!!
    ayooo
    @smartass
    @Lyndsie_Fischer

    AlanSmithHoUsToNiAn

    #1

    Reply

    WORD UP NIGGA

    2 hours 20 minutes ago
    Lindseyluvsu

    #2

    Reply

    yourr sew cute jonathan i luv youu

    2 hours 18 minutes ago
    JonathanSwagga

    #3

    Reply

    @AlanSmithHoUsToNiAn you know how we do it

    @Lindseyluvsu luv u babe

    2 hours 15 minutes ago
    AlanSmithHoUsToNiAn

    #4

    Reply

    fasho

    2 hours 14 minutes ago
    JonathanSwagga

    #5

    Reply

    o.O @AlanSmithHoUsToNiAn

    2 hours 12 minutes ago
    Lindseyluvsu

    #6

    Reply

    @JonathanSwagga <3
    @AlanSmithHoUsToNiAn <3

    1 hour 17 minutes ago
    JonathanSwagga

    #7

    Reply

    @Lindseyluvsu kakakkaa i luv u too my special girl

    1 hour 16 minutes ago
    AlanSmithHoUsToNiAn

    #8

    Reply

    @Lindseyluvsu i ruvvv uuu

    1 hour 8 minutes ago
    Lindseyluvsu

    #9

    Reply

    @AlanSmithHoUsToNiAn i ruvvv tooooo

    22 minutes 44 seconds ago

    Snap a picture comment Upload a picture comment

    9

    booths
    10

    followers
    11

    following

    Jonathan is a 18 year old male from United States.

    Picture #9

    2 hours 21 minutes ago
    Picture #8

    1 day 20 hours ago
    Picture #7

    1 day 22 hours ago
    Picture #6

    1 day 23 hours ago
    Picture #5

    1 day 23 hours ago

    Following them

    10

    Neeners91
    blueeyezcutie
    Lindseyluvsu
    Adri24
    JenniferRita
    AlanSmithHoUsToNiAn
    tae_gooh
    JustWant2MakeUsmile

    They're following

    11

    blueeyezcutie
    Lindseyluvsu
    lalalovergirl
    Adri24
    BethJoye
    smartass
    JenniferRita
    AlanSmithHoUsToNiAn

    Find your Facebook friends

    Connect to Facebook to find friends and share booths.
    © DailyBooth, Inc.

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    JonathanSwagga
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    2 hours 21 minutes ago

    31 views
    shout out to my Brother @AlanSmithHoUsToNiAn nigga i USE GUCCI tooo
    your NOT the only one
    kakakakakakkakakaka
    ice swaggg babe !!!!!!!
    ayooo
    @smartass
    @Lyndsie_Fischer

    AlanSmithHoUsToNiAn

    #1

    Reply

    WORD UP NIGGA

    2 hours 20 minutes ago
    Lindseyluvsu

    #2

    Reply

    yourr sew cute jonathan i luv youu

    2 hours 18 minutes ago
    JonathanSwagga

    #3

    Reply

    @AlanSmithHoUsToNiAn you know how we do it

    @Lindseyluvsu luv u babe

    2 hours 15 minutes ago
    AlanSmithHoUsToNiAn

    #4

    Reply

    fasho

    2 hours 14 minutes ago
    JonathanSwagga

    #5

    Reply

    o.O @AlanSmithHoUsToNiAn

    2 hours 12 minutes ago
    Lindseyluvsu

    #6

    Reply

    @JonathanSwagga <3
    @AlanSmithHoUsToNiAn <3

    1 hour 17 minutes ago
    JonathanSwagga

    #7

    Reply

    @Lindseyluvsu kakakkaa i luv u too my special girl

    1 hour 16 minutes ago
    AlanSmithHoUsToNiAn

    #8

    Reply

    @Lindseyluvsu i ruvvv uuu

    1 hour 8 minutes ago
    Lindseyluvsu

    #9

    Reply

    @AlanSmithHoUsToNiAn i ruvvv tooooo

    22 minutes 44 seconds ago

    Snap a picture comment Upload a picture comment

    9

    booths
    10

    followers
    11

    following

    Jonathan is a 18 year old male from United States.

    Picture #9

    2 hours 21 minutes ago
    Picture #8

    1 day 20 hours ago
    Picture #7

    1 day 22 hours ago
    Picture #6

    1 day 23 hours ago
    Picture #5

    1 day 23 hours ago

    Following them

    10

    Neeners91
    blueeyezcutie
    Lindseyluvsu
    Adri24
    JenniferRita
    AlanSmithHoUsToNiAn
    tae_gooh
    JustWant2MakeUsmile

    They're following

    11

    blueeyezcutie
    Lindseyluvsu
    lalalovergirl
    Adri24
    BethJoye
    smartass
    JenniferRita
    AlanSmithHoUsToNiAn

    Find your Facebook friends

    Connect to Facebook to find friends and share booths.
    © DailyBooth, Inc.

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    JonathanSwagga
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    2 hours 21 minutes ago

    31 views
    shout out to my Brother @AlanSmithHoUsToNiAn nigga i USE GUCCI tooo
    your NOT the only one
    kakakakakakkakakaka
    ice swaggg babe !!!!!!!
    ayooo
    @smartass
    @Lyndsie_Fischer

    AlanSmithHoUsToNiAn

    #1

    Reply

    WORD UP NIGGA

    2 hours 20 minutes ago
    Lindseyluvsu

    #2

    Reply

    yourr sew cute jonathan i luv youu

    2 hours 18 minutes ago
    JonathanSwagga

    #3

    Reply

    @AlanSmithHoUsToNiAn you know how we do it

    @Lindseyluvsu luv u babe

    2 hours 15 minutes ago
    AlanSmithHoUsToNiAn

    #4

    Reply

    fasho

    2 hours 14 minutes ago
    JonathanSwagga

    #5

    Reply

    o.O @AlanSmithHoUsToNiAn

    2 hours 12 minutes ago
    Lindseyluvsu

    #6

    Reply

    @JonathanSwagga <3
    @AlanSmithHoUsToNiAn <3

    1 hour 17 minutes ago
    JonathanSwagga

    #7

    Reply

    @Lindseyluvsu kakakkaa i luv u too my special girl

    1 hour 16 minutes ago
    AlanSmithHoUsToNiAn

    #8

    Reply

    @Lindseyluvsu i ruvvv uuu

    1 hour 8 minutes ago
    Lindseyluvsu

    #9

    Reply

    @AlanSmithHoUsToNiAn i ruvvv tooooo

    22 minutes 44 seconds ago

    Snap a picture comment Upload a picture comment

    9

    booths
    10

    followers
    11

    following

    Jonathan is a 18 year old male from United States.

    Picture #9

    2 hours 21 minutes ago
    Picture #8

    1 day 20 hours ago
    Picture #7

    1 day 22 hours ago
    Picture #6

    1 day 23 hours ago
    Picture #5

    1 day 23 hours ago

    Following them

    10

    Neeners91
    blueeyezcutie
    Lindseyluvsu
    Adri24
    JenniferRita
    AlanSmithHoUsToNiAn
    tae_gooh
    JustWant2MakeUsmile

    They're following

    11

    blueeyezcutie
    Lindseyluvsu
    lalalovergirl
    Adri24
    BethJoye
    smartass
    JenniferRita
    AlanSmithHoUsToNiAn

    Find your Facebook friends

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    JonathanSwagga
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    2 hours 21 minutes ago

    31 views
    shout out to my Brother @AlanSmithHoUsToNiAn nigga i USE GUCCI tooo
    your NOT the only one
    kakakakakakkakakaka
    ice swaggg babe !!!!!!!
    ayooo
    @smartass
    @Lyndsie_Fischer

    AlanSmithHoUsToNiAn

    #1

    Reply

    WORD UP NIGGA

    2 hours 20 minutes ago
    Lindseyluvsu

    #2

    Reply

    yourr sew cute jonathan i luv youu

    2 hours 18 minutes ago
    JonathanSwagga

    #3

    Reply

    @AlanSmithHoUsToNiAn you know how we do it

    @Lindseyluvsu luv u babe

    2 hours 15 minutes ago
    AlanSmithHoUsToNiAn

    #4

    Reply

    fasho

    2 hours 14 minutes ago
    JonathanSwagga

    #5

    Reply

    o.O @AlanSmithHoUsToNiAn

    2 hours 12 minutes ago
    Lindseyluvsu

    #6

    Reply

    @JonathanSwagga <3
    @AlanSmithHoUsToNiAn <3

    1 hour 17 minutes ago
    JonathanSwagga

    #7

    Reply

    @Lindseyluvsu kakakkaa i luv u too my special girl

    1 hour 16 minutes ago
    AlanSmithHoUsToNiAn

    #8

    Reply

    @Lindseyluvsu i ruvvv uuu

    1 hour 8 minutes ago
    Lindseyluvsu

    #9

    Reply

    @AlanSmithHoUsToNiAn i ruvvv tooooo

    22 minutes 44 seconds ago

    Snap a picture comment Upload a picture comment

    9

    booths
    10

    followers
    11

    following

    Jonathan is a 18 year old male from United States.

    Picture #9

    2 hours 21 minutes ago
    Picture #8

    1 day 20 hours ago
    Picture #7

    1 day 22 hours ago
    Picture #6

    1 day 23 hours ago
    Picture #5

    1 day 23 hours ago

    Following them

    10

    Neeners91
    blueeyezcutie
    Lindseyluvsu
    Adri24
    JenniferRita
    AlanSmithHoUsToNiAn
    tae_gooh
    JustWant2MakeUsmile

    They're following

    11

    blueeyezcutie
    Lindseyluvsu
    lalalovergirl
    Adri24
    BethJoye
    smartass
    JenniferRita
    AlanSmithHoUsToNiAn

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    2 hours 21 minutes ago

    31 views
    shout out to my Brother @AlanSmithHoUsToNiAn nigga i USE GUCCI tooo
    your NOT the only one
    kakakakakakkakakaka
    ice swaggg babe !!!!!!!
    ayooo
    @smartass
    @Lyndsie_Fischer

    AlanSmithHoUsToNiAn

    #1

    Reply

    WORD UP NIGGA

    2 hours 20 minutes ago
    Lindseyluvsu

    #2

    Reply

    yourr sew cute jonathan i luv youu

    2 hours 18 minutes ago
    JonathanSwagga

    #3

    Reply

    @AlanSmithHoUsToNiAn you know how we do it

    @Lindseyluvsu luv u babe

    2 hours 15 minutes ago
    AlanSmithHoUsToNiAn

    #4

    Reply

    fasho

    2 hours 14 minutes ago
    JonathanSwagga

    #5

    Reply

    o.O @AlanSmithHoUsToNiAn

    2 hours 12 minutes ago
    Lindseyluvsu

    #6

    Reply

    @JonathanSwagga <3
    @AlanSmithHoUsToNiAn <3

    1 hour 17 minutes ago
    JonathanSwagga

    #7

    Reply

    @Lindseyluvsu kakakkaa i luv u too my special girl

    1 hour 16 minutes ago
    AlanSmithHoUsToNiAn

    #8

    Reply

    @Lindseyluvsu i ruvvv uuu

    1 hour 8 minutes ago
    Lindseyluvsu

    #9

    Reply

    @AlanSmithHoUsToNiAn i ruvvv tooooo

    22 minutes 44 seconds ago

    Snap a picture comment Upload a picture comment

    9

    booths
    10

    followers
    11

    following

    Jonathan is a 18 year old male from United States.

    Picture #9

    2 hours 21 minutes ago
    Picture #8

    1 day 20 hours ago
    Picture #7

    1 day 22 hours ago
    Picture #6

    1 day 23 hours ago
    Picture #5

    1 day 23 hours ago

    Following them

    10

    Neeners91
    blueeyezcutie
    Lindseyluvsu
    Adri24
    JenniferRita
    AlanSmithHoUsToNiAn
    tae_gooh
    JustWant2MakeUsmile

    They're following

    11

    blueeyezcutie
    Lindseyluvsu
    lalalovergirl
    Adri24
    BethJoye
    smartass
    JenniferRita
    AlanSmithHoUsToNiAn

    Find your Facebook friends

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    2 hours 21 minutes ago

    31 views
    shout out to my Brother @AlanSmithHoUsToNiAn nigga i USE GUCCI tooo
    your NOT the only one
    kakakakakakkakakaka
    ice swaggg babe !!!!!!!
    ayooo
    @smartass
    @Lyndsie_Fischer

    AlanSmithHoUsToNiAn

    #1

    Reply

    WORD UP NIGGA

    2 hours 20 minutes ago
    Lindseyluvsu

    #2

    Reply

    yourr sew cute jonathan i luv youu

    2 hours 18 minutes ago
    JonathanSwagga

    #3

    Reply

    @AlanSmithHoUsToNiAn you know how we do it

    @Lindseyluvsu luv u babe

    2 hours 15 minutes ago
    AlanSmithHoUsToNiAn

    #4

    Reply

    fasho

    2 hours 14 minutes ago
    JonathanSwagga

    #5

    Reply

    o.O @AlanSmithHoUsToNiAn

    2 hours 12 minutes ago
    Lindseyluvsu

    #6

    Reply

    @JonathanSwagga <3
    @AlanSmithHoUsToNiAn <3

    1 hour 17 minutes ago
    JonathanSwagga

    #7

    Reply

    @Lindseyluvsu kakakkaa i luv u too my special girl

    1 hour 16 minutes ago
    AlanSmithHoUsToNiAn

    #8

    Reply

    @Lindseyluvsu i ruvvv uuu

    1 hour 8 minutes ago
    Lindseyluvsu

    #9

    Reply

    @AlanSmithHoUsToNiAn i ruvvv tooooo

    22 minutes 44 seconds ago

    Snap a picture comment Upload a picture comment

    9

    booths
    10

    followers
    11

    following

    Jonathan is a 18 year old male from United States.

    Picture #9

    2 hours 21 minutes ago
    Picture #8

    1 day 20 hours ago
    Picture #7

    1 day 22 hours ago
    Picture #6

    1 day 23 hours ago
    Picture #5

    1 day 23 hours ago

    Following them

    10

    Neeners91
    blueeyezcutie
    Lindseyluvsu
    Adri24
    JenniferRita
    AlanSmithHoUsToNiAn
    tae_gooh
    JustWant2MakeUsmile

    They're following

    11

    blueeyezcutie
    Lindseyluvsu
    lalalovergirl
    Adri24
    BethJoye
    smartass
    JenniferRita
    AlanSmithHoUsToNiAn

    Find your Facebook friends

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    2 hours 21 minutes ago

    31 views
    shout out to my Brother @AlanSmithHoUsToNiAn nigga i USE GUCCI tooo
    your NOT the only one
    kakakakakakkakakaka
    ice swaggg babe !!!!!!!
    ayooo
    @smartass
    @Lyndsie_Fischer

    AlanSmithHoUsToNiAn

    #1

    Reply

    WORD UP NIGGA

    2 hours 20 minutes ago
    Lindseyluvsu

    #2

    Reply

    yourr sew cute jonathan i luv youu

    2 hours 18 minutes ago
    JonathanSwagga

    #3

    Reply

    @AlanSmithHoUsToNiAn you know how we do it

    @Lindseyluvsu luv u babe

    2 hours 15 minutes ago
    AlanSmithHoUsToNiAn

    #4

    Reply

    fasho

    2 hours 14 minutes ago
    JonathanSwagga

    #5

    Reply

    o.O @AlanSmithHoUsToNiAn

    2 hours 12 minutes ago
    Lindseyluvsu

    #6

    Reply

    @JonathanSwagga <3
    @AlanSmithHoUsToNiAn <3

    1 hour 17 minutes ago
    JonathanSwagga

    #7

    Reply

    @Lindseyluvsu kakakkaa i luv u too my special girl

    1 hour 16 minutes ago
    AlanSmithHoUsToNiAn

    #8

    Reply

    @Lindseyluvsu i ruvvv uuu

    1 hour 8 minutes ago
    Lindseyluvsu

    #9

    Reply

    @AlanSmithHoUsToNiAn i ruvvv tooooo

    22 minutes 44 seconds ago

    Snap a picture comment Upload a picture comment

    9

    booths
    10

    followers
    11

    following

    Jonathan is a 18 year old male from United States.

    Picture #9

    2 hours 21 minutes ago
    Picture #8

    1 day 20 hours ago
    Picture #7

    1 day 22 hours ago
    Picture #6

    1 day 23 hours ago
    Picture #5

    1 day 23 hours ago

    Following them

    10

    Neeners91
    blueeyezcutie
    Lindseyluvsu
    Adri24
    JenniferRita
    AlanSmithHoUsToNiAn
    tae_gooh
    JustWant2MakeUsmile

    They're following

    11

    blueeyezcutie
    Lindseyluvsu
    lalalovergirl
    Adri24
    BethJoye
    smartass
    JenniferRita
    AlanSmithHoUsToNiAn

    Find your Facebook friends

    Connect to Facebook to find friends and share booths.
    © DailyBooth, Inc.

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    JonathanSwagga
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    2 hours 21 minutes ago

    31 views
    shout out to my Brother @AlanSmithHoUsToNiAn nigga i USE GUCCI tooo
    your NOT the only one
    kakakakakakkakakaka
    ice swaggg babe !!!!!!!
    ayooo
    @smartass
    @Lyndsie_Fischer

    AlanSmithHoUsToNiAn

    #1

    Reply

    WORD UP NIGGA

    2 hours 20 minutes ago
    Lindseyluvsu

    #2

    Reply

    yourr sew cute jonathan i luv youu

    2 hours 18 minutes ago
    JonathanSwagga

    #3

    Reply

    @AlanSmithHoUsToNiAn you know how we do it

    @Lindseyluvsu luv u babe

    2 hours 15 minutes ago
    AlanSmithHoUsToNiAn

    #4

    Reply

    fasho

    2 hours 14 minutes ago
    JonathanSwagga

    #5

    Reply

    o.O @AlanSmithHoUsToNiAn

    2 hours 12 minutes ago
    Lindseyluvsu

    #6

    Reply

    @JonathanSwagga <3
    @AlanSmithHoUsToNiAn <3

    1 hour 17 minutes ago
    JonathanSwagga

    #7

    Reply

    @Lindseyluvsu kakakkaa i luv u too my special girl

    1 hour 16 minutes ago
    AlanSmithHoUsToNiAn

    #8

    Reply

    @Lindseyluvsu i ruvvv uuu

    1 hour 8 minutes ago
    Lindseyluvsu

    #9

    Reply

    @AlanSmithHoUsToNiAn i ruvvv tooooo

    22 minutes 44 seconds ago

    Snap a picture comment Upload a picture comment

    9

    booths
    10

    followers
    11

    following

    Jonathan is a 18 year old male from United States.

    Picture #9

    2 hours 21 minutes ago
    Picture #8

    1 day 20 hours ago
    Picture #7

    1 day 22 hours ago
    Picture #6

    1 day 23 hours ago
    Picture #5

    1 day 23 hours ago

    Following them

    10

    Neeners91
    blueeyezcutie
    Lindseyluvsu
    Adri24
    JenniferRita
    AlanSmithHoUsToNiAn
    tae_gooh
    JustWant2MakeUsmile

    They're following

    11

    blueeyezcutie
    Lindseyluvsu
    lalalovergirl
    Adri24
    BethJoye
    smartass
    JenniferRita
    AlanSmithHoUsToNiAn

    Find your Facebook friends

    Connect to Facebook to find friends and share booths.
    © DailyBooth, Inc.

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    JonathanSwagga
    Message

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    2 hours 21 minutes ago

    31 views
    shout out to my Brother @AlanSmithHoUsToNiAn nigga i USE GUCCI tooo
    your NOT the only one
    kakakakakakkakakaka
    ice swaggg babe !!!!!!!
    ayooo
    @smartass
    @Lyndsie_Fischer

    AlanSmithHoUsToNiAn

    #1

    Reply

    WORD UP NIGGA

    2 hours 20 minutes ago
    Lindseyluvsu

    #2

    Reply

    yourr sew cute jonathan i luv youu

    2 hours 18 minutes ago
    JonathanSwagga

    #3

    Reply

    @AlanSmithHoUsToNiAn you know how we do it

    @Lindseyluvsu luv u babe

    2 hours 15 minutes ago
    AlanSmithHoUsToNiAn

    #4

    Reply

    fasho

    2 hours 14 minutes ago
    JonathanSwagga

    #5

    Reply

    o.O @AlanSmithHoUsToNiAn

    2 hours 12 minutes ago
    Lindseyluvsu

    #6

    Reply

    @JonathanSwagga <3
    @AlanSmithHoUsToNiAn <3

    1 hour 17 minutes ago
    JonathanSwagga

    #7

    Reply

    @Lindseyluvsu kakakkaa i luv u too my special girl

    1 hour 16 minutes ago
    AlanSmithHoUsToNiAn

    #8

    Reply

    @Lindseyluvsu i ruvvv uuu

    1 hour 8 minutes ago
    Lindseyluvsu

    #9

    Reply

    @AlanSmithHoUsToNiAn i ruvvv tooooo

    22 minutes 44 seconds ago

    Snap a picture comment Upload a picture comment

    9

    booths
    10

    followers
    11

    following

    Jonathan is a 18 year old male from United States.

    Picture #9

    2 hours 21 minutes ago
    Picture #8

    1 day 20 hours ago
    Picture #7

    1 day 22 hours ago
    Picture #6

    1 day 23 hours ago
    Picture #5

    1 day 23 hours ago

    Following them

    10

    Neeners91
    blueeyezcutie
    Lindseyluvsu
    Adri24
    JenniferRita
    AlanSmithHoUsToNiAn
    tae_gooh
    JustWant2MakeUsmile

    They're following

    11

    blueeyezcutie
    Lindseyluvsu
    lalalovergirl
    Adri24
    BethJoye
    smartass
    JenniferRita
    AlanSmithHoUsToNiAn

    Find your Facebook friends

    Connect to Facebook to find friends and share booths.
    © DailyBooth, Inc.

    Go...
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    JonathanSwagga
    Message

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    2 hours 21 minutes ago

    31 views
    shout out to my Brother @AlanSmithHoUsToNiAn nigga i USE GUCCI tooo
    your NOT the only one
    kakakakakakkakakaka
    ice swaggg babe !!!!!!!
    ayooo
    @smartass
    @Lyndsie_Fischer

    AlanSmithHoUsToNiAn

    #1

    Reply

    WORD UP NIGGA

    2 hours 20 minutes ago
    Lindseyluvsu

    #2

    Reply

    yourr sew cute jonathan i luv youu

    2 hours 18 minutes ago
    JonathanSwagga

    #3

    Reply

    @AlanSmithHoUsToNiAn you know how we do it

    @Lindseyluvsu luv u babe

    2 hours 15 minutes ago
    AlanSmithHoUsToNiAn

    #4

    Reply

    fasho

    2 hours 14 minutes ago
    JonathanSwagga

    #5

    Reply

    o.O @AlanSmithHoUsToNiAn

    2 hours 12 minutes ago
    Lindseyluvsu

    #6

    Reply

    @JonathanSwagga <3
    @AlanSmithHoUsToNiAn <3

    1 hour 17 minutes ago
    JonathanSwagga

    #7

    Reply

    @Lindseyluvsu kakakkaa i luv u too my special girl

    1 hour 16 minutes ago
    AlanSmithHoUsToNiAn

    #8

    Reply

    @Lindseyluvsu i ruvvv uuu

    1 hour 8 minutes ago
    Lindseyluvsu

    #9

    Reply

    @AlanSmithHoUsToNiAn i ruvvv tooooo

    22 minutes 44 seconds ago

    Snap a picture comment Upload a picture comment

    9

    booths
    10

    followers
    11

    following

    Jonathan is a 18 year old male from United States.

    Picture #9

    2 hours 21 minutes ago
    Picture #8

    1 day 20 hours ago
    Picture #7

    1 day 22 hours ago
    Picture #6

    1 day 23 hours ago
    Picture #5

    1 day 23 hours ago

    Following them

    10

    Neeners91
    blueeyezcutie
    Lindseyluvsu
    Adri24
    JenniferRita
    AlanSmithHoUsToNiAn
    tae_gooh
    JustWant2MakeUsmile

    They're following

    11

    blueeyezcutie
    Lindseyluvsu
    lalalovergirl
    Adri24
    BethJoye
    smartass
    JenniferRita
    AlanSmithHoUsToNiAn

    Find your Facebook friends

    Connect to Facebook to find friends and share booths.
    © DailyBooth, Inc.

    Go...
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    JonathanSwagga
    Message

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    2 hours 21 minutes ago

    31 views
    shout out to my Brother @AlanSmithHoUsToNiAn nigga i USE GUCCI tooo
    your NOT the only one
    kakakakakakkakakaka
    ice swaggg babe !!!!!!!
    ayooo
    @smartass
    @Lyndsie_Fischer

    AlanSmithHoUsToNiAn

    #1

    Reply

    WORD UP NIGGA

    2 hours 20 minutes ago
    Lindseyluvsu

    #2

    Reply

    yourr sew cute jonathan i luv youu

    2 hours 18 minutes ago
    JonathanSwagga

    #3

    Reply

    @AlanSmithHoUsToNiAn you know how we do it

    @Lindseyluvsu luv u babe

    2 hours 15 minutes ago
    AlanSmithHoUsToNiAn

    #4

    Reply

    fasho

    2 hours 14 minutes ago
    JonathanSwagga

    #5

    Reply

    o.O @AlanSmithHoUsToNiAn

    2 hours 12 minutes ago
    Lindseyluvsu

    #6

    Reply

    @JonathanSwagga <3
    @AlanSmithHoUsToNiAn <3

    1 hour 17 minutes ago
    JonathanSwagga

    #7

    Reply

    @Lindseyluvsu kakakkaa i luv u too my special girl

    1 hour 16 minutes ago
    AlanSmithHoUsToNiAn

    #8

    Reply

    @Lindseyluvsu i ruvvv uuu

    1 hour 8 minutes ago
    Lindseyluvsu

    #9

    Reply

    @AlanSmithHoUsToNiAn i ruvvv tooooo

    22 minutes 44 seconds ago

    Snap a picture comment Upload a picture comment

    9

    booths
    10

    followers
    11

    following

    Jonathan is a 18 year old male from United States.

    Picture #9

    2 hours 21 minutes ago
    Picture #8

    1 day 20 hours ago
    Picture #7

    1 day 22 hours ago
    Picture #6

    1 day 23 hours ago
    Picture #5

    1 day 23 hours ago

    Following them

    10

    Neeners91
    blueeyezcutie
    Lindseyluvsu
    Adri24
    JenniferRita
    AlanSmithHoUsToNiAn
    tae_gooh
    JustWant2MakeUsmile

    They're following

    11

    blueeyezcutie
    Lindseyluvsu
    lalalovergirl
    Adri24
    BethJoye
    smartass
    JenniferRita
    AlanSmithHoUsToNiAn

    Find your Facebook friends

    Connect to Facebook to find friends and share booths.
    © DailyBooth, Inc.

    Go...
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    JonathanSwagga
    Message

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    2 hours 21 minutes ago

    31 views
    shout out to my Brother @AlanSmithHoUsToNiAn nigga i USE GUCCI tooo
    your NOT the only one
    kakakakakakkakakaka
    ice swaggg babe !!!!!!!
    ayooo
    @smartass
    @Lyndsie_Fischer

    AlanSmithHoUsToNiAn

    #1

    Reply

    WORD UP NIGGA

    2 hours 20 minutes ago
    Lindseyluvsu

    #2

    Reply

    yourr sew cute jonathan i luv youu

    2 hours 18 minutes ago
    JonathanSwagga

    #3

    Reply

    @AlanSmithHoUsToNiAn you know how we do it

    @Lindseyluvsu luv u babe

    2 hours 15 minutes ago
    AlanSmithHoUsToNiAn

    #4

    Reply

    fasho

    2 hours 14 minutes ago
    JonathanSwagga

    #5

    Reply

    o.O @AlanSmithHoUsToNiAn

    2 hours 12 minutes ago
    Lindseyluvsu

    #6

    Reply

    @JonathanSwagga <3
    @AlanSmithHoUsToNiAn <3

    1 hour 17 minutes ago
    JonathanSwagga

    #7

    Reply

    @Lindseyluvsu kakakkaa i luv u too my special girl

    1 hour 16 minutes ago
    AlanSmithHoUsToNiAn

    #8

    Reply

    @Lindseyluvsu i ruvvv uuu

    1 hour 8 minutes ago
    Lindseyluvsu

    #9

    Reply

    @AlanSmithHoUsToNiAn i ruvvv tooooo

    22 minutes 44 seconds ago

    Snap a picture comment Upload a picture comment

    9

    booths
    10

    followers
    11

    following

    Jonathan is a 18 year old male from United States.

    Picture #9

    2 hours 21 minutes ago
    Picture #8

    1 day 20 hours ago
    Picture #7

    1 day 22 hours ago
    Picture #6

    1 day 23 hours ago
    Picture #5

    1 day 23 hours ago

    Following them

    10

    Neeners91
    blueeyezcutie
    Lindseyluvsu
    Adri24
    JenniferRita
    AlanSmithHoUsToNiAn
    tae_gooh
    JustWant2MakeUsmile

    They're following

    11

    blueeyezcutie
    Lindseyluvsu
    lalalovergirl
    Adri24
    BethJoye
    smartass
    JenniferRita
    AlanSmithHoUsToNiAn

    Find your Facebook friends

    Connect to Facebook to find friends and share booths.
    © DailyBooth, Inc.

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    JonathanSwagga
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    2 hours 21 minutes ago

    31 views
    shout out to my Brother @AlanSmithHoUsToNiAn nigga i USE GUCCI tooo
    your NOT the only one
    kakakakakakkakakaka
    ice swaggg babe !!!!!!!
    ayooo
    @smartass
    @Lyndsie_Fischer

    AlanSmithHoUsToNiAn

    #1

    Reply

    WORD UP NIGGA

    2 hours 20 minutes ago
    Lindseyluvsu

    #2

    Reply

    yourr sew cute jonathan i luv youu

    2 hours 18 minutes ago
    JonathanSwagga

    #3

    Reply

    @AlanSmithHoUsToNiAn you know how we do it

    @Lindseyluvsu luv u babe

    2 hours 15 minutes ago
    AlanSmithHoUsToNiAn

    #4

    Reply

    fasho

    2 hours 14 minutes ago
    JonathanSwagga

    #5

    Reply

    o.O @AlanSmithHoUsToNiAn

    2 hours 12 minutes ago
    Lindseyluvsu

    #6

    Reply

    @JonathanSwagga <3
    @AlanSmithHoUsToNiAn <3

    1 hour 17 minutes ago
    JonathanSwagga

    #7

    Reply

    @Lindseyluvsu kakakkaa i luv u too my special girl

    1 hour 16 minutes ago
    AlanSmithHoUsToNiAn

    #8

    Reply

    @Lindseyluvsu i ruvvv uuu

    1 hour 8 minutes ago
    Lindseyluvsu

    #9

    Reply

    @AlanSmithHoUsToNiAn i ruvvv tooooo

    22 minutes 44 seconds ago

    Snap a picture comment Upload a picture comment

    9

    booths
    10

    followers
    11

    following

    Jonathan is a 18 year old male from United States.

    Picture #9

    2 hours 21 minutes ago
    Picture #8

    1 day 20 hours ago
    Picture #7

    1 day 22 hours ago
    Picture #6

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    AlanSmithHoUsToNiAn
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    2 hours 21 minutes ago

    31 views
    shout out to my Brother @AlanSmithHoUsToNiAn nigga i USE GUCCI tooo
    your NOT the only one
    kakakakakakkakakaka
    ice swaggg babe !!!!!!!
    ayooo
    @smartass
    @Lyndsie_Fischer

    AlanSmithHoUsToNiAn

    #1

    Reply

    WORD UP NIGGA

    2 hours 20 minutes ago
    Lindseyluvsu

    #2

    Reply

    yourr sew cute jonathan i luv youu

    2 hours 18 minutes ago
    JonathanSwagga

    #3

    Reply

    @AlanSmithHoUsToNiAn you know how we do it

    @Lindseyluvsu luv u babe

    2 hours 15 minutes ago
    AlanSmithHoUsToNiAn

    #4

    Reply

    fasho

    2 hours 14 minutes ago
    JonathanSwagga

    #5

    Reply

    o.O @AlanSmithHoUsToNiAn

    2 hours 12 minutes ago
    Lindseyluvsu

    #6

    Reply

    @JonathanSwagga <3
    @AlanSmithHoUsToNiAn <3

    1 hour 17 minutes ago
    JonathanSwagga

    #7

    Reply

    @Lindseyluvsu kakakkaa i luv u too my special girl

    1 hour 16 minutes ago
    AlanSmithHoUsToNiAn

    #8

    Reply

    @Lindseyluvsu i ruvvv uuu

    1 hour 8 minutes ago
    Lindseyluvsu

    #9

    Reply

    @AlanSmithHoUsToNiAn i ruvvv tooooo

    22 minutes 44 seconds ago

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    blueeyezcutie
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    They're following

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    0 comments

    May 10th, 2011

  • SuperSaiyanTehAwesum commented on JonathanSwagga's picture

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    2 hours 26 minutes ago

    31 views
    shout out to my Brother @AlanSmithHoUsToNiAn nigga i USE GUCCI tooo
    your NOT the only one
    kakakakakakkakakaka
    ice swaggg babe !!!!!!!
    ayooo
    @smartass
    @Lyndsie_Fischer

    AlanSmithHoUsToNiAn

    #1

    Reply

    WORD UP NIGGA

    2 hours 24 minutes ago
    Lindseyluvsu

    #2

    Reply

    yourr sew cute jonathan i luv youu

    2 hours 23 minutes ago
    JonathanSwagga

    #3

    Reply

    @AlanSmithHoUsToNiAn you know how we do it

    @Lindseyluvsu luv u babe

    2 hours 19 minutes ago
    AlanSmithHoUsToNiAn

    #4

    Reply

    fasho

    2 hours 18 minutes ago
    JonathanSwagga

    #5

    Reply

    o.O @AlanSmithHoUsToNiAn

    2 hours 16 minutes ago
    Lindseyluvsu

    #6

    Reply

    @JonathanSwagga <3
    @AlanSmithHoUsToNiAn <3

    1 hour 21 minutes ago
    JonathanSwagga

    #7

    Reply

    @Lindseyluvsu kakakkaa i luv u too my special girl

    1 hour 20 minutes ago
    AlanSmithHoUsToNiAn

    #8

    Reply

    @Lindseyluvsu i ruvvv uuu

    1 hour 12 minutes ago
    Lindseyluvsu

    #9

    Reply

    @AlanSmithHoUsToNiAn i ruvvv tooooo

    27 minutes 3 seconds ago

    Snap a picture comment Upload a picture comment

    9

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    following

    Jonathan is a 18 year old male from United States.

    Picture #9

    2 hours 26 minutes ago
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    1 day 21 hours ago
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    1 day 22 hours ago
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    1 day 23 hours ago
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    1 day 23 hours ago

    Following them

    10

    Neeners91
    blueeyezcutie
    Lindseyluvsu
    Adri24
    JenniferRita
    AlanSmithHoUsToNiAn
    tae_gooh
    JustWant2MakeUsmile

    They're following

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    Adri24
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    2 hours 26 minutes ago

    31 views
    shout out to my Brother @AlanSmithHoUsToNiAn nigga i USE GUCCI tooo
    your NOT the only one
    kakakakakakkakakaka
    ice swaggg babe !!!!!!!
    ayooo
    @smartass
    @Lyndsie_Fischer

    AlanSmithHoUsToNiAn

    #1

    Reply

    WORD UP NIGGA

    2 hours 24 minutes ago
    Lindseyluvsu

    #2

    Reply

    yourr sew cute jonathan i luv youu

    2 hours 23 minutes ago
    JonathanSwagga

    #3

    Reply

    @AlanSmithHoUsToNiAn you know how we do it

    @Lindseyluvsu luv u babe

    2 hours 19 minutes ago
    AlanSmithHoUsToNiAn

    #4

    Reply

    fasho

    2 hours 18 minutes ago
    JonathanSwagga

    #5

    Reply

    o.O @AlanSmithHoUsToNiAn

    2 hours 16 minutes ago
    Lindseyluvsu

    #6

    Reply

    @JonathanSwagga <3
    @AlanSmithHoUsToNiAn <3

    1 hour 21 minutes ago
    JonathanSwagga

    #7

    Reply

    @Lindseyluvsu kakakkaa i luv u too my special girl

    1 hour 20 minutes ago
    AlanSmithHoUsToNiAn

    #8

    Reply

    @Lindseyluvsu i ruvvv uuu

    1 hour 12 minutes ago
    Lindseyluvsu

    #9

    Reply

    @AlanSmithHoUsToNiAn i ruvvv tooooo

    27 minutes 3 seconds ago

    Snap a picture comment Upload a picture comment

    9

    booths
    10

    followers
    11

    following

    Jonathan is a 18 year old male from United States.

    Picture #9

    2 hours 26 minutes ago
    Picture #8

    1 day 21 hours ago
    Picture #7

    1 day 22 hours ago
    Picture #6

    1 day 23 hours ago
    Picture #5

    1 day 23 hours ago

    Following them

    10

    Neeners91
    blueeyezcutie
    Lindseyluvsu
    Adri24
    JenniferRita
    AlanSmithHoUsToNiAn
    tae_gooh
    JustWant2MakeUsmile

    They're following

    11

    blueeyezcutie
    Lindseyluvsu
    lalalovergirl
    Adri24
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    2 hours 26 minutes ago

    31 views
    shout out to my Brother @AlanSmithHoUsToNiAn nigga i USE GUCCI tooo
    your NOT the only one
    kakakakakakkakakaka
    ice swaggg babe !!!!!!!
    ayooo
    @smartass
    @Lyndsie_Fischer

    AlanSmithHoUsToNiAn

    #1

    Reply

    WORD UP NIGGA

    2 hours 24 minutes ago
    Lindseyluvsu

    #2

    Reply

    yourr sew cute jonathan i luv youu

    2 hours 23 minutes ago
    JonathanSwagga

    #3

    Reply

    @AlanSmithHoUsToNiAn you know how we do it

    @Lindseyluvsu luv u babe

    2 hours 19 minutes ago
    AlanSmithHoUsToNiAn

    #4

    Reply

    fasho

    2 hours 18 minutes ago
    JonathanSwagga

    #5

    Reply

    o.O @AlanSmithHoUsToNiAn

    2 hours 16 minutes ago
    Lindseyluvsu

    #6

    Reply

    @JonathanSwagga <3
    @AlanSmithHoUsToNiAn <3

    1 hour 21 minutes ago
    JonathanSwagga

    #7

    Reply

    @Lindseyluvsu kakakkaa i luv u too my special girl

    1 hour 20 minutes ago
    AlanSmithHoUsToNiAn

    #8

    Reply

    @Lindseyluvsu i ruvvv uuu

    1 hour 12 minutes ago
    Lindseyluvsu

    #9

    Reply

    @AlanSmithHoUsToNiAn i ruvvv tooooo

    27 minutes 3 seconds ago

    Snap a picture comment Upload a picture comment

    9

    booths
    10

    followers
    11

    following

    Jonathan is a 18 year old male from United States.

    Picture #9

    2 hours 26 minutes ago
    Picture #8

    1 day 21 hours ago
    Picture #7

    1 day 22 hours ago
    Picture #6

    1 day 23 hours ago
    Picture #5

    1 day 23 hours ago

    Following them

    10

    Neeners91
    blueeyezcutie
    Lindseyluvsu
    Adri24
    JenniferRita
    AlanSmithHoUsToNiAn
    tae_gooh
    JustWant2MakeUsmile

    They're following

    11

    blueeyezcutie
    Lindseyluvsu
    lalalovergirl
    Adri24
    BethJoye
    smartass
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    AlanSmithHoUsToNiAn

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    2 hours 26 minutes ago

    31 views
    shout out to my Brother @AlanSmithHoUsToNiAn nigga i USE GUCCI tooo
    your NOT the only one
    kakakakakakkakakaka
    ice swaggg babe !!!!!!!
    ayooo
    @smartass
    @Lyndsie_Fischer

    AlanSmithHoUsToNiAn

    #1

    Reply

    WORD UP NIGGA

    2 hours 24 minutes ago
    Lindseyluvsu

    #2

    Reply

    yourr sew cute jonathan i luv youu

    2 hours 23 minutes ago
    JonathanSwagga

    #3

    Reply

    @AlanSmithHoUsToNiAn you know how we do it

    @Lindseyluvsu luv u babe

    2 hours 19 minutes ago
    AlanSmithHoUsToNiAn

    #4

    Reply

    fasho

    2 hours 18 minutes ago
    JonathanSwagga

    #5

    Reply

    o.O @AlanSmithHoUsToNiAn

    2 hours 16 minutes ago
    Lindseyluvsu

    #6

    Reply

    @JonathanSwagga <3
    @AlanSmithHoUsToNiAn <3

    1 hour 21 minutes ago
    JonathanSwagga

    #7

    Reply

    @Lindseyluvsu kakakkaa i luv u too my special girl

    1 hour 20 minutes ago
    AlanSmithHoUsToNiAn

    #8

    Reply

    @Lindseyluvsu i ruvvv uuu

    1 hour 12 minutes ago
    Lindseyluvsu

    #9

    Reply

    @AlanSmithHoUsToNiAn i ruvvv tooooo

    27 minutes 3 seconds ago

    Snap a picture comment Upload a picture comment

    9

    booths
    10

    followers
    11

    following

    Jonathan is a 18 year old male from United States.

    Picture #9

    2 hours 26 minutes ago
    Picture #8

    1 day 21 hours ago
    Picture #7

    1 day 22 hours ago
    Picture #6

    1 day 23 hours ago
    Picture #5

    1 day 23 hours ago

    Following them

    10

    Neeners91
    blueeyezcutie
    Lindseyluvsu
    Adri24
    JenniferRita
    AlanSmithHoUsToNiAn
    tae_gooh
    JustWant2MakeUsmile

    They're following

    11

    blueeyezcutie
    Lindseyluvsu
    lalalovergirl
    Adri24
    BethJoye
    smartass
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    AlanSmithHoUsToNiAn

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    2 hours 26 minutes ago

    31 views
    shout out to my Brother @AlanSmithHoUsToNiAn nigga i USE GUCCI tooo
    your NOT the only one
    kakakakakakkakakaka
    ice swaggg babe !!!!!!!
    ayooo
    @smartass
    @Lyndsie_Fischer

    AlanSmithHoUsToNiAn

    #1

    Reply

    WORD UP NIGGA

    2 hours 24 minutes ago
    Lindseyluvsu

    #2

    Reply

    yourr sew cute jonathan i luv youu

    2 hours 23 minutes ago
    JonathanSwagga

    #3

    Reply

    @AlanSmithHoUsToNiAn you know how we do it

    @Lindseyluvsu luv u babe

    2 hours 19 minutes ago
    AlanSmithHoUsToNiAn

    #4

    Reply

    fasho

    2 hours 18 minutes ago
    JonathanSwagga

    #5

    Reply

    o.O @AlanSmithHoUsToNiAn

    2 hours 16 minutes ago
    Lindseyluvsu

    #6

    Reply

    @JonathanSwagga <3
    @AlanSmithHoUsToNiAn <3

    1 hour 21 minutes ago
    JonathanSwagga

    #7

    Reply

    @Lindseyluvsu kakakkaa i luv u too my special girl

    1 hour 20 minutes ago
    AlanSmithHoUsToNiAn

    #8

    Reply

    @Lindseyluvsu i ruvvv uuu

    1 hour 12 minutes ago
    Lindseyluvsu

    #9

    Reply

    @AlanSmithHoUsToNiAn i ruvvv tooooo

    27 minutes 3 seconds ago

    Snap a picture comment Upload a picture comment

    9

    booths
    10

    followers
    11

    following

    Jonathan is a 18 year old male from United States.

    Picture #9

    2 hours 26 minutes ago
    Picture #8

    1 day 21 hours ago
    Picture #7

    1 day 22 hours ago
    Picture #6

    1 day 23 hours ago
    Picture #5

    1 day 23 hours ago

    Following them

    10

    Neeners91
    blueeyezcutie
    Lindseyluvsu
    Adri24
    JenniferRita
    AlanSmithHoUsToNiAn
    tae_gooh
    JustWant2MakeUsmile

    They're following

    11

    blueeyezcutie
    Lindseyluvsu
    lalalovergirl
    Adri24
    BethJoye
    smartass
    JenniferRita
    AlanSmithHoUsToNiAn

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    2 hours 26 minutes ago

    31 views
    shout out to my Brother @AlanSmithHoUsToNiAn nigga i USE GUCCI tooo
    your NOT the only one
    kakakakakakkakakaka
    ice swaggg babe !!!!!!!
    ayooo
    @smartass
    @Lyndsie_Fischer

    AlanSmithHoUsToNiAn

    #1

    Reply

    WORD UP NIGGA

    2 hours 24 minutes ago
    Lindseyluvsu

    #2

    Reply

    yourr sew cute jonathan i luv youu

    2 hours 23 minutes ago
    JonathanSwagga

    #3

    Reply

    @AlanSmithHoUsToNiAn you know how we do it

    @Lindseyluvsu luv u babe

    2 hours 19 minutes ago
    AlanSmithHoUsToNiAn

    #4

    Reply

    fasho

    2 hours 18 minutes ago
    JonathanSwagga

    #5

    Reply

    o.O @AlanSmithHoUsToNiAn

    2 hours 16 minutes ago
    Lindseyluvsu

    #6

    Reply

    @JonathanSwagga <3
    @AlanSmithHoUsToNiAn <3

    1 hour 21 minutes ago
    JonathanSwagga

    #7

    Reply

    @Lindseyluvsu kakakkaa i luv u too my special girl

    1 hour 20 minutes ago
    AlanSmithHoUsToNiAn

    #8

    Reply

    @Lindseyluvsu i ruvvv uuu

    1 hour 12 minutes ago
    Lindseyluvsu

    #9

    Reply

    @AlanSmithHoUsToNiAn i ruvvv tooooo

    27 minutes 3 seconds ago

    Snap a picture comment Upload a picture comment

    9

    booths
    10

    followers
    11

    following

    Jonathan is a 18 year old male from United States.

    Picture #9

    2 hours 26 minutes ago
    Picture #8

    1 day 21 hours ago
    Picture #7

    1 day 22 hours ago
    Picture #6

    1 day 23 hours ago
    Picture #5

    1 day 23 hours ago

    Following them

    10

    Neeners91
    blueeyezcutie
    Lindseyluvsu
    Adri24
    JenniferRita
    AlanSmithHoUsToNiAn
    tae_gooh
    JustWant2MakeUsmile

    They're following

    11

    blueeyezcutie
    Lindseyluvsu
    lalalovergirl
    Adri24
    BethJoye
    smartass
    JenniferRita
    AlanSmithHoUsToNiAn

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    2 hours 26 minutes ago

    31 views
    shout out to my Brother @AlanSmithHoUsToNiAn nigga i USE GUCCI tooo
    your NOT the only one
    kakakakakakkakakaka
    ice swaggg babe !!!!!!!
    ayooo
    @smartass
    @Lyndsie_Fischer

    AlanSmithHoUsToNiAn

    #1

    Reply

    WORD UP NIGGA

    2 hours 24 minutes ago
    Lindseyluvsu

    #2

    Reply

    yourr sew cute jonathan i luv youu

    2 hours 23 minutes ago
    JonathanSwagga

    #3

    Reply

    @AlanSmithHoUsToNiAn you know how we do it

    @Lindseyluvsu luv u babe

    2 hours 19 minutes ago
    AlanSmithHoUsToNiAn

    #4

    Reply

    fasho

    2 hours 18 minutes ago
    JonathanSwagga

    #5

    Reply

    o.O @AlanSmithHoUsToNiAn

    2 hours 16 minutes ago
    Lindseyluvsu

    #6

    Reply

    @JonathanSwagga <3
    @AlanSmithHoUsToNiAn <3

    1 hour 21 minutes ago
    JonathanSwagga

    #7

    Reply

    @Lindseyluvsu kakakkaa i luv u too my special girl

    1 hour 20 minutes ago
    AlanSmithHoUsToNiAn

    #8

    Reply

    @Lindseyluvsu i ruvvv uuu

    1 hour 12 minutes ago
    Lindseyluvsu

    #9

    Reply

    @AlanSmithHoUsToNiAn i ruvvv tooooo

    27 minutes 3 seconds ago

    Snap a picture comment Upload a picture comment

    9

    booths
    10

    followers
    11

    following

    Jonathan is a 18 year old male from United States.

    Picture #9

    2 hours 26 minutes ago
    Picture #8

    1 day 21 hours ago
    Picture #7

    1 day 22 hours ago
    Picture #6

    1 day 23 hours ago
    Picture #5

    1 day 23 hours ago

    Following them

    10

    Neeners91
    blueeyezcutie
    Lindseyluvsu
    Adri24
    JenniferRita
    AlanSmithHoUsToNiAn
    tae_gooh
    JustWant2MakeUsmile

    They're following

    11

    blueeyezcutie
    Lindseyluvsu
    lalalovergirl
    Adri24
    BethJoye
    smartass
    JenniferRita
    AlanSmithHoUsToNiAn

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    2 hours 26 minutes ago

    31 views
    shout out to my Brother @AlanSmithHoUsToNiAn nigga i USE GUCCI tooo
    your NOT the only one
    kakakakakakkakakaka
    ice swaggg babe !!!!!!!
    ayooo
    @smartass
    @Lyndsie_Fischer

    AlanSmithHoUsToNiAn

    #1

    Reply

    WORD UP NIGGA

    2 hours 24 minutes ago
    Lindseyluvsu

    #2

    Reply

    yourr sew cute jonathan i luv youu

    2 hours 23 minutes ago
    JonathanSwagga

    #3

    Reply

    @AlanSmithHoUsToNiAn you know how we do it

    @Lindseyluvsu luv u babe

    2 hours 19 minutes ago
    AlanSmithHoUsToNiAn

    #4

    Reply

    fasho

    2 hours 18 minutes ago
    JonathanSwagga

    #5

    Reply

    o.O @AlanSmithHoUsToNiAn

    2 hours 16 minutes ago
    Lindseyluvsu

    #6

    Reply

    @JonathanSwagga <3
    @AlanSmithHoUsToNiAn <3

    1 hour 21 minutes ago
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    May 10th, 2011

  • juanairis commented on CassAttack's picture

    #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2 #2

    56 comments

    August 28th, 2009

  • TastyBubkiss commented on iseeu's picture

    -------|---------------------------------------------------------|
    |Volt Absorb |Restores HP when attacked with a electric attack |
    |------------|---------------------------------------------------------|
    |Water Veil |Voids burn condition |
    |------------|---------------------------------------------------------|
    |White Smoke |Voids lowering pokemons status by opponents attacks |
    |------------|---------------------------------------------------------|
    |Wonder Guard|Voids all damage except field and critical hit damage |
    \\------------|---------------------------------------------------------/




    0F5:
    ===========================================================================
    TM/HM List
    ===========================================================================

    Key:

    TM (Technical Machine): A machine that holds a move that
    can be taught once to one pokemon. You can buy multiples
    of some TM's, others you can only get once per game.

    HM (Hidden Machine): A machine that holds a move that
    can be taught once to any pokemon multiple times. You
    cannot buy HM's, but you can use them as much as you
    want. HM's are used to progress through the game
    and reach new area's

    Coins (C): Ammount of coins needed to purchase at the
    Mauville City Game corner

    P: Ammount of money you need to buy a item. Recieved
    from battle

    TM List:
    ------------------------------------------------
    |TM #| Ability | Location | Price|
    |----|-------------|--------------------|------|
    |01 |Focus Punch |Roue 115 | -|
    |----|-------------|--------------------|------|
    |02 |Dragon Claw |Meteor Falls | -|
    |----|-------------|--------------------|------|
    |03 |Water Pulse |Sooropolis Gym | -|
    |----|-------------|--------------------|------|
    |04 |Calm Mind |Mossdeep Gym | -|
    |----|-------------|--------------------|------|
    |05 |Roar |Roue 114 | -|
    |----|-------------|--------------------|------|
    |06 |Toxic |Fiery Path | -|
    |----|-------------|--------------------|------|
    |07 |Hail |Shoal Cave | -|
    |----|-------------|--------------------|------|
    |08 |Bulk Up |Dewfort Town Gym | -|
    |----|-------------|--------------------|------|
    |09 |Bullet Seed |Route 104 | -|
    |----|-------------|--------------------|------|
    |10 |Hidden Power |Slateport/Fortree |3,000P|
    |----|-------------|--------------------|------|
    |11 |Sunny Day |Scorched Slab | -|
    |----|-------------|--------------------|------|
    |12 |Taunt |Trick House | -|
    |----|-------------|--------------------|------|
    |13 |Ice Beam |Casino/Sunken ship| |4,000C|
    |----|-------------|--------------------|------|
    |14 |Blizzard |Lilycove Store |5,500P|
    |----|-------------|--------------------|------|
    |15 |Hyper Beam |Lilycove Store |7,500P|
    |----|-------------|--------------------|------|
    |16 |Light Screen |Lilycove Store |3,000P|
    |----|-------------|--------------------|------|
    |17 |Protect |Lilycove Store |3,000P|
    |----|-------------|--------------------|------|
    |18 |Rain Dance |Abandon Ship | -|
    |----|-------------|--------------------|------|
    |19 |Giga Drain |Route 123 | -|
    |----|-------------|--------------------|------|
    |20 |Safeguard |Lilycove Store |3,000P|
    |----|-------------|--------------------|------|
    |21 |Frustration |Pacifilog Town | -|
    |----|-------------|--------------------|------|
    |22 |Solarbeam |Safari Zone | -|
    |----|-------------|--------------------|------|
    |23 |Iron Tail |Meteor Falls | -|
    |----|-------------|--------------------|------|
    |24 |Thunderbolt |Casino |4,000C|
    |----|-------------|--------------------|------|
    |25 |Thunder |Lilycove Store |5,500P|
    |----|-------------|--------------------|------|
    |26 |Earthquake |Seafloor Cavern | -|
    |----|-------------|--------------------|------|
    |27 |Return |Pacifidlog Town | -|
    |----|-------------|--------------------|------|
    |28 |Dig | Route 114 | -|
    |----|-------------|--------------------|------|
    |29 |Psycic |Casino/Victory Road |3,500C|
    |----|-------------|--------------------|------|
    |30 |Shadow Ball |Mt. Pyre | -|
    |----|-------------|--------------------|------|
    |31 |Brick Break |Sootopolis City | -|
    |----|-------------|--------------------|------|
    |32 |Double Team |Casino |1,500C|
    |----|-------------|--------------------|------|
    |33 |Reflect |Lilycove Store |3,000P|
    |----|-------------|--------------------|------|
    |34 |Shock Wave |Mauville Gym | -|
    |----|-------------|--------------------|------|
    |35 |Flamethrower |Casino |4,000C|
    |----|-------------|--------------------|------|
    |36 |Sludge Bomb |Dewford Town | -|
    |----|-------------|--------------------|------|
    |37 |Sandstorm |Route 111 | -|
    |----|-------------|--------------------|------|
    |38 |Fire Blast |Lilycove Store |5,500P|
    |----|-------------|--------------------|------|
    |39 |Rock Tomb |Rustboro Gym | -|
    |----|-------------|--------------------|------|
    |40 |Aerial Ace |Fortree Gym | -|
    |----|-------------|--------------------|------|
    |41 |Torment |Slateport City | -|
    |----|-------------|--------------------|------|
    |42 |Facade |Petalburg Gym | -|
    |----|-------------|--------------------|------|
    |43 |Secret Power |Slateport/Route 111 |3,000P|
    |----|-------------|--------------------|------|
    |44 |Rest |Lilycove City | -|
    |----|-------------|--------------------|------|
    |45 |Attract |Verdanturf Town | -|
    |----|-------------|--------------------|------|
    |46 |Thief |Slateport City | -|
    |----|-------------|--------------------|------|
    |47 |Steel Wing |Granite Cave | -|
    |----|-------------|--------------------|------|
    |48 |Skill Swap |Mt. Pyre | -|
    |----|-------------|--------------------|------|
    |48 |Snatch |S.S. Tidal | -|
    |----|-------------|--------------------|------|
    |50 |Overheat |Lavaridge Gym | -|
    ------------------------------------------------

    HM List:
    --------------------------------------
    |HM # | Ability | Location |
    |-----|-----------|------------------|
    |01 |Cut |Rustboro City |
    |-----|-----------|------------------|
    |02 |Fly |Route 119 |
    |-----|-----------|------------------|
    |03 |Surf |Petalburg City |
    |-----|-----------|------------------|
    |04 |Strength |Rusturf Tunnel |
    |-----|-----------|------------------|
    |05 |Flash |Granite Cave |
    |-----|-----------|------------------|
    |06 |Rock Smash |Mauville City |
    |-----|-----------|------------------|
    |07 |Waterfall |Cave of Origin |
    |-----|-----------|------------------|
    |08 |Dive |Mossdeep City |
    --------------------------------------


    0F6:
    ===========================================================================
    Move List
    ===========================================================================

    Move List: Letter A
    /-------------------------------------------------------------------------\\
    |Name |Type |AP |Acc |PP| Info |
    |------------|--------|---|----|--|---------------------------------------|
    |Absorb |Grass | 20|100%|20| User recovers half damage dealt. |
    |------------|--------|---|----|--|---------------------------------------|
    |Acid |Poison | 40|100%|30| May lower opponent's DEFENSE ability |
    | | | | | | down one stage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Acid Armor |Poison | --| ---|40| Raises user's DEFENSE ability up two |
    | | | | | | stages. |
    |------------|--------|---|----|--|---------------------------------------|
    |Aerial Ace |Flying | 60| ---|20| If opponent is on screen, hits without|
    | | | | | | fail. |
    |------------|--------|---|----|--|---------------------------------------|
    |Aeroblast |Flying |100| 95%| 5| Has a high critical hit rate. |
    |------------|--------|---|----|--|---------------------------------------|
    |Agility |Psychic |---| ---|30| Raises user's SPEED ability up two |
    | | | | | | stages. |
    |------------|--------|---|----|--|---------------------------------------|
    |Air Cutter |Flying | 55| 95%|25| Has a high critical hit rate. |
    |------------|--------|---|----|--|---------------------------------------|
    |Amnesia |Psychic |---| ---|20| Raises user's SPECIAL DEFENSE ability |
    | | | | | | up two stages. |
    |------------|--------|---|----|--|---------------------------------------|
    |Ancientpower|Rock | 60|100%| 5| May raise all of user's abilities up |
    | | | | | | one stage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Arm Thrust |Fighting| 15|100%|20| Attacks 2-5 times. Has a 37.5% chance |
    | | | | | | each of hitting 2 or 3 times and a |
    | | | | | | 12.5% chance each of hitting 4 or 5 |
    | | | | | | times. |
    |------------|--------|---|----|--|---------------------------------------|
    |Aromatherapy|Grass |---|--- | 5| Party recovers from all status |
    | | | | | | ailments. |
    |------------|--------|---|----|--|---------------------------------------|
    |Assist |Normal |---|100%|20| An attack chosen in random from the |
    | | | | | | other Pokemon in your team. |
    |------------|--------|---|----|--|---------------------------------------|
    |Astonish |Ghost | 30|100%|15| May cause opponent to FLINCH. |
    |------------|--------|---|----|--|---------------------------------------|
    |Attract |Normal |---|100%|15| Induces opponent with ATTRACT |
    | | | | | | condition. |
    |------------|--------|---|----|--|---------------------------------------|
    |Aurora Beam |Ice | 65|100%|20| May lower opponent's ATTACK ability |
    | | | | | | down one stage. |
    \\-------------------------------------------------------------------------/

    B Name Moves:
    /-------------------------------------------------------------------------\\
    |Barrage |Normal | 15|85% |20| Attacks 2-5 times. Has a 37.5% chance |
    | | | | | | each of hitting 2 or 3 times and a |
    | | | | | | 12.5% chance each of hitting 4 or 5 |
    | | | | | | times. |
    |------------|--------|---|----|--|---------------------------------------|
    |Barrier |Psychic |---|--- |30| Raises user's DEFENSE ability up two |
    | | | | | | stages. |
    |------------|--------|---|----|--|---------------------------------------|
    |Baton Pass |Normal |---|--- |40| Allows you to switch Pokemon during |
    | | | | | | battle, new Pokemon retains any stat |
    | | | | | | changes the previous Pokemon had. |
    |------------|--------|---|----|--|---------------------------------------|
    |Beat Up |Dark | 10|100%|10|Your Pokemon attacks as many times as |
    | | | | | |the number of Pokemon you are currently|
    | | | | | |carrying, afflicted (poison, sleep, |
    | | | | | |etc) Pokemon don't count. |
    |------------|--------|---|----|--|---------------------------------------|
    |Belly Drum |Normal |---|--- |10| Raises user's ATTACK ability up very |
    | | | | | | high. Will consume half of the user's |
    | | | | | | maximum HP is available. |
    |------------|--------|---|----|--|---------------------------------------|
    |Bide |Normal |---|100%|10| Withstands attacks for 2, 3 turns, |
    | | | | | | then deals back double the damage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Bind |Normal | 15|75% |20| Traps opponent for 2-5 turns. Deals |
    | | | | | | 1/16 HP of damage each turn. |
    |------------|--------|---|----|--|---------------------------------------|
    |Bite |Dark | 60|100%|25| May cause opponent to FLINCH. |
    |------------|--------|---|----|--|---------------------------------------|
    |Blast Burn |Fire |150|90% | 5| Attacks in two turns. The second turn,|
    | | | | | | user does not attack. |
    |------------|--------|---|----|--|---------------------------------------|
    |Blaze Kick |Fire | 85|90% |10| May induce opponent with BURN status. |
    | | | | | | Has a high critical hit ratio. |
    |------------|--------|---|----|--|---------------------------------------|
    |Blizzard |Ice |120|70% | 5| May induce opponent with FREEZE statu |
    |------------|--------|---|----|--|---------------------------------------|
    |Block |Normal |---|100%| 5| Opponent cannot escape as long as user|
    | | | | | | remains in battle. |
    |------------|--------|---|----|--|---------------------------------------|
    |Body Slam |Normal | 85|100%|15| May induce opponent with PARALYSIS |
    | | | | | | status. |
    |------------|--------|---|----|--|---------------------------------------|
    |Bone Club |Ground | 65|85% |20| May cause opponent to FLINCH. |
    |------------|--------|---|----|--|---------------------------------------|
    |Bone Rush |Ground | 25|80% |10| Attacks 2-5 times. Has a 37.5% chance |
    | | | | | | each of hitting 2 or 3 times and a |
    | | | | | | 12.5% chance each of hitting 4 or 5 |
    | | | | | | times. |
    |------------|--------|---|----|--|---------------------------------------|
    |Bonemerang |Ground | 50|90% |10| Attacks twice. |
    |------------|--------|---|----|--|---------------------------------------|
    |Bounce |Flying | 85|85% | 5| Attacks in two turns. The first turn, |
    | | | | | | user does not take damage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Brick Break |Fighting| 75|100%|15| The effects of Reflect and Light |
    | | | | | | Screen are removed. |
    |------------|--------|---|----|--|---------------------------------------|
    |Bubble |Water | 20|100%|30| May lower opponent's SPEED ability |
    | | | | | | down one stage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Bubblebeam |Water | 65|100%|20| May lower opponent's SPEED ability |
    | | | | | | down one stage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Bulk Up |Fighting|---|--- |20| Raises user's ATTACK and DEFENSE |
    | | | | | | abilities each up one stage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Bullet Seed |Grass | 10|100%|30| Attacks 2-5 times. Has a 37.5% chance |
    | | | | | | each of hitting 2 or 3 times and a |
    | | | | | | 12.5% chance each of hitting 4 or 5 |
    | | | | | | times. |
    \\-------------------------------------------------------------------------/

    C Move List:
    /-------------------------------------------------------------------------\\
    |Calm Mind |Psychic |---|--- |20| Raises user's SPECIAL ATTACK and |
    | | | | | | SPECIAL DEFENSE abilities each up one |
    | | | | | | stage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Camouflage |Normal |---|100%|20| Type changes based on surroundings. On|
    | | | | | | and under water, changes to Water |
    | | | | | | type. In caves and on rocks, changes |
    | | | | | | to Rock type. Elsewhere, changes to |
    | | | | | | Normal type. |
    |------------|--------|---|----|--|---------------------------------------|
    |Charge |Electric|---|100%|20| Stores electricity to increase the |
    | | | | | | power of the next electric attack. |
    |------------|--------|---|----|--|---------------------------------------|
    |Charm |Normal |---|100%|20| Lowers opponent's ATTACK ability down |
    | | | | | | two stages. |
    |------------|--------|---|----|--|---------------------------------------|
    |Clamp |Water | 35|75% |10| Traps opponent for 2-5 turns. Deals |
    | | | | | | 1/16 HP of damage each turn. |
    |------------|--------|---|----|--|---------------------------------------|
    |Comet Punch |Normal | 18|85% |15| Attacks 2-5 times. Has a 37.5% chance |
    | | | | | | each of hitting 2 or 3 times and a |
    | | | | | | 12.5% chance each of hitting 4 or 5 |
    | | | | | | times. |
    |------------|--------|---|----|--|---------------------------------------|
    |Confuse Ray |Ghost |---|100%|10| Induces opponent with CONFUSION |
    | | | | | | condition. |
    |------------|--------|---|----|--|---------------------------------------|
    |Confusion |Psychic | 50|100%|25| May induce opponent with CONFUSION |
    | | | | | | condition. |
    |------------|--------|---|----|--|---------------------------------------|
    |Constrict |Normal | 10|100%|35| May lower opponent's SPEED ability |
    | | | | | | down one stage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Conversion |Normal |---|--- |30| User's Type becomes the same as the |
    | | | | | | Type of one of its moves. |
    |------------|--------|---|----|--|---------------------------------------|
    |Conversion 2|Normal |---|100%|30| User becomes a Type resistent to last |
    | | | | | | attack's Type. |
    |------------|--------|---|----|--|---------------------------------------|
    |Cosmic Power|Psychic |---|--- |20| Raises user's DEFENSE and SPECIAL |
    | | | | | | DEFENSE abilities each up one stage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Cotton Spore|Grass |---|85% |40| Lowers opponent's SPEED ability down |
    | | | | | | two stages. |
    |------------|--------|---|----|--|---------------------------------------|
    |Counter |Fighting|---|100%|20| If hit by a physical attack, deals |
    | | | | | | back double the damage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Covet |Normal | 40|100%|40| If user is not holding an item, user |
    | | | | | | takes opponent's item. |
    |------------|--------|---|----|--|---------------------------------------|
    |Crabhammer |Water | 90|85% |10| Has a high critical hit rate. |
    |------------|--------|---|----|--|---------------------------------------|
    |Cross Chop |Fighting|100|80% | 5| Has a high critical hit rate. |
    |------------|--------|---|----|--|---------------------------------------|
    |Crunch |Dark | 80|100%|15| May lower opponent's SPECIAL DEFENSE |
    | | | | | | ability down one stage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Crush Claw |Normal | 75|95% |10| May lower opponent's DEFENSE ability |
    | | | | | | down one stage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Curse |??? |---|--- |10| Raises user's ATTACK and DEFENSE |
    | | | | | | abilities each up one stage. Lowers |
    | | | | | | user's SPEED ability down one stage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Cut |Normal | 50|95% |30| No effect. |
    \\-------------------------------------------------------------------------/

    D Move List:
    /-------------------------------------------------------------------------\\
    |Defense Curl|Normal |---|--- |40| Raises Defense up one stage. Damage |
    | | | | | | from Rollout will increase. |
    |------------|--------|---|----|--|---------------------------------------|
    |Destiny Bond|Ghost |---|--- | 5| If user is knocked out by opponent's |
    | | | | | | next move, then opponent is also |
    | | | | | | knocked out. |
    |------------|--------|---|----|--|---------------------------------------|
    |Detect |Fighting|---|--- | 5| Takes no damage from opponent's |
    | | | | | | attack. May fail if used more than |
    | | | | | | once in a row. |
    |------------|--------|---|----|--|---------------------------------------|
    |Dig |Ground | 60|100%|10| Attacks in two turns. The first turn, |
    | | | | | | user does not take damage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Disable |Normal |---|55% |20| Disables an opponent's move for a |
    | | | | | | short amount of time. |
    |------------|--------|---|----|--|---------------------------------------|
    |Dive |Water | 60|100%|10| Attacks in two turns. The first turn, |
    | | | | | | user does not take damage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Dizzy Punch |Normal | 70|100%|10| May induce opponent with CONFUSION |
    | | | | | | condition. |
    |------------|--------|---|----|--|---------------------------------------|
    |Doom Desire |Steel |120|85% | 5| No effect. |
    |------------|--------|---|----|--|---------------------------------------|
    |Double Kick |Fighting| 30|100%|30| Attacks twice. |
    |------------|--------|---|----|--|---------------------------------------|
    |Double Team |Normal |---|--- |15| Raises user's Evasion ability up one |
    | | | | | | stage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Double-Edge |Normal |120|100%|15| User is dealt recoil damage equal to |
    | | | | | | 1/3 damage dealt to opponent. |
    |------------|--------|---|----|--|---------------------------------------|
    |Doubleslap |Normal | 15|85% |10| Attacks 2-5 times. Has a 37.5% chance |
    | | | | | | each of hitting 2 or 3 times and a |
    | | | | | | 12.5% chance each of hitting 4 or 5 |
    | | | | | | times. |
    |------------|--------|---|----|--|---------------------------------------|
    |Dragon Claw |Dragon | 80|100%|15| No effect. |
    |------------|--------|---|----|--|---------------------------------------|
    |Dragon Dance|Dragon |---|--- |20| Raises user's ATTACK and SPEED |
    | | | | | | abilities each up one stage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Dragon Rage |Dragon |---|100%|10| Alway deals 40 HP of damage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Dragonbreath|Dragon | 60|100%|20| May induce opponent with PARALYSIS |
    | | | | | | status. |
    |------------|--------|---|----|--|---------------------------------------|
    |Dream Eater |Psychic |100|100%|15| Only works when opponent is SLEEP |
    | | | | | | condition. User recovers HP based on |
    | | | | | | damage to opponent. |
    |------------|--------|---|----|--|---------------------------------------|
    |Drill Peck |Flying | 80|100%|20| No effect. |
    |------------|--------|---|----|--|---------------------------------------|
    |Dynamicpunch|Fighting|100|50% | 5| May induce opponent with CONFUSION |
    | | | | | | condition. |
    \\-------------------------------------------------------------------------/

    E Move List:
    /-------------------------------------------------------------------------\\
    |Earthquake |Ground |100|100%|10| Hits all opponents. |
    |------------|--------|---|----|--|---------------------------------------|
    |Egg Bomb |Normal |100|75% |10| No effect. |
    |------------|--------|---|----|--|---------------------------------------|
    |Ember |Fire | 40|100%|25| May induce opponent with BURN status. |
    |------------|--------|---|----|--|---------------------------------------|
    |Encore |Normal |---|100%| 5| Makes opponent repeat it’s last attack|
    | | | | | | for 2 to 6 turns. |
    |------------|--------|---|----|--|---------------------------------------|
    |Endeavor |Normal |---|100%| 5| Damage is equal to opponent's current |
    | | | | | | HP minus user's current HP. |
    |------------|--------|---|----|--|---------------------------------------|
    |Endure |Normal |---| 0%|10| Ensures that opponent's next attack |
    | | | | | | will leave user with at least 1 HP. |
    |------------|--------|---|----|--|---------------------------------------|
    |Eruption |Fire |150|100%| 5| Power decreases as user's HP lowers. |
    |------------|--------|---|----|--|---------------------------------------|
    |Explosion |Normal |250|100%| 5| Attack deals double damage. User |
    | | | | | | faints. |
    |------------|--------|---|----|--|---------------------------------------|
    |Extrasensory|Psychic | 80|100%|30| May cause opponent to FLINCH. |
    |------------|--------|---|----|--|---------------------------------------|
    |Extremespeed|Normal | 80|100%| 5| Always attacks first. |
    \\-------------------------------------------------------------------------/


    F Move List:
    /-------------------------------------------------------------------------\\
    |Facade |Normal | 70|100%|20| Attack power is double if user is |
    | | | | | | inflicted with POISON, PARALYZE, |
    | | | | | | or BURN. |
    |------------|--------|---|----|--|---------------------------------------|
    |Faint Attack|Dark | 60|--- |20| If opponent is on screen, hits without|
    | | | | | | fail. |
    |------------|--------|---|----|--|---------------------------------------|
    |Fake Out |Normal | 40|100%|10| Hits only on the first turn, will |
    | | | | | | cause FLINCH. |
    |------------|--------|---|----|--|---------------------------------------|
    |Fake Tears |Dark |---|100%|20| Lowers opponent's SPECIAL DEFENSE |
    | | | | | | ability down two stages. |
    |------------|--------|---|----|--|---------------------------------------|
    |False Swipe |Normal | 40|100%|40| Always leaves opponent with at least |
    | | | | | | 1 HP. |
    |------------|--------|---|----|--|---------------------------------------|
    |Featherdance|Flying |---|100%|15| Lowers opponent's ATTACK ability down |
    | | | | | | two stages. |
    |------------|--------|---|----|--|---------------------------------------|
    |Fire Blast |Fire |120|85% | 5| May induce opponent with BURN status. |
    |------------|--------|---|----|--|---------------------------------------|
    |Fire Punch |Fire | 75|100%|15| May induce opponent with BURN status. |
    |------------|--------|---|----|--|---------------------------------------|
    |Fire Spin |Fire | 15|70% |15| Traps opponent for 2-5 turns. Deals |
    | | | | | | 1/16 HP of damage each turn. |
    |------------|--------|---|----|--|---------------------------------------|
    |Fissure |Ground |---|30% | 5| Knocks out opponent in one hit. |
    | | | | | | Accuracy increases by an amount equal |
    | | | | | | to the difference between user and |
    | | | | | | enemy's experience levels, then |
    | | | | | | divided by 128. |
    |------------|--------|---|----|--|---------------------------------------|
    |Flail |Normal |---|100%|15| The less HP user has, the higher the |
    | | | | | | attack power. When HP is very low, |
    | | | | | | attack power is 200. When HP |
    | | | | | | is highest, attack power is 20. |
    |------------|--------|---|----|--|---------------------------------------|
    |Flame Wheel |Fire | 60|100%|25| May induce opponent with BURN status. |
    | | | | | | Can remove FREEZE status from user. |
    |------------|--------|---|----|--|---------------------------------------|
    |Flamethrower|Fire | 95|100%|15| May induce opponent with BURN status. |
    |------------|--------|---|----|--|---------------------------------------|
    |Flash |Normal |---|70% |20| Lowers opponent's Hit Ratio ability |
    | | | | | | down one stage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Flatter |Dark |---|100%|15| Raises opponent's SPECIAL ATTACK |
    | | | | | | ability up two stages, then induces |
    | | | | | | opponent with CONFUSION condition. |
    |------------|--------|---|----|--|---------------------------------------|
    |Fly |Flying | 70|95% |15| Attacks in two turns. The first turn, |
    | | | | | | user does not take damage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Focus Energy|Normal |---|--- |30| Increases user's critical hit rate. |
    |------------|--------|---|----|--|---------------------------------------|
    |Focus Punch |Fighting|150|100%|20| No effect. |
    |------------|--------|---|----|--|---------------------------------------|
    |Follow Me |Normal |---|100%|20| User takes all hits from opponents' |
    | | | | | | attacks. Best used in 2VS2 battles. |
    |------------|--------|---|----|--|---------------------------------------|
    |Foresight |Normal |---|100%|40| After use, opponent's raised evasion |
    | | | | | | will be ignored. |
    |------------|--------|---|----|--|---------------------------------------|
    |Frenzy Plant|Grass |150|90% | 5| Attacks in two turns. The second turn,|
    | | | | | | user does not attack. |
    |------------|--------|---|----|--|---------------------------------------|
    |Frustration |Normal |---|100%|20| Power is greater when Pokémon is not |
    | | | | | | happy. |
    |------------|--------|---|----|--|---------------------------------------|
    |Fury Attack |Normal | 15|85% |20| Attacks 2-5 times. Has a 37.5% chance |
    | | | | | | each of hitting 2 or 3 times and a |
    | | | | | | 12.5% chance each of hitting 4 or 5 |
    | | | | | | times. |
    |------------|--------|---|----|--|---------------------------------------|
    |Fury Cutter |Bug | 10|95% |20| Move's power becomes stronger if it |
    | | | | | | hits. |
    |------------|--------|---|----|--|---------------------------------------|
    |Fury Swipes |Normal | 18|80% |15| Attacks 2-5 times. Has a 37.5% chance |
    | | | | | | each of hitting 2 or 3 times and a |
    | | | | | | 12.5% chance each of hitting 4 or 5 |
    | | | | | | times. |
    |------------|--------|---|----|--|---------------------------------------|
    |Future Sight|Psychic | 80|90% |15| Attack hits 2 turns later. |
    \\-------------------------------------------------------------------------/


    G Move List:
    /-------------------------------------------------------------------------\\
    |Giga Drain |Grass | 60|100%| 5| User recovers half damage dealt. |
    |------------|--------|---|----|--|---------------------------------------|
    |Glare |Normal |---|75% |30| Induces opponent with PARALYSIS status|
    |------------|--------|---|----|--|---------------------------------------|
    |Grasswhistle|Grass |---|55% |15| May induce opponent with SLEEP status.|
    |------------|--------|---|----|--|---------------------------------------|
    |Growl |Normal |---|100%|40| Lowers opponent's ATTACK ability down |
    | | | | | | one stage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Growth |Normal |---|--- |40| Raises user's SPECIAL ATTACK ability |
    | | | | | | up one stage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Grudge |Ghost |---|100%| 5| If user is fainted by opponent's next |
    | | | | | | move, then that move's PP drops to 0. |
    |------------|--------|---|----|--|---------------------------------------|
    |Guillotine |Normal |---|30% | 5| Knocks out opponent in one hit. |
    | | | | | | Accuracy increases by an amount equal |
    | | | | | | to the difference between user and |
    | | | | | | enemy's experience levels, then |
    | | | | | | divided by 128. |
    |------------|--------|---|----|--|---------------------------------------|
    |Gust |Flying | 40|100%|35| Forces opponent to switch. Also hits |
    | | | | | | while opponent is using Fly. |
    \\-------------------------------------------------------------------------/


    H Move List:
    /-------------------------------------------------------------------------\\
    |Hail |Ice |---|--- |10| Causes hailstorm for 5 turns. |
    |------------|--------|---|----|--|---------------------------------------|
    |Harden |Normal |---|--- |30| Raises user's DEFENSE ability up one |
    | | | | | | stage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Haze |Ice |---|--- |30| Resets all ability stages. |
    |------------|--------|---|----|--|---------------------------------------|
    |Headbutt |Normal | 70|100%|15| May cause opponent to FLINCH. |
    |------------|--------|---|----|--|---------------------------------------|
    |Heal Bell |Normal |---|--- | 5| Party recovers from all status |
    | | | | | | ailments. |
    |------------|--------|---|----|--|---------------------------------------|
    |Heat Wave |Fire |100|90% |10| May induce opponent with BURN status. |
    |------------|--------|---|----|--|---------------------------------------|
    |Helping Hand|Normal |---|100%|20| During a 2VS2 battle, the partner's |
    | | | | | | attacks are 1.5x attack power. Best |
    | | | | | | used in 2VS2 battles. |
    |------------|--------|---|----|--|---------------------------------------|
    |Hi Jump Kick|Fighting| 85|90% |20| If attack misses, user takes 1/8 HP of|
    | | | | | | damage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Hidden Power|Normal |---|100%|15| Power and type varies from Pokémon to |
    | | | | | | Pokémon. |
    |------------|--------|---|----|--|---------------------------------------|
    |Horn Attack |Normal | 65|100%|25| No effect. |
    |------------|--------|---|----|--|---------------------------------------|
    |Horn Drill |Normal |---|30% | 5| Knocks out opponent in one hit. |
    | | | | | | Accuracy increases by an amount equal |
    | | | | | | to the difference between user and |
    | | | | | | enemy's experience levels, then |
    | | | | | | divided by 128. |
    |------------|--------|---|----|--|---------------------------------------|
    |Howl |Normal |---|--- |40| Raises user's ATTACK ability up one |
    | | | | | | stage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Hydro Cannon|Water |150|90% | 5| Attacks in two turns. The second |
    | | | | | | turn, user does not attack. |
    |------------|--------|---|----|--|---------------------------------------|
    |Hydro Pump |Water |120|80% | 5| No effect. |
    |------------|--------|---|----|--|---------------------------------------|
    |Hyper Beam |Normal |150|90% | 5| Attacks in two turns. The second turn,|
    | | | | | | user does not attack. |
    |------------|--------|---|----|--|---------------------------------------|
    |Hyper Fang |Normal | 80|90% |15| May cause opponent to FLINCH. |
    |------------|--------|---|----|--|---------------------------------------|
    |Hyper Voice |Normal | 90|100%|10| No effect. |
    |------------|--------|---|----|--|---------------------------------------|
    |Hypnosis |Psychic |---|60% |20| May induce opponent with SLEEP status.|
    \\-------------------------------------------------------------------------/


    I Move List:
    /-------------------------------------------------------------------------\\
    |Ice Ball |Ice | 30|90% |20| Attacks for 5 turns. |
    |------------|--------|---|----|--|---------------------------------------|
    |Ice Beam |Ice | 95|100%|10| May induce opponent with FREEZE status|
    |------------|--------|---|----|--|---------------------------------------|
    |Ice Punch |Ice | 75|100%|15| May induce opponent with FREEZE status|
    |------------|--------|---|----|--|---------------------------------------|
    |Icicle Spear|Ice | 10|100%|30| Attacks 2-5 times. Has a 37.5% chance |
    | | | | | | each of hitting 2 or 3 times and a |
    | | | | | | 12.5% chance each of hitting 4 or 5 |
    | | | | | | times. |
    |------------|--------|---|----|--|---------------------------------------|
    |Icy Wind |Ice | 55|95% |15| May lower opponent's SPEED ability |
    | | | | | | down one stage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Imprison |Psychic |---|100%|10| Opponent cannot use any move that user|
    | | | | | | knows. |
    |------------|--------|---|----|--|---------------------------------------|
    |Ingrain |Grass |---|100%|20| HP is recovered every turn. However, |
    | | | | | | the user cannot switch. |
    |------------|--------|---|----|--|---------------------------------------|
    |Iron Defense|Steel |---|--- |15| Raises user's DEFENSE ability up two |
    | | | | | | stages. |
    |------------|--------|---|----|--|---------------------------------------|
    |Iron Tail |Steel |100|75% |15| May lower opponent's DEFENSE ability |
    | | | | | | down one stage. |
    \\-------------------------------------------------------------------------/

    J Move List:
    /-------------------------------------------------------------------------\\
    |Jump Kick |Fighting| 70|95% |25| If attack misses, user takes 1/8 HP |
    | | | | | | of damage. |
    \\-------------------------------------------------------------------------/

    K Move List:
    /-------------------------------------------------------------------------\\
    |Karate Chop |Fighting| 50|100%|25| Has a high critical hit rate. |
    |------------|--------|---|----|--|---------------------------------------|
    |Kinesis |Psychic |---|80% |15| Lowers opponent's Hit Ratio ability |
    | | | | | | down one stage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Knock Off |Dark | 20|100%|20| No effect. |
    \\-------------------------------------------------------------------------/

    L Move List:
    /-------------------------------------------------------------------------\\
    |Leaf Blade |Grass | 70|100%|15| Has a high critical hit rate. |
    |------------|--------|---|----|--|---------------------------------------|
    |Leech Life |Bug | 20|100%|15| User recovers half damage dealt. |
    |------------|--------|---|----|--|---------------------------------------|
    |Leech Seed |Grass |---|90% |10| Absorbs a small amount of HP from the |
    | | | | | | opponent every turn. |
    |------------|--------|---|----|--|---------------------------------------|
    |Leer |Normal |---|100%|30| Lowers opponent's DEFENSE ability down|
    | | | | | | one stage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Lick |Ghost | 20|100%|30| May induce opponent with PARALYSIS |
    | | | | | | status. |
    |------------|--------|---|----|--|---------------------------------------|
    |Light Screen|Psychic |---|--- |30| Special type moves deal half damage to|
    | | | | | | user for five turns. |
    |------------|--------|---|----|--|---------------------------------------|
    |Lock-On |Normal |---|100%| 5| Ensures that user's next attack will |
    | | | | | | hit without fail. |
    |------------|--------|---|----|--|---------------------------------------|
    |Lovely Kiss |Normal |---|75% |10| May induce opponent with SLEEP status.|
    |------------|--------|---|----|--|---------------------------------------|
    |Low Kick |Fighting|---|100%|20| Power depends on the user's weight. |
    |------------|--------|---|----|--|---------------------------------------|
    |Luster Purge|Psychic | 70|100%| 5| May lower opponent's SPECIAL DEFENSE |
    | | | | | | ability down one stage. |
    \\-------------------------------------------------------------------------/
    M Move List:
    /-------------------------------------------------------------------------\\
    |Mach Punch |Fighting| 40|100%|30| Always attacks first. |
    |------------|--------|---|----|--|---------------------------------------|
    |Magic Coat |Psychic |---|100%|15| The effect of any SPECIAL move will |
    | | | | | | rebound and return to opponent. |
    |------------|--------|---|----|--|---------------------------------------|
    |Magical Leaf|Grass | 60|--- |20| If opponent is on screen, hits without|
    | | | | | | fail. |
    |------------|--------|---|----|--|---------------------------------------|
    |Magnitude |Ground |---|100%|30| Attack power is randomly 10, 30, 50, |
    | | | | | | 70, 90, 110, or 150, based on the |
    | | | | | | magnitude of the attack (4 through 20 |
    | | | | | | respectively). |
    |------------|--------|---|----|--|---------------------------------------|
    |Mean Look |Normal |---|100%| 5| Opponent cannot escape as long as user|
    | | | | | | remains in battle. |
    |------------|--------|---|----|--|---------------------------------------|
    |Meditate |Psychic |---|--- |40| Raises user's ATTACK ability up one |
    | | | | | | stage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Mega Drain |Grass | 40|100%|10| User recovers half damage dealt. |
    |------------|--------|---|----|--|---------------------------------------|
    |Mega Kick |Normal |120|75% | 5| No effect. |
    |------------|--------|---|----|--|---------------------------------------|
    |Mega Punch |Normal | 80|85% |20| No effect. |
    |------------|--------|---|----|--|---------------------------------------|
    |Megahorn |Bug |120|85% |10| No effect. |
    |------------|--------|---|----|--|---------------------------------------|
    |Memento |Dark |---|100%|10| User faints and opponent's abilities |
    | | | | | | lower. |
    |------------|--------|---|----|--|---------------------------------------|
    |Metal Claw |Steel | 50|95% |35| May raise user's ATTACK ability up one|
    | | | | | | stage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Metal Sound |Steel |---|85% |40| Lowers opponent's SPECIAL DEFENSE |
    | | | | | | ability down two stages. |
    |------------|--------|---|----|--|---------------------------------------|
    |Meteor Mash |Steel |100|85% |10| May raise user's ATTACK ability up one|
    | | | | | | stage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Metronome |Normal |---|--- |10| Randomly uses almost any attack. |
    |------------|--------|---|----|--|---------------------------------------|
    |Milk Drink |Normal |---|--- |10| User recovers half maximum HP. |
    |------------|--------|---|----|--|---------------------------------------|
    |Mimic |Normal |---|100%|10| Copies move used by opponent. |
    |------------|--------|---|----|--|---------------------------------------|
    |Mind Reader |Normal |---|100%| 5| Ensures that user's next attack will |
    | | | | | | hit without fail. |
    |------------|--------|---|----|--|---------------------------------------|
    |Minimize |Normal |---|--- |20| Raises user's Evasion ability up one |
    | | | | | | stage. STOMP deals double damage to |
    | | | | | | user as long as user remains in |
    | | | | | | battle. |
    |------------|--------|---|----|--|---------------------------------------|
    |Mirror Coat |Psychic |---|100%|20| If hit by a special attack, deals back|
    | | | | | | double the damage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Mirror Move |Flying |---|--- |20| Move is replaced by the last move used|
    | | | | | | by opponent. |
    |------------|--------|---|----|--|---------------------------------------|
    |Mist |Ice |---|--- |30| Prevents user's abilities from being |
    | | | | | | lowered. |
    |------------|--------|---|----|--|---------------------------------------|
    |Mist Ball |Psychic | 70|100%| 5| May lower opponent's SPECIAL ATTACK |
    | | | | | | ability down one stage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Moonlight |Normal |---|--- | 5| Restores HP, amount restored is based |
    | | | | | | on time, most effective during the |
    | | | | | | night. |
    |------------|--------|---|----|--|---------------------------------------|
    |Morning Sun |Normal |---|--- | 5| Restores HP, amount restored is based |
    | | | | | | on time, most effective during the day|
    | | | | | | time. |
    |------------|--------|---|----|--|---------------------------------------|
    |Mud Shot |Ground | 55|95% |15| May lower opponent's SPEED ability |
    | | | | | | down one stage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Mud Sport |Ground |---|100%|15| As long as user remains in battle, |
    | | | | | | Electric type moves deal less damage |
    | | | | | | to user and opponent. |
    |------------|--------|---|----|--|---------------------------------------|
    |Muddy Water |Water | 95|85% |10| May lower opponent's Hit Ratio ability|
    | | | | | | down one stage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Mud-Slap |Ground | 20|100%|10| May lower opponent's Hit Ratio ability|
    | | | | | | down one stage. |
    \\-------------------------------------------------------------------------/


    N Move List:
    /-------------------------------------------------------------------------\\
    |Nature Power|Normal |---|95% |20| Move used depends on battle location. |
    |------------|--------|---|----|--|---------------------------------------|
    |Needle Arm |Grass | 60|100%|15| May cause opponent to FLINCH. |
    |------------|--------|---|----|--|---------------------------------------|
    |Night Shade |Ghost |---|100%|15| Deals HP of damage equal to user's |
    | | | | | | level. |
    |------------|--------|---|----|--|---------------------------------------|
    |Nightmare |Ghost |---|100%|15| Inflicts 1/4 damage every turn. Only |
    | | | | | | works if opponent is induced with |
    | | | | | | SLEEP condition. |
    \\-------------------------------------------------------------------------/


    O Move List:
    /-------------------------------------------------------------------------\\
    |Octazooka |Water | 65|85% |10| May lower opponent's Hit Ratio ability|
    | | | | | | down one stage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Odor Sleuth |Normal |---|100%|40| After use, opponent's raised evasion |
    | | | | | | will be ignored. |
    |------------|--------|---|----|--|---------------------------------------|
    |Outrage |Dragon | 90|100%|15| Attacks 2, 3 turns, then induces user |
    | | | | | | with CONFUSION condition. |
    |------------|--------|---|----|--|---------------------------------------|
    |Overheat |Fire |140|90% | 5| Lowers user's SPECIAL ATTACK ability |
    | | | | | | down two stages. |
    \\-------------------------------------------------------------------------/


    P Move List:
    /-------------------------------------------------------------------------\\
    |Pain Split |Normal |---|100%|20| Evenly divides HP so that both user |
    | | | | | | and opponent have half of their |
    | | | | | | combined remaining HP. |
    |------------|--------|---|----|--|---------------------------------------|
    |Pay Day |Normal | 40|100%|20| User gains money after battle. |
    |------------|--------|---|----|--|---------------------------------------|
    |Peck |Flying | 35|100%|35| No effect. |
    |------------|--------|---|----|--|---------------------------------------|
    |Perish Song |Normal |---|--- | 5| All Pokemon will faint after three |
    | | | | | | turns. Switching a Pokemon out of |
    | | | | | | battle prevents its fainting. |
    |------------|--------|---|----|--|---------------------------------------|
    |Petal Dance |Grass | 70|100%|20| Attacks 2, 3 turns, then induces user |
    | | | | | | with CONFUSION condition. |
    |------------|--------|---|----|--|---------------------------------------|
    |Pin Missile |Bug | 14|85% |20| Attacks 2-5 times. Has a 37.5% chance |
    | | | | | | each of hitting 2 or 3 times and a |
    | | | | | | 12.5% chance each of hitting 4 or 5 |
    | | | | | | times. |
    |------------|--------|---|----|--|---------------------------------------|
    |Poison Fang |Poison | 50|100%|15| May induce opponent with TOXIC status.|
    |------------|--------|---|----|--|---------------------------------------|
    |Poison Gas |Poison |---|55% |40| Induces opponent with POISON status. |
    |------------|--------|---|----|--|---------------------------------------|
    |Poison Sting|Poison | 15|100%|35| May induce opponent with POISON status|
    |------------|--------|---|----|--|---------------------------------------|
    |Poison Tail |Poison | 50|100%|25| May induce opponent with POISON status|
    | | | | | | Has a high critical hit ratio. |
    |------------|--------|---|----|--|---------------------------------------|
    |Poisonpowder|Poison |---|75% |35| Induces opponent with POISON status. |
    |------------|--------|---|----|--|---------------------------------------|
    |Pound |Normal | 40|100%|35| No effect. |
    |------------|--------|---|----|--|---------------------------------------|
    |Powder Snow |Ice | 40|100%|25| May induce opponent with FREEZE status|
    |------------|--------|---|----|--|---------------------------------------|
    |Present |Normal |---|90% |15| Random effect, either does 40, 80, or |
    | | | | | | 120 damage or restores your opponent’s|
    | | | | | | HP by 80. |
    |------------|--------|---|----|--|---------------------------------------|
    |Protect |Normal |---|--- |10| Takes no damage from opponent's attack|
    | | | | | | May fail if used more than once in a |
    | | | | | | row. |
    |------------|--------|---|----|--|---------------------------------------|
    |Psybeam |Psychic | 65|100%|20| May induce opponent with CONFUSION |
    | | | | | | condition. |
    |------------|--------|---|----|--|---------------------------------------|
    |Psych Up |Normal |---|--- |10| Your Pokemon receives the same |
    | | | | | | temporary special effects that your |
    | | | | | | opponent received from one of its |
    | | | | | | moves (such as from Amnesia). |
    |------------|--------|---|----|--|---------------------------------------|
    |Psychic |Psychic | 90|100%|10| May lower opponent's SPECIAL DEFENSE |
    | | | | | | ability down one stage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Psycho Boost|Psychic |140|90% | 5| Lowers user's SPECIAL ATTACK ability |
    | | | | | | down two stages. |
    |------------|--------|---|----|--|---------------------------------------|
    |Psywave |Psychic |---|80% |15| Deals HP of damage equal to 1 to 1.5 x|
    | | | | | | user's level. |
    |------------|--------|---|----|--|---------------------------------------|
    |Pursuit |Dark | 40|100%|20| Opponent’s Pokemon receives double |
    | | | | | | damage if the trainer tries to switch |
    | | | | | | Pokemon the turn this attack is used. |
    \\-------------------------------------------------------------------------/

    Q Move List:
    /-------------------------------------------------------------------------\\
    |Quick Attack|Normal | 40|100%|30| Always attacks first. |
    \\-------------------------------------------------------------------------/



    R Move List:
    /-------------------------------------------------------------------------\\
    |Rage |Normal | 20|100%|20| User's Attack raises when damaged by |
    | | | | | | opponent. |
    |------------|--------|---|----|--|---------------------------------------|
    |Rain Dance |Water |---|--- | 5| Causes "Big Rain" weather for five |
    | | | | | | turns. |
    |------------|--------|---|----|--|---------------------------------------|
    |Rapid Spin |Normal | 20|100%|40| Deals damage and frees Pokemon from |
    | | | | | | multi-round attacks like Wrap and |
    | | | | | | Leech Seed. |
    |------------|--------|---|----|--|---------------------------------------|
    |Razor Leaf |Grass | 55|95% |25| Has a high critical hit rate. |
    |------------|--------|---|----|--|---------------------------------------|
    |Razor Wind |Normal | 80|100%|10| Attacks in two turns. Has a high |
    | | | | | | critical hit ratio. |
    |------------|--------|---|----|--|---------------------------------------|
    |Recover |Normal |---|--- |20| Restores half of user's maximum HP. |
    |------------|--------|---|----|--|---------------------------------------|
    |Recycle |Normal |---|100%|10| User's disposable held item returns. |
    |------------|--------|---|----|--|---------------------------------------|
    |Reflect |Psychic |---|--- |20| Physical type moves deal half damage |
    | | | | | | to user for five turns. |
    |------------|--------|---|----|--|---------------------------------------|
    |Refresh |Normal |---|100%|20| User recovers from BURN, FREEZE, or |
    | | | | | | PARALYSIS status. |
    |------------|--------|---|----|--|---------------------------------------|
    |Rest |Psychic |---|--- |10| User restores all HP and is induced |
    | | | | | | with SLEEP condition for two turns. |
    |------------|--------|---|----|--|---------------------------------------|
    |Return |Normal |---|100%|20| Power is greater when Pokémon is happy|
    |------------|--------|---|----|--|---------------------------------------|
    |Revenge |Fighting| 60|100%|10| If the user is damaged before it |
    | | | | | | attacks, the attack power is double. |
    |------------|--------|---|----|--|---------------------------------------|
    |Reversal |Fighting|---|100%|15| The less HP user has, the higher the |
    | | | | | | attack power. When HP is very low, |
    | | | | | | attack power is 200. When HP is |
    | | | | | | highest, attack power is 20. |
    |------------|--------|---|----|--|---------------------------------------|
    |Roar |Normal |---|100%|20| Escape from a wild battle. Switch |
    | | | | | | opponent's Pokémon in a link battle. |
    |------------|--------|---|----|--|---------------------------------------|
    |Rock Blast |Rock | 25|80% |10| Attacks 2-5 times. Has a 37.5% chance |
    | | | | | | each of hitting 2 or 3 times and a |
    | | | | | | 12.5% chance each of hitting 4 or 5 |
    | | | | | | times. |
    |------------|--------|---|----|--|---------------------------------------|
    |Rock Slide |Rock | 75|90% |10| May cause opponent to FLINCH. |
    |------------|--------|---|----|--|---------------------------------------|
    |Rock Smash |Fighting| 20|100%|15| May lower opponent's DEFENSE ability |
    | | | | | | down one stage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Rock Throw |Rock | 50|90% |15| No effect. |
    |------------|--------|---|----|--|---------------------------------------|
    |Rock Tomb |Rock | 50|80% |10| May lower opponent's SPEED ability |
    | | | | | | down one stage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Role Play |Psychic |---|100%|10| User's characteristic changes to |
    | | | | | | opponent's characteristic. |
    |------------|--------|---|----|--|---------------------------------------|
    |Rolling Kick|Fighting| 60|85% |15| May cause opponent to FLINCH. |
    |------------|--------|---|----|--|---------------------------------------|
    |Rollout |Rock | 30|90% |20| Attacks for 5 turns. |
    \\-------------------------------------------------------------------------/

    S Move List:
    /-------------------------------------------------------------------------\\
    |Sacred Fire |Fire |100|95% | 5| May induce opponent with BURN status. |
    | | | | | | Can remove FREEZE status from user. |
    |------------|--------|---|----|--|---------------------------------------|
    |Safeguard |Normal |---|--- |25| Protects your Pokemon from special |
    | | | | | | effects like PARALYSIS and SLEEP, this|
    | | | | | | effect lasts temporary. |
    |------------|--------|---|----|--|---------------------------------------|
    |Sand Tomb |Ground | 15|70% |15| Traps opponent for 2-5 turns. Deals |
    | | | | | | 1/16 HP of damage each turn. |
    |------------|--------|---|----|--|---------------------------------------|
    |Sand-Attack |Ground |---|100%|15| Lowers opponent's Hit Ratio ability |
    | | | | | | down one stage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Sandstorm |Rock |---|--- |10| Causes sandstorm weather for five |
    | | | | | | turns. |
    |------------|--------|---|----|--|---------------------------------------|
    |Scary Face |Normal |---|90% |10| Lowers opponent's SPEED ability down |
    | | | | | | two stages. |
    |------------|--------|---|----|--|---------------------------------------|
    |Scratch |Normal | 40|100%|35| No effect. |
    |------------|--------|---|----|--|---------------------------------------|
    |Screech |Normal |---|85% |40| Lowers opponent's DEFENSE ability down|
    | | | | | | two stages. |
    |------------|--------|---|----|--|---------------------------------------|
    |Secret Power|Normal | 70|100%|20| Effect depends on surroundings. In |
    | | | | | | grass, effect is POISON. In tall |
    | | | | | | grass, effect is SLEEP. On the ocean, |
    | | | | | | ATTACK lowers one stage. Underwater, |
    | | | | | | DEFENSE lowers one stage. In a pond, |
    | | | | | | SPEED lowers one stage. In sand, |
    | | | | | | accuracy lowers one stage. In a cave, |
    | | | | | | effect is FLINCH. On rocks, effect is |
    | | | | | | CONFUSION. Elsewhere, effect is |
    | | | | | | PARALYZE. |
    |------------|--------|---|----|--|---------------------------------------|
    |Seismic Toss|Fighting|---|100%|20| Deals HP of damage equal to user's |
    | | | | | | level. |
    |------------|--------|---|----|--|---------------------------------------|
    |Selfdestruct|Normal |200|100%| 5| Attack deals double damage. User |
    | | | | | | faints. |
    |------------|--------|---|----|--|---------------------------------------|
    |Shadow Ball |Ghost | 80|100%|15| May lower opponent's SPECIAL DEFENSE |
    | | | | | | ability down one stage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Shadow Punch|Ghost | 60|--- |20| If opponent is on screen, hits without|
    | | | | | | fail. |
    |------------|--------|---|----|--|---------------------------------------|
    |Sharpen |Normal |---|--- |30| Raises user's ATTACK ability up one |
    | | | | | | stage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Sheer Cold |Ice |---|30% | 5| Knocks out opponent in one hit. |
    | | | | | | Accuracy increases by an amount equal |
    | | | | | | to the difference between user and |
    | | | | | | enemy's experience levels, then |
    | | | | | | divided by 128. |
    |------------|--------|---|----|--|---------------------------------------|
    |Shock Wave |Electric| 60|0% |20| If opponent is on screen, hits without|
    | | | | | | fail. |
    |------------|--------|---|----|--|---------------------------------------|
    |Signal Beam |Bug | 75|100%|15| May induce opponent with CONFUSION |
    | | | | | | condition. |
    |------------|--------|---|----|--|---------------------------------------|
    |Silver Wind |Bug | 60|100%| 5| May raise all of user's abilities up |
    | | | | | | one stage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Sing |Normal |---|55% |15| May induce opponent with SLEEP status.|
    |------------|--------|---|----|--|---------------------------------------|
    |Sketch |Normal |---|--- | 1| Permanently copies opponent's last |
    | | | | | | move. |
    |------------|--------|---|----|--|---------------------------------------|
    |Skill Swap |Psychic |---|100%|10| Swap characteristics with opponent. |
    |------------|--------|---|----|--|---------------------------------------|
    |Skull Bash |Normal |100|100%|15| Raises Defense up one stage first |
    | | | | | | turn, then attacks second turn. |
    |------------|--------|---|----|--|---------------------------------------|
    |Sky Attack |Flying |140|90% | 5| Attacks in two turns. May cause |
    | | | | | | opponent to FLINCH. |
    |------------|--------|---|----|--|---------------------------------------|
    |Sky Uppercut|Fighting| 85|90% |15| Can hit opponent during FLY. |
    |------------|--------|---|----|--|---------------------------------------|
    |Slack Off |Normal |---|100%|10| Restores half of user's maximum HP. |
    |------------|--------|---|----|--|---------------------------------------|
    |Slam |Normal | 80|75% |20| No effect. |
    |------------|--------|---|----|--|---------------------------------------|
    |Slash |Normal | 70|100%|20| Has a high critical hit rate. |
    |------------|--------|---|----|--|---------------------------------------|
    |Sleep Powder|Grass |---|75% |15| May induce opponent with SLEEP status.|
    |------------|--------|---|----|--|---------------------------------------|
    |Sleep Talk |Normal |---|--- |10| Pokemon attacks with one of the |
    | | | | | | opponent’s attacks, only used when |
    | | | | | | asleep. |
    |------------|--------|---|----|--|---------------------------------------|
    |Sludge |Poison | 65|100%|20| May induce opponent with POISON status|
    |------------|--------|---|----|--|---------------------------------------|
    |Sludge Bomb |Poison | 90|100%|10| May induce opponent with POISON status|
    |------------|--------|---|----|--|---------------------------------------|
    |SmellingSalt|Normal | 60|100%|10| If the opponent is induced with |
    | | | | | | PARALYZE status, attack power is |
    | | | | | | double. Opponent recovers from |
    | | | | | | PARALYZE status. |
    |------------|--------|---|----|--|---------------------------------------|
    |Smog |Poison | 20|70% |20| May induce opponent with POISON status|
    |------------|--------|---|----|--|---------------------------------------|
    |Smokescreen |Normal |---|100%|20| Lowers opponent's Hit Ratio ability |
    | | | | | | down one stage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Snatch |Dark |---|100%|10| Unknown? |
    |------------|--------|---|----|--|---------------------------------------|
    |Snore |Normal | 40|100%|15| Can only be used when user is induced |
    | | | | | | with SLEEP. |
    |------------|--------|---|----|--|---------------------------------------|
    |Softboiled |Normal |---|100%|10| User recovers half maximum HP. |
    |------------|--------|---|----|--|---------------------------------------|
    |Solarbeam |Grass |120|100%|10| Attacks in two turns. The first turn, |
    | | | | | | user does not attack. Attacks in one |
    | | | | | | turn during Clear Skies weather. |
    |------------|--------|---|----|--|---------------------------------------|
    |Sonicboom |Normal |---|90% |20| Always deals 20 HP of damage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Spark |Electric| 65|100%|20| May induce opponent with PARALYSIS |
    | | | | | | status. |
    |------------|--------|---|----|--|---------------------------------------|
    |Spider Web |Bug |---|100%|10| Opponent cannot escape as long as user|
    | | | | | | remains in battle. |
    |------------|--------|---|----|--|---------------------------------------|
    |Spike Cannon|Normal | 20|100%|15| Attacks 2-5 times. Has a 37.5% chance |
    | | | | | | each of hitting 2 or 3 times and a |
    | | | | | | 12.5% chance each of hitting 4 or 5 |
    | | | | | | times. |
    |------------|--------|---|----|--|---------------------------------------|
    |Spikes |Ground |---|--- |20| Sets spikes down. Opponent takes |
    | | | | | | damage upon switch. |
    |------------|--------|---|----|--|---------------------------------------|
    |Spit Up |Normal |100|100%|10| Deals damage depending on how much |
    | | | | | | energy is stored. |
    |------------|--------|---|----|--|---------------------------------------|
    |Spite |Ghost |---|100%|10| Opponent's last move used loses 2 to |
    | | | | | | 5 PP. |
    |------------|--------|---|----|--|---------------------------------------|
    |Splash |Normal |---|--- |40| Does nothing. |
    |------------|--------|---|----|--|---------------------------------------|
    |Spore |Grass |---|100%|15| May induce opponent with SLEEP status.|
    |------------|--------|---|----|--|---------------------------------------|
    |Steel Wing |Steel | 70|90% |25| Deals damage and may raise your |
    | | | | | | defense by 1 level temporarily. |
    |------------|--------|---|----|--|---------------------------------------|
    |Stockpile |Normal |---|--- |10| Stores energy. May be used up to three|
    | | | | | | times. |
    |------------|--------|---|----|--|---------------------------------------|
    |Stomp |Normal | 65|100%|20| May cause opponent to FLINCH. |
    |------------|--------|---|----|--|---------------------------------------|
    |Strength |Normal | 80|100%|15| No effect. |
    |------------|--------|---|----|--|---------------------------------------|
    |String Shot |Bug |---|95% |40| Lowers opponent's SPEED ability down |
    | | | | | | one stage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Struggle |Normal | 50|100%|--| Used when user runs out of PP. User |
    | | | | | | is dealt recoil damage equal to 1/4 |
    | | | | | | damage dealt to opponent. |
    |------------|--------|---|----|--|---------------------------------------|
    |Stun Spore |Grass |---|75% |30| Induces opponent with PARALYSIS status|
    |------------|--------|---|----|--|---------------------------------------|
    |Submission |Fighting| 80|80% |25| Used when user runs out of PP. User is|
    | | | | | | dealt recoil damage equal to 1/4 |
    | | | | | | damage dealt to opponent. |
    |------------|--------|---|----|--|---------------------------------------|
    |Substitute |Normal |---|--- |10| Uses 1/4 of the user's HP to make a |
    | | | | | | decoy. Decoy takes damage from |
    | | | | | | opponent's attacks until it breaks. |
    |------------|--------|---|----|--|---------------------------------------|
    |Sunny Day |Fire |---|--- | 5| Causes "Clear Skies" weather for five |
    | | | | | | turns. |
    |------------|--------|---|----|--|---------------------------------------|
    |Super Fang |Normal |---|90% |10| Deals damage equal to half opponent's |
    | | | | | | current HP. |
    |------------|--------|---|----|--|---------------------------------------|
    |Superpower |Fighting|120|100%| 5| Lowers user's ATTACK and DEFENSE |
    | | | | | |abilities each down one stage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Supersonic |Normal |---|55% |20| Induces opponent with CONFUSION |
    | | | | | | condition. |
    |------------|--------|---|----|--|---------------------------------------|
    |Surf |Water | 95|100%|15| No effect. |
    |------------|--------|---|----|--|---------------------------------------|
    |Swagger |Normal |---|90% |15| Raises opponent's ATTACK ability up |
    | | | | | | two stages, then induces opponent with|
    | | | | | | CONFUSION condition. |
    |------------|--------|---|----|--|---------------------------------------|
    |Swallow |Normal |---|--- |10| Recovers HP depending on how much |
    | | | | | | energy is stored. |
    |------------|--------|---|----|--|---------------------------------------|
    |Sweet Kiss |Normal |---|75% |10| Induces opponent with CONFUSION |
    | | | | | | condition. |
    |------------|--------|---|----|--|---------------------------------------|
    |Sweet Scent |Normal |---|100%|20| Lowers opponent's Evasion ability down|
    | | | | | | one stage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Swift |Normal | 60|--- |20| If opponent is on screen, hits without|
    | | | | | | fail. |
    |------------|--------|---|----|--|---------------------------------------|
    |Swords Dance|Normal |---|--- |30| Raises user's ATTACK ability up two |
    | | | | | | stages. |
    |------------|--------|---|----|--|---------------------------------------|
    |Synthesis |Grass |---|--- | 5| Restores HP, amount of HP restored |
    | | | | | | depends on time of day. |
    \\-------------------------------------------------------------------------/

    T Move List:
    /-------------------------------------------------------------------------\\
    |Tackle |Normal | 35|95% |35| No effect. |
    |------------|--------|---|----|--|---------------------------------------|
    |Tail Glow |Bug |---|100%|20| Raises user's SPECIAL ATTACK ability |
    | | | | | | up two stages. |
    |------------|--------|---|----|--|---------------------------------------|
    |Tail Whip |Normal |---|100%|30| Lowers opponent's DEFENSE ability |
    | | | | | | down one stage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Take Down |Normal | 90|85% |20| Used when user runs out of PP. User is|
    | | | | | | dealt recoil damage equal to 1/4 damag|
    | | | | | | dealt to opponent. |
    |------------|--------|---|----|--|---------------------------------------|
    |Taunt |Dark |---|100%|20| Unknown? |
    |------------|--------|---|----|--|---------------------------------------|
    |Teeter Dance|Normal |---|100%|20| All Pokémon except user become induced|
    | | | | | | with CONFUSION. |
    |------------|--------|---|----|--|---------------------------------------|
    |Teleport |Psychic |---|--- |20| Flees from battle. Does not work in |
    | | | | | | Trainer Battles. |
    |------------|--------|---|----|--|---------------------------------------|
    |Thief |Dark | 40|100%|10| If user is not holding an item, user |
    | | | | | | takes opponent's item. |
    |------------|--------|---|----|--|---------------------------------------|
    |Thrash |Normal | 90|100%|20| Attacks 2, 3 turns, then induces user |
    | | | | | | with CONFUSION condition. |
    |------------|--------|---|----|--|---------------------------------------|
    |Thunder |Electric|120|70% |10| May induce opponent with PARALYSIS. |
    | | | | | | Has 100% accuracy during Big Rain |
    | | | | | | weather. |
    |------------|--------|---|----|--|---------------------------------------|
    |Thunder Wave|Electric|---|100%|20| Induces opponent with PARALYSIS status|
    |------------|--------|---|----|--|---------------------------------------|
    |Thunderbolt |Electric| 95|100%|15| May induce opponent with PARALYSIS |
    | | | | | | status. |
    |------------|--------|---|----|--|---------------------------------------|
    |Thunderpunch|Electric| 75|100%|15| May induce opponent with PARALYSIS |
    | | | | | | status. |
    |------------|--------|---|----|--|---------------------------------------|
    |Thundershock|Electric| 40|100%|30| May induce opponent with PARALYSIS |
    | | | | | | status. |
    |------------|--------|---|----|--|---------------------------------------|
    |Tickle |Normal |---|100%|20| Lowers opponent's ATTACK and DEFENSE |
    | | | | | | abilities each down one stage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Torment |Dark |---|100%|15| The same move cannot be used twice in |
    | | | | | | a row. |
    |------------|--------|---|----|--|---------------------------------------|
    |Toxic |Poison |---|85% |10| Induces opponent with TOXIC status. |
    |------------|--------|---|----|--|---------------------------------------|
    |Transform |Normal |---|--- |10| User's abilities (except for HP) |
    | | | | | | become that of opponent. User's |
    | | | | | | ability changes and status inducement |
    | | | | | | also become that of opponent. Users |
    | | | | | | moves become those of opponent, but |
    | | | | | | only have 5 PP each. |
    |------------|--------|---|----|--|---------------------------------------|
    |Tri Attack |Normal | 80|100%|10| May induce opponent with either BURN, |
    | | | | | | FREEZE, or PARALYSIS. |
    |------------|--------|---|----|--|---------------------------------------|
    |Trick |Psychic |---|100%|10| User and opponent exchange held items.|
    |------------|--------|---|----|--|---------------------------------------|
    |Triple Kick |Fighting| 10|90% |10| Attacks 1 to 3 times. |
    |------------|--------|---|----|--|---------------------------------------|
    |Twineedle |Bug | 25|100%|20| Attacks 2 times. May induce opponent |
    | | | | | | with POISON condition. |
    |------------|--------|---|----|--|---------------------------------------|
    |Twister |Dragon | 40|100%|20| No effect. |
    \\-------------------------------------------------------------------------/


    U Move List:
    /-------------------------------------------------------------------------\\
    |Uproar |Normal | 50|100%|10| Cannot sleep for 2 to 5 turns. |
    \\-------------------------------------------------------------------------/

    V Move List:
    /-------------------------------------------------------------------------\\
    |Vicegrip |Normal | 55|100%|30| No effect. |
    |------------|--------|---|----|--|---------------------------------------|
    |Vine Whip |Grass | 35|100%|10| No effect. |
    |------------|--------|---|----|--|---------------------------------------|
    |Vital Throw |Fighting| 70|100%|10| Hits opponent without fail. Always |
    | | | | | | goes last. |
    |------------|--------|---|----|--|---------------------------------------|
    |Volt Tackle |Electric|120|100%|15| User is dealt recoil damage equal to |
    | | | | | | 1/3 damage dealt to opponent. |
    \\-------------------------------------------------------------------------/

    W Move List:
    /-------------------------------------------------------------------------\\
    |Water Gun |Water | 40|100%|25| No effect. |
    |------------|--------|---|----|--|---------------------------------------|
    |Water Pulse |Water | 60|100%|20| May induce opponent with CONFUSION |
    | | | | | | condition. |
    |------------|--------|---|----|--|---------------------------------------|
    |Water Sport |Water |---|100%|15| As long as user remains in battle, |
    | | | | | | Fire type moves deal less damage to |
    | | | | | | user and opponent. |
    |------------|--------|---|----|--|---------------------------------------|
    |Water Spout |Water |150|100%| 5| Power decreases as user's HP lowers. |
    |------------|--------|---|----|--|---------------------------------------|
    |Waterfall |Water | 80|100%|15| No effect. |
    |------------|--------|---|----|--|---------------------------------------|
    |Weather Ball|Normal | 50|100%|10| Attack power doubles during weather. |
    | | | | | | Type changes based on weather. Becomes|
    | | | | | | Fire type in "Clear Skies". Becomes |
    | | | | | | Water type in "Big Rain". Becomes Ice |
    | | | | | | type in hailstorm. Becomes Rock type |
    | | | | | | in sandstorm. |
    |------------|--------|---|----|--|---------------------------------------|
    |Whirlpool |Water | 15|70% |15| Traps opponent for 2-5 turns. Deals |
    | | | | | | 1/16 HP of damage each turn. |
    |------------|--------|---|----|--|---------------------------------------|
    |Whirlwind |Normal |---|100%|20| Escape from a wild battle. Switch |
    | | | | | | opponent's Pokémon in a link battle. |
    |------------|--------|---|----|--|---------------------------------------|
    |Will-O-Wisp |Fire |---|75% |15| Induces opponent with BURN status. |
    |------------|--------|---|----|--|---------------------------------------|
    |Wing Attack |Flying | 60|100%|35| No effect. |
    |------------|--------|---|----|--|---------------------------------------|
    |Wish |Normal |---|100%|10| Half maximum HP is recovered at the |
    | | | | | | end of the next turn. Still recovers, |
    | | | | | | even if user switches. |
    |------------|--------|---|----|--|---------------------------------------|
    |Withdraw |Water |---|--- |40| Raises user's DEFENSE ability up one |
    | | | | | | stage. |
    |------------|--------|---|----|--|---------------------------------------|
    |Wrap |Normal | 15|85% |20| Traps opponent for 2-5 turns. Deals |
    | | | | | | 1/16 HP of damage each turn. |
    \\-------------------------------------------------------------------------/

    Y Move List:
    /-------------------------------------------------------------------------\\
    |Yawn |Normal |---|100%|10| If the opponent remains in battle, |
    | | | | | | it will be induced with SLEEP on the |
    | | | | | | following turn. |
    \\-------------------------------------------------------------------------/

    Z Move List:
    /-------------------------------------------------------------------------\\
    |Zap Cannon |Electric|100|50% | 5| May induce opponent with PARALYSIS |
    | | | | | | status. |
    \\-------------------------------------------------------------------------/


    0F7:
    ===========================================================================
    Nature List
    ===========================================================================
    /----------------------------------------------------\\
    |Name | Status |
    |----------------------------------------------------|
    | | Ata | Def | S. Ata | S. Def | Spe |
    | |--------|--------|---------|--------|-------|
    |Adamant| Up | | Down | | |
    | |--------|--------|---------|--------|-------|
    |Bashful| | | | | |
    | |--------|--------|---------|--------|-------|
    |Bold | Down | Up | | | |
    | |--------|--------|---------|--------|-------|
    |Brave | Up | | | | Down |
    | |--------|--------|---------|--------|-------|
    |Calm | Down | | | Up | |
    | |--------|--------|---------|--------|-------|
    |Careful| | | Down | Up | |
    | |--------|--------|---------|--------|-------|
    |Gentle | | Down | | Up | |
    | |--------|--------|---------|--------|-------|
    |Hardy | | | | | Up |
    | |--------|--------|---------|--------|-------|
    |Hasty | | Down | | | Up |
    | |--------|--------|---------|--------|-------|
    |Impish | | Up | Down | | Up |
    | |--------|--------|---------|--------|-------|
    |Jolly | | | Down | | Up |
    | |--------|--------|---------|--------|-------|
    |Lax | | Up | | Down | |
    | |--------|--------|---------|--------|-------|
    |Lonely | Up | Down | | | |
    | |--------|--------|---------|--------|-------|
    |Mild | | Down | Up | | |
    | |--------|--------|---------|--------|-------|
    |Modest | Down | | Up | | |
    | |--------|--------|---------|--------|-------|
    |Naieve | | | | Down | Up |
    | |--------|--------|---------|--------|-------|
    |Naughty| Up | | | Down | |
    | |--------|--------|---------|--------|-------|
    |Quiet | | | Up | | Down |
    | |--------|--------|---------|--------|-------|
    |Quirky | | | | | |
    | |--------|--------|---------|--------|-------|
    |Rash | | | Up | | Up |
    | |--------|--------|---------|--------|-------|
    |Relaxed| | Up | | | Down |
    | |--------|--------|---------|--------|-------|
    |Sassy | | | | Up | Down |
    | |--------|--------|---------|--------|-------|
    |Serious| | | | | |
    | |--------|--------|---------|--------|-------|
    |Timid | Down | | | | Up |
    \\----------------------------------------------------/

    Key:
    Ata = Attack
    Def = Defence
    Spe = Speed
    S. Ata = Special Attack
    S. Def = Special Defence

    Up = Status goes up more when leveling up
    Down = Status doesn't go up as much when leveling up

    X01:
    /-------------------------------------------------------------------------\\
    | POKEDEX: 001-151 |
    \\-------------------------------------------------------------------------/

    Current Status:
    ===========================================================================
    Version 1.0: Bulbasaur-Sandslash Pokedex
    Version 1.1: Nidoran Female-Golbat
    Version 1.2: Finished with Barebones of the FR/LG Pokemon


    Key:
    ===========================================================================
    Number before name: Current Pokedex number of Pokemon

    Pokemon Name: Name of the Pokemon

    Type: Element Type of that Pokemon

    Location: Where you can find it

    Evolution Line: List of Evolutions for that Pokemon Type

    Move List Key:
    ===========================================================================
    Name: Name of Attack

    Type: Type of Attack

    #1: Level the first form learns it at
    #2: Level of the Second form it learns it at
    #3L level the third form learns it at
    Pre: Baby Pokemon that learns the mote
    Sta: Pokemon knows that move from the start
    -: That type of Pokemon cannot learn that particular attack

    Ability: Ability the Pokemon may have when you get it. If it had one
    ability, then it will always have that ability. If it has
    two, there is a split chance that your Pokemon may have that
    move with you catch/hatch it. If your Pokemon has a different
    ability when it evolves, it will overwrite the previous one.

    Egg Group: Egg Groups are a hidden value that shows which Pokemon can
    Breed with what. Please note that the names are not show,
    and I will use the Nintendo Power Guide's names (Since it is the
    closest thing to being official that there is)

    Moves: Note that these moves only apply to FR/LG. Because it was
    released later then R/S, some of the level moves may be
    different from raising those Pokemon in those version
    due to balancing issues.

    Lost Moves: These are moves a Pokemon once learned in a previous
    Generation, but lost when it came to another generation.
    The current list only applies to moves that were lost via
    leveling up, and not TM's. Note that some of these may
    be learned via R/S/E/Col/XD, since I have not checked the
    move list for those versions yet.

    ===========================================================================
    #1 Bulbasaur/#2 Ivysaur/#3 Venusaur

    Type: Grass/Poison

    Ability: Overgrow

    Egg Group: Monster/Grass

    Location: Trade from FR/LG

    Evolution Line: Bulbasaur Lv 16
    Ivysaur Lv 32
    Venusaur Final
    Move List:
    /--------------------------------------------\\
    |Name |Type |#1 |#2 |#3 |
    |----------------------|---------|---|---|---|
    |Tackle |Normal |Sta|Sta|Sta|
    |Growl |Normal |4 |4 |4 |
    |Leech Seed |Grass |7 |7 |7 |
    |Vine Whip |Grass |10 |10 |10 |
    |Poison Powder |Poison |15 |15 |15 |
    |Sleep Powder |Grass |15 |15 |15 |
    |Razor Leaf |Grass |27 |30 |30 |
    |Sweet Scent |Normal |25 |29 |29 |
    |Growth |Normal |34 |38 |41 |
    |Synthesis |Grass |39 |47 |53 |
    |Solar Beam |Grass |46 |56 |65 |
    \\--------------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Light Screen |Psycic |
    |Skull Bash |Normal |
    |Safeguard |Normal |
    |Charm |Normal |
    |Petal Dance |Grass |
    |Magical Leaf |Grass |
    |Grasswhistle |Grass |
    |Curse |??? |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 05|Roar |Venusaur Only |
    |TM 06|Toxic | |
    |TM 09|Bullet Seed | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 15|Hyper Beam |Venusaur Only |
    |TM 17|Protect | |
    |TM 19|Giga Drain | |
    |TM 21|Frustration | |
    |TM 22|Solar Beam | |
    |TM 26|Earthquake |Venusaur Only |
    |TM 27|Return | |
    |TM 32|Double Team | |
    |TM 36|Sluge Bomb | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |-----|-------------|------------------------|
    |HM 01|Cut | |
    |HM 04|Strength | |
    |HM 05|Flash | |
    |HM 06|Rock Smash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Body Slam | |
    |Double Edge | |
    |Mimic | |
    |Substitute | |
    |Sword Dance | |
    |Frenzy Plant |Venusaur Only |
    \\--------------------------------------------/

    ===========================================================================
    #4 Charmander/#5 Charmeleon/#6 Charizard

    Type: Charmander/Charmeleon: Fire
    Charizard: Fire/Flying

    Ability: Blaze

    Egg Group: Monster/Dragon

    Location: Trade from FR/LG

    Evolution Line: Charmander Lv 16
    Charmeleon Lv 36
    Charizard Final
    Move List:
    /--------------------------------------------\\
    |Name |Type |#1 |#2 |#3 |
    |----------------------|---------|---|---|---|
    |Scratch |Normal |Sta|Sta|Sta|
    |Growl |Normal |Sta|Sta|Sta|
    |Ember |Fire |7 |7 |7 |
    |Smokescreen |Normal |13 |13 |13 |
    |Rage |Normal |19 |20 |20 |
    |Scary Face |Normal |25 |27 |27 |
    |Flamethrower |Fire |31 |34 |34 |
    |Wing Attack |Flying |- |- |36 |
    |Slash |Normal |37 |41 |44 |
    |Dragon Rage |Dragon |43 |48 |54 |
    |Fire Spin |Fire |49 |55 |64 |
    \\--------------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Belly Drum |Normal |
    |Ancientpower |Rock |
    |Rock Slide |Rock |
    |Bite |Dark |
    |Outrage |Dragon |
    |Beat Up |Dark |
    |Swords Dance |Normal |
    |Dragon Dance |Dragon |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 01|Focus Punch | |
    |TM 02|Dragon Claw | |
    |TM 05|Roar |Charizard only |
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 15|Hyper Beam |Charizard only |
    |TM 17|Protect | |
    |TM 21|Frustration | |
    |TM 23|Iron Tail | |
    |TM 26|Earthquake |Charizard only |
    |TM 27|Return | |
    |TM 28|Dig | |
    |TM 31|Brick Break | |
    |TM 32|Double Team | |
    |TM 35|Flamethrower | |
    |TM 38|Fire Blast | |
    |TM 40|Aerial Ace | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 47|Steel Wing |Charizard only |
    |TM 50|Overheat | |
    |-----|-------------|------------------------|
    |HM 01|Cut | |
    |HM 02|Fly |Charizard only |
    |HM 04|Strength | |
    |HM 06|Rock Smash | |
    \\--------------------------------------------/



    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Mega Punch | |
    |Swords Dance | |
    |Mega Kick | |
    |Body Slam | |
    |Double-Edge | |
    |Counter | |
    |Seismic Toss | |
    |Mimic | |
    |Rock Slide | |
    |Substitute | |
    |Blast Burn |Charizard Only |
    \\--------------------------------------------/

    Lost Moves:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Leer |Normal |
    |Rage |Normal |
    \\--------------------------------/

    ===========================================================================
    #7 Squrtle/#8 Wartortle/#9 Blastoise

    Type: Water

    Ability: Torment

    Egg Group: Monster/Water 1

    Location: Trade from FR/LG

    Evolution Line: Squirle Lv 16
    Wartortle Lv 36
    Blastoise Final
    Move List:
    /--------------------------------------------\\
    |Name |Type |#1 |#2 |#3 |
    |----------------------|---------|---|---|---|
    |Tackle |Normal |Sta|Sta|Sta|
    |Tail Whip |Normal |4 |4 |4 |
    |Bubble |Water |7 |7 |7 |
    |Withdraw |Water |10 |10 |10 |
    |Water Gun |Water |13 |13 |13 |
    |Bite |Dark |18 |19 |19 |
    |Rapid Spin |Normal |23 |25 |25 |
    |Protect |Normal |28 |31 |31 |
    |Rain Dance |Water |33 |37 |42 |
    |Skull Bash |Normal |40 |45 |55 |
    |Hydro Pump |Water |47 |53 |68 |
    \\--------------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Forsight |Normal |
    |Flail |Normal |
    |Refresh |Normal |
    |Mud Sport |Ground |
    |Yawn |Normal |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 01|Focus Punch | |
    |TM 03|Water Pulse | |
    |TM 05|Roar |Blastoise Only |
    |TM 06|Toxic | |
    |TM 07|Hail | |
    |TM 10|Hidden Power | |
    |TM 13|Ice Beam | |
    |TM 14|Blizzard | |
    |TM 15|Hyper Beam |Blastoise Only |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 23|Iron Tail | |
    |TM 26|Earthquake |Blastoise Only |
    |TM 27|Return | |
    |TM 28|Dig | |
    |TM 31|Brick Break | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |-----|-------------|------------------------|
    |HM 03|Surf | |
    |HM 04|Strength | |
    |HM 06|Rock Smash | |
    |HM 07|Waterfall | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Mega Punch | |
    |Mega Kick | |
    |Body Slam | |
    |Double-Edge | |
    |Counter | |
    |Seismic Toss | |
    |Mimic | |
    |Substitute | |
    |Hydro Cannon |Blastoise Only |
    \\--------------------------------------------/

    ===========================================================================
    #10 Caterpie/#11 Metapod/#12 Butterfree

    Type: Caterpie/Metapod: Bug
    Butterfree: Bug/Flying

    Ability: Shield Dust (Caterpie)
    Shed Skin (Metapod)
    Compoundeyes (Butterfree)

    Egg Group: Bug

    Location: Trade from FR/LG

    Evolution Line: Caterpie Lv 7
    Metapod Lv 10
    Butterfree Final
    Move List:
    /--------------------------------------------\\
    |Name |Type |#1 |#2 |#3 |
    |----------------------|---------|---|---|---|
    |Tackle |Normal |Sta|- |Sta|
    |String Shot |Bug |Sta|- |Sta|
    |Harden |Normal |- |7 |- |
    |Confusion |Psycic |- |- |10 |
    |Poison Powder |Poison |- |- |13 |
    |Stun Spore |Grass |- |- |14 |
    |Sleep Powder |Grass |- |- |15 |
    |Supersonic |Normal |- |- |18 |
    |Whirlwind |Normal |- |- |23 |
    |Gust |Flying |- |- |28 |
    |Psybeam |Psycic |- |- |34 |
    |Safeguard |Normal |- |- |40 |
    |Silver Wind |Bug |- |- |47 |
    \\--------------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |None |
    \\--------------------------------/

    TM and HM List: *Note: Only Butterfree can learn TM's and HM's
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 15|Hyper Beam | |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 19|Giga Drain | |
    |TM 20|Safeguard | |
    |TM 21|Frustration | |
    |TM 22|Solar Beam | |
    |TM 27|Return | |
    |TM 29|Psycic | |
    |TM 30|Shadow Ball | |
    |TM 32|Double Team | |
    |TM 40|Aerial Ace | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |TM 48|Skill Swap | |
    |-----|-------------|------------------------|
    |HM 05|Flash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Double-Edge |Butterfree Only |
    |Mimic |Butterfree Only |
    |Dream Eater |Butterfree Only |
    |Substitute |Butterfree Only |
    \\--------------------------------------------/

    ===========================================================================
    #13 Weedle/#14 Kakuna/#15 Beedrill

    Type: Bug/Poison

    Location: Trade from FR/LG

    Ability: Shield Dust (Weedle)
    Shed Skin (Kakuna)
    Swarm (Beedrill)

    Egg Group: Bug

    Evolution Line: Weedle Lv 7
    Kakuna Lv 10
    Beedrill Final

    Move List:
    /--------------------------------------------\\
    |Name |Type |#1 |#2 |#3 |
    |----------------------|---------|---|---|---|
    |Poison Sting |Poison |Sta|- |Sta|
    |String Shot |Bug |Sta|- |Sta|
    |Harden |Normal |- |7 |- |
    |Fury Attack |Normal |- |- |10 |
    |Focus Energy |Normal |- |- |15 |
    |Twin Needle |Bug |- | |20 |
    |Rage |Normal |- |- |25 |
    |Pursuit |Dark |- |- |30 |
    |Pin Missle |Bug |- |- |35 |
    |Agility |Psycic |- |- |40 |
    |Endeavor |Normal |- |- |45 |
    \\--------------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |None |
    \\--------------------------------/

    TM and HM List: *Note: Only Beedrill can learn TM's and HM's
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 15|Hyper Beam | |
    |TM 16|Light Screen | |
    |TM 17|Protect | |
    |TM 19|Giga Drain | |
    |TM 21|Frustration | |
    |TM 22|Solar Beam | |
    |TM 27|Return | |
    |TM 31|Brick Break | |
    |TM 32|Double Team | |
    |TM 36|Sluge Bomb | |
    |TM 40|Aerial Ace | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |-----|-------------|------------------------|
    |HM 01|Cut | |
    |HM 06|Rock Smash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Swords Dance |Beedrill only |
    |Double Edge |Beedrill only |
    |Mimic |Beedrill only |
    |Substitute |Beedrill only |
    \\--------------------------------------------/

    ===========================================================================
    #16 Pidgey/#17 Pidgeotto/#18 Pidgeot

    Type: Normal/Flying

    Ability: Keen Eye

    Egg Group: Flying

    Location: Trade from FR/LG

    Evolution Line: Pidgey Lv 18
    Pidgeotto Lv 36
    Pidgeot Final

    Move List:
    /--------------------------------------------\\
    |Name |Type |#1 |#2 |#3 |
    |----------------------|---------|---|---|---|
    |Tackle |Normal |Sta|Sta|Sta|
    |Sand Attack |Normal |5 |5 |5 |
    |Gust |Flying |9 |9 |9 |
    |Quick Attack |Normal |13 |13 |13 |
    |Whirlwind |Normal |19 |20 |20 |
    |Wing Attack |Flying |25 |27 |27 |
    |Featherdance |Flying |31 |34 |34 |
    |Agility |Psycic |39 |43 |48 |
    |Mirror Move |Flying |47 |52 |62 |
    \\--------------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Pursuit |Dark |
    |Faint Attack |Dark |
    |Forsight |Normal |
    |Steel Wing |Steel |
    |Air Cutter |Flying |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 15|Hyper Beam |Pidgeot Only |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 21|Frustration | |
    |TM 27|Return | |
    |TM 32|Double Team | |
    |TM 40|Aerial Ace | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |TM 47|Steel Wing | |
    |-----|-------------|------------------------|
    |HM 02|Fly | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Double-Edge | |
    |Mimic | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #19 Rattata/#20 Raticate

    Type: Normal

    Ability: Run Away
    Guts

    Egg Group: Field

    Location: Trade from FR/LG

    Evolution Line: Rattata: Lv 20
    Raticate: Final

    Move List:
    /----------------------------------------\\
    |Name |Type |#1 |#2 |
    |----------------------|---------|---|---|
    |Tackle |Normal |Sta|Sta|
    |Tail Whip |Normal |Sta|Sta|
    |Quick Attack |Normal |7 |7 |
    |Hyper Fang |Normal |13 |13 |
    |Focus Energy |Normal |20 |- |
    |Scary Face |Normal |- |20 |
    |Pursuit |Dark |27 |30 |
    |Super Fang |Normal |34 |40 |
    |Endeavor |Normal |41 |50 |
    \\----------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Screech |Normal |
    |Flame Wheel |Fire |
    |Fury Swipes |Normal |
    |Bite |Dark |
    |Counter |Fighting |
    |Reversal |Fighting |
    |Uproar |Normal |
    |Swagger |Normal |
    |Body Slam |Normal |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |

    |-----|-------------|------------------------|
    |TM 05|Roar |Raticate only |
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 12|Taunt | |
    |TM 13|Ice Beam | |
    |TM 14|Blizzard | |
    |TM 15|Hyper Beam |Raticate Only |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 21|Frustration | |
    |TM 23|Iron Tail | |
    |TM 24|Thunderbolt | |
    |TM 25|Thunder | |
    |TM 27|Return | |
    |TM 28|Dig | |
    |TM 30|Shadow Ball | |
    |TM 32|Double Team | |
    |TM 34|Shock Wave | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |-----|-------------|------------------------|
    |HM 01|Cut | |
    |HM 04|Strength |Raticate only |
    |HM 06|Rock Smash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Body Slam | |
    |Double-Edge | |
    |Counter | |
    |Mimic | |
    |Thunder Wave | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #21 Spearow/#22 Fearow

    Type: Normal/Flying

    Ability: Keen Eye

    Egg Group: Flying

    Location: Trade from FR/LG

    Evolution Line: Spearow Lv 20
    Fearow Final

    Move List:
    /----------------------------------------\\
    |Name |Type |#1 |#2 |
    |----------------------|---------|---|---|
    |Peck |Flying |Sta|Sta|
    |Growl |Normal |Sta|Sta|
    |Leer |Normal |7 |7 |
    |Fury Attack |Normal |13 |13 |
    |Pursuit |Dark |19 |26 |
    |Aerial Ace |Flying |25 |- |
    |Mirror Move |Flying |31 |32 |
    |Drill Peck |Flying |37 |40 |
    |Agility |Psycic |43 |47 |
    \\----------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |False Swipe |Normal |
    |Scary Face |Normal |
    |Quick Attack |Normal |
    |Tri Attack |Normal |
    |Astonish |Ghost |
    |Sky Attack |Fly |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 15|Hyper Beam |Fearow only |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 21|Frustration | |
    |TM 27|Return | |
    |TM 32|Double Team | |
    |TM 40|Aerial Ace | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |TM 47|Steel Wing | |
    |-----|-------------|------------------------|
    |HM 02|Fly | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Double-Edge | |
    |Mimic | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #23 Ekans/#24 Arbok

    Type: Poison

    Ability: Intimidate
    Shed Skin

    Egg Group: Field/Dragon

    Location: Trade from FR/LG

    Evolution Line: Ekans Lv 22
    Arbok Final

    Move List:
    /----------------------------------------\\
    |Name |Type |#1 |#2 |
    |----------------------|---------|---|---|
    |Wrap |Normal |Sta|Sta|
    |Leer |Normal |Sta|Sta|
    |Poison Sting |Poison |8 |8 |
    |Bite |Dark |13 |13 |
    |Glare |Normal |20 |20 |
    |Screech |Normal |25 |28 |
    |Acid |Poison |32 |38 |
    |Stockpile |Normal |37 |46 |
    |Swallow |Normal |37 |46 |
    |Spit Up |Normal |37 |46 |
    |Haze |Ice |44 |56 |
    \\----------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Slam |Normal |
    |Spite |Ghost |
    |Beat Up |Dark |
    |Poison Fang |Poison |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 15|Hyper Beam |Arbok only |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 19|Giga Drain | |
    |TM 21|Frustration | |
    |TM 23|Iron Tail | |
    |TM 26|Earthquake | |
    |TM 27|Return | |
    |TM 28|Dig | |
    |TM 32|Double Team | |
    |TM 36|Sluge Bomb | |
    |TM 41|Torment | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |TM 49|Snatch | |
    |-----|-------------|------------------------|
    |HM 04|Strength | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Body Slam | |
    |Double-Edge | |
    |Mimic | |
    |Rock Slide | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #172 Pichu/#25 Pikachu/#26 Raichu

    Type: Electic

    Ability: Static

    Egg Group: Field/Fairy

    Location: Pikachu: Safari Zone
    Raichu: Evolves from Raichu


    Evolution Line: Pichu Frendship Evoluion
    Pikachu Thunder Stone
    Raichu Final



    Move List:
    /----------------------------------------\\
    |Name |Type |#1 |#2 |
    |----------------------|---------|---|---|
    |Thundershock |Electic |Sta|Sta|
    |Growl |Normal |Sta|Sta|
    |Tail Whip |Normal |6 |- |
    |Thunder Wave |Electic |8 |- |
    |Quick Attack |Normal |11 |- |
    |Double Team |Normal |15 |- |
    |Slam |Normal |20 |- |
    |Thunderbolt |Electric |26 |- |
    |Agility |Psycic |33 |- |
    |Thunder |Electic |41 |- |
    |Light Screen |Psycic |50 |- |
    \\----------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Reversal |Fighting |
    |Bide |Normal |
    |Present |Normal |
    |Encore |Normal |
    |Doubleslap |Normal |
    |Wish |Normal |
    |Charge |Electric |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 01|Focus Punch | |
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 15|Hyper Beam |Raichu only |
    |TM 16|Light Screen | |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 21|Frustration | |
    |TM 23|Iron Tail | |
    |TM 24|Thunderbolt | |
    |TM 25|Thunder | |
    |TM 27|Return | |
    |TM 28|Dig | |
    |TM 31|Brick Break | |
    |TM 32|Double Team | |
    |TM 34|Shock Wave | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief |Raichu only |
    |-----|-------------|------------------------|
    |HM 04|Strength | |
    |HM 05|Flash | |
    |HM 06|Rock Smash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Mega Punch | |
    |Mega Kick | |
    |Body Slam | |
    |Double-Edge | |
    |Counter | |
    |Seismic Toss | |
    |Mimic | |
    |Thunder Wave | |
    |Substitute | |
    \\--------------------------------------------/


    Lost Moves:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Swift |Normal |
    \\--------------------------------/

    ===========================================================================
    #27 Sandshrew/#28 Sandslash

    Type: Ground

    Ability: Sand Veil

    Egg Group: Field

    Location: Sandshrew: Route 113
    Sandslash: Evolves from Sandshrew

    Evolution Line: Sandshrew Lv 22
    Sandslash Final

    Move List:
    /----------------------------------------\\
    |Name |Type |#1 |#2 |
    |----------------------|---------|---|---|
    |Scratch |Normal |Sta|Sta|
    |Defence Curl |Normal |6 |6 |
    |Sand Attack |Normal |11 |11 |
    |Poison Sting |Poison |17 |17 |
    |Slash |Normal |23 |24 |
    |Swift |Normal |30 |33 |
    |Fury Swipes |Normal |37 |42 |
    |Sand Tomb |Ground |45 |52 |
    |Sandstorm |Rock |53 |62 |
    \\----------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Flail |Normal |
    |Safeguard |Normal |
    |Counter |Fighting |
    |Rapid Spin |Normal |
    |Rock Slide |Rock |
    |Metal Claw |Metal |
    |Swords Dance |Normal |
    |Crush Claw |Normal |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 01|Focus Punch | |
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 15|Hyper Beam |Sandslash only |
    |TM 17|Protect | |
    |TM 21|Frustration | |
    |TM 23|Iron Tail | |
    |TM 26|Earthquake | |
    |TM 27|Return | |
    |TM 28|Dig | |
    |TM 31|Brick Break | |
    |TM 32|Double Team | |
    |TM 37|Sandstorm | |
    |TM 39|Rock Tomb | |
    |TM 40|Aerial Ace | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |-----|-------------|------------------------|
    |HM 01|Cut | |
    |HM 04|Strength | |
    |HM 06|Rock Smash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Swords Dance | |
    |Body Slam | |
    |Double-Edge | |
    |Counter | |
    |Seismic Toss | |
    |Mimic | |
    |Rock Slide | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #29 Nidoran Female/#30 Nidorina/#31 Nidoqueen

    Type: Nidoran/Nidorina: Poison
    Nidoqueen: Poison/Ground

    Ability: Poison Point

    Egg Group: Nidoran: Monster/Field

    Nidorina/Nidoqueen: Cannot Breed


    Location: Trade from FR/LG

    Evolution Line: Nidoran Lv 16
    Nidorina Moon Stone
    Nidoqueen Final

    Move List:
    /--------------------------------------------\\
    |Name |Type |#1 |#2 |#3 |
    |----------------------|---------|---|---|---|
    |Growl |Normal |Sta|Sta|Sta|
    |Scratch |Normal |Sta|Sta|Sta|
    |Tail Whip |Normal |8 |8 |8 |
    |Double Kick |Fighting |12 |12 |- |
    |Poison Sting |Poison |17 |18 |- |
    |Bite |Dark |20 |22 |- |
    |Body Slam |Normal |- |- |22 |
    |Helping Hand |Normal |23 |26 |- |
    |Fury Swipes |Normal |30 |34 |- |
    |Flatter |Dark |38 |43 |- |
    |Crunch |Dark |47 |53 |- |
    \\--------------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Supersonic |Normal |
    |Disable |Normal |
    |Take Down |Normal |
    |Focus Energy |Normal |
    |Charm |Normal |
    |Counter |Fighting |
    |Beat Up |Dark |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 01|Focus Punch |Nidoqueen only |
    |TM 03|Water Pulse | |
    |TM 05|Roar |Nidoqueen only |
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 12|Taunt |Nidoqueen only |
    |TM 13|Ice Beam | |
    |TM 14|Blizzard | |
    |TM 15|Hyper Beam |Nidoqueen only |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 21|Frustration | |
    |TM 23|Iron Tail | |
    |TM 24|Thunderbolt | |
    |TM 25|Thunder | |
    |TM 26|Earthquake |Nidoqueen only |
    |TM 27|Return | |
    |TM 28|Dig | |
    |TM 30|Shadow Ball |Nidoqueen only |
    |TM 31|Brick Break |Nidoqueen only |
    |TM 32|Double Team | |
    |TM 34|Shock Wave | |
    |TM 35|Flamethrower |Nidoqueen only |
    |TM 36|Sluge Bomb | |
    |TM 37|Sandstorm |Nidoqueen only |
    |TM 38|Fire Blast |Nidoqueen only |
    |TM 39|Rock Tomb |Nidoqueen only |
    |TM 40|Aerial Ace | |
    |TM 41|Torment |Nidoqueen only |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |-----|-------------|------------------------|
    |HM 01|Cut | |
    |HM 03|Surf |Nidoqueen only |
    |HM 04|Strength | |
    |HM 06|Rock Smash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Mega Punch |Nidoqueen only |
    |Mega Kick |Nidoqueen only |
    |Body Slam | |
    |Double-Edge | |
    |Counter | |
    |Seismic Toss |Nidoqueen only |
    |Mimic | |
    |Rock Slide |Nidoqueen only |
    |Substitute | |
    \\--------------------------------------------/

    Lost Moves:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Tackle |Normal |
    \\--------------------------------/


    ===========================================================================
    #32 Nidoran Male/#33 Nidorino/#34 Nidoking

    Type: Nidoran Male/Nidorino: Poison
    Nidoking: Poison/Ground

    Ability: Poison Point

    Egg Group: Monster/Field

    Location: Nidoran Male: Route 3, Safari Zone
    Nidorino: Safari Zone
    Nidoking: Evolves from Nidorino

    Evolution Line: Nidoran Male Lv 16
    Nidorino Moon Stone
    Nidoking Final

    Move List:
    /--------------------------------------------\\
    |Name |Type |#1 |#2 |#3 |
    |----------------------|---------|---|---|---|
    |Leer |Normal |Sta|Sta|Sta|
    |Peck |Flying |Sta|Sta|Sta|
    |Focus Energy |Normal |8 |8 |- |
    |Double Kick |Fighting |12 |12 |- |
    |Poison Sting |Poison |17 |18 |- |
    |Horn Attack |Normal |20 |22 |- |
    |Thrash |Normal |- |- |23 |
    |Helping Hand |Normal |23 |26 |- |
    |Fury Attack |Normal |30 |34 |- |
    |Flatter |Dark |38 |43 |- |
    |Horn Drill |Normal |47 |53 |- |
    \\--------------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Counter |Fighting |
    |Disable |Normal |
    |Supersonic |Normal |
    |Take Down |Normal |
    |Amnesia |Psycic |
    |Confusion |Psycic |
    |Beat Up |Dark |
    \\--------------------------------/


    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 01|Focus Punch |Nidoking only |
    |TM 03|Water Pulse | |
    |TM 05|Roar |Nidoking only |
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 12|Taunt |Nidoking only |
    |TM 13|Ice Beam | |
    |TM 14|Blizzard | |
    |TM 15|Hyper Beam |Nidoking only |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 21|Frustration | |
    |TM 23|Iron Tail | |
    |TM 24|Thunderbolt | |
    |TM 25|Thunder | |
    |TM 26|Earthquake |Nidoking only |
    |TM 27|Return | |
    |TM 28|Dig | |
    |TM 30|Shadow Ball |Nidoking only |
    |TM 31|Brick Break |Nidoking only |
    |TM 32|Double Team | |
    |TM 34|Shock Wave | |
    |TM 35|Flamethrower | |
    |TM 36|Sluge Bomb | |
    |TM 37|Sandstorm | |
    |TM 38|Fire Blast |Nidoking only |
    |TM 39|Rock Tomb |Nidoking only |
    |TM 40|Aerial Ace |Nidoking only |
    |TM 41|Torment |Nidoking only |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |-----|-------------|------------------------|
    |HM 01|Cut | |
    |HM 03|Surf |Nidoking only |
    |HM 04|Strength | |
    |HM 06|Rock Smash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Mega Punch |Nidoking only |
    |Mega Kick |Nidoking only |
    |Body Slam | |
    |Double-Edge | |
    |Counter | |
    |Seismic Toss |Nidoking only |
    |Mimic | |
    |Rock Slide |Nidoking only |
    |Substitute | |
    \\--------------------------------------------/

    Lost Moves:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Tackle |Normal |
    \\--------------------------------/

    ===========================================================================
    #35 Clefairy/#36 Clefable

    Type: Normal

    Ability: Cute Charm

    Egg Group: Fairy

    Location: Trade from FR/LG

    Evolution Line: Clefairy Moon Stone
    Clefable Final

    Move List:
    /----------------------------------------\\
    |Name |Type |#1 |#2 |
    |----------------------|---------|---|---|
    |Pound |Normal |Sta|Sta|
    |Growl |Normal |Sta|Sta|
    |Sing |Normal |9 |- |
    |Double Slap |Normal |13 |- |
    |Minimize |Normal |21 |- |
    |Defence Curl |Normal |25 |- |
    |Metronome |Normal |29 |- |
    |Cosmic Power |Psycic |33 |- |
    |Moonlight |Normal |37 |- |
    |Light Screen |Psycic |41 |- |
    |Meteor Mash |Steel |45 |- |
    \\----------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Present |Normal |
    |Metronome |Normal |
    |Amnesia |Psychic |
    |Belly Drum |Normal |
    |Splash |Normal |
    |Mimic |Normal |
    |Wish |Normal |
    |Substitute |Normal |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 01|Focus Punch | |
    |TM 03|Water Pulse | |
    |TM 04|Calm Mind | |
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 12|Taunt | |
    |TM 13|Ice Beam | |
    |TM 14|Blizzard | |
    |TM 15|Hyper Beam |Clefable only |
    |TM 16|Light Screen | |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 20|Safeguard | |
    |TM 21|Frustration | |
    |TM 22|Solar Beam | |
    |TM 23|Iron Tail | |
    |TM 24|Thunderbolt | |
    |TM 25|Thunder | |
    |TM 27|Return | |
    |TM 28|Dig | |
    |TM 29|Psycic | |
    |TM 30|Shadow Ball | |
    |TM 31|Brick Break | |
    |TM 32|Double Team | |
    |TM 33|Reflect | |
    |TM 34|Shock Wave | |
    |TM 35|Flamethrower | |
    |TM 38|Fire Blast | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 49|Snatch | |
    |-----|-------------|------------------------|
    |HM 01|Cut | |
    |HM 02|Fly | |
    |HM 03|Surf | |
    |HM 04|Strength | |
    |HM 05|Flash | |
    |HM 06|Rock Smash | |
    |HM 07|Waterfall | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Mega Punch | |
    |Mega Kick | |
    |Body Slam | |
    |Double Edge | |
    |Counter | |
    |Seismic Toss | |
    |Mimic | |
    |Metronome | |
    |Softboiled | |
    |Dream Eater | |
    |Thunder Wave | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #37 Vulpix/#38 Ninetales

    Type: Fire

    Ability: Flash Fire

    Egg Group: Field

    Location: Mt. Prye

    Evolution Line: Vulpix Fire Stone
    Ninetales Final

    Move List:
    /----------------------------------------\\
    |Name |Type |#1 |#2 |
    |----------------------|---------|---|---|
    |Ember |Fire |Sta|Sta|
    |Tail Whip |Normal |5 |- |
    |Roar |Normal |9 |- |
    |Quick Attack |Normal |13 |- |
    |Will-O-Wisp |Fire |17 |- |
    |Confuse Ray |Ghost |21 |- |
    |Flamethrower |Fire |29 |- |
    |Safeguard |Normal |33 |- |
    |Grudge |Ghost |37 |- |
    |Fire Spin |Fire |42 |45 |
    \\----------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Flail |Normal |
    |Spite |Ghost |
    |Disable |Normal |
    |Howl |Normal |
    |Psych Up |Normal |
    |Heat Wave |Fire |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 05|Roar | |
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 15|Hyper Beam |Ninetales only |
    |TM 17|Protect | |
    |TM 20|Safeguard | |
    |TM 21|Frustration | |
    |TM 23|Iron Tail | |
    |TM 27|Return | |
    |TM 28|Dig | |
    |TM 32|Double Team | |
    |TM 35|Flamethrower | |
    |TM 38|Fire Blast | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 50|Overheat | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Body Slam | |
    |Double-Edge | |
    |Mimic | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #39 Jigglypuff/#40 Wiggylytuff

    Type: Normal

    Ability: Cute Charm

    Egg Group: Fairy

    Location: Route 115

    Evolution Line: Jigglypuff Moon stone
    Wigglytuff Final

    Move List:
    /----------------------------------------\\
    |Name |Type |#1 |#2 |
    |----------------------|---------|---|---|
    |Sing |Normal |Sta|Sta|
    |Defense Curl |Normal |4 |- |
    |Pound |Normal |9 |- |
    |Disable |Psycic |14 |- |
    |Rollout |Rock |19 |- |
    |Double Slap |Nomal |24 |- |
    |Rest |Psycic |29 |- |
    |Body Slam |Normal |34 |- |
    |Mimic |Normal |39 |- |
    |Hyper Voice |Normal |44 |- |
    |Double Edge |Normal |49 |- |
    \\----------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Perish Song |Normal |
    |Present |Normal |
    |Faint Attack |Dark |
    |Wish |Normal |
    |Fake Tears |Dark |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 01|Focus Punch | |
    |TM 03|Water Pulse | |
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 13|Ice Beam | |
    |TM 14|Blizzard | |
    |TM 15|Hyper Beam |Wigglytuff only |
    |TM 16|Light Screen | |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 20|Safeguard | |
    |TM 21|Frustration | |
    |TM 22|Solar Beam | |
    |TM 24|Thunderbolt | |
    |TM 25|Thunder | |
    |TM 27|Return | |
    |TM 28|Dig | |
    |TM 29|Psycic | |
    |TM 30|Shadow Ball | |
    |TM 31|Brick Break | |
    |TM 32|Double Team | |
    |TM 33|Reflect | |
    |TM 34|Shock Wave | |
    |TM 35|Flamethrower | |
    |TM 38|Fire Blast | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 49|Snatch | |
    |-----|-------------|------------------------|
    |HM 04|Strength | |
    |HM 05|Flash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Mega Punch | |
    |Mega Kick | |
    |Body Slam | |
    |Double-Edge | |
    |Counter | |
    |Seismic Toss | |
    |Mimic | |
    |Dream Eater | |
    |Thunder Wave | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #41 Zubat/#42 Golbat/#169 Crobat

    Type: Poison

    Ability: Inner Focus

    Egg Group: Flying

    Location: Zubat and Golbat: Pretty much any cave in the game

    Crobat: Evolves from Golbat after getting the Nationaldex

    Evolution Line: Zubat Lv 22
    Golbat Friendly Evolution
    Crobat Final

    Move List:
    /----------------------------------------\\
    |Name |Type |#1 |#2 |
    |----------------------|---------|---|---|
    |Leech Life |Bug |Sta|Sta|
    |Screech |Normal |- |Sta|
    |Supersonic |Normal |6 |6 |
    |Astonish |Ghost |11 |11 |
    |Bite |Dark |16 |16 |
    |Wing Attack |Flying |21 |21 |
    |Confuse Ray |Ghost |26 |28 |
    |Air Cutter |Fly |31 |35 |
    |Mean Look |Normal |36 |42 |
    |Poison Fang |Poison |41 |49 |
    |Haze |Ice |46 |56 |
    \\----------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Quick Attack |Normal |
    |Pursuit |Dark |
    |Faint Attack |Dark |
    |Gust |Fly |
    |Whirlwind |Normal |
    |Curse |??? |
    |Double-Edge |Normal |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 12|Taunt | |
    |TM 15|Hyper Beam |Golbat and Crobat only |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 19|Giga Drain | |
    |TM 21|Frustration | |
    |TM 27|Return | |
    |TM 30|Shadow Ball | |
    |TM 32|Double Team | |
    |TM 36|Sluge Bomb | |
    |TM 40|Aerial Ace | |
    |TM 41|Torment | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |TM 47|Steel Wing | |
    |TM 49|Snatch | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Double-Edge | |
    |Mimic | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #43 Oddish/#44 Gloom/#45 Vileplume

    Type: Grass/Poison

    Ability: Chlorophyll

    Egg Group: Grass

    Location: Oddish: Routes 110, 117, 119, 120, 121, 123, Safari Zone

    Gloom: Routes 121, 123, Safari Zone

    Vileplume: Evolves from Gloom.


    Evolution Line: Oddish Lv 21
    Gloom Leaf Stone
    Vileplume Final


    Move List:
    /--------------------------------------------\\
    |Name |Type |#1 |#2 |#3 |
    |----------------------|---------|---|---|---|
    |Absorb |Grass |Sta|Sta|Sta|
    |Sweet Scent |Normal |7 |7 |- |
    |Poison Powder |Poison |14 |14 |- |
    |Stun Spore |Grass |16 |16 |- |
    |Sleep Powder |Grass |18 |18 |- |
    |Acid |Poison |23 |24 |- |
    |Moonlight |Normal |32 |35 |- |
    |Petal Dance |Grass |39 |44 |44 |
    \\--------------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Swords Dance |Normal |
    |Razor Leaf |Grass |
    |Flail |Normal |
    |Synthesis |Grass |
    |Charm |Normal |
    |Ingrain |Grass |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 06|Toxic | |
    |TM 09|Bullet Seed | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 15|Hyper Beam |Vileplume only |
    |TM 17|Protect | |
    |TM 19|Giga Drain | |
    |TM 21|Frustration | |
    |TM 22|Solar Beam | |
    |TM 27|Return | |
    |TM 32|Double Team | |
    |TM 36|Sluge Bomb | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |-----|-------------|------------------------|
    |HM 01|Cut | |
    |HM 05|Flash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Swords Dance | |
    |Body Slam |Vileplume only |
    |Double-Edge | |
    |Mimic | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #46 Paras/#47 Parasect

    Type: Bug/Grass

    Ability: Effect Spore

    Egg Group: Bug/Grass

    Location: Trade from FR/LG

    Evolution Line: Paras Lv 24
    Parasect Final


    Move List:
    /----------------------------------------\\
    |Name |Type |#1 |#2 |
    |----------------------|---------|---|---|
    |Scratch |Normal |Sta|Sta|
    |Stun Spore |Grass |7 |7 |
    |Poisonpowder |Poison |13 |13 |
    |Leech Life |Bug |19 |19 |
    |Spore |Grass |25 |27 |
    |Slash |Normal |31 |35 |
    |Growth |Normal |37 |43 |
    |Giga Drain |Grass |43 |51 |
    |Aromatherapy |Grass |49 |59 |
    \\----------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |False Swipe |Normal |
    |Screech |Normal |
    |Counter |Fighting |
    |Psybeam |Psycic |
    |Flail |Normal |
    |Sweet Scent |Normal |
    |Light Screen |Psycic |
    |Pursuit |Dark |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 06|Toxic | |
    |TM 09|Bullet Seed | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 15|Hyper Beam |Parasect only |
    |TM 17|Protect | |
    |TM 19|Giga Drain | |
    |TM 21|Frustration | |
    |TM 22|Solar Beam | |
    |TM 27|Return | |
    |TM 28|Dig | |
    |TM 32|Double Team | |
    |TM 36|Sluge Bomb | |
    |TM 40|Aerial Ace | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |-----|-------------|------------------------|
    |HM 01|Cut | |
    |HM 05|Flash | |
    |HM 06|Rock Smash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Swords Dance | |
    |Body Slam | |
    |Double-Edge | |
    |Counter | |
    |Mimic | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #48 Venonat/#49 Venomoth

    Type: Bug/Poison

    Ability: Compoundeyes (Venonat)
    Shield Dust (Venomoth)

    Egg Group: Bug

    Location: Trade from FR/LG

    Evolution Line: Venonat Lv 31
    Venomoth Final


    Move List:
    /----------------------------------------\\
    |Name |Type |#1 |#2 |
    |----------------------|---------|---|---|
    |Tackle |Normal |Sta|Sta|
    |Disable |Psycic |Sta|Sta|
    |Foresight |Normal |Sta|Sta|
    |Supersonic |Normal |9 |9 |
    |Confusion |Psycic |17 |17 |
    |Poison Powder |Poison |20 |20 |
    |Leech Life |Grass |25 |25 |
    |Stun Spore |Grass |28 |28 |
    |Gust |Flying |- |31 |
    |Psybeam |Psycic |33 |36 |
    |Sleep Powder |Grass |36 |42 |
    |Psycic |Psycic |41 |52 |
    \\----------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Baton Pass |Normal |
    |Screech |Normal |
    |Giga Drain |Grass |
    |Signal Beam |Bug |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 15|Hyper Beam |Venomoth only |
    |TM 17|Protect | |
    |TM 19|Giga Drain | |
    |TM 21|Frustration | |
    |TM 22|Solar Beam | |
    |TM 27|Return | |
    |TM 29|Psycic | |
    |TM 32|Double Team | |
    |TM 36|Sluge Bomb | |
    |TM 40|Aerial Ace |Venomoth only |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |TM 48|Skill Swap | |
    |-----|-------------|------------------------|
    |HM 05|Flash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Double-Edge | |
    |Mimic | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #50 Diglett/#51 Dugtrio

    Type: Ground

    Ability: Sand Veil
    Arena Trap

    Egg Group: Field

    Location: Trade from FR/LG

    Evolution Line: Diglett Lv 26
    Dugtrio Final


    Move List:
    /----------------------------------------\\
    |Name |Type |#1 |#2 |
    |----------------------|---------|---|---|
    |Scratch |Normal |Sta|Sta|
    |Sand Attack |Normal |Sta|Sta|
    |Tri Attack |Normal |- |Sta|
    |Growl |Normal |5 |5 |
    |Dig |Ground |17 |17 |
    |Mud-Slap |Ground |25 |25 |
    |Sand Tomb |Ground |- |26 |
    |Slash |Normal |33 |38 |
    |Eathquake |Ground |41 |51 |
    |Fissure |Ground |49 |64 |
    \\----------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Faint Attack |Dark |
    |Screech |Normal |
    |Ancientpower |Rock |
    |Pursuit |Dark |
    |Beat Up |Dark |
    |Uproar |Normal |
    |Rock Slide |Rock |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 15|Hyper Beam |Dugtrio only |
    |TM 17|Protect | |
    |TM 21|Frustration | |
    |TM 26|Earthquake | |
    |TM 27|Return | |
    |TM 28|Dig | |
    |TM 32|Double Team | |
    |TM 36|Sluge Bomb | |
    |TM 39|Rock Tomb | |
    |TM 40|Aerial Ace | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |-----|-------------|------------------------|
    |HM 01|Cut | |
    |HM 06|Rock Smash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Body Slam | |
    |Double-Edge | |
    |Mimic | |
    |Rock Slide | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #52 Meowth/#53 Persian

    Type: Normal

    Ability: Pickup (Meowth)
    Limber (Persian)

    Egg Group: Field

    Location: Trade from FR/LG

    Evolution Line: Meowth Lv 28
    Persian Final


    Move List:
    /----------------------------------------\\
    |Name |Type |#1 |#2 |
    |----------------------|---------|---|---|
    |Scratch |Normal |Sta|Sta|
    |Growl |Normal |Sta|Sta|
    |Bite |Dark |11 |11 |
    |Pay Day |Normal |20 |20 |
    |Faint Attack |Dark |28 |29 |
    |Screech |Normal |35 |38 |
    |Fury Swipes |Normal |41 |46 |
    |Slash |Normal |46 |53 |
    |Fake Out |Normal |50 |59 |
    \\----------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Spite |Ghost |
    |Charm |Normal |
    |Hypnosis |Psycic |
    |Amnesia |Psycic |
    |Psych Up |Normal |
    |Assist |Normal |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 03|Water Pulse | |
    |TM 05|Roar |Persian only |
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 12|Taunt | |
    |TM 15|Hyper Beam |Persian only |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 21|Frustration | |
    |TM 23|Iron Tail | |
    |TM 24|Thunderbolt | |
    |TM 25|Thunder | |
    |TM 27|Return | |
    |TM 28|Dig | |
    |TM 30|Shadow Ball | |
    |TM 32|Double Team | |
    |TM 34|Shock Wave | |
    |TM 40|Aerial Ace | |
    |TM 41|Torment | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |TM 49|Snatch | |
    |-----|-------------|------------------------|
    |HM 01|Cut | |
    |HM 05|Flash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Body Slam | |
    |Double-Edge | |
    |Mimic | |
    |Dream Eater | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #54 Psyduck/#55 Golduck

    Type: Water

    Ability: Damp
    Cloud Nine

    Egg Group: Water 1/Field

    Location: Both: Surfing in the Safari Zone

    Evolution Line: Psyduck Lv 33
    Golduck Final


    Move List:
    /----------------------------------------\\
    |Name |Type |#1 |#2 |
    |----------------------|---------|---|---|
    |Water Sport |Water |Sta|Sta|
    |Scratch |Normal |Sta|Sta|
    |Tail Whip |Normal |5 |5 |
    |Disable |Psycic |10 |10 |
    |Confusion |Psycic |16 |16 |
    |Screech |Normal |23 |23 |
    |Psych Up |Normal |31 |31 |
    |Fury Swipes |Normal |40 |44 |
    |Hyrdo Pump |Water |50 |58 |
    \\----------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Hypnosis |Psycic |
    |Psybeam |Psycic |
    |Foresight |Normal |
    |Light Screen |Psycic |
    |Future Sight |Psycic |
    |Psycic |Psycic |
    |Cross Chop |Fighting |
    |Refresh |Normal |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 01|Focus Punch | |
    |TM 03|Water Pulse | |
    |TM 04|Calm Mind | |
    |TM 06|Toxic | |
    |TM 07|Hail | |
    |TM 10|Hidden Power | |
    |TM 13|Ice Beam | |
    |TM 14|Blizzard | |
    |TM 15|Hyper Beam |Golduck only |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 21|Frustration | |
    |TM 23|Iron Tail | |
    |TM 27|Return | |
    |TM 28|Dig | |
    |TM 31|Brick Break | |
    |TM 32|Double Team | |
    |TM 40|Aerial Ace | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |-----|-------------|------------------------|
    |HM 03|Surf | |
    |HM 04|Strength | |
    |HM 05|Flash | |
    |HM 06|Rock Smash | |
    |HM 07|Waterfall | |
    |HM 08|Dive | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Mega Punch | |
    |Mega Kick | |
    |Body Slam | |
    |Double-Edge | |
    |Counter | |
    |Seismic Toss | |
    |Mimic | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #56 Mankey/#57 Primeape

    Type: Fighting

    Ability: Vital Spirit

    Egg Group: Field

    Location: Trade from FR/LG

    Evolution Line: Mankey Level 28
    Primeape Final


    Move List:
    /----------------------------------------\\
    |Name |Type |#1 |#2 |
    |----------------------|---------|---|---|
    |Scratch |Normal |Sta|Sta|
    |Leer |Normal |Sta|Sta|
    |Low Kick |Fighting |9 |9 |
    |Karate Chop |Fighting |15 |15 |
    |Fury Swipes |Normal |21 |21 |
    |Focus Energy |Normal |27 |27 |
    |Rage |Normal |- |28 |
    |Seismic Toss |Fighting |33 |36 |
    |Cross Chop |Fighting |39 |45 |
    |Screech |Normal |45 |54 |
    |Trash |Normal |51 |63 |
    \\----------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Rock Slide |Rock |
    |Foresight |Normal |
    |Meditate |Normal |
    |Counter |Fighting |
    |Reversal |Fighting |
    |Beat Up |Dark |
    |Revenge |Fighting |
    |Smellingsalt |Normal |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 01|Focus Punch | |
    |TM 06|Toxic | |
    |TM 08|Bulk Up | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 12|Taunt | |
    |TM 15|Hyper Beam |Primeape only |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 21|Frustration | |
    |TM 23|Iron Tail | |
    |TM 24|Thunderbolt | |
    |TM 25|Thunder | |
    |TM 26|Earthquake | |
    |TM 27|Return | |
    |TM 28|Dig | |
    |TM 31|Brick Break | |
    |TM 32|Double Team | |
    |TM 39|Rock Tomb | |
    |TM 40|Aerial Ace | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |TM 50|Overheat | |
    |-----|-------------|------------------------|
    |HM 04|Strength | |
    |HM 06|Rock Smash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Mega Punch | |
    |Mega Kick | |
    |Body Slam | |
    |Double-Edge | |
    |Counter | |
    |Seismic Toss | |
    |Mimic | |
    |Metronome | |
    |Rock Slide | |
    |Substitute | |
    \\--------------------------------------------/

    Lost Moves:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Fury Attack |Normal |
    \\--------------------------------/

    ===========================================================================
    #58 Growlithe/#59 Arcanine

    Type: Fire

    Ability: Intimidate
    Flash Fire

    Egg Group: Field

    Location: Trade from FR/LG

    Evolution Line: Growlithe Fire Stone
    Arcanine Final


    Move List:
    /----------------------------------------\\
    |Name |Type |#1 |#2 |
    |----------------------|---------|---|---|
    |Bite |Normal |Sta|Sta|
    |Roar |Normal |Sta|Sta|
    |Ember |Fire |7 |- |
    |Leer |Nomral |13 |- |
    |Odor Sleuth |Normal |19 |- |
    |Take Down |Normal |25 |- |
    |Flame Wheel |Fire |31 |- |
    |Helping Hand |Normal |47 |- |
    |Agility |Psycic |43 |- |
    |Flamethrower |Fire |49 |- |
    |Extremespeed |Normal |- |49 |
    \\----------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Body Slam |Normal |
    |Safeguard |Normal |
    |Crunch |Dark |
    |Thrash |Normal |
    |Fire Spin |Fire |
    |Howl |Normal |
    |Heat Wave |Fire |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 05|Roar | |
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 15|Hyper Beam |Arcanine only |
    |TM 17|Protect | |
    |TM 21|Frustration | |
    |TM 23|Iron Tail | |
    |TM 27|Return | |
    |TM 28|Dig | |
    |TM 32|Double Team | |
    |TM 35|Flamethrower | |
    |TM 38|Fire Blast | |
    |TM 40|Aerial Ace | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |TM 50|Overheat | |
    |-----|-------------|------------------------|
    |HM 04|Strength | |
    |HM 06|Rock Smash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Body Slam | |
    |Double-Edge | |
    |Mimic | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #60 Poliwag/#61 Poliwhirl/#62 Poliwrath

    Type: Water (Poliwag and Poliwhirl), Water/Fighting (Poliwrath)

    Ability: Water Absorb
    Damp

    Egg Group: Water 1

    Location: Trade from FR/LG

    Evolution Line: Poliwag Lv 25
    Poliwhirl Water Stone (Poliwrath), Trade with King's Rock
    (Poliotoed)
    Poliwrath Final
    Politoed Final


    Move List:
    /--------------------------------------------\\
    |Name |Type |#1 |#2 |#3 |
    |----------------------|---------|---|---|---|
    |Bubble |Water |Sta|Sta|Sta|
    |Hypnosis |Psycic |7 |7 |- |
    |Water Gun |Water |13 |13 |- |
    |Double Slap |Normal |19 |19 |- |
    |Rain Dance |Water |25 |27 |- |
    |Body Slam |Normal |31 |35 |- |
    |Submission |Fighting |- |- |35 |
    |Belly Drum |Normal |37 |43 |- |
    |Hydro Pump |Water |43 |51 |- |
    |Mind Reader |Normal |- |- |51 |
    \\--------------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Mist |Ice |
    |Bounce |Fly |
    |Bubblebeam |Water |
    |Haze |Ice |
    |Mind Reader |Normal |
    |Water Sport |Water |
    |Ice Ball |Ice |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 01|Focus Punch |Poliwhirl and Wrath only|
    |TM 03|Water Pulse | |
    |TM 05|Roar | |
    |TM 06|Toxic | |
    |TM 07|Hail | |
    |TM 08|Bulk Up |Poliwrath only |
    |TM 10|Hidden Power | |
    |TM 13|Ice Beam | |
    |TM 14|Blizzard | |
    |TM 15|Hyper Beam |Poliwrath only |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 21|Frustration | |
    |TM 26|Earthquake |Poliwhirl and Wrath only|
    |TM 27|Return | |
    |TM 28|Dig | |
    |TM 29|Psycic | |
    |TM 31|Brick Break |Poliwhirl and Wrath only|
    |TM 32|Double Team | |
    |TM 39|Rock Tomb |Poliwrath only |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |-----|-------------|------------------------|
    |HM 04|Strength |Poliwhirl and Wrath only|
    |HM 06|Rock Smash |Poliwhirl and Wrath only|
    |HM 07|Waterfall | |
    |HM 08|Dive | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Mega Punch |Poliwhirl and Wrath only |
    |Mega Kick |Poliwhirl and Wrath only |
    |Body Slam | |
    |Double-Edge | |
    |Counter |Poliwhirl and Wrath only |
    |Seismic Toss |Poliwhirl and Wrath only |
    |Mimic | |
    |Metronome |Poliwhirl and Wrath only |
    |Substitute | |
    \\--------------------------------------------/

    Lost Moves:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Amnesia |Psycic |
    \\--------------------------------/

    ===========================================================================
    #63 Abra/#64 Kadabra/#65 Alakazam

    Type: Psycic

    Ability: Synchronize
    Inner Focus

    Egg Group: Human-like

    Location: Abra: Granite Cave 1F, BF1, BF2
    Kadabra: Evolves from Abra
    Alakazam: Evolves from Kadabra

    Evolution Line: Abra Lv 16
    Kadabra Link Trade
    Alakasam Final


    Move List:
    /--------------------------------------------\\
    |Name |Type |#1 |#2 |#3 |
    |----------------------|---------|---|---|---|
    |Teleport |Psycic |Sta|Sta|Sta|
    |Confusion |Psycic |- |16 |16 |
    |Disable |Psycic |- |18 |18 |
    |Psybeam |Psycic |- |21 |21 |
    |Reflect |Psycic |- |23 |23 |
    |Recover |Normal |- |25 |25 |
    |Future Sight |Psycic |- |30 |30 |
    |Role Play |Psycic |- |33 |- |
    |Calm Mind |Psycic |- |- |33 |
    |Psycic |Psycic |- |36 |36 |
    |Trick |Psycic |- |43 |43 |
    \\--------------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Encore |Normal |
    |Barrier |Psycic |
    |Knock Off |Dark |
    |Fire Punch |Fire |
    |Ice Punch |Ice |
    |Thunderpunch |Electric |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 01|Focus Punch | |
    |TM 04|Calm Mind | |
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 12|Taunt | |
    |TM 15|Hyper Beam |Alakazam only |
    |TM 16|Light Screen | |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 20|Safeguard | |
    |TM 21|Frustration | |
    |TM 23|Iron Tail | |
    |TM 27|Return | |
    |TM 29|Psycic | |
    |TM 30|Shadow Ball | |
    |TM 32|Double Team | |
    |TM 33|Reflect | |
    |TM 34|Shock Wave | |
    |TM 41|Torment | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |TM 48|Skill Swap | |
    |TM 49|Snatch | |
    |-----|-------------|------------------------|
    |HM 05|Flash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Mega Punch | |
    |Mega Kick | |
    |Body Slam | |
    |Double-Edge | |
    |Counter | |
    |Seismic Toss | |
    |Mimic | |
    |Metronome | |
    |Dream Eater | |
    |Thunder Wave | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #66 Machop/#67 Machoke/#68 Machamp

    Type: Fighting

    Ability: Guts

    Egg Group: Human-Like

    Location: Machop: Route 112, Fiery Path, Jagged Path
    Machoke: Evolves from Machop
    Machamp: Evolves from Machoke

    Evolution Line: Machop Lv 28
    Machoke Link Trade
    Machamp Final


    Move List:
    /--------------------------------------------\\
    |Name |Type |#1 |#2 |#3 |
    |----------------------|---------|---|---|---|
    |Low Kick |Fighting |Sta|Sta|Sta|
    |Leer |Normal |Sta|Sta|Sta|
    |Focus Energy |Normal |7 |7 |7 |
    |Karate Chop |Fighting |13 |13 |13 |
    |Seismic Toss |Fighting |19 |19 |19 |
    |Foresight |Normal |22 |22 |22 |
    |Revenge |Fighting |25 |25 |25 |
    |Vital Throw |Fighting |31 |33 |33 |
    |Submission |Fighting |37 |41 |41 |
    |Cross Chop |Fighting |40 |46 |46 |
    |Scary Face |Normal |43 |51 |51 |
    |Dynamicpunch |FIghting |49 |59 |59 |
    \\--------------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Light Screen |Psycic |
    |Meditate |Psycic |
    |Rolling Kick |Fighing |
    |Encore |Normal |
    |Smellingsalt |Normal |
    |Counter |Fighting |
    |Rock Slide |Rock |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 01|Focus Punch | |
    |TM 06|Toxic | |
    |TM 08|Bulk Up | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 15|Hyper Beam |Machamp only |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 21|Frustration | |
    |TM 26|Earthquake | |
    |TM 27|Return | |
    |TM 28|Dig | |
    |TM 31|Brick Break | |
    |TM 32|Double Team | |
    |TM 35|Flamethrower | |
    |TM 38|Fire Blast | |
    |TM 39|Rock Tomb | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |-----|-------------|------------------------|
    |HM 04|Strength | |
    |HM 06|Rock Smash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Mega Punch | |
    |Mega Kick | |
    |Body Slam | |
    |Double-Edge | |
    |Counter | |
    |Seismic Toss | |
    |Mimic | |
    |Metronome | |
    |Rock Slide | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #69 Bellsprout/#70 Weepingbell/#71 Victreebel

    Type: Grass/Poison

    Ability: Chlorophyll

    Egg Group: Grass

    Location: Trade from FR/LG

    Evolution Line: Bellsprout Lv 21
    Weepingbell Leaf Stone
    Victreebel Final


    Move List:
    /--------------------------------------------\\
    |Name |Type |#1 |#2 |#3 |
    |----------------------|---------|---|---|---|
    |Vine Whip |Grass |Sta|Sta|Sta|
    |Growth |Normal |6 |6 |- |
    |Wrap |Normal |11 |11 |- |
    |Sleep Powder |Grass |15 |15 |- |
    |Poison Powder |Poison |17 |17 |- |
    |Stun Spore |Grass |19 |19 |- |
    |Acid |Poison |23 |24 |- |
    |Sweet Scent |Normal |30 |33 |- |
    |Razor Leaf |Grass |37 |42 |- |
    |Slam |Normal |45 |54 |- |
    \\--------------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Swords Dance |Normal |
    |Encore |Normal |
    |Reflect |Psycic |
    |Synthesis |Grass |
    |Leech Life |Bug |
    |Ingrain |Grass |
    |Magical Leaf |Grass |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 06|Toxic | |
    |TM 09|Bullet Seed | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 15|Hyper Beam |Victreebel Only |
    |TM 17|Protect | |
    |TM 19|Giga Drain | |
    |TM 21|Frustration | |
    |TM 22|Solar Beam | |
    |TM 27|Return | |
    |TM 32|Double Team | |
    |TM 36|Sluge Bomb | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |-----|-------------|------------------------|
    |HM 01|Cut | |
    |HM 05|Flash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Swords Dance | |
    |Body Slam |Victreebel only |
    |Double-Edge | |
    |Mimic | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #72 Tentacool/#73 Tentacruel

    Type: Water/Poison

    Ability: Clear Body
    Liquid Ooze

    Egg Group: Water 3

    Location: Tentacool: Pretty much surf in any body of water on a route. You
    should find one in no time.


    Tentacruel: Abandoned Ship B1

    Evolution Line: Tentacool Lv 30
    Tentacruel Final


    Move List:
    /----------------------------------------\\
    |Name |Type |#1 |#2 |
    |----------------------|---------|---|---|
    |Poison Sting |Poison |Sta|Sta|
    |Supersonic |Normal |6 |6 |
    |Constrict |Normal |12 |12 |
    |Acid |Poison |19 |19 |
    |Bubblebeam |Water |25 |25 |
    |Wrap |Normal |30 |30 |
    |Barrier |Psycic |36 |38 |
    |Screech |Normal |43 |47 |
    |Hydro Pump |Water |49 |55 |
    \\----------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Aurora Beam |Ice |
    |Mirror Coat |Psycic |
    |Rapid Spin |Normal |
    |Haze |Ice |
    |Safeguard |Normal |
    |Confuse Ray |Ghost |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 03|Water Pulse | |
    |TM 06|Toxic | |
    |TM 07|Hail | |
    |TM 10|Hidden Power | |
    |TM 13|Ice Beam | |
    |TM 14|Blizzard | |
    |TM 15|Hyper Beam |Tentacruel only |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 19|Giga Drain | |
    |TM 21|Frustration | |
    |TM 27|Return | |
    |TM 32|Double Team | |
    |TM 36|Sluge Bomb | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |-----|-------------|------------------------|
    |HM 01|Cut | |
    |HM 03|Surf | |
    |HM 07|Waterfall | |
    |HM 08|Dive | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Swords Dance | |
    |Double-Edge | |
    |Mimic | |
    |Substitute | |
    \\--------------------------------------------/

    Lost Moves:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Water Gun |Water |
    \\--------------------------------/

    ===========================================================================
    #74 Geodude/#75 Gravler/#76 Golem

    Type: Rock/Ground

    Ability: Rock Head
    Sturdy

    Egg Group: Mineral

    Location: Geodude: Routes 111, 114, Granite Cave B2, Safari Zone,
    Victory Road (Via Rock Smash), Granite Cave 1F

    Gravler: Victory Road B1 (via Rock Smash)

    Golem: Evolves from Gravler.

    Evolution Line: Geodude Lv 25
    Gravler Link Trade
    Golem Final


    Move List:
    /--------------------------------------------\\
    |Name |Type |#1 |#2 |#3 |
    |----------------------|---------|---|---|---|
    |Tackle |Normal |Sta|Sta|Sta|
    |Defence Curl |Normal |Sta|Sta|Sta|
    |Mud Sport |Ground |6 |6 |6 |
    |Rock Throw |Rock |11 |11 |11 |
    |Magnitute |Ground |16 |16 |16 |
    |Self Destruct |Normal |21 |21 |21 |
    |Rollout |Normal |26 |29 |29 |
    |Rock Blast |Rock |31 |37 |37 |
    |Earthquake |Ground |36 |45 |45 |
    |Explosion |Normal |41 |53 |53 |
    |Double-Edge |Normal |46 |62 |62 |
    \\--------------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Mega Punch |Normal |
    |Rock Slide |Rock |
    |Block |Normal |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 01|Focus Punch | |
    |TM 05|Roar |Golem only |
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 15|Hyper Beam |Golem only |
    |TM 17|Protect | |
    |TM 21|Frustration | |
    |TM 26|Earthquake | |
    |TM 27|Return | |
    |TM 28|Dig | |
    |TM 31|Brick Break | |
    |TM 32|Double Team | |
    |TM 35|Flamethrower | |
    |TM 37|Sandstorm | |
    |TM 38|Fire Blast | |
    |TM 39|Rock Tomb | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |-----|-------------|------------------------|
    |HM 04|Strength | |
    |HM 06|Rock Smash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Mega Punch | |
    |Mega Kick |Golem only |
    |Body Slam | |
    |Double-Edge | |
    |Counter | |
    |Seismic Toss | |
    |Mimic | |
    |Metronome | |
    |Explosion | |
    |Rock Slide | |
    |Substitute | |
    \\--------------------------------------------/

    Lost Moves:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Harden |Normal |
    \\--------------------------------/

    ===========================================================================
    #77 Ponyta/#78 Rapidash

    Type: Fire

    Ability: Run Away
    Flash Fire

    Egg Group: Field

    Location: Trade from FR/LG

    Evolution Line: Ponyta Lv 40
    Rapidash Final


    Move List:
    /----------------------------------------\\
    |Name |Type |#1 |#2 |
    |----------------------|---------|---|---|
    |Quick Attack |Normal |Sta|Sta|
    |Growl |Normal |5 |5 |
    |Tail Whip |Normal |9 |9 |
    |Ember |Fire |14 |14 |
    |Stomp |Normal |19 |19 |
    |Fire Spin |Fire |25 |25 |
    |Take Down |Normal |31 |31 |
    |Agility |Psycic |38 |38 |
    |Fury Attack |Normal |- |40 |
    |Bounce |Normal |45 |50 |
    |Fire Blast |Fire |53 |63 |
    \\----------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Thrash |Normal |
    |Double Kick |Fighting |
    |Hypnosis |Psycic |
    |Charm |Normal |
    |Double-Edge |Normal |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 15|Hyper Beam |Rapidash only |
    |TM 17|Protect | |
    |TM 21|Frustration | |
    |TM 22|Solar Beam | |
    |TM 23|Iron Tail | |
    |TM 27|Return | |
    |TM 32|Double Team | |
    |TM 35|Flamethrower | |
    |TM 38|Fire Blast | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 50|Overheat | |
    |-----|-------------|------------------------|
    |HM 04|Strength | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Double-Edge | |
    |Body Slam | |
    |Mimic | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #79 Slowpoke/#80 Slowbro

    Type: Water/Psycic

    Ability: Oblivious
    Own Tempo

    Egg Group: Monster/Water 1

    Location: Trade from LG

    Evolution Line: Slowpoke Lv 37 (Slowbro), Trade with King's Rock
    (Slowking)
    Slowbro Final


    Move List:
    /----------------------------------------\\
    |Name |Type |#1 |#2 |
    |----------------------|---------|---|---|
    |Curse |??? |Sta|Sta|
    |Yawn |Normal |Sta|Sta|
    |Tackle |Normal |Sta|Sta|
    |Growl |Normal |6 |6 |
    |Water Gun |Water |15 |15 |
    |Confusion |Psycic |20 |20 |
    |Disable |Normal |29 |29 |
    |Head Butt |Normal |34 |34 |
    |Withdraw |Water |- |37 |
    |Amnesia |Psycic |43 |46 |
    |Psycic |Psycic |48 |54 |
    \\----------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Safeguard |Normal |
    |Belly Drum |Normal |
    |Future Sight |Psycic |
    |Stomp |Normal |
    |Mud Sport |Ground |
    |Sleep Talk |Normal |
    |Snore |Normal |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 01|Focus Punch |Slowbro only |
    |TM 03|Water Pulse | |
    |TM 04|Calm Mind | |
    |TM 06|Toxic | |
    |TM 07|Hail | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 13|Ice Beam | |
    |TM 14|Blizzard | |
    |TM 15|Hyper Beam |Slowbro only |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 20|Safeguard | |
    |TM 21|Frustration | |
    |TM 23|Iron Tail | |
    |TM 26|Earthquake | |
    |TM 27|Return | |
    |TM 28|Dig | |
    |TM 29|Psycic | |
    |TM 30|Shadow Ball | |
    |TM 31|Brick Break |Slowbro only |
    |TM 32|Double Team | |
    |TM 35|Flamethrower | |
    |TM 38|Fire Blast | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 48|Skill Swap | |
    |-----|-------------|------------------------|
    |HM 03|Surf | |
    |HM 04|Strength | |
    |HM 05|Flash | |
    |HM 06|Rock Smash |Slowbro only |
    |HM 08|Dive | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Mega Punch |Slowbro only |
    |Mega Kick |Slowbro only |
    |Body Slam | |
    |Double-Edge | |
    |Counter |Slowbro only |
    |Seismic Toss |Slowbro only |
    |Mimic | |
    |Dream Eater | |
    |Thunder Wave | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #81 Magnemite/#82 Magneton

    Type: Electric/Steel

    Ability: Magnet Pull
    Sturdy

    Egg Group: None, has to breed with Ditto

    Location: Magnemite: New Mauville
    Magneton: New Mauville

    Evolution Line: Magnemite Lv 30
    Magneton Final


    Move List:
    /----------------------------------------\\
    |Name |Type |#1 |#2 |
    |----------------------|---------|---|---|
    |Metal Sound |Steel |Sta|Sta|
    |Tackle |Normal |Sta|Sta|
    |Thundershock |Electric |6 |6 |
    |Supersonic |Normal |11 |11 |
    |Sonic Boom |Normal |16 |16 |
    |Thunder Wave |Electric |21 |21 |
    |Spark |Electric |26 |26 |
    |Lock-On |Normal |32 |35 |
    |Swift |Normal |38 |- |
    |Tri-Attack |Normal |- |44 |
    |Screech |Normal |44 |53 |
    |Zap Cannon |Electric |50 |62 |
    \\----------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |None |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 15|Hyper Beam |Magneton only |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 21|Frustration | |
    |TM 24|Thunderbolt | |
    |TM 25|Thunder | |
    |TM 27|Return | |
    |TM 32|Double Team | |
    |TM 33|Reflect | |
    |TM 34|Shock Wave | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |-----|-------------|------------------------|
    |HM 05|Flash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Double-Edge | |
    |Mimic | |
    |Thunder Wave | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #83 Farfetch'd

    Type: Normal/Flying

    Ability: Keen Eye
    Inner Focus

    Egg Group: Flying/Field

    Location: Trade from FR/LG

    Evolution Line: None


    Move List:
    /------------------------------------\\
    |Name |Type |#1 |
    |----------------------|---------|---|
    |Peck |Normal |Sta|
    |Sand Attack |Normal |6 |
    |Leer |Normal |11 |
    |Fury Attack |Normal |16 |
    |Knock Off |Dark |21 |
    |Fury Cutter |Bug |26 |
    |Swords Dance |Normal |31 |
    |Agility |Psycic |36 |
    |Slash |Normal |41 |
    |False Swipe |Normal |46 |
    \\------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Steel Wing |Steel |
    |Foresight |Normal |
    |Mirror Move |Flying |
    |Whirlwind |Flying |
    |Quick Attack |Normal |
    |Flail |Normal |
    |Featherdance |Flying |
    |Curse |??? |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 17|Protect | |
    |TM 21|Frustration | |
    |TM 23|Iron Tail | |
    |TM 27|Return | |
    |TM 32|Double Team | |
    |TM 40|Aerial Ace | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |TM 47|Steel Wing | |
    |-----|-------------|------------------------|
    |HM 01|Cut | |
    |HM 02|Fly | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Swords Dance | |
    |Body Slam | |
    |Double-Edge | |
    |Mimic | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #84 Doduo/#85 Dodrio

    Type: Normal/Flying

    Ability: Run Away
    Early Bird

    Egg Group: Flying

    Location: Doduo: Safari Zone
    Dodrio: Safari Zone

    Evolution Line: Doduo Lv 31
    Dodrio Final


    Move List:
    /----------------------------------------\\
    |Name |Type |#1 |#2 |
    |----------------------|---------|---|---|
    |Peck |Normal |Sta|Sta|
    |Growl |Normal |Sta|Sta|
    |Pursuit |Fark |9 |9 |
    |Fury Attack |Normal |13 |13 |
    |Tri Attack |Normal |21 |21 |
    |Rage |Normal |25 |25 |
    |Uproar |Normal |33 |38 |
    |Drill Peck |Flying |37 |47 |
    |Agility |Psycic |45 |60 |
    \\----------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Quick Attack |Normal |
    |Supersonic |Normal |
    |Haze |Ice |
    |Faint Attack |Dark |
    |Flail |Normal |
    |Endeavor |Normal |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 12|Taunt |Dodrio only |
    |TM 15|Hyper Beam |Dodrio only |
    |TM 17|Protect | |
    |TM 21|Frustration | |
    |TM 27|Return | |
    |TM 32|Double Team | |
    |TM 40|Aerial Ace | |
    |TM 41|Torment |Dodrio only |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |TM 47|Steel Wing | |
    |-----|-------------|------------------------|
    |HM 02|Fly | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Body Slam | |
    |Double-Edge | |
    |Mimic | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #86 Seel/#87 Dewgong

    Type: Water (Seel)
    Water/Ice (Dewgong)

    Ability: Thick Fat

    Egg Group: Water 1/Field

    Location: Trade from FR/LG

    Evolution Line: Seel Lv 36
    Dewgong Final


    Move List:
    /----------------------------------------\\
    |Name |Type |#1 |#2 |
    |----------------------|---------|---|---|
    |Head Butt |Normal |Sta|Sta|
    |Growl |Normal |9 |9 |
    |Icy Wind |Ice |17 |17 |
    |Auroara Beam |Ice |21 |21 |
    |Rest |Psycic |29 |29 |
    |Sheer Cold |Ice |- |34 |
    |Take Down |Normal |37 |42 |
    |Ice Beam |Ice |41 |51 |
    |Safeguard |Normal |49 |64 |
    \\----------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Lick |Ghost |
    |Perish Song |Normal |
    |Disable |Normal |
    |Horn Drill |Normal |
    |Slam |Normal |
    |Encore |Normal |
    |Fake Out |Normal |
    |Icicle Spear |Ice |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 03|Water Pulse | |
    |TM 06|Toxic | |
    |TM 07|Hail | |
    |TM 10|Hidden Power | |
    |TM 13|Ice Beam | |
    |TM 14|Blizzard | |
    |TM 15|Hyper Beam |Dewgong only |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 20|Safeguard | |
    |TM 21|Frustration | |
    |TM 27|Return | |
    |TM 32|Double Team | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |-----|-------------|------------------------|
    |HM 03|Surf | |
    |HM 07|Waterfall | |
    |HM 08|Dive | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Body Slam | |
    |Double-Edge | |
    |Mimic | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #88 Grimer/#89 Muk

    Type: Poison

    Ability: Stench
    Sticky Hold

    Egg Group: Amorphous

    Location: Grimer: Fiery Path
    Muk: Evolves from Grimer

    Evolution Line: Grimer Lv 38
    Muk Final


    Move List:
    /----------------------------------------\\
    |Name |Type |#1 |#2 |
    |----------------------|---------|---|---|
    |Poison Gas |Poison |Sta|Sta|
    |Pound |Normal |Sta|Sta|
    |Harden |Normal |4 |4 |
    |Disable |Normal |8 |8 |
    |Sludge |Poison |13 |13 |
    |Minimize |Normal |19 |19 |
    |Screech |Normal |26 |26 |
    |Acid Armor |Poison |34 |34 |
    |Sludge Bomb |Poison |43 |47 |
    |Memento |Normal |53 |61 |
    \\----------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Haze |Ice |
    |Mean Look |Normal |
    |Lick |Ghost |
    |Imprison |Psycic |
    |Curse |??? |
    |Shadow Punch |Ghost |
    |Explosion |Normal |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 01|Focus Punch |Muk only |
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 12|Taunt | |
    |TM 15|Hyper Beam |Muk only |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 19|Giga Drain | |
    |TM 21|Frustration | |
    |TM 24|Thunderbolt | |
    |TM 25|Thunder | |
    |TM 27|Return | |
    |TM 28|Dig | |
    |TM 31|Brick Break |Muk only |
    |TM 32|Double Team | |
    |TM 34|Shock Wave | |
    |TM 35|Flamethrower | |
    |TM 36|Sluge Bomb | |
    |TM 38|Fire Blast | |
    |TM 39|Rock Tomb | |
    |TM 41|Torment | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |-----|-------------|------------------------|
    |HM 04|Strength |Muk only |
    |HM 06|Rock Smash |Muk only |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Body Slam | |
    |Mimic | |
    |Explosion | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #90 Shellder/#91 Cloyster

    Type: Water (Shellder)
    Water/Ice (Cloyster)

    Ability: Shell Armor

    Egg Group: Water 3

    Location: Trade from FR/LG

    Evolution Line: Shellder Water Stone
    Cloyster Final


    Move List:
    /----------------------------------------\\
    |Name |Type |#1 |#2 |
    |----------------------|---------|---|---|
    |Tackle |Normal |Sta|Sta|
    |Withdrawl |Water |Sta|Sta|
    |Supersonic |Normal |9 |- |
    |Aurora Beam |Ice |17 |- |
    |Protect |Normal |25 |- |
    |Leer |Normal |33 |- |
    |Spikes |Ground |- |33 |
    |Clamp |Water |41 |- |
    |Spike Cannon |Normal |- |41 |
    |Ice Beam |Ice |49 |- |
    \\----------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Rapid Spin |Normal |
    |Bubblebeam |Water |
    |Barrier |Psycic |
    |Screech |Normal |
    |Icicle Spear |Ice |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 03|Water Pulse | |
    |TM 06|Toxic | |
    |TM 07|Hail | |
    |TM 10|Hidden Power | |
    |TM 13|Ice Beam | |
    |TM 14|Blizzard | |
    |TM 15|Hyper Beam |Cloyster only |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 21|Frustration | |
    |TM 27|Return | |
    |TM 32|Double Team | |
    |TM 41|Torment |Cloyster only |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |-----|-------------|------------------------|
    |HM 03|Surf | |
    |HM 08|Dive | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Double-Edge | |
    |Mimic | |
    |Explosion | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #92 Gastly/#93 Haunter/#94 Gengar

    Type: Ghost/Poison

    Ability: Levitate

    Egg Group: Amorphous

    Location: Gastly: Pokemon Tower
    Haunter: Pokemon Tower

    Egg Group: Amorphous

    Evolution Line: Gastly Lv 28
    Haunter Link Trade
    Gengar Final


    Move List:
    /--------------------------------------------\\
    |Name |Type |#1 |#2 |#3 |
    |----------------------|---------|---|---|---|
    |Lick |Ghost |Sta|Sta|Sta|
    |Hypnosis |Psycic |Sta|Sta|Sta|
    |Spite |Ghost |8 |8 |8 |
    |Mean Look |Normal |13 |13 |13 |
    |Curse |??? |16 |16 |16 |
    |Night Shade |Ghost |21 |21 |21 |
    |Shadow Punch |Ghost |- |25 |25 |
    |Confuse Ray |Ghost |28 |31 |31 |
    |Dream Eater |Psycic |33 |39 |39 |
    |Destiny Bond |Ghost |36 |48 |48 |
    \\--------------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Psywave |Psycic |
    |Perish Song |Normal |
    |Haze |Ice |
    |Astonish |Dark |
    |Will-O-Wisp |Fire |
    |Grudge |Ghost |
    |Explosion |Normal |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 01|Focus Punch |Gengar only |
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 12|Taunt | |
    |TM 15|Hyper Beam |Gengar only |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 19|Giga Drain | |
    |TM 21|Frustration | |
    |TM 24|Thunderbolt | |
    |TM 25|Thunder |Gengar only |
    |TM 27|Return | |
    |TM 29|Psycic | |
    |TM 30|Shadow Ball | |
    |TM 31|Brick Break |Gengar only |
    |TM 32|Double Team | |
    |TM 36|Sluge Bomb | |
    |TM 41|Torment | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |TM 48|Skill Swap | |
    |TM 49|Snatch | |
    |-----|-------------|------------------------|
    |HM 04|Strength |Gengar only |
    |HM 06|Rock Smash |Gengar only |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Mega Punch |Gengar only |
    |Mega Kick |Gengar only |
    |Body Slam |Gengar only |
    |Double-Edge |Gengar only |
    |Counter |Gengar only |
    |Seismic Toss |Gengar only |
    |Mimic | |
    |Metronome |Gengar only |
    |Dream Eater | |
    |Explosion | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #95 Onix

    Type: Rock/Ground

    Ability: Rock Head
    Sturdy

    Egg Group: Mineral

    Location: Trade from FR/LG

    Evolution Line: Onix Trade with Steel Coat
    Steelix Final


    Move List:
    /------------------------------------\\
    |Name |Type |#1 |
    |----------------------|---------|---|
    |Tackle |Normal |Sta|
    |Screech |Normal |Sta|
    |Bind |Normal |9 |
    |Rock Throw |Rock |13 |
    |Harden |Normal |21 |
    |Rage |Normal |25 |
    |Sandstorm |Rock |33 |
    |Slam |Normal |37 |
    |Iron Tail |Steel |45 |
    |Sand Tomb |Ground |49 |
    |Double Edge |Normal |57 |
    \\------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Rock Slide |Rock |
    |Flail |Normal |
    |Explosion |Normal |
    |Block |Normal |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 05|Roar | |
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 12|Taunt | |
    |TM 15|Hyper Beam | |
    |TM 17|Protect | |
    |TM 21|Frustration | |
    |TM 23|Iron Tail | |
    |TM 26|Earthquake | |
    |TM 27|Return | |
    |TM 28|Dig | |
    |TM 32|Double Team | |
    |TM 37|Sandstorm | |
    |TM 39|Rock Tomb | |
    |TM 41|Torment | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |-----|-------------|------------------------|
    |HM 04|Strength | |
    |HM 06|Rock Smash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Body Slam | |
    |Double-Edge | |
    |Mimic | |
    |Explosion | |
    |Rock Slide | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #96 Drowzee/#97 Hypno

    Type: Psycic

    Ability: Insomnia

    Egg Group: Human-Like

    Location: Trade from FR/LG

    Evolution Line: Drowzee Lv 26
    Hypno Final


    Move List:
    /----------------------------------------\\
    |Name |Type |#1 |#2 |
    |----------------------|---------|---|---|
    |Pound |Normal |Sta|Sta|
    |Hypnosis |Psycic |Sta|Sta|
    |Nightmare |Ghost |- |Sta|
    |Disable |Normal |10 |10 |
    |Confusion |Psycic |18 |18 |
    |Headbutt |Normal |25 |25 |
    |Poison Gas |Poison |31 |33 |
    |Meditate |Psycic |36 |40 |
    |Psycic |Psycic |40 |49 |
    |Psych Up |Normal |43 |55 |
    |Future Sight |Psycic |45 |60 |
    \\----------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Barrier |Psycic |
    |Assist |Normal |
    |Role Play |Psycic |
    |Fire Punch |Fire |
    |Thunderpunch |Electric |
    |Ice Punch |ICe |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 01|Focus Punch | |
    |TM 04|Calm Mind | |
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 12|Taunt | |
    |TM 15|Hyper Beam |Hypno only |
    |TM 16|Light Screen | |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 20|Safeguard | |
    |TM 21|Frustration | |
    |TM 27|Return | |
    |TM 29|Psycic | |
    |TM 30|Shadow Ball | |
    |TM 31|Brick Break | |
    |TM 32|Double Team | |
    |TM 33|Reflect | |
    |TM 41|Torment | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |TM 48|Skill Swap | |
    |TM 49|Snatch | |
    |-----|-------------|------------------------|
    |HM 05|Flash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Mega Punch | |
    |Mega Kick | |
    |Body Slam | |
    |Double-Edge | |
    |Counter | |
    |Seismic Toss | |
    |Mimic | |
    |Metronome | |
    |Dream Eater | |
    |Thunder Wave | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #98 Krabby/#99 Kingler

    Type: Water

    Ability: Hyper Cutter
    Shell Armor

    Egg Group: Water 3

    Location: Trade from FR/LG

    Evolution Line: Krabby Lv 28
    Kingler Final


    Move List:
    /----------------------------------------\\
    |Name |Type |#1 |#2 |
    |----------------------|---------|---|---|
    |Bubble |Water |Sta|Sta|
    |Metal Claw |Metal |Sta|- |
    |Leer |Normal |5 |5 |
    |Vice Grip |Normal |12 |12 |
    |Harden |Normal |16 |16 |
    |Mud Shot |Ground |23 |23 |
    |Stomp |Normal |27 |27 |
    |Guillotine |Normal |34 |38 |
    |Protect |Normal |41 |49 |
    |Crab Hammer |Water |45 |57 |
    \\----------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Dig |Ground |
    |Haze |Ice |
    |Amnesia |Psycic |
    |Flail |Normal |
    |Slam |Normal |
    |Knock Off |Dark |
    |Swords Dance |Normal |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 03|Water Pulse | |
    |TM 06|Toxic | |
    |TM 07|Hail | |
    |TM 10|Hidden Power | |
    |TM 13|Ice Beam | |
    |TM 14|Blizzard | |
    |TM 15|Hyper Beam |Hypno only |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 21|Frustration | |
    |TM 27|Return | |
    |TM 28|Dig | |
    |TM 32|Double Team | |
    |TM 39|Rock Tomb | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |-----|-------------|------------------------|
    |HM 01|Cut | |
    |HM 03|Surf | |
    |HM 04|Strength | |
    |HM 06|Rock Smash | |
    |HM 08|Dive | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Swords Dance | |
    |Body Slam | |
    |Double-Edge | |
    |Mimic | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #100 Votorb/# 101 Electrode

    Type: Electric

    Ability: Soundproof
    Static

    Egg Group: None, needs to breed with Ditto

    Location: Votorb: New Mauville
    Electrode: New Mauville

    Evolution Line: Votorb Lv 30
    Electrode Final


    Move List:
    /----------------------------------------\\
    |Name |Type |#1 |#2 |
    |----------------------|---------|---|---|
    |Charge |Electric |Sta|Sta|
    |Tackle |Normal |Sta|Sta|
    |Screech |Normal |8 |8 |
    |Sonic Boom |Normal |15 |15 |
    |Spark |Electric |21 |21 |
    |Self-Destruct |Normal |27 |27 |
    |Rollout |Rock |32 |34 |
    |Light Screen |Psycic |37 |41 |
    |Swift |Normal |42 |48 |
    |Explosion |Normal |46 |54 |
    |Mirror Coat |Psycic |49 |59 |
    \\----------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |None |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 12|Taunt | |
    |TM 15|Hyper Beam |Electrode only |
    |TM 16|Light Screen | |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 21|Frustration | |
    |TM 24|Thunderbolt | |
    |TM 25|Thunder | |
    |TM 27|Return | |
    |TM 32|Double Team | |
    |TM 34|Shock Wave | |
    |TM 41|Torment | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 46|Thief | |
    |-----|-------------|------------------------|
    |HM 05|Flash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Mimic | |
    |Thunder Wave | |
    |Explosion | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #102 Exeggcute/#103 Exeggutor

    Type: Psycic/Grass

    Ability: Chlorophyll

    Egg Group: Grass

    Location: Trade from FR/LG


    Evolution Line: Exeggcute Leaf Stone
    Exeggutor Final

    Move List:
    /----------------------------------------\\
    |Name |Type |#1 |#2 |
    |----------------------|---------|---|---|
    |Barrage |Normal |Sta|Sta|
    |Hypnosis |Psycic |Sta|Sta|
    |Uproar |Normal |Sta|Sta|
    |Reflect |Psycic |7 |- |
    |Leech Seed |Grass |13 |- |
    |Confusion |Psycic |19 |- |
    |Stomp |Normal |- |19 |
    |Stun Spore |Grass |25 |- |
    |Poisonpowder |Poison |31 |- |
    |Egg Bomb |Normal |- |31 |
    |Sleep Powder |Grass |37 |- |
    |Solarbeam |Grass |43 |- |
    \\----------------------------------------/


    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Synthesis |Grass |
    |Moonlight |Normal |
    |Reflect |Psycic |
    |Ancientpower |Rock |
    |Psych Up |Normal |
    |Ingrain |Grass |
    |Curse |??? |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 06|Toxic | |
    |TM 09|Bullet Seed | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 15|Hyper Beam |Exeggutor only |
    |TM 16|Light Screen | |
    |TM 17|Protect | |
    |TM 19|Giga Drain | |
    |TM 21|Frustration | |
    |TM 22|Solar Beam | |
    |TM 27|Return | |
    |TM 29|Psycic | |
    |TM 32|Double Team | |
    |TM 33|Reflect | |
    |TM 36|Sluge Bomb | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |TM 48|Skill Swap | |
    |-----|-------------|------------------------|
    |HM 04|Strength | |
    |HM 05|Flash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Double-Edge | |
    |Mimic | |
    |Dream Eater | |
    |Explosion | |
    |Substitute | |
    \\--------------------------------------------/
    ===========================================================================
    #104 Cubone/#105 Marowak

    Type: Ground

    Ability: Rock Head
    Lightningrod

    Egg Group: Monster

    Location: Trade from FR/LG

    Evolution Line: Cubone Lv 28
    Marowak Final


    Move List:
    /----------------------------------------\\
    |Name |Type |#1 |#2 |
    |----------------------|---------|---|---|
    |Growl |Normal |Sta|Sta|
    |Tail Whip |Normal |5 |5 |
    |Bone Club |Ground |9 |9 |
    |Headbutt |Normal |13 |13 |
    |Leer |Normal |17 |17 |
    |Focus Energy |Normal |21 |21 |
    |Bonemerang |Ground |25 |25 |
    |Rage |Normal |29 |32 |
    |False Swipe |Normal |33 |39 |
    |Thrash |Normal |37 |46 |
    |Bone Rush |Ground |41 |53 |
    |Double-Edge |Normal |45 |61 |
    \\----------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Rock Slide |Rock |
    |Ancientpower |Rock |
    |Belly Drum |Normal |
    |Screech |Normal |
    |Skull Bash |Normal |
    |Perish Song |Normal |
    |Swords Dance |Normal |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 01|Focus Punch | |
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 13|Ice Beam | |
    |TM 14|Blizzard | |
    |TM 15|Hyper Beam |Marowak only |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 21|Frustration | |
    |TM 23|Iron Tail | |
    |TM 26|Earthquake | |
    |TM 28|Dig | |
    |TM 31|Brick Break | |
    |TM 32|Double Team | |
    |TM 35|Flamethrower | |
    |TM 37|Sandstorm | |
    |TM 38|Fire Blast | |
    |TM 39|Rock Tomb | |
    |TM 40|Aerial Ace | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |-----|-------------|------------------------|
    |HM 04|Strength | |
    |HM 06|Rock Smash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Mega Punch | |
    |Swords Dance | |
    |Mega Kick | |
    |Body Slam | |
    |Double-Edge | |
    |Counter | |
    |Seismic Toss | |
    |Mimic | |
    |Rock Slide | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #106 Hitmonlee

    Type: Fighting

    Ability: Limber

    Egg Group: Human-Like

    Location: Trade from FR/LG

    Evolution Line: Tyrogue Lv 20 when Attack is higher then Defense
    Hitmonlee Final

    Move List:
    /------------------------------------\\
    |Name |Type |#1 |
    |----------------------|---------|---|
    |Revenge |Fighting |Sta|
    |Double Kick |Fighting |Sta|
    |Meditate |Psycic |6 |
    |Rolling Kick |Fighting |11 |
    |Jump Kick |Fighting |16 |
    |Brick Break |Fighting |20 |
    |Focus Energy |Normal |21 |
    |High Jump Kick |Fighting |26 |
    |Mind Reader |Normal |31 |
    |Foresight |Normal |36 |
    |Endure |Normal |41 |
    |Mega Kick |Normal |46 |
    |Reversal |Fighting |51 |
    \\------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Rapid Spin |Normal |
    |Hi Jump Kick |Fighting |
    |Mach Punch |Fighting |
    |Mind Reader |Normal |
    |Helping Hand |Normal |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 01|Focus Punch | |
    |TM 06|Toxic | |
    |TM 08|Bulk Up | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 21|Frustration | |
    |TM 26|Earthquake | |
    |TM 27|Return | |
    |TM 31|Brick Break | |
    |TM 32|Double Team | |
    |TM 39|Rock Tomb | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |-----|-------------|------------------------|
    |HM 04|Strength | |
    |HM 06|Rock Smash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Mega Punch | |
    |Mega Kick | |
    |Body Slam | |
    |Double Edge | |
    |Counter | |
    |Seismic Toss | |
    |Mimic | |
    |Metronome | |
    |Rock Slide | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #107 Hitmonchan

    Type: Fighting

    Ability: Keen Eye

    Egg Group: Human-Like

    Location: Trade from FR/LG

    Evolution Line: Tyogre LV 20 when Defense is higher
    Hitmonchan Final


    Move List:
    /------------------------------------\\
    |Name |Type |#1 |
    |----------------------|---------|---|
    |Revenge |Fighting |Sta|
    |Comet Punch |Normal |Sta|
    |Agility |Psycic |7 |
    |Pursuit |Dark |13 |
    |Mach Punch |Fighting |20 |
    |Fire Punch |Fire |26 |
    |Ice Punch |Ice |26 |
    |Thunder Punch |Electric |26 |
    |Sky Uppercut |Fighting |32 |
    |Mega Punch |Normal |38 |
    |Detect |Fighting |44 |
    |Counter |Fighting |50 |
    \\------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Rapid Spin |Normal |
    |Hi Jump Kick |Fighting |
    |Mach Punch |Fighting |
    |Mind Reader |Normal |
    |Helping Hand |Normal |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 01|Focus Punch | |
    |TM 06|Toxic | |
    |TM 08|Bulk Up | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 21|Frustration | |
    |TM 26|Earthquake | |
    |TM 27|Return | |
    |TM 31|Brick Break | |
    |TM 32|Double Team | |
    |TM 39|Rock Tomb | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |-----|-------------|------------------------|
    |HM 04|Strength | |
    |HM 06|Rock Smash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Mega Punch | |
    |Mega Kick | |
    |Body Slam | |
    |Double Edge | |
    |Counter | |
    |Seismic Toss | |
    |Mimic | |
    |Metronome | |
    |Rock Slide | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #108 Lickitung

    Type: Normal

    Ability: Own Tempo
    Oblivious

    Egg Group: Monster

    Location: Trade from FR/LG

    Evolution Line: None


    Move List:
    /------------------------------------\\
    |Name |Type |#1 |
    |----------------------|---------|---|
    |Lick |Ghost |Sta|
    |Supersonic |Normal |7 |
    |Defense Curl |Normal |12 |
    |Knock Off |Dark |18 |
    |Stomp |Normal |23 |
    |Wrap |Normal |29 |
    |Disable |Normal |34 |
    |Slam |Normal |40 |
    |Screech |Normal |45 |
    |Refresh |Normal |51 |
    \\------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Belly Drum |Normal |
    |Magnitude |Ground |
    |Body Slam |Normal |
    |Curse |??? |
    |Smellingsalt |Normal |
    |Sleep Talk |Normal |
    |Snore |Normal |
    |Substitute |Normal |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 01|Focus Punch | |
    |TM 03|Water Pulse | |
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 12|Taunt | |
    |TM 13|Ice Beam | |
    |TM 14|Blizzard | |
    |TM 15|Hyper Beam | |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 21|Frustration | |
    |TM 22|Solar Beam | |
    |TM 23|Iron Tail | |
    |TM 24|Thunderbolt | |
    |TM 25|Thunder | |
    |TM 26|Earthquake | |
    |TM 27|Return | |
    |TM 28|Dig | |
    |TM 30|Shadow Ball | |
    |TM 31|Brick Break | |
    |TM 32|Double Team | |
    |TM 34|Shock Wave | |
    |TM 35|Flamethrower | |
    |TM 37|Sandstorm | |
    |TM 38|Fire Blast | |
    |TM 39|Rock Tomb | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |-----|-------------|------------------------|
    |HM 01|Cut | |
    |HM 03|Surf | |
    |HM 04|Strength | |
    |HM 06|Rock Smash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Mega Punch | |
    |Mega Kick | |
    |Body Slam | |
    |Double-Edge | |
    |Counter | |
    |Seismic Toss | |
    |Mimic | |
    |Dream Eater | |
    |Rock Slide | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #109 Koffing/#110 Weezing

    Type: Poison

    Ability: Levitate

    Egg Group: Amorphous

    Location: Koffing: Fiery Path

    Weezing: Evolves from Koffing

    Evolution Line: Koffing Lv 35
    Weezing Final


    Move List:
    /----------------------------------------\\
    |Name |Type |#1 |#2 |
    |----------------------|---------|---|---|
    |Poison Gas |Poison |Sta|Sta|
    |Tackle |Normal |Sta|Sta|
    |Smog |Poison |9 |9 |
    |Self Destruct |Normal |17 |17 |
    |Sludge |Poison |21 |21 |
    |Smoke Screen |Normal |25 |25 |
    |Haze |Ice |33 |33 |
    |Explosion |Normal |41 |44 |
    |Destiny Bond |Ghost |45 |51 |
    |Memento |Dark |49 |58 |
    \\----------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Screech |Normal |
    |Psywave |Psycic |
    |Psybeam |Psycic |
    |Destiny Bond |Ghost |
    |Pain Split |Normal |
    |Will-O-Wisp |Fire |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 12|Taunt | |
    |TM 15|Hyper Beam |Weezing only |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 21|Frustration | |
    |TM 24|Thunderbolt | |
    |TM 25|Thunder | |
    |TM 27|Return | |
    |TM 30|Shadow Ball | |
    |TM 32|Double Team | |
    |TM 34|Shock Wave | |
    |TM 35|Flamethrower | |
    |TM 36|Sluge Bomb | |
    |TM 38|Fire Blast | |
    |TM 41|Torment | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |-----|-------------|------------------------|
    |HM 05|Flash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Mimic | |
    |Explosion | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #111 Rhyhorn/#112 Rhydon

    Type: Ground/Rock

    Ability: Lightningrod
    Rock Head

    Egg Group: Monster/Field

    Location: Rhyhorn: Safari Zone
    Rhydon: Evolves from Ryhorn

    Evolution Line: Ryhorn Lv 42
    Rhydon Final


    Move List:
    /----------------------------------------\\
    |Name |Type |#1 |#2 |
    |----------------------|---------|---|---|
    |Horn Attack |Normal |Sta|Sta|
    |Tail Whip |Normal |Sta|Sta|
    |Stomp |Normal |10 |10 |
    |Fury Attack |Normal |15 |15 |
    |Scary Face |Normal |24 |24 |
    |Rock Blast |Rock |29 |29 |
    |Horn Drill |Normal |38 |38 |
    |Take Down |Normal |43 |46 |
    |Earthquake |Ground |52 |58 |
    |Megahorn |Bug |57 |66 |
    \\----------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Crunch |Dark |
    |Reversal |Fighting |
    |Rock Slide |Rock |
    |Counter |Fighting |
    |Magnitude |Ground |
    |Swords Dance |Normal |
    |Curse |??? |
    |Crush Claw |Normal |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 01|Focus Punch |Rhydon only |
    |TM 05|Roar | |
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 13|Ice Beam | |
    |TM 14|Blizzard | |
    |TM 15|Hyper Beam |Rhydon only |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 21|Frustration | |
    |TM 23|Iron Tail | |
    |TM 24|Thunderbolt | |
    |TM 25|Thunder | |
    |TM 26|Earthquake | |
    |TM 27|Return | |
    |TM 28|Dig | |
    |TM 31|Brick Break |Rhydon only |
    |TM 32|Double Team | |
    |TM 34|Shock Wave | |
    |TM 35|Flamethrower | |
    |TM 37|Sandstorm | |
    |TM 38|Fire Blast | |
    |TM 39|Rock Tomb | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |-----|-------------|------------------------|
    |HM 01|Cut |Rhydon only |
    |HM 03|Surf |Rhydon only |
    |HM 04|Strength | |
    |HM 06|Rock Smash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Mega Punch |Rhydon only |
    |Mega Kick |Rhydon only |
    |Body Slam | |
    |Double-Edge | |
    |Counter | |
    |Seismic Toss |Rhydon only |
    |Mimic | |
    |Rock Slide | |
    |Substitute | |
    \\--------------------------------------------/

    Lost Moves:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Leer |Normal |
    \\--------------------------------/


    ===========================================================================
    #113 Chansey

    Type: Normal

    Ability: Natural Cure
    Serene Grace

    Egg Group: Fairy

    Location: Trade from FR/LG

    Evolution Line: Chansey Friendly Evolution
    Blissey Final


    Move List:
    /------------------------------------\\
    |Name |Type |#1 |
    |----------------------|---------|---|
    |Pound |Normal |Sta|
    |Growl |Normal |Sta|
    |Tail Whip |Normal |5 |
    |Refresh |Normal |9 |
    |Double Slap |Normal |17 |
    |Minimize |Normal |23 |
    |Sing |Normal |29 |
    |Egg Bomb |Normal |35 |
    |Defense Curl |Normal |41 |
    |Light Screen |Psycic |49 |
    |Double Edge |Normal |57 |
    \\------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Present |Normal |
    |Metronome |Normal |
    |Heal Bell |Normal |
    |Aromatherapy |Grass |
    |Substitute |Normal |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 01|Focus Punch | |
    |TM 03|Water Pulse | |
    |TM 04|Calm Mind | |
    |TM 06|Toxic | |
    |TM 07|Hail | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 13|Ice Beam | |
    |TM 14|Blizzard | |
    |TM 15|Hyper Beam | |
    |TM 16|Light Screen | |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 20|Safeguard | |
    |TM 21|Frustration | |
    |TM 22|Solar Beam | |
    |TM 23|Iron Tail | |
    |TM 24|Thunderbolt | |
    |TM 25|Thunder | |
    |TM 26|Earthquake | |
    |TM 27|Return | |
    |TM 29|Psycic | |
    |TM 30|Shadow Ball | |
    |TM 31|Brick Break | |
    |TM 32|Double Team | |
    |TM 34|Shock Wave | |
    |TM 35|Flamethrower | |
    |TM 37|Sandstorm | |
    |TM 38|Fire Blast | |
    |TM 39|Rock Tomb | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 48|Skill Swap | |
    |TM 49|Snatch | |
    |-----|-------------|------------------------|
    |HM 04|Strength | |
    |HM 05|Flash | |
    |HM 06|Rock Smash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Mega Punch | |
    |Mega Kick | |
    |Body Slam | |
    |Double-Edge | |
    |Counter | |
    |Seismic Toss | |
    |Mimic | |
    |Metronome | |
    |Softboiled | |
    |Dream Eater | |
    |Thunder Wave | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #114 Tangela

    Type: Grass

    Ability: Chlorophyll

    Egg Group: Grass

    Location: Trade from FR/LG

    Evolution Line: None


    Move List:
    /------------------------------------\\
    |Name |Type |#1 |
    |----------------------|---------|---|
    |Ingrain |Grass |Sta|
    |Constrict |Normal |Sta|
    |Sleep Powder |Grass |4 |
    |Absorb |Grass |10 |
    |Growth |Normal |13 |
    |Poison Powder |Poison |19 |
    |Vine Whip |Grass |22 |
    |Bind |Normal |28 |
    |Mega Drain |Grass |31 |
    |Stun Spore |Grass |37 |
    |Slam |Normal |40 |
    |Tickle |Normal |46 |
    \\------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Flail |Normal |
    |Confusion |Psycic |
    |Mega Drain |Grass |
    |Reflect |Psycic |
    |Amnesia |Psycic |
    |Leech Seed |Grass |
    |Nature Power |Normal |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 06|Toxic | |
    |TM 09|Bullet Seed | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 15|Hyper Beam | |
    |TM 17|Protect | |
    |TM 19|Giga Drain | |
    |TM 21|Frustration | |
    |TM 22|Solar Beam | |
    |TM 27|Return | |
    |TM 32|Double Team | |
    |TM 36|Sluge Bomb | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |-----|-------------|------------------------|
    |HM 01|Cut | |
    |HM 05|Flash | |
    |HM 06|Rock Smash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Swords Dance | |
    |Body Slam | |
    |Double-Edge | |
    |Mimic | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #115 Kangaskhan

    Type: Normal

    Ability: Early Bird

    Egg Group: Monster

    Location: Trade from FR/LG

    Evolution Line: None


    Move List:
    /------------------------------------\\
    |Name |Type |#1 |
    |----------------------|---------|---|
    |Comet Punch |Normal |Sta|
    |Leer |Normal |Sta|
    |Bite |Dark |7 |
    |Tail Whip |Normal |13 |
    |Fake Out |Normal |19 |
    |Mega Punch |Normal |25 |
    |Rage |Normal |31 |
    |Endure |Normal |37 |
    |Dizzy Punch |Normal |43 |
    |Reversal |Fighting |49 |
    \\------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Stomp |Normal |
    |Foresight |Normal |
    |Focus Energy |Normal |
    |Safeguard |Normal |
    |Disable |Normal |
    |Counter |Fighting |
    |Crush Claw |Normal |
    |Substitute |Normal |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 01|Focus Punch | |
    |TM 03|Water Pulse | |
    |TM 05|Roar | |
    |TM 06|Toxic | |
    |TM 07|Hail | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 13|Ice Beam | |
    |TM 14|Blizzard | |
    |TM 15|Hyper Beam | |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 21|Frustration | |
    |TM 22|Solar Beam | |
    |TM 23|Iron Tail | |
    |TM 24|Thunderbolt | |
    |TM 25|Thunder | |
    |TM 26|Earthquake | |
    |TM 27|Return | |
    |TM 28|Dig | |
    |TM 30|Shadow Ball | |
    |TM 31|Brick Break | |
    |TM 32|Double Team | |
    |TM 34|Shock Wave | |
    |TM 35|Flamethrower | |
    |TM 37|Sandstorm | |
    |TM 38|Fire Blast | |
    |TM 39|Rock Tomb | |
    |TM 40|Aerial Ace | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |-----|-------------|------------------------|
    |HM 01|Cut | |
    |HM 03|Surf | |
    |HM 04|Strength | |
    |HM 06|Rock Smash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Mega Punch | |
    |Mega Kick | |
    |Body Slam | |
    |Double-Edge | |
    |Counter | |
    |Seismic Toss | |
    |Mimic | |
    |Rock Slide | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #116 Horsea/#117 Seadra

    Type: Water (Horsea and Seadra)
    Water/Dragon (Kingdra)

    Ability: Swift Swim (Horsea)
    Poison Point (Seadra)

    Egg Group: Water 1/Dragon

    Location: Horsea: Routes 132, 133, 134 (Via Fishing)

    Seadra: Evolves from Horsea

    Kingdra: Evolves from Seadra

    Evolution Line: Horsea Lv 32
    Seadra Trade with a Dragon Scale attached to Evolve
    Kingdra Final


    Move List:
    /----------------------------------------\\
    |Name |Type |#1 |#2 |
    |----------------------|---------|---|---|
    |Bubble |Water |Sta|Sta|
    |Smoke Screen |Normal |8 |8 |
    |Leer |Normal |15 |15 |
    |Water Gun |Water |22 |22 |
    |Twister |Dragon |29 |29 |
    |Agility |Psycic |36 |40 |
    |Hydro Pump |Water |43 |51 |
    |Dragon Dance |Dragon |50 |62 |
    \\----------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Flail |Normal |
    |Aurora Beam |Ice |
    |Octazooka |Water |
    |Disable |Normal |
    |Bounce |Fly |
    |Dragon Rage |Dragon |
    |Dragonbreath |Dragon |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 03|Water Pulse | |
    |TM 06|Toxic | |
    |TM 07|Hail | |
    |TM 10|Hidden Power | |
    |TM 13|Ice Beam | |
    |TM 14|Blizzard | |
    |TM 15|Hyper Beam |Sea and Kingdra only |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 21|Frustration | |
    |TM 27|Return | |
    |TM 32|Double Team | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |-----|-------------|------------------------|
    |HM 03|Surf | |
    |HM 07|Waterfall | |
    |HM 08|Dive | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Double-Edge | |
    |Mimic | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #118 Goldeen/#119 Seaking

    Type: Water

    Ability: Swift Swim
    Water Veil

    Egg Group: Water 2

    Location: Goldeen: Routes 102, 111, 114, 117, 120, Petalburg City, Safari
    Zone, Victory Road, Meteor Falls (Via Fishing)

    Seaking: Safari Zone

    Evolution Line: Goldeen Lv 33
    Seaking Final


    Move List:
    /----------------------------------------\\
    |Name |Type |#1 |#2 |
    |----------------------|---------|---|---|
    |Peck |Flying |Sta|Sta|
    |Tail Whip |Normal |Sta|Sta|
    |Water Sport |Water |Sta|Sta|
    |Supersonic |Normal |10 |10 |
    |Horn Attack |Normal |15 |15 |
    |Flail |Normal |24 |24 |
    |Fury Attack |Normal |29 |29 |
    |Waterfall |Water |38 |41 |
    |Horn Drill |Normal |43 |49 |
    |Agility |Psycic |52 |61 |
    \\----------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Psybeam |Psycic |
    |Haze |Ice |
    |Hydro Pump |Water |
    |Sleep Talk |Normal |
    |Mud Sport |Ground |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 03|Water Pulse | |
    |TM 06|Toxic | |
    |TM 07|Hail | |
    |TM 10|Hidden Power | |
    |TM 13|Ice Beam | |
    |TM 14|Blizzard | |
    |TM 15|Hyper Beam |Seaking only |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 21|Frustration | |
    |TM 27|Return | |
    |TM 32|Double Team | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |-----|-------------|------------------------|
    |HM 03|Surf | |
    |HM 07|Waterfall | |
    |HM 08|Dive | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Double-Edge | |
    |Mimic | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #120 Staryu/#121 Starmie

    Type: Water (Staryu)
    Water/Psycic (Starmie)

    Ability: Illuminate
    Natural Cure

    Egg Group: None, needs to breed with Ditto.

    Location: Staryu: Lilycove City

    Starmie: Evolves from Staryu

    Evolution Line: Staryu Water Stone
    Starmie Final


    Move List:
    /----------------------------------------\\
    |Name |Type |#1 |#2 |
    |----------------------|---------|---|---|
    |Tackle |Normal |Sta|- |
    |Harden |Normal |Sta|- |
    |Water Gun |Water |6 |- |
    |Rapid Spin |Normal |10 |- |
    |Recover |Normal |15 |- |
    |Camoflage |Normal |19 |- |
    |Swift |Normal |24 |- |
    |Bubblebeam |Water |28 |- |
    |Minimize |Normal |33 |- |
    |Confuse Ray |Ghost |- |33 |
    |Light Screen |Psycic |37 |- |
    |Cosmic Power |Psycic |42 |- |
    |Hydro Pump |Water |46 |- |
    \\----------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |None |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 03|Water Pulse | |
    |TM 06|Toxic | |
    |TM 07|Hail | |
    |TM 10|Hidden Power | |
    |TM 13|Ice Beam | |
    |TM 14|Blizzard | |
    |TM 15|Hyper Beam |Starmie only |
    |TM 16|Light Screen | |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 21|Frustration | |
    |TM 24|Thunderbolt | |
    |TM 25|Thunder | |
    |TM 27|Return | |
    |TM 29|Psycic | |
    |TM 32|Double Team | |
    |TM 33|Reflect | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 48|Skill Swap |Starmie only |
    |-----|-------------|------------------------|
    |HM 03|Surf | |
    |HM 05|Flash | |
    |HM 07|Waterfall | |
    |HM 08|Dive | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Double-Edge | |
    |Mimic | |
    |Dream Eater |Starmie only |
    |Thunder Wave | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #122 Mr. Mime

    Type: Psycic

    Ability: Soundproof

    Egg Group: Human-Like

    Location: Trade from FR/LG

    Evolution Line: None


    Move List:
    /------------------------------------\\
    |Name |Type |#1 |
    |----------------------|---------|---|
    |Barrier |Psycic |Sta|
    |Confusion |Psycic |5 |
    |Substitute |Normal |9 |
    |Meditate |Psycic |13 |
    |Double Slap |Normal |17 |
    |Light Screen |Psycic |21 |
    |Reflect |Psycic |21 |
    |Encore |Normal |25 |
    |Psybeam |Psycic |29 |
    |Recycle |Normal |33 |
    |Trick |Psycic |37 |
    |Role Play |Psycic |41 |
    |Psycic |Psycic |45 |
    |Baton Pass |Normal |49 |
    |Safeguard |Normal |53 |
    \\------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Future Sight |Psycic |
    |Hypnosis |Psycic |
    |Mimic |Normal |
    |Psych Up |Normal |
    |Fake Out |Normal |
    |Trick |Psycic |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 01|Focus Punch | |
    |TM 04|Calm Mind | |
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 12|Taunt | |
    |TM 15|Hyper Beam | |
    |TM 16|Light Screen | |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 20|Safeguard | |
    |TM 21|Frustration | |
    |TM 22|Solar Beam | |
    |TM 24|Thunderbolt | |
    |TM 25|Thunder | |
    |TM 27|Return | |
    |TM 29|Psycic | |
    |TM 30|Shadow Ball | |
    |TM 31|Brick Break | |
    |TM 32|Double Team | |
    |TM 33|Reflect | |
    |TM 34|Shock Wave | |
    |TM 41|Torment | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |TM 48|Skill Swap | |
    |TM 49|Snatch | |
    |-----|-------------|------------------------|
    |HM 05|Flash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Mega Punch | |
    |Mega Kick | |
    |Body Slam | |
    |Double-Edge | |
    |Counter | |
    |Seismic Toss | |
    |Mimic | |
    |Metronome | |
    |Dream Eater | |
    |Thunder Wave | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #123 Scyther

    Type: Bug/Flying (Scyther)
    Bug/Steel (Scizor)

    Ability: Swarm

    Egg Group: Bug

    Location: Trade from FR

    Evolution Line: Scyther Trade with Metal Coat
    Scizor Final


    Move List:
    /------------------------------------\\
    |Name |Type |#1 |
    |----------------------|---------|---|
    |Quick Attack |Normal |Sta|
    |Leer |Normal |Sta|
    |Focus Energy |Normal |6 |
    |Pursuit |Dark |11 |
    |False Swipe |Normal |16 |
    |Agility |Psycic |21 |
    |Wing Attack |Flying |26 |
    |Slash |Normal |31 |
    |Swords Dance |Normal |35 |
    |Double Team |Normal |41 |
    |Fury Cutter |Bug |46 |
    \\------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Counter |Fighting |
    |Safeguard |Normal |
    |Baton Pass |Normal |
    |Reversal |Fighting |
    |Light Screen |Psycic |
    |Endure |Normal |
    |Silver Wind |Bug |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 15|Hyper Beam | |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 21|Frustration | |
    |TM 27|Return | |
    |TM 32|Double Team | |
    |TM 40|Aerial Ace | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |TM 47|Steel Wing | |
    |-----|-------------|------------------------|
    |HM 01|Cut | |
    |HM 06|Rock Smash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Swords Dance | |
    |Double-Edge | |
    |Counter | |
    |Mimic | |
    |Substitute | |
    \\--------------------------------------------/
    ===========================================================================
    #124 Jynx

    Type: Ice/Psycic

    Ability: Oblivious

    Egg Group: Human-Like

    Location: Smoochum: Breed a Jynx with another Pokemon
    Jynx: Trade for in Cerulean City (Poliwhirl for Jynx)

    Evolution Line: Smoochum Lv 30
    Jynx Final


    Move List:
    /------------------------------------\\
    |Name |Type |#1 |
    |----------------------|---------|---|
    |Pound |Normal |Sta|
    |Lick |Ghost |Sta|
    |Lovely Kiss |Normal |9 |
    |Powder Snow |Ice |13 |
    |Double Slap |Normal |21 |
    |Ice Punch |Ice |25 |
    |Mean Look |Normal |35 |
    |Fake Tears |Dark |41 |
    |Body Slam |Normal |51 |
    |Perish Song |Normal |57 |
    |Blizzard |Ice |58 |
    \\------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Meditate |Psychic |
    |Psych Up |Normal |
    |Fake Out |Normal |
    |Wish |Normal |
    |Ice Punch |Ice |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 01|Focus Punch | |
    |TM 03|Water Pulse | |
    |TM 04|Calm Mind | |
    |TM 06|Toxic | |
    |TM 07|Hail | |
    |TM 10|Hidden Power | |
    |TM 12|Taunt | |
    |TM 13|Ice Beam | |
    |TM 14|Blizzard | |
    |TM 15|Hyper Beam | |
    |TM 16|Light Screen | |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 21|Frustration | |
    |TM 27|Return | |
    |TM 29|Psycic | |
    |TM 30|Shadow Ball | |
    |TM 31|Brick Break | |
    |TM 32|Double Team | |
    |TM 33|Reflect | |
    |TM 41|Torment | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |TM 48|Skill Swap | |
    |-----|-------------|------------------------|
    |HM 01|Cut | |
    |HM 02|Fly | |
    |HM 03|Surf | |
    |HM 04|Strength | |
    |HM 05|Flash | |
    |HM 06|Rock Smash | |
    |HM 07|Waterfall | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Mega Punch | |
    |Mega Kick | |
    |Body Slam | |
    |Double-Edge | |
    |Counter | |
    |Seismic Toss | |
    |Mimic | |
    |Metronome | |
    |Dream Eater | |
    |Substitute | |
    \\--------------------------------------------/

    Lost Moves:
    /----------------------|---------\\
    |Ability |Type |
    |----------------------|---------|
    |Thrash |Normal |
    \\--------------------------------/

    ===========================================================================
    #125 Electabuzz

    Type: Electric

    Ability: Static

    Egg Group: Human-Like

    Location: Trade from FR

    Evolution Line: Elekid Lv 30
    Electabuzz Final


    Move List:
    /------------------------------------\\
    |Name |Type |#1 |
    |----------------------|---------|---|
    |Quick Attack |Normal |Sta|
    |Leer |Normal |Sta|
    |Thunder Punch |Electric |9 |
    |Light Screen |Psycic |17 |
    |Swift |Normal |25 |
    |Screech |Normal |36 |
    |Thunderbolt |Electric |47 |
    |Thunder |Electric |58 |
    \\------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Karate Chop |Fighting |
    |Barrier |Psychic |
    |Rolling Kick |Fighting |
    |Meditate |Psychic |
    |Cross Chop |Fighting |
    |Fire Punch |Fire |
    |Ice Punch |Ice |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 01|Focus Punch | |
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 15|Hyper Beam | |
    |TM 16|Light Screen | |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 21|Frustration | |
    |TM 23|Iron Tail | |
    |TM 24|Thunderbolt | |
    |TM 25|Thunder | |
    |TM 27|Return | |
    |TM 29|Psycic | |
    |TM 31|Brick Break | |
    |TM 32|Double Team | |
    |TM 34|Shock Wave | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |-----|-------------|------------------------|
    |HM 04|Strength | |
    |HM 05|Flash | |
    |HM 06|Rock Smash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Mega Punch | |
    |Mega Kick | |
    |Body Slam | |
    |Double-Edge | |
    |Counter | |
    |Seismic Toss | |
    |Mimic | |
    |Thunder Wave | |
    |Substitute | |
    \\--------------------------------------------/

    Lost moves:
    /--------------------------------\\
    |Ability |Type |
    |----------------------|---------|
    |Thundershock |Electric |
    \\--------------------------------/

    ===========================================================================
    #126 Magmar

    Type: Fire

    Ability: Flame Body

    Egg Group: Human-Like

    Location: Trade from LG

    Evolution Line: Magby Lv 30
    Magmar Final


    Move List:
    /------------------------------------\\
    |Name |Type |#1 |
    |----------------------|---------|---|
    |Ember |Fire |Sta|
    |Leer |Normal |7 |
    |Smog |Poison |13 |
    |Fire Punch |Fire |19 |
    |Smoke Screen |Normal |25 |
    |Sunny Day |Fire |33 |
    |Flamethrower |Fire |41 |
    |Confuse Ray |Ghost |49 |
    |Fire Blast |Fire |57 |
    \\------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Karate Chop |Fighting |
    |Mega Punch |Normal |
    |Barrier |Psychic |
    |Screech |Normal |
    |Cross Chop |Fighting |
    |Thunderpunch |Electric |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 01|Focus Punch | |
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 15|Hyper Beam | |
    |TM 17|Protect | |
    |TM 21|Frustration | |
    |TM 23|Iron Tail | |
    |TM 27|Return | |
    |TM 29|Psycic | |
    |TM 31|Brick Break | |
    |TM 32|Double Team | |
    |TM 35|Flamethrower | |
    |TM 38|Fire Blast | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |-----|-------------|------------------------|
    |HM 04|Strength | |
    |HM 06|Rock Smash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Mega Punch | |
    |Mega Kick | |
    |Body Slam | |
    |Double-Edge | |
    |Counter | |
    |Seismic Toss | |
    |Mimic | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #127 Pinsir

    Type: Bug

    Ability: Hyper Cutter

    Egg Group: Bug

    Location: Safari Zone

    Evolution Line: None


    Move List:
    /------------------------------------\\
    |Name |Type |#1 |
    |----------------------|---------|---|
    |Vice Grip |Normal |Sta|
    |Focus Energy |Normal |Sta|
    |Bind |Normal |7 |
    |Seismic Toss |Fighting |13 |
    |Harden |Normal |19 |
    |Revenge |FIghting |25 |
    |Birck Break |Fighting |31 |
    |Guillotine |Normal |37 |
    |Submission |Fighting |43 |
    |Swords Dance |Normal |49 |
    \\------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Fury Attack |Normal |
    |Flail |Normal |
    |False Swipe |Normal |
    |Faint Attack |Dark |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 01|Focus Punch | |
    |TM 06|Toxic | |
    |TM 08|Bulk Up | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 15|Hyper Beam | |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 21|Frustration | |
    |TM 26|Earthquake | |
    |TM 27|Return | |
    |TM 28|Dig | |
    |TM 31|Brick Break | |
    |TM 32|Double Team | |
    |TM 39|Rock Tomb | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |-----|-------------|------------------------|
    |HM 01|Cut | |
    |HM 04|Strength | |
    |HM 06|Rock Smash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Swords Dance | |
    |Body Slam | |
    |Double-Edge | |
    |Seisimic Toss | |
    |Mimic | |
    |Rock Slide | |
    |Substitute | |
    \\--------------------------------------------/

    Lost Moves:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Slash |Normal |
    \\--------------------------------/

    ===========================================================================
    #128 Tauros

    Type: Normal

    Ability: Intimidate

    Egg Group: Field

    Location: Tauros: Safari Zone

    Evolution Line: None


    Move List:
    /------------------------------------\\
    |Name |Type |#1 |
    |----------------------|---------|---|
    |Tackle |Normal |Sta|
    |Tail Whip |Normal |4 |
    |Rage |Normal |8 |
    |Horn Attack |Normal |13 |
    |Scary Face |Normal |19 |
    |Pursuit |Dark |26 |
    |Rest |Psycic |34 |
    |Thrash |Normal |43 |
    |Take Down |Normal |53 |
    \\------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |None |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 03|Water Pulse | |
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 13|Ice Beam | |
    |TM 14|Blizzard | |
    |TM 15|Hyper Beam | |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 21|Frustration | |
    |TM 22|Solar Beam | |
    |TM 23|Iron Tail | |
    |TM 24|Thunderbolt | |
    |TM 25|Thunder | |
    |TM 26|Earthquake | |
    |TM 27|Return | |
    |TM 32|Double Team | |
    |TM 34|Shock Wave | |
    |TM 35|Flamethrower | |
    |TM 37|Sandstorm | |
    |TM 38|Fire Blast | |
    |TM 39|Rock Tomb | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |-----|-------------|------------------------|
    |HM 03|Surf | |
    |HM 04|Strength | |
    |HM 06|Rock Smash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Body Slam | |
    |Double-Edge | |
    |Mimic | |
    |Substitute | |
    \\--------------------------------------------/


    Lost Moves:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Stomp |Normal |
    |Leer |Normal |
    \\--------------------------------/

    ===========================================================================
    #129 Magikarp/#130 Gyrados

    Type: Water (Magikarp)
    Water/Flying (Gyrados)

    Ability: Swift Swim (Magikarp)
    Intimidate (Gyrados)

    Egg Group: Water 2/Dragon

    Location: Magikarp: Pretty much anywhere you can fish

    Gyrados: Sootopolis City (Fishing)

    Evolution Line: Magikarp Lv 20
    Gyrados Final


    Move List:
    /----------------------------------------\\
    |Name |Type |#1 |#2 |
    |----------------------|---------|---|---|
    |Splash |Normal |Sta|Sta|
    |Tackle |Normal |15 |Sta|
    |Flail |Normal |30 |- |
    |Bite |Dark |- |20 |
    |Dragon Rage |Dragon |- |25 |
    |Leer |Normal |- |30 |
    |Twister |Dragon |- |35 |
    |Hydro Pump |Water |- |40 |
    |Rain Dance |Water |- |45 |
    |Dragon Dance |Dragon |- |50 |
    |Hyper Beam |Normal |- |55 |
    \\----------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |None |
    \\--------------------------------/

    TM and HM List: *Note: Magikarp cannot learn TM's or HM's
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 03|Water Pulse | |
    |TM 05|Roar | |
    |TM 06|Toxic | |
    |TM 07|Hail | |
    |TM 10|Hidden Power | |
    |TM 12|Taunt | |
    |TM 13|Ice Beam | |
    |TM 14|Blizzard | |
    |TM 15|Hyper Beam | |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 21|Frustration | |
    |TM 24|Thunderbolt | |
    |TM 25|Thunder | |
    |TM 26|Earthquake | |
    |TM 27|Return | |
    |TM 32|Double Team | |
    |TM 35|Flamethrower | |
    |TM 37|Sandstorm | |
    |TM 38|Fire Blast | |
    |TM 41|Torment | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |-----|-------------|------------------------|
    |HM 03|Surf | |
    |HM 04|Strength | |
    |HM 06|Rock Smash | |
    |HM 07|Waterfall | |
    |HM 08|Dive | |
    \\--------------------------------------------/

    Move Tutors List: *Note: Magikarp cannot lean moves from tutors
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Body Slam | |
    |Double-Edge | |
    |Mimic | |
    |Thunder Wave | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #131 Lapras

    Type: Water/Ice

    Ability: Water Absorb
    Shell Armor

    Egg Group: Monster/Water 1

    Location: Trade from FR/LG

    Evolution Line: None


    Move List:
    /------------------------------------\\
    |Name |Type |#1 |
    |----------------------|---------|---|
    |Water Gun |Water |Sta|
    |Growl |Normal |Sta|
    |Sing |Normal |Sta|
    |Mist |Ice |7 |
    |Body Slam |Normal |13 |
    |Confuse Ray |Ghost |19 |
    |Perish Song |Normal |25 |
    |Ice Beam |Ice |31 |
    |Rain Dance |Water |37 |
    |Safeguard |Normal |43 |
    |Hydro Pump |Water |49 |
    |Sheer Cold |Ice |55 |
    \\------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Foresight |Normal |
    |Substitute |Normal |
    |Tickle |Normal |
    |Refresh |Normal |
    |Dragon Dance |Dragon |
    |Curse |??? |
    |Sleep Talk |Normal |
    |Horn Drill |Normal |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 03|Water Pulse | |
    |TM 05|Roar | |
    |TM 06|Toxic | |
    |TM 07|Hail | |
    |TM 10|Hidden Power | |
    |TM 13|Ice Beam | |
    |TM 14|Blizzard | |
    |TM 15|Hyper Beam | |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 20|Safeguard | |
    |TM 21|Frustration | |
    |TM 23|Iron Tail | |
    |TM 24|Thunderbolt | |
    |TM 25|Thunder | |
    |TM 27|Return | |
    |TM 29|Psycic | |
    |TM 32|Double Team | |
    |TM 34|Shock Wave | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |-----|-------------|------------------------|
    |HM 03|Surf | |
    |HM 04|Strength | |
    |HM 06|Rock Smash | |
    |HM 07|Waterfall | |
    |HM 08|Dive | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Body Slam | |
    |Double Edge | |
    |Mimic | |
    |Dream Eater | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #132 Ditto

    Type: Normal

    Ability: Limber

    Egg Group: Ditto can breed with any non-legendary Pokemon of any gender.

    Location: Trade from FR/LG/E

    Evolution Line: None


    Move List:
    /------------------------------------\\
    |Name |Type |#1 |
    |----------------------|---------|---|
    |Transform |Normal |Sta|
    \\------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |None |
    \\--------------------------------/

    TM and HM list:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |None |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |None |
    \\--------------------------------------------/

    ===========================================================================
    #133 Eevee

    Type: Normal

    Ability: Run Away

    Egg Group: Field

    Location: Trade from FR/LG

    Evolution Line: Eevee Thunder Stone (Jolteon)
    Water Stone (Vaporeon)
    Fire Stone (Flareon)
    Friendly Evolution at Night (Umbreon)*
    Friendly Evolution in the Morning or
    Mid Day (Espeon)*

    *Can only evolve in R/S/E

    Jolteon Final
    Flareon Final
    Vaporeon Final
    Umbreon Final
    Espeon Final


    Move List: (Note: This only applies to Eevee)
    /------------------------------------\\
    |Name |Type |#1 |
    |----------------------|---------|---|
    |Tackle |Normal |Sta|
    |Tail Whip |Normal |Sta|
    |Helping Hand |Normal |Sta|
    |Sand Attack |Normal |8 |
    |Growl |Normal |16 |
    |Quick Attack |Normal |23 |
    |Bite |Dark |30 |
    |Baton Pass |Fighting |36 |
    |Take Down |Normal |42 |
    \\------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Charm |Normal |
    |Flail |Normal |
    |Endure |Normal |
    |Curse |??? |
    |Tickle |Normal |
    |Wish |Normal |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 21|Frustration | |
    |TM 23|Iron Tail | |
    |TM 27|Return | |
    |TM 28|Dig | |
    |TM 30|Shadow Ball | |
    |TM 32|Double Team | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Body Slam | |
    |Double-Edge | |
    |Mimic | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #134 Vaporeon

    Type: Water

    Ability: Water Absorb

    Egg Group: Field

    Location: Evolved from Eevee via Water Stone

    Evolution Line: Eevee Water Stone
    Vaporeon Final


    Move List: (Note: This only applies to Vaporeon)
    /------------------------------------\\
    |Name |Type |#1 |
    |----------------------|---------|---|
    |Tackle |Normal |Sta|
    |Tail Whip |Normal |Sta|
    |Helping Hand |Normal |Sta|
    |Sand Attack |Normal |8 |
    |Water Gun |Water |16 |
    |Quick Attack |Normal |23 |
    |Bite |Normal |30 |
    |Aurora Beam |Ice |36 |
    |Haze |Ice |42 |
    |Acid Armor |Poison |47 |
    |Hydro Pump |Water |52 |
    \\------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |None (Eevee) |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 03|Water Pulse | |
    |TM 05|Roar | |
    |TM 06|Toxic | |
    |TM 07|Hail | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 13|Ice Beam | |
    |TM 14|Blizzard | |
    |TM 15|Hyper Beam | |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 21|Frustration | |
    |TM 23|Iron Tail | |
    |TM 27|Return | |
    |TM 28|Dig | |
    |TM 30|Shadow Ball | |
    |TM 32|Double Team | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |-----|-------------|------------------------|
    |HM 03|Surf | |
    |HM 07|Waterfall | |
    |HM 08|Dive | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Body Slam | |
    |Double-Edge | |
    |Mimic | |
    |Substitute | |
    \\--------------------------------------------/

    Lost Moves:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Mist |Ice |
    \\--------------------------------/

    ===========================================================================
    #135 Jolteon

    Type: Electric

    Ability: Volt Absorb

    Egg Group: Field

    Location: Evolved from Eevee via Thunder Stone

    Evolution Line: Eevee Thunder Stone
    Jolteon Final


    Move List: (Note: This only applies to Jolteon)
    /------------------------------------\\
    |Name |Type |#1 |
    |----------------------|---------|---|
    |Tackle |Normal |Sta|
    |Tail Whip |Normal |Sta|
    |Helping Hand |Normal |Sta|
    |Sand Attack |Normal |8 |
    |Thundershock |Electric |16 |
    |Quick Attack |Normal |23 |
    |Double Kick |Fighting |30 |
    |Pin Missle |Bug |36 |
    |Thunder Wave |Electric |42 |
    |Agility |Psycic |47 |
    |Thunder |Electric |52 |
    \\------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |None (Eevee) |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 05|Roar | |
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 15|Hyper Beam | |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 21|Frustration | |
    |TM 23|Iron Tail | |
    |TM 24|Thunderbolt | |
    |TM 25|Thunder | |
    |TM 27|Return | |
    |TM 28|Dig | |
    |TM 30|Shadow Ball | |
    |TM 32|Double Team | |
    |TM 34|Shock Wave | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |-----|-------------|------------------------|
    |HM 05|Flash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Body Slam | |
    |Double-Edge | |
    |Mimic | |
    |Thunder Wave | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #136 Flareon

    Type: Fire

    Ability: Flash Fire

    Egg Group: Field

    Location: Evolved from Eevee via Fire Stone

    Evolution Line: Eevee Fire Stone
    Vaporeon Final


    Move List: (Note: This only applies to Flareon)
    /------------------------------------\\
    |Name |Type |#1 |
    |----------------------|---------|---|
    |Tackle |Normal |Sta|
    |Tail Whip |Normal |Sta|
    |Helping Hand |Normal |Sta|
    |Sand Attack |Normal |8 |
    |Ember |Fire |16 |
    |Quick Attack |Normal |23 |
    |Bite |Normal |30 |
    |Fire Spin |Fire |36 |
    |Smog |Poison |42 |
    |Leer |Normal |47 |
    |Flamethrower |Fire |52 |
    \\------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |None (Eevee) |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 05|Roar | |
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 15|Hyper Beam | |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 21|Frustration | |
    |TM 23|Iron Tail | |
    |TM 27|Return | |
    |TM 28|Dig | |
    |TM 30|Shadow Ball | |
    |TM 32|Double Team | |
    |TM 35|Flamethrower | |
    |TM 38|Fire Blast | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 50|Overheat | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Body Slam | |
    |Double-Edge | |
    |Mimic | |
    |Substitute | |
    \\--------------------------------------------/


    Lost Moves:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Rage |Normal |
    \\--------------------------------/

    ===========================================================================
    #137 Porygon

    Type: Normal

    Ability: Trace

    Egg Group: None, must breed with Ditto.

    Location: Trade from FR/LG

    Evolution Line: Porygon Traded while holding the Up-Grade item
    Porygon2 Final


    Move List:
    /------------------------------------\\
    |Name |Type |#1 |
    |----------------------|---------|---|
    |Tackle |Normal |Sta|
    |Conversion 2 |Normal |Sta|
    |Conversion |Normal |Sta|
    |Agility |Psycic |9 |
    |Psybeam |Psycic |12 |
    |Recover |Normal |30 |
    |Sharpen |Normal |24 |
    |Lock-On |Normal |32 |
    |Tri Attack |Normal |36 |
    |Recycle |Normal |44 |
    |Zap Cannon |Electric |48 |
    \\------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |None |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 13|Ice Beam | |
    |TM 14|Blizzard | |
    |TM 15|Hyper Beam | |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 21|Frustration | |
    |TM 22|Solar Beam | |
    |TM 23|Iron Tail | |
    |TM 24|Thunderbolt | |
    |TM 25|Thunder | |
    |TM 27|Return | |
    |TM 29|Psycic | |
    |TM 30|Shadow Ball | |
    |TM 32|Double Team | |
    |TM 34|Shock Wave | |
    |TM 40|Aerial Ace | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 46|Thief | |
    |-----|-------------|------------------------|
    |HM 05|Flash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Double-Edge | |
    |Mimic | |
    |Dream Eater | |
    |Thunder Wave | |
    |Substittue | |
    \\--------------------------------------------/

    Lost Moves:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Harden |Normal |
    \\--------------------------------/

    ===========================================================================
    #138 Omanyte/#139 Omastar

    Type: Rock/Water

    Ability: Swift Swim
    Shell Armor

    Egg Group: Water 1/Water 3

    Location: Trade from FR/LG

    Evolution Line: Omanyte Lv 40
    Omastar Final


    Move List:
    /----------------------------------------\\
    |Name |Type |#1 |#2 |
    |----------------------|---------|---|---|
    |Constrict |Normal |Sta|Sta|
    |Withdraw |Water |Sta|Sta|
    |Bite |Dark |13 |13 |
    |Water Gun |Water |19 |19 |
    |Mud Shot |Ground |25 |25 |
    |Leer |Normal |31 |31 |
    |Protect |Normal |37 |37 |
    |Spike Cannon |Normal |- |40 |
    |Tickle |Normal |43 |46 |
    |Ancientpower |Rock |49 |55 |
    |Hydro Pump |Water |55 |65 |
    \\----------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Bubblebeam |Water |
    |Aurora Beam |Ice |
    |Slam |Normal |
    |Supersonic |Normal |
    |Haze |Ice |
    |Rock Slide |Rock |
    |Spikes |Ground |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 03|Water Pulse | |
    |TM 06|Toxic | |
    |TM 07|Hail | |
    |TM 10|Hidden Power | |
    |TM 13|Ice Beam | |
    |TM 14|Blizzard | |
    |TM 15|Hyper Beam |Omastar only |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 21|Frustration | |
    |TM 27|Return | |
    |TM 32|Double Team | |
    |TM 37|Sandstorm | |
    |TM 39|Rock Tomb | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |-----|-------------|------------------------|
    |HM 03|Surf | |
    |HM 06|Rock Smash | |
    |HM 07|Waterfall | |
    |HM 08|Dive | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Body Slam | |
    |Seismic Toss |Omastar only |
    |Double Edge | |
    |Mimic | |
    |Rock Slide | |
    |Substitute | |
    \\--------------------------------------------/

    Lost Moves:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Horn Attack |Normal |
    \\--------------------------------/

    ===========================================================================
    #140 Kabuto/#141 Kabutops

    Type: Rock/Water

    Ability: Swift Swim
    Battle Armor

    Egg Group: Water 1/Water 3

    Location: Trade from FR/LG

    Evolution Line: Kabuto Lv 40
    Kabutops Final


    Move List:
    /----------------------------------------\\
    |Name |Type |#1 |#2 |
    |----------------------|---------|---|---|
    |Scratch |Normal |Sta|Sta|
    |Harden |Normal |Sta|Sta|
    |Absorb |Grass |13 |13 |
    |Leer |Normal |19 |19 |
    |Mud Shot |Ground |25 |25 |
    |Sand-Attack |Ground |31 |31 |
    |Endure |Normal |37 |37 |
    |Slash |Normal |- |40 |
    |Metal Sound |Steel |43 |46 |
    |Mega Drain |Grass |49 |55 |
    |Hydro Pump |Water |55 |65 |
    \\----------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Bubblebeam |Water |
    |Aurora Beam |Ice |
    |Rapid Spin |Normal |
    |Dig |Ground |
    |Flail |Normal |
    |Knock Off |Dark |
    |Confuse Ray |Ghost |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 03|Water Pulse | |
    |TM 06|Toxic | |
    |TM 07|Hail | |
    |TM 10|Hidden Power | |
    |TM 13|Ice Beam | |
    |TM 14|Blizzard | |
    |TM 15|Hyper Beam |Kabutops only |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 19|Giga Drain | |
    |TM 21|Frustration | |
    |TM 27|Return | |
    |TM 28|Dig | |
    |TM 31|Brick Break |Kabutops only |
    |TM 32|Double Team | |
    |TM 37|Sandstorm | |
    |TM 39|Rock Tomb | |
    |TM 40|Aerial Ace | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |-----|-------------|------------------------|
    |HM 01|Cut |Kabutops only |
    |HM 03|Surf | |
    |HM 06|Rock Smash | |
    |HM 07|Waterfall | |
    |HM 08|Dive | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Swords Dance |Kabutops only |
    |Mega Kick |Kabutops only |
    |Body Slam | |
    |Double Edge | |
    |Seismic-Toss |Kabutops only |
    |Mimic | |
    |Rock Slide | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #142 Aerodactyl

    Type: Flying/Rock

    Ability: Rock Head
    Pressure

    Egg Group: Flying

    Location: Trade from FR/LG

    Evolution Line: None


    Move List:
    /------------------------------------\\
    |Name |Type |#1 |
    |----------------------|---------|---|
    |Wing Attack |Flying |Sta|
    |Agility |Psycic |8 |
    |Bite |Normal |15 |
    |Supersonic |Normal |22 |
    |Ancientpower |Rock |29 |
    |Scary Face |Normal |36 |
    |Take Down |Normal |43 |
    |Hyper Beam |Normal |50 |
    \\------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Whirlwind |Flying |
    |Pursuit |Dark |
    |Foresight |Normal |
    |Steel Wing |Steel |
    |Dragonbreath |Dragon |
    |Curse |??? |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 02|Dragon Claw | |
    |TM 05|Roar | |
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 12|Taunt | |
    |TM 15|Hyper Beam | |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 21|Frustration | |
    |TM 23|Iron Tail | |
    |TM 26|Earthquake | |
    |TM 27|Return | |
    |TM 32|Double Team | |
    |TM 35|Flamethrower | |
    |TM 37|Sandstorm | |
    |TM 38|Fire Blast | |
    |TM 39|Rock Tomb | |
    |TM 40|Aerial Ace | |
    |TM 41|Torment | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |TM 47|Steel Wing | |
    |-----|-------------|------------------------|
    |HM 02|Fly | |
    |HM 04|Strength | |
    |HM 06|Rock Smash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Double-Edge | |
    |Mimic | |
    |Rock Slide | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #143 Snorlax

    Type: Normal

    Ability: Immunity
    Thick Fat

    Egg Group: Monster

    Location: Trade from FR/LG

    Evolution Line: None


    Move List:
    /------------------------------------\\
    |Name |Type |#1 |
    |----------------------|---------|---|
    |Tackle |Normal |Sta|
    |Amnesia |Psycic |6 |
    |Defense Curl |Normal |10 |
    |Belly Drum |Normal |15 |
    |Headbutt |Normal |19 |
    |Yawn |Normal |24 |
    |Rest |Psycic |28 |
    |Snore |Normal |28 |
    |Body Slam |Normal |33 |
    |Sleep Talk |Normal |37 |
    |Block |Normal |41 |
    |Covet |Normal |42 |
    |Rollout |Rock |46 |
    |Hyper Beam |Normal |51 |
    \\------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Lick |Ghost |
    |Charm |Normal |
    |Double-Edge |Normal |
    |Curse |??? |
    |Fissure |Ground |
    |Substitute |Normal |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 01|Focus Punch | |
    |TM 03|Water Pulse | |
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 13|Ice Beam | |
    |TM 14|Blizzard | |
    |TM 15|Hyper Beam | |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 21|Frustration | |
    |TM 22|Solar Beam | |
    |TM 24|Thunderbolt | |
    |TM 25|Thunder | |
    |TM 26|Earthquake | |
    |TM 27|Return | |
    |TM 29|Psycic | |
    |TM 30|Shadow Ball | |
    |TM 31|Brick Break | |
    |TM 32|Double Team | |
    |TM 34|Shock Wave | |
    |TM 35|Flamethrower | |
    |TM 37|Sandstorm | |
    |TM 38|Fire Blast | |
    |TM 39|Rock Tomb | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |-----|-------------|------------------------|
    |HM 03|Surf | |
    |HM 04|Strength | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Mega Punch | |
    |Mega Kick | |
    |Body Slam | |
    |Double-Edge | |
    |Counter | |
    |Seismic Toss | |
    |Mimic | |
    |Metronome | |
    |Rock Slide | |
    |Substitute | |
    \\--------------------------------------------/

    Lost Moves:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Harden |Normal |
    \\--------------------------------/


    ===========================================================================
    #144 Articuno

    Type: Ice/Flying

    Ability: Pressure

    Egg Group: Legendary, cannot breed

    Location: Trade from FR/LG

    Evolution Line: None


    Move List:
    /------------------------------------\\
    |Name |Type |#1 |
    |----------------------|---------|---|
    |Gust |FLying |Sta|
    |Powder Snow |Ice |Sta|
    |Mist |Ice |13 |
    |Agility |Psycic |25 |
    |Ice Beam |Ice |49 |
    |Reflect |Psycic |61 |
    |Blizzard |Ice |73 |
    |Sheer Cold |Ice |85 |
    \\------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |None |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 03|Water Pulse | |
    |TM 05|Roar | |
    |TM 06|Toxic | |
    |TM 07|Hail | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 13|Ice Beam | |
    |TM 14|Blizzard | |
    |TM 15|Hyper Beam | |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 21|Frustration | |
    |TM 27|Return | |
    |TM 32|Double Team | |
    |TM 37|Sandstorm | |
    |TM 40|Aerial Ace | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 47|Steel Wing | |
    |-----|-------------|------------------------|
    |HM 02|Fly | |
    |HM 06|Rock Smash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Double-Edge | |
    |Mimic | |
    |Substitute | |
    \\--------------------------------------------/

    Lost Moves:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Peck |Flying |
    \\--------------------------------/

    ===========================================================================
    #145 Zapdos

    Type: Electric/Flying

    Ability: Pressure

    Egg Group: Legendary, cannot breed

    Location: Trade from FR/LG

    Evolution Line: None


    Move List:
    /------------------------------------\\
    |Name |Type |#1 |
    |----------------------|---------|---|
    |Peck |Flying |Sta|
    |Thundershock |Electric |Sta|
    |Thunder Wave |Electric |13 |
    |Agility |Psycic |25 |
    |Detect |Fighting |37 |
    |Drill Peck |Flying |49 |
    |Charge |Electric |61 |
    |Light Screen |Psycic |73 |
    |Thunder |Electric |85 |
    \\------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |None |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 05|Roar | |
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 15|Hyper Beam | |
    |TM 16|Light Screen | |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 21|Frustration | |
    |TM 24|Thunderbolt | |
    |TM 25|Thunder | |
    |TM 27|Return | |
    |TM 32|Double Team | |
    |TM 34|Shock Wave | |
    |TM 37|Sandstorm | |
    |TM 40|Aerial Ace | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 47|Steel Wing | |
    |-----|-------------|------------------------|
    |HM 02|Fly | |
    |HM 05|Flash | |
    |HM 06|Rock Smash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Double-Edge | |
    |Mimic | |
    |Thunder Wave | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #146 Moltres

    Type: Fire/Flying

    Ability: Pressure

    Egg Group: Legendary, cannot breed

    Location: Trade from FR/LG

    Evolution Line: None


    Move List:
    /------------------------------------\\
    |Name |Type |#1 |
    |----------------------|---------|---|
    |Wing Attack |Flying |Sta|
    |Ember |Fire |Sta|
    |Fire Spin |Fire |13 |
    |Agility |Psycic |25 |
    |Endure |Normal |37 |
    |Flamethrower |Fire |49 |
    |Safeguard |Normal |61 |
    |Heat Wave |Fire |73 |
    |Sky Attack |Flying |85 |
    \\------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |None |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 05|Roar | |
    |TM 06|Toxic | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 15|Hyper Beam | |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 20|Safeguard | |
    |TM 21|Frustration | |
    |TM 27|Return | |
    |TM 32|Double Team | |
    |TM 35|Flamethrower | |
    |TM 37|Sandstorm | |
    |TM 38|Fire Blast | |
    |TM 40|Aerial Ace | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 46|Thief | |
    |TM 47|Steel Wing | |
    |TM 50|Overheat | |
    |-----|-------------|------------------------|
    |HM 02|Fly | |
    |HM 06|Rock Smash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Double-Edge | |
    |Mimic | |
    |Substitute | |
    \\--------------------------------------------/


    Lost Moves:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Peck |Flying |
    |Leer |Normal |
    \\--------------------------------/

    ===========================================================================
    #147 Dratini/#148 Dragonair/#149 Dragonite

    Type: Flying/Dragon

    Ability: Shed Skin (Dratini and Dragonair)
    Inner Focus (Dragonite)

    Egg Group: Water 1/Dragon

    Location: Trade from FR/LG

    Evolution Line: Dratini Lv 30
    Dragonair Lv 55
    Dragonite Final


    Move List:
    /--------------------------------------------\\
    |Name |Type |#1 |#2 |#3 |
    |----------------------|---------|---|---|---|
    |Wrap |Normal |Sta|Sta|Sta|
    |Leer |Normal |Sta|Sta|Sta|
    |Thunder Wave |Thunder |8 |8 |8 |
    |Twister |Dragon |15 |15 |15 |
    |Dragon Rage |Dragon |22 |22 |22 |
    |Slam |Normal |29 |29 |29 |
    |Agility |Psycic |36 |38 |38 |
    |Safeguard |Normal |43 |47 |47 |
    |Wing Attack |Flying |- |- |55 |
    |Outrage |Dragon |50 |56 |61 |
    |Hyper Beam |Normal |57 |65 |75 |
    \\--------------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |Light Screen |Psycic |
    |Mist |Ice |
    |Haze |Ice |
    |Supersonic |Normal |
    |Dragonbreath |Dragon |
    |Dragon Dance |Dragon |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 01|Focus Punch |Dragonite only |
    |TM 02|Dragon Claw |Dragonite only |
    |TM 03|Water Pulse | |
    |TM 05|Roar |Dragonite only |
    |TM 06|Toxic | |
    |TM 07|Hail | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 13|Ice Beam | |
    |TM 14|Blizzard | |
    |TM 15|Hyper Beam | |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 20|Safeguard | |
    |TM 21|Frustration | |
    |TM 23|Iron Tail | |
    |TM 24|Thunderbolt | |
    |TM 25|Thunder | |
    |TM 26|Earthquake |Dragonite only |
    |TM 27|Return | |
    |TM 31|Brick Break |Dragonite only |
    |TM 32|Double Team | |
    |TM 34|Shock Wave | |
    |TM 35|Flamethrower | |
    |TM 37|Sandstorm |Dragonite only |
    |TM 38|Fire Blast | |
    |TM 39|Rock Tomb |Dragonite only |
    |TM 40|Aerial Ace |Dragonite only |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 47|Steel Wing |Dragonite only |
    |-----|-------------|------------------------|
    |HM 01|Cut |Dragonite only |
    |HM 02|Fly |Dragonite only |
    |HM 03|Surf | |
    |HM 04|Strength |Dragonite only |
    |HM 06|Rock Smash |Dragonite only |
    |HM 07|Waterfall | |
    |HM 08|Dive |Dragonite only |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Body Slam | |
    |Double-Egde | |
    |Mimic | |
    |Thunder Wave | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #150 Mewtwo

    Type: Psycic

    Ability: Pressure

    Egg Group: Legendary, cannot breed.

    Location: Trade from FR/LG

    Evolution Line: None


    Move List:
    /------------------------------------\\
    |Name |Type |#1 |
    |----------------------|---------|---|
    |Confusion |Psycic |Sta|
    |Disable |Normal |Sta|
    |Barrier |Psycic |11 |
    |Swift |Normal |22 |
    |Psych up |Normal |33 |
    |Future Sight |Psychic |44 |
    |Mist |Ice |55 |
    |Psycic |Psycic |66 |
    |Amnesia |Psycic |77 |
    |Recover |Normal |88 |
    |Safeguard |Normal |99 |
    \\------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |None |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 01|Focus Punch | |
    |TM 03|Water Pulse | |
    |TM 04|Calm Mind | |
    |TM 06|Toxic | |
    |TM 07|Hail | |
    |TM 08|Bulk Up | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 12|Taunt | |
    |TM 13|Ice Beam | |
    |TM 14|Blizzard | |
    |TM 15|Hyper Beam | |
    |TM 16|Light Screen | |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 20|Safeguard | |
    |TM 21|Frustration | |
    |TM 22|Solar Beam | |
    |TM 23|Iron Tail | |
    |TM 24|Thunderbolt | |
    |TM 25|Thunder | |
    |TM 26|Earthquake | |
    |TM 27|Return | |
    |TM 29|Psycic | |
    |TM 30|Shadow Ball | |
    |TM 31|Brick Break | |
    |TM 32|Double Team | |
    |TM 33|Reflect | |
    |TM 34|Shock Wave | |
    |TM 35|Flamethrower | |
    |TM 37|Sandstorm | |
    |TM 38|Fire Blast | |
    |TM 39|Rock Tomb | |
    |TM 40|Aerial Ace | |
    |TM 41|Torment | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 48|Skill Swap | |
    |TM 49|Snatch | |
    |-----|-------------|------------------------|
    |HM 04|Strength | |
    |HM 05|Flash | |
    |HM 06|Rock Smash | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Mega Punch | |
    |Mega Kick | |
    |Body Slam | |
    |Double-Edge | |
    |Counter | |
    |Seismic Toss | |
    |Mimic | |
    |Metronome | |
    |Dream Eater | |
    |Thunder Wave | |
    |Substitute | |
    \\--------------------------------------------/

    ===========================================================================
    #151 Mew

    Type: Psycic

    Ability: Synchronize

    Egg Group: Legendary, cannot breed.

    Location: Special event pokemon. Located on a island in Emerald, need a
    special event item to get to it.

    Evolution Line: None


    Move List:
    /------------------------------------\\
    |Name |Type |#1 |
    |----------------------|---------|---|
    |Pound |Normal |Sta|
    |Transform |Normal |10 |
    |Mega Punch |Normal |20 |
    |Metronome |Normal |30 |
    |Psycic |Psycic |40 |
    |Ancientpower |Rock |50 |
    \\------------------------------------/

    Egg Move List:
    /--------------------------------\\
    |Name |Type |
    |----------------------|---------|
    |None |
    \\--------------------------------/

    TM and HM List:
    /--------------------------------------------\\
    |TM |Name |Notes |
    |-----|-------------|------------------------|
    |TM 01|Focus Punch | |
    |TM 02|Dragon Claw | |
    |TM 03|Water Pulse | |
    |TM 04|Calm Mind | |
    |TM 05|Roar | |
    |TM 06|Toxic | |
    |TM 07|Hail | |
    |TM 08|Bulk Up | |
    |TM 09|Bullet Seed | |
    |TM 10|Hidden Power | |
    |TM 11|Sunny Day | |
    |TM 12|Taunt | |
    |TM 13|Ice Beam | |
    |TM 14|Blizzard | |
    |TM 15|Hyper Beam | |
    |TM 16|Light Screen | |
    |TM 17|Protect | |
    |TM 18|Rain Dance | |
    |TM 19|Giga Drain | |
    |TM 20|Safeguard | |
    |TM 21|Frustration | |
    |TM 22|Solar Beam | |
    |TM 23|Iron Tail | |
    |TM 24|Thunderbolt | |
    |TM 25|Thunder | |
    |TM 26|Earthquake | |
    |TM 27|Return | |
    |TM 28|Dig | |
    |TM 29|Psycic | |
    |TM 30|Shadow Ball | |
    |TM 31|Brick Break | |
    |TM 32|Double Team | |
    |TM 33|Reflect | |
    |TM 34|Shock Wave | |
    |TM 35|Flamethrower | |
    |TM 36|Sluge Bomb | |
    |TM 37|Sandstorm | |
    |TM 38|Fire Blast | |
    |TM 39|Rock Tomb | |
    |TM 40|Aerial Ace | |
    |TM 41|Torment | |
    |TM 42|Facade | |
    |TM 43|Secret Power | |
    |TM 44|Rest | |
    |TM 45|Attract | |
    |TM 46|Thief | |
    |TM 47|Steel Wing | |
    |TM 48|Skill Swap | |
    |TM 49|Snatch | |
    |TM 50|Overheat | |
    |-----|-------------|------------------------|
    |HM 01|Cut | |
    |HM 02|Fly | |
    |HM 03|Surf | |
    |HM 04|Strength | |
    |HM 05|Flash | |
    |HM 06|Rock Smash | |
    |HM 07|Waterfall | |
    \\--------------------------------------------/

    Move Tutors List:
    /--------------------------------------------\\
    |Move Name: |Notes: |
    |--------------|-----------------------------|
    |Body Slam | |
    |Counter | |
    |Double Edge | |
    |Dream Eater | |
    |Explosion | |
    |Mega Kick | |
    |Mega Punch | |
    |Metronome | |
    |Mimic | |
    |Rock Slide | |
    |Seismic Toss | |
    |Softboiled | |
    |Substitute | |
    |Sword Dance | |
    |Thunder Wave | |
    \\--------------------------------------------/

    ===========================================================================

    0G1:
    /-------------------------------------------------------------------------\\
    | AUTHOR CREDIT LIST |
    \\-------------------------------------------------------------------------/

    Jason Howell: (howellgames@howell-games.com)
    ---------------------------------------------------------------------------
    -Littleroot town - Route 19
    -TM/HM Guide
    -Part of Pokedex
    -Catchable Pokemon list
    -Abilities List
    -Move List
    -Item List
    -Pokedex: 001-151

    Colin: (cskull@frogdesign.com)
    ---------------------------------------------------------------------------
    -New Mauville to Elite 4


    0H1:
    /-------------------------------------------------------------------------\\
    | LEGAL INFO |
    \\-------------------------------------------------------------------------/

    Legal Info:
    ------------------------------------------------------------------------
    This FAQ is copyright of Jason Howell and me frog. This FAQ can not be
    re-published under any site without consult from the author. Certain
    in-game content (as in enemy status info, etc can be re-published on any
    FAQ or Site, but must be written in your own words. If the content in
    this guide is published in full or with minor word change, action can
    range from contacting your Internet Provider or Website Provider,
    to legal action.

    Allowed Sites:
    ------------------------------------------------------------------------
    www.gamefaqs.com
    www.gamespot.com
    www.ign.com
    ------------------------------------------------------------------------
    Banned Sites:
    www.cheatcc.com
    www.zeldaguide.com

    Credits:
    ------------------------------------------------------------------------
    Nintendo's Official Pokemon Guide: Reference used

    Versus Pokemon Guide: Reference used.

    www.pokemonelite2000.com: Move List info

    Wikipedia
    www.serebii.net: Both provided a list of Pokemon exclusive to each
    version. Thank you.


    Contact Email:
    ------------------------------------------------------------------------
    Problem Email: If you spot a problem with this guide, please fill out a
    complaint and send it to howellgames@howell-games.com.
    Please address the problem, guide, and right solution.

    General Email: For not as important messages, please send it to
    howellgames@gmail.com or cskull@frogdesign.com

    0 comments

    April 8th, 2010

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    December 30th, 2010

  • SLUT123HOTBITCH commented on Edgarfigueroa10's picture

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    8 SECONDS AGOPicture #15 out of 15
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    8 SECONDS AGOPicture #8 out of 8

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  • halfahero commented on halfahero's picture

    @sure3 Who Knows Who Cares? Is that a band? I've never heard of them before? Def love stringed instruments.

    @NOxxxNAME Ah but then that's where it can get even MORE interesting. Cause suddenly then, it's not just about person #1 changing themselves. It's also about person number one deciding who person #2 is in that way that they are deciding that person's likes and dislikes for them. At lease in their own head and applying it to them. With something such as this, person #1 who unknowingly alway had control in the first place, has even more control. Their subconscious efforts to read #2 is giving them creative as well as destructive power over #2 in their own head in regard to that person. Lol, I think I'm going in circles. Does that make sense?

    So in a way, especially if they're misreading #2, they're not changing themselves for #2, how could they when they're assuming about #2. They're really changing themselves for themselves THINKING it's for #2.

    @Williammm26 You commented! I love it when you comment. Thank you! I went in having no idea what I was gonna do but wanting to update so people knew I was alive. It worked out pretty well. =)

    @Danbum Lol, thank you! I love the way you talk.

    (flips up collar) Yeah... class.. that's exactly what I was goin' for. (grins)

    @SHampton505 I'm radiating?? Oh gods, it's finally happened. I've become radioactive. I knew this would happ... Oh. Coolness.

    Lol, I wish. I'm not a part of the cool kids club. Never have been. I'm just an outsider, hangin' out with my books and blankets and cereal.

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    March 8th, 2011